FUNGICIDE (2002) Visual Vengeance Collector's Edition Blu-ray Review + Screenshots

FUNGICIDE (2002) 

Visual Vengeance Collector's Edition Blu-ray 

Label: Visual Vengeance

Region Code: Region-Free 

Rating: Unrated 

Duration: 83 Minutes 26 Seconds 

Audio: English Dolby Digital 2.0 Stereo with Optional English Subtitles 

Video: 1080i HD Fullscreen (1.33:1) 

Director: Dave Wascavage

Cast: David Weldon, Wes Miller, Mary Wascavage, Dave Bonavita, Dave Wascavage, Silas Purcell 

The zero-budget SOV comedy-horror Fungicide (2000) comes to us from Dave Wascavage, the director Suburban Sasquatch, the astonishingly cheap looking slice of homespun hilarity concerns a disparate group of people who converge at a isolated Pennsylvania bed-and-breakfast for some rest a relaxation only for that weekend to be disturbed by killer mushrooms. Among them we have professional wrestler Tony Ignitus (Dave Bonavita, Suburban Sasquatch) who suffers from anger-induced spontaneous combustion,  real estate developer douche-nozzle Jackson P. Jackson (Dave Wascavage, Head Case), TV reality show soldier Major Wang (Wes Miller,  Suburban Sasquatch), and a cackling mad scientist, Silas Purcell (David Weldon, Zombies By Design), plus the host of the bed and breakfast, the hippy-dippy psychic, new ager Jade Moon (Mary Wascavage, Tartarus). The problems start with the arrival of Silas, a full-tilt cackling mad scientist who accidentally spills a vial full of frothy serum that he's recently whipped up in his parent's basement, on the front porch upon arrival, which seeps into the soil and contaminates a cluster of mushrooms, which mutates them into carnivorous killer mushrooms that spread spores throughout the nearby forest, creating an army of killer shrooms, forcing the survivors to arm themselves and fight back!

Fungicide is a jaw-droppingly bad movie, a lo-fi cheesy shit-fest of the highest-caliber, a no-budget production chock full of wonderfully bad acting, with performances that careen wildly from under-cranked lethargy to delightfully over-the-top. The early '00 digital CGI renderings of killer mushrooms don't fare much better, these digital sequences feel like a bad acid trip. The killer shrooms achieved with practical effects look like they were made with shower curtains and trash can lids, they have toothy maws and range in height from a foot or so to human sized, even growing arms and hands so that they can battle the humans with martial arts and stick-fighting, it is a truly stupefying experience from start to finish. When the shrooms eat you we learn that they absorb your knowledge, and when they eat you they regurgitate your skeleton, and when the CGI created shrooms are attacked with weapons they blow up into shard of geometric shapes, it's a wild, wild watch. 

It's a cheapie from start to finish, the homespun quality of  feels like a group of friends were just fucking around with a video camera in their backyard, and somehow just happened to make a movie while doing it, which is pretty cool. It might sound awful, and it sort of is, but I have to say, I had a pretty great time watching this. It's so campy and over-the-top, I admired how stunningly bereft of production value it is, the large butcher knife the reality TV soldier carries around with him is obviously a Dollar General Halloween prop, the damn blade looks about an inch thick with rounded edges, and the way the shrooms are brought to life both practically and digitally is hilariously cheap, its bad by design. This easily could have been an unwatchable shit-show, the saving grace is that director Dave Wascavage and his small cast of friends and family all knew exactly the sort of film they were making,  and they went for it, but it never tries to be more than what it is, they know it's silly shit, and they lean into the silliness full force, playing into the camp and cheapness of it, to maximum absurd effect. It's not a good movie, but it does kick total fung-ass!

Audio/Video: The film is presented on Blu-ray in 1080i HD framed in the original 1.33:1 fullscreen aspect ratio, sourced director-approved SD master from original tape elements. Audio comes by way of English Dolby Digital 2.0 stereo with optional English subtitles. It looks and sounds what you would expect an early '00 shot-in-video with consumer grade cameras should and would look like, check out the screenshots below, they're indicative of what to expect. 

Visual Vengeance once more go above and beyond for this shot-on-video oddity, they truly are the Criterion of crud, with an impressive array of extras. We get four audio commentaries, the full 73-min Rifftrax Version of Fungicide, as well as 3-min Alternate Opening Credits, 7-min of Deleted Scene and Outtakes, a expansive 7-min Image Gallery, an 8-min Troubled Moon Trailer Reel, 2-min Fungicide - Producer Trailer, the 1-min Fungicide - Visual Vengeance Trailer, plus 3-min of Visual Vengeance Trailers. 

Visual Vengeance packaging is top-notch, we get a Reversible Wrap featuring the original home video artwork. Inside there's a Folded Mini-Poster, one of the patented Visual Vengeance ‘Stick Your Own’ VHS Sticker Set. The first-pressing also includes a Limited Edition Slipcover, which looks like it cost much more than the actual film it promotes, plus 'Grow Your Own Killer Mushroom' Seed Packet, which is just a next level bit of movie ephemera - you don't see Criterion stuffing their releases with mushrooms spores, shame on them. 

Special Features: 

- Director-approved SD master from original tape elements

- New commentary from director Dave Wascavage and co-writer/co-prodcuer Mary Wascavage

- Archival commentary with Dave Wascavage, Mary Wascavage and David Weldon

- Commentary from Sam Panico of B&S About Movies and Bill Van Ryn of Drive-In Asylum

- Commentary from Schlock And Awe Films

- The full RIFFTRAX version of Fungicide (72:52) 

- Alternate opening credits (2:38) 

- Deleted Scene (1:28).

- Outtakes (5:14) 

- Image Gallery (6:55) 

- Troubled Moon Trailer Reel (7:55) 

- Fungicide - Producer Trailer (1:39) 

- Fungicide - Visual Vengeance Trailer (0:53) 

- Visual Vengeance Trailers: Saurians (1:12), ReAnimator University (1:08), Suburban Sasquatch (1:00)

- Reversible sleeve featuring original home video art

- Folded mini-poster

- ‘Stick Your Own’ VHS sticker set - FIRST PRESSING ONLY

- Limited Edition O-Card - FIRST PRESSING ONLY

- Limited Edition 'Grow Your Own Killer Mushroom' seed packet - FIRST PRESSING ONLY

Screenshots from the Visual Vengeance Blu-ray: 

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BRUTE CORPS (1971) Dark Force Entertainment 4K Ultra HD Review

BRUTE CORPS (1971) 

Label: Dark Force Entertainment

Region Code: Region-Free 

Rating: R

Duration: 87 Minutes 41 Seconds 

Audio: English DTS-HD MA 2.0 Dual-Mono with Optional English Subtitles 

Video: HDR10 2160p 4K Ultra HD Widescreen (1.78:1) 

Director: Jerry Jameson 

Cast: Paul Carr, Joseph Kaufman, Alex Rocco, Jennifer Billinglsy 

Brute Corpse (1971) is directed by Jerry Jameson (The Bat People), a low budget exploitation cheapie wherein a  hitchhiking draft dodger named Kevin (Joseph Kaufmann, (Private Duty Nurses) is thumbing his way through Mexico when he teams up with  free-spirited hippie hitcher named Terry (Jennifer Billingsley (Lady In A Cage). They have the bad luck of crossing paths with a hardened group of America mercenaries travelling through Mexico on their way to a job in Central America. The soldiers-for-hire calls themselves Burckhardt's Bastards, and are lead by Colonel Burckhardt (Charles Macaulay, Three O'clock High, Blacula), who lets his cadre of savage and sadistic trained killers do whatever they want, to whomever they want. At the start of the film they encounter a gang of rowdy motorcyclists tuffs at a roadside gas station, when the gang pester the soldier Quin (Roy Jenson, Chinatown) he responds by cold-bloodedly blowing them away with a shotgun. They next stop off in a small Mexican village where the most demented among them, Wicks (Alex Rocco, Motorpsycho) attempts to purchase the daughter of the local barkeeper, the scoundrel getting rather indignant when the protective father refuses, his refusal nearly costing him his life. The other mercs include the bearded MacFarlane (Michael Pataki, Graduation Day), black soldier Hill (Felton Perry, RoboCop Trilogy), Ballard (Parker West, Lemora: A Child's Tale of the Supernatural), and the second in command, Ross (Paul Carr, Ben), who is the only one who is turned off by the group's violence and lawlessness, his growing conscience slowly eroding his loyalties to Col. Burckhardt and putting him at odd with his fellow mercs.

When the mercs encounter the hitchhiking duo they invite them into their makeshift encampment inside a rock quarry and initially play nice, offering them food and conversation, before a bit of rough housing and vulgar flirtation evolves into the men attacking and tying up Kevin, with the idea of raping Terri. As the men get increasingly horny and argue over who gets first dibs on the girl. As temperatures rise and the Col. decides that the men will have to fight it out amongst to see who gets to rape her first, leading to some brutal in-fighting. While the savage mercs are distracted Kevin manages to slip away and sneak into the nearby town where the Sheriff Alvarez (Joseph Bernard, The Baby) and the old men who populate the town turn out to be cowards who don't want to get involved. With few options left the draft-dodger takes matters into his own hands, facing off against the elite killing squad, with the help of a sympathetic Ross, who can no longer quietly stand by and do nothing. 

The cast of this cheap vetsploitation flick is well above the film's weight class, the barebones set-up of of it are pretty interesting but it does sort of fritter away the more exploitative and sharper edged exploitation elements. Alex Rocco as the super-sleazy mercenary is still a good time though, the hitchhiking hippie duo have some good chemistry, and I love the turn of events at the end. Sure, its not gonna top anyone's list of best exploitation films ever made, but a good time is a good time, and with a cast like this, you know it's gonna get the job done, and it does, so I still give this early 70's slice of drive-in sleaze a recommend. 

Audio/Video: Brute Corps was previously issued by Code red back in 2016 sourced from the interpositive, and while I never saw that release I was fairly impressed with it in 4K, sourced from what is advertised as a new 4K restoration from original 35m interpositive, presented in 2160p UHD, framed in 1.85:1 widescreen, with HDR WGC color-grading. The source looks terrific, grain is well-managed if a bit course, it's not as refined as if it would have been sourced from the OCN, but looking terrific, nonetheless. The image is stable and offers plenty of sweaty detail in the close-ups of faces and clothing, the HDR color grade us used tastefully, nothing egregiously hot or hyper-vivid, but the greenery of forests, the merc's uniforms and earthy dirt and grime look natural and nicely suffuse, clothing worn by our hitchhikers, the dude's red button-up and her yellow fringe, cropped halter top also look quite good, making the Michael D. Margulies (The Baby, Crazy Mary Dirty Larry) raw cinematography look pretty good. Audio comes by way of English DTS-HD MA 2.0 dual-mono with optional English subtitles, the track is in solid shape, clean and largely free of hiss, dialogue is prioritized nicely. The score by Jack Walker is pretty decent, if ill-suited for this, it didn;t feel like an exploitation score, it was a little too cool for what this is supposed to be. 

No new extras for this release, but Dark Force Entertainment do carry over most of the extras that were present on the previous Code red DVD and Blu-ray releases. We start off with Audio Commentary with Writer/Producer Michael Kars who gives a solid account of the making of the film, how it started out as a knock-off of the biker film The Rebel Rousers (1970), location scouting, casting, production issues and plenty more. We also get a 33-min Archival On-Camera Interview with Co-Stars Felton Perry and Parker West, interviewed separately. Felton perry recalls memories of being cast and the shoot, remembering co-star Paul Karr as passionate actor,  and how Michael Pataki was upbeat and fun, Charles Macaulay had a way of speaking that was commanding. He also relates a funny story of the older Roy Jenson was quite fit and put him to shame during a friendly jog, which inspired him to get back into shape. He says that Paker West was very cool, they a good relationship on-set, joking around, and getting into their fight sequences. He also remembers Jennifer Billingsley and director Jerry Jameson, before offering a bit of career retrospective,  including his memories of shooting Trouble Man (1970), Magnum Force (1973) as Eastwood's doomed partner, doing nudity in Night Call Nurses (1972), Walking Tall (1977) with Jo Don Baker, Sudden Death (1977), and his recurring role in the Robocop flicks. Parker West gets  into how he landed the role, originally going for the lead role but at that time he did not want to do nudity, the origin of the director's nickname of "Two-shot" Jameson nickname, and memories of Paul Carr. He also talks about how Charles Macaulay was authoritative, becoming buddies with Perry on set, and memories of Jenson, Rocco, Kaufman, Billingsley, while noting that he thought of Michael Pataki as a "poor man's Richard Burton", and how in a strange turn of events Pataki was dating the sister of a girl he had previously dated. He also speaks of his way of creating his own character, playing him as Southern, the backstory he came up with for the character, as well as almost dying on the set during the filming of one of the troop carrier scenes when a camera came flying at them.  He also brings up memories of shooting Lemora: A Child's Tale of the Supernatural, his TV and theater work, as well as his improv comedy and stand-up career, and noting the last movie he went out for was Benjamin Buttons, auditioning for the role of Brad Pitt's older body double. Not carried over from previous release are a Trailer, TV Spot, and the 'Katarina's Bucketlist Mode' introduction featuring hostess Katarina Leigh Waters that accompanied the Code Red Blu-ray. 

The single-disc release arrives in a black keepcase with a single sided sleeve of artwork featuring the original illustrated movie poster, which is also replicated in the disc itself. The back of the wrap features a separate illustrated movie poster artwork.  

Special Features:

- Brand new 4K restoration anamorphic widescreen 16x9 master from original 35m IP

- Archival Audio Commentary with Writer/Producer Michael Kars

- Archival On-Camera Interview with Co-Stars Felton Perry and Parker West (31:33)

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DESTINATION MOON (1950) + FLIGHT TO MARS (1951) Film Masters Blu-ray Review + Screenshots Comparison

DESTINATION MOON (1950) 

+ MISSION TO MARS (1951) 

Special Edition Blu-ray 

Two Out of this World Classics! Destination Moon (1950) and Flight to Mars (1951) come together in a 2 Disc Collection! Both scanned in 4K from 35mm archival elements for a summer Special Edition from Film Masters

DESTINATION MOON (1950) 

Label: Film Masters

Region Code: Region-Free 

Rating: Unrated 

Duration: 91 Minutes 2 Seconds 

Audio: English DTS-HD MA 2.0 Dual-Mono with Optional English Subtitles 

Video: 1080p HD Fullscreen (1.37:1) 

Director: Irving Pichell

Cast: John Archer, Warner Anderson, Tom Powers, Dick Wesson

Destination Moon (1950), directed by  Irving Pichel (Santa Fe), produced by George Pal (War of the Worlds) and based on the novel by Robert A. (Starship Troopers), produced by the Poverty Row studio Eagle-Lion Films. It is considered the film that launched the Hollywood into the Space Age, even though the black and while Rocketship X-M arrived in theaters a few months earlier, offering a more hard-science realistic approach. It starts with  a failed rocket test-launch at a military base that explodes, ruining the hopes of government funding for General Thater (Tom Powers, The Blue Dahlia)  and Dr. Charles Cargraves  Warner Anderson, The Caine Mutiny) for their mission-to-the-moon project. With the help of aircraft magnate Jim Barnes (John Archer, I Saw What You Did) they are able to privately finance the project through a group of U.S. industrialists, after telling them that whomever reaches the moon first will certainly rule the Earth. Their pitch is assisted by a Wood Woodpecker cartoon short that simplifies the science behind space travel, so not only do we get a sci-fi flick, but we get an exclusive Woody Woodpecker cartoon, too. The pitch works, and they set about designing and building a single-stage powered spaceship, appropriately dubbed Luna, and it's a beauty, a chrome dart-shaped craft that pretty much set the standard for 50's sci-fi rocket ship for years to come. 

Despite some legal entanglement they are set to launch, but their radar/radio operator comes down with appendicitis they need a last minute replacement, wisecracking Sweeney (comedian Dick Wesson, Rollercoaster) a wisecracking Bronxite, who provides some dull-edged comedy relief in an otherwise straight-forward and serious-minded flick. The launch is a success but as they prepare to orbit the moon they discover that the rocket's antenna, which is need to pilot the landing, won't deploy. It  turns out that the well-meaning Sweeney greased it before launch, and being dim on matter's of science and space travel, didn't realize it would freeze in the frozen emptiness of space, leading to a three-man space walk to fix the issue, which leads to Cargraves being untethered and free-floating in space, with some clever use of an oxygen tank as a makeshift propulsion unit to retrieve the doc, and return him to the ship. Landing on the moon we get some terrific stop-motion miniatures and gorgeous matte paintings by Chesley Bonestell, and the crew experience further set-backs, resulting in potential self-sacrifice for the good of the mission, when they realize they do not have enough fuel to take off and achieve escape velocity. 

Watching this now the film feels a bit antiquated visually, but it's also rather exciting how close they came to reality, this was nineteen years before we eventually had a manned mission tot he moon, and they get quite a bit right. I'm old, but not THAT old, so I was not around for the Apollo 11 mission and our landing on the moon, I came along just a few years later, but it must have been something to see the actual moon landing and having watched destination moon and seeing the mostly accurate parallels, films like this, the images of leaving the Earth, arriving at the moon, the landing maneuvering, heck they even make a statement while on the moon dedicating it to the people of earth, which almost 20 years later Neil Armstrong did something very similar, it just must have been wild to see life imitating art, these film were pure fantasy and science speculation when they made it, and then we did it, that's just so wild to me.

FLIGHT TO MARS (1951)

Label: Film Masters 

Region: Region-FREE

Rating: Unrated

Duration: 72 Minutes

Audio: English DTS-HD MA 2.0 Mono with Optional English & Spanish Subtitles

Video: 1080p HD Full Frame (1.37:1) 

Director: Lesley Selander

Cast: Marguerite Chapman, Cameron Mitchell, Arthur Franz, Virginia Huston, John Litel, Morris Ankrum, Richard Gaines, Lucille Barkley, Robert Barrat, Russ Conway, Edward Earle, Everett Glass

As much as I love cheesy, vintage science fiction I have always thought that Flight to Mars (1951) was a pretty flimsy slice of sci-fi, even as a kid. The film stars Cameron Mitchell (Raw Force) and was produced on the cheap for poverty row studio Monogram Pictures, under the reigns of the legendary producer Walter Mirisch (The Magnificent Seven), who would go onto produce many classic films, among them the seminal Invasion of the Body Snatchers (1956). 

The even then cliched story follows the adventures of Earth's first rocket ship expedition to the red planet, led by senior physicist Dr. Lane (John Litel, The Return of Dr. X) who is joined by Professor Jackson (Richard Gaines, Brute Force), engineer Jim Barker (Arthur Franz, Sisters of Death), assistant engineer Carol Stadwick (Virginia Huston, Out of the Past) and journalist Steve Abbott (Cameron Mitchell, Blood and Black Lace) who is there to report the groundbreaking expedition. On route to Mars the rocket ship loses communication with Earth following an meteor  storm which also damages their landing gear. This leaves the crew to decide to either continue onto Mars to complete their mission with little  chance of ever leaving  the planet or turning around and returning to Earth. The decision is made  and they end up crash-landing on Mars to complete the mission, with the intention of sending their observations back to Earth via self-propelled drones.   

After a rough but intact crash landing the scientist begin to explore the surface of the planet and are surprised to find alien structures, but they don't seem all that surprised when they are greeted by five Martians, who look just like humans. How convenient, so as not to drive up the production costs.  The advanced Mars inhabitants tell them that they have been receiving Earth's broadcast transmissions for years and have learned their language (and apparently only the English speaking broadcasts), hence they can speak English. They take the Earthlings to an advanced underground city powered by an element that it turns out is quickly depleting and is non-sustainable. In true 50's form when the sole woman from Earth sees the advanced society her first utterance is to declare that she cannot wait to see the kitchen! The Martians offer to repair the rocketship, but secretly the Martian leader Ikron (Morris Ankrum, The Giant Claw) plans to either repair or copy the the Earthling's 

rocket-ship technology to evacuate the Martian from their dying planet and invade the Earth! 

As I said before, I have always thought this was a pretty flimsy bit of science fiction, but even still I do love these 50's cheese-fests, even the shabby ones, and this is a mighty shabby entry ladies and gentlemen. These sets can look paper-thin and are sparsely decorated, we don't even get the usual cool-looking Martian backdrops or alien ray guns. What we do get are some shoddy model rocket ships on strings, matte paintings and miniatures, but they are used quite sparingly. On the plus side the Martian costuming is quite interesting, from their colorful surface suits to their pajama's with capes formal wear, while others looks to be inspired by medieval garb; perhaps borrowed from other Mongram productions? Who needs lavish sets though when you have the lovely Marguerite Chapman as a very leggy Martian space babe named Alita, wearing a striking miniskirt ensemble with a plunging neckline, who has eyes for our sort-of leading man Cameron Mitchell, so that's something I guess. 

Audio/Video:  Destination Moon (1950) and Flight To Mars (1951) arrive on region-free Blu-ray from Film Masters,  both scanned in 4K from 35mm archival prints and color-graded,  presenting the films in the original 1.37:1 aspect ratio in 1080p HD. The sources looks immaculate, they really look great, grain levels do fluctuate a bit throughout but it looks fairly consistent, and fine detail and textures are modest but appreciable. The worst I can say about it is that the color-grading for Flight To mars seems somewhat inconsistent, the color temperatures wax and wane throughout, and skin tones in the first reel look strangely bronzed. Overall a very solid HD presentation for this '50s science fiction double-feature. 

Audio for both films comes by way of by way of English DTS-HD MA 2.0 dual-mono with optional English subtitles. It's a strong presentation that sounds appropriately vintage, obviously there's not a lot depth or low-end, and the probably recycled sound effects sound canned, but it does the trick and is not burdened by hiss or distortion, highlighting the scores by Leith Stevens (War of the Worlds)  for Destination Moon and Marlin Skiles (Space Probe Taurus) for Flight To Mars respectively.  

Extras for Destination Moon kick off with a new Audio Commentary by Justin Humphreys, which is terrifically in-depth, a 39-min Recreated Bob Burns interview, from Tom Weaver and Richard Heft, and a 23-min Man's Greatest Adventure: The Making of Destination Moon, a new documentary by Ballyhoo Motion Pictures that delves into the serious reality based take on science fiction, the score, the incredible matte paintings, cinematography, the cast and crew, and so much more, plus we get some  great BTS pics. There's also a 4-min Destination Moon Digitized Original Pressbook courtesy of James Van Hise, that is super-cool, and a 2-min Restored Original 35mm Trailer.

Flight To mars was previously issued on Blu-ray back in 2021 by The Film Detective, all the extras from that release are ported over here, beginning with an Audio commentary by author/film historian Justin Humphreys who gives the flick a solid talk about. He talks up the film a bit too much in my opinion, but along the way we get plenty of production facts, backstory about Mongram Pictures and Mirisch, anecdotes about the cast, and a candid, but still too-glowing,  assessment of the film's  shortcomings. We also get a pair of Ballyhoo Motion Pictures produced featurettes, the first is the 14-minute Walter Mirisch: From Bombay to Body Snatchers with filmmaker Courtney Joyner discussing Walter Mirisch's attempt to raise the stature of poverty tow mini-major Monogram Pictures. Next is the Interstellar Travelogues: Cinema's First Space Race with science-fiction artist/historian Vincent Di Fate who offers up a breezy history of space-travel films, presented here in an extended version that runs a several minutes longer than version that appeared on the The Film Detective Blu-ray. The last of the disc extras for Flight To Mars is the 2-min Restored Original Trailer. 

The 2-disc releases arrives in a standard, dual-hub keepcase with a single-sided sleeve of artwork featuring the original illustrated movie poster artwork. Inside there's an illustrated 16-page Illustrated Collector's Booklet with a new essay, One Small Step/One Giant Leap' by Sloan De Forest, offering a deep appreciation for Destination Moon and it's production. 

Special Features:

Disc 1: 

- Commentary by Justin Humphreys for Destination Moon

- Recreated Bob Burns interview, from Tom Weaver and Richard Heft (39:05) 

- Man's Greatest Adventure: The Making of Destination Moon, a new documentary by Ballyhoo Motion Pictures (23:09) serious reality based, score, matte paintings, cinematography, cast, great BTS clips, 

- Destination Moon Digitized Original Pressbook courtesy of James Van Hise (3:44) a

- Restored Original 35mm Trailer for Flight to Mars (2:06)

Disc 2: 

- Commentary by author/film historian Justin Humphreys on Flight To Mars 

- Walter Mirisch: From Bombay to Body Snatchers with C. Courtney Joyner (14:07) 

- Interstellar Travelogues: Cinema's First Space Race, Extended Edition, with science-fiction artist/historian Vincent Di Fate (15:52) 

- Restored Original Trailer for Flight To Mars (2:02) 

- 16-Page Illustrated Collector's Booklet with essay by film historian Sloan de Fores 

Screenshots from The Film Masters Blu-ray: 

DESTINATION MOON 

Extras: 

FLIGHT TO MARS (1951) 

Extras: 

Screenshot Comparison:

Top: The Film Detective Blu-ray (2021) 

Bottom: Film Masters Blu-ray (2026) 

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