Sunday, October 12, 2025

ALEKSANDR PTUSHKO FANTASTIKA BOX (1953) Deaf Crocodile Blu-ray Review



ALEKSANDR PTUSHKO FANTASTIKA BOX (1956- 1972) 

ILYA MUROMETS (THE SWORD & THE DRAGON) (1956)
SAMPO (THE DAY THE EARTH FROZE) (1959)
THE TALE OF TSAR SALTAN (1967)
RUSLAN AND LUDMILA (1972)

Deaf Crocodile Synopsis: A box set containing four of legendary Russian filmmaker Aleksandr Ptushko's most sweeping, visual F/X-filled epics: ILYA MUROMETS (THE SWORD & THE DRAGON), 1956, Mosfilm, 87 min. A stunning Cinemascope ballad of heroic medieval knights, ruthless Tugar invaders, wind demons and three-headed fire-breathing dragons. SAMPO (THE DAY THE EARTH FROZE), 1959, Finland/USSR, 91 min. Dir. Aleksandr Ptushko. Based on the Finnish national epic "Kalevala," Ptushko's ravishing, mystical fantasy tells the story of a sinister witch Louhi (Anna Orochko) who covets the Sampo, a magical, rainbow-colored mill that can produce endless salt, grain and gold. When the hero Lemminkäinen (Andris Oshin) attempts to stop her, Louhi literally steals the sun, plunging the world into eternal darkness. THE TALE OF TSAR SALTAN, 1967, Mosfilm, 85 min. Based on a famous fairy tale in verse by Alexander Pushkin, TSAR SALTAN is one of director Aleksandr Ptushko's most sublime creations: a ravishingly beautiful fantasy about love, magic, betrayal and abandoned family. Like his earlier masterpieces, TSAR SALTAN is filled with breathtaking imagery: carved wooden lions who shed tears; peasants in pagan ritual masks, dancing in the snow; the treacherous faces of conspirators bathed in red candle glow like the witches in Macbeth. RUSLAN AND LUDMILA - 1972, Mosfilm, 145 min. The final film from Russian fantasy master Aleksandr Ptushko, RUSLAN AND LUDMILA was a glorious and magical summation of his career: a 2-1/2 hour greatest hits package filled with the sweeping lyricism, bejeweled visual F/X and mythic storytelling that put him on par with Walt Disney, Ray Harryhausen and Mario Bava.

ILYA MUROMETS
(THE SWORD & THE DRAGON) (1956)

Label: Deaf Crocodile 
Region Code: A
Rating: Unrated 
Duration: 91 Minutes 44 Seconds 
Audio: Russian DTS-HD MA 2.0 Dual-Mono with Optional English Subtitles 
Video: 1080p HD Widecreen (2.39:1) 
Director: Aleksandr Ptushko 
Cast: Aleksandr Shvorin, Andrei Abrikosov, Au-Son-Hi, Boris Andreyev, AIya Arepina, Mikhail Pugovkin, Muratbek Ryskulov, Natalya Medvedeva, Nikolai Gladkov, Ninel Myshkova, Sergey Martinson, Sergey Stolyarov, Shamshi Tyumenbayev, Shukur Burkhanov, Vladimir Solovyov, Vsevolod Tyagushev

Legendary Russian fantasy filmmaker Aleksandr Ptushko's Cinemascope lensed epic Ilya Muromoets is set during the legendary era of the Kyivan Rus' culture that pre-dated both modern Ukraine and Russia, it concerns a heroic bogatyr, a sort of medieval knight, named Ilya Muromets (Boris Andreyev) who at the start of the film has seemingly been paralyzed since childhood, and is unable to defend his village from a horde of Tugar invaders, led by Tsar Kalin (Shukur Burkhanov), who plunder his village and kidnap his wife Vassilisa (Ninel Myshkova). In the aftermath a group of pilgrims arrives at his decimated village, curing him of his paralysis with a healing an elixir and give him a magical sword. With his newfound mobility and strength he swears to defend the kingdom, rescue his wife, and defeat the dreaded Tugars. The film spans several decades and is quite epic for a 90-minute film, Ptushko's style is a mix of Lord of the Rings by way of George Pal with a dash of Disney whimsy thrown in, it's a sumptuous style with bold colors, fantastical production design, chock full of Harryhausen-esque miniatures, forced perspective, gorgeous matte paintings, and imaginative animatronic creations and set pieces that feel like a feverish stage play put on film. His style is not realistic per se but it established a sense of lush grandeur and make-believe that it's just wonderfully weird and wild. Over the span of decades we see our hero rescue his wife, only for her to be kidnapped again, the Tugan invaders end up raising his son who ends up fighting against him, and the film comes to a close with a battle against the fire-breathing three-headed dragon Zmey Gorynych! The film was exported to to the U.S. by Roger Corman where it was recut, re-dubbed, and retitled The Sword & The Dragon, this is the version that was famously by MST3K. This is an endlessly creative and imaginative fantasy-adventure flick, the acting is big, the costuming, production design and visual effects are absolutely stunning. 

Special Features: 
- New 4K restoration of ILYA MUROMETS
- New Audio Commentary track by comics artist (Swamp Thing) and film historian Stephen R. Bissette.
- 28-Page Illustrated Booklet with Reprint of Part 1 of pioneering Russian film scholar Alan Upchurch's articles on Ptushko from 'Video Watchdog' magazine
- New Restoration Trailer (3:26) 

SAMPO (THE DAY THE EARTH
FROZE) (1959)

Label: Deaf Crocodile 
Region Code: A, B 
Rating: Unrated 
Duration: 90 Minutes 16 Seconds 
Audio: Russian DTS-HD MA 2.0 Dual-Mono with Optional English Subtitles 
Video: 1080p HD Widescreen (2.39:1) 
Director: Aleksandr Ptushko 
Cast: Andris Osins, Anna Orochko, Urho Somersalmi

Ptushko's Sampo (1959), based on the Finnish folktale  epic "Kalevala", isan equally lavish tale of mystical fantasy shot in Cinemascope about the evil, hook-nosed witch, Louhi (Anna Orochko), who throughout the film covets a device known as the Sampo, a magical, rainbow-colored mill that can produce an endless supply of spices, grains, and gold. The only person capable of forging the mystical device is the blacksmith Ilmarinen (Ivan Voronov) who resides in the neighboring kingdom of Kalevala, and to that end the witch sends her enchanted evil cloak, which looks cool as Hell, to kidnap the blacksmith's sister Annikki (Eve Kivi) and bring her to the witch's dark realm Pohjola, Upon learning of the kidnapping the blacksmith and Annikki's love-interest, the golden-haired hero Lemminkäinen (Andris Oshin), cut down a giant tree and make a boat, setting sail across the sea to rescue her from the witch. Confronting the witch she tasks them individual feat of strength, Lemmiankainen is tasked with plowing a fields of deadly snakes, which he does with the help of the blacksmith who forges a glowing red work horse, and Ilmarinen is tasked with creating the mystical Sampo, which he does. Eventually they steal the Sampo and  and return to their realm with Annikki, but the angry witch manages to steal the sun from the sky and hide it in her mountain vault plunging the world into eternal darkness, whch begins to freeze over. The Finnish/Soviet co-production is in gorgeous CinemaScope with stunning colors, chock full of surreal and fantastical imagery, shot with a painterly eye, we get all manner of surreal visuals, my favorites being that  glowing red horse the smith forges, and the weeping mother of Lemmiankainen walking across the sea to find her lost son, but the real highlight for me is the portrayal of the witch Louhi played by Anna Orochko, she is so sinister and evil, her look more frightening that an Disney conjuring could ever hope to be as she chants "Give me fire for the furnace from the nave of the sky!". Ptushko's live action folk tale is a highly impressive piece of work festooned with surreal and imaginative design elements that are a treat from start to finish. This a film that was also distributed in the US, recut, dubbed and retitled The Day The Earth Froze, and again it got the MST3K treatment back in the 90s. 

Special Features: 
- Newly restored in 4K
- 30-Page Illustrated Booklet featuring  Part 2 of pioneering Russian film scholar Alan Upchurch's essay on Ptushko reprinted from 'Video Watchdog' magazine
- New Audo Commentary by comics artist (Swamp Thing) and film historian Stephen R. Bissette
- New hour-long video interview with Mike Nelson of 'Mystery Science Theater 3000' and Rifftrax, moderated by noted comics artist Bob Fingerman and Dennis Bartok of Deaf Crocodile (61:39) 
- Original Finnish Trailer (3:32) 

THE TALE OF TSAR SALTAN
(1967)

Label: Deaf Crocodile 
Region Code: A
Rating: Unrated 
Duration: 85 Minutes 9 Seconds 
Audio: Russian DTS-HD MA 2.0 Dual-Mono with Optional English Subtitles 
Video: 1080p HD Fullscreen (1.37:1) 
Director: Aleksandr Ptushko 
Cast: Aleksandr Degtyar, Artyom Karapetyan, Boris Bityukov, Grigoriy Shpigel,  Kseniya Ryabinkina, Larisa Golubkina, Nina Belyayeva, Oleg Vidov, Olga Viklandt, Sergei Golovanov, Sergey Martinson, Valeriy Nosik, Vera Ivleva, Viktor Kolpakov, Vladimir Andreyev, Yuri Chekulayev

Ptushko's The Tale of Tsar (1967) is based on a famous fairy tale in verse by Alexander Pushkin and shot on the large-format Sovscope 70, offering a wonderous tale full of eye-popping magical visuals, a story about love, magic, and betrayal. When the kind-hearted but also slightly naive Tsar Saltan (Vladimir Andreyev) marries Tsarina  (Larisa Golubkina) her jealous mother and sisters secretly collude with other schemers to plot against her. While the Tsar is off fighting a war they secretly intercept a communication from the Tsar, replacing it with an order for the Tsarina and her newborn's son death. In a fairytale-esque way the newborn kid is inexplicably aging/growing at a strange rate, by the time he and his mother are sealed up in a wooden barrel and tossed off a cliff into the ocean he's an adolescent. They don't perish in the ocean thanks to the intervention of a Fairy Princess Tsarevna Lebed (Kseniya Ryabinkina) who the young boy rescued from a hawk while she was in her swan-form after the Tsarina and he have washed up on a foreign shore. The boy is now fully grown man, Gvidon (Oleg Vidov), and because of his inherent kindness is further blessed by the Swan Princess and becomes ruler of a new kingdom, but he longs to be reunited with his father. As with the previous film this also features a dazzling array of fantastical visuals like the Swan Princess walking across water, fifteen foot tall soldiers, epic battles, carved wooden lions on a throne who shed tears and come to life, and eerie candle lighting highlighting the conspiratorial machinations of evil-doers. It's another wonderous tale brought to life with gorgeous fairytale visuals, the skilled artistry on display is nothing short of stunning. 

Special Features: 
- New hour-long video interview with Academy Award winning Visual FX artist Robert Skotak (ALIENS, TERMINATOR 2) on Ptushko and the history of Russian fantastika filmmaking
- New Audio Commentary track by comics artist (Swamp Thing) and film historian Stephen R. Bissette.
- 12-Page Illustrated Booklet with New essay by professor and film historian Peter Rollberg (Historical Dictionary of Russian and Soviet Cinema)
- Blu-ray authoring by David Mackenzie of Fidelity In Motion.

RUSLAN AND LUDMILA
(1972)

Label: Deaf Crocodile 
Region Code: A
Rating: Unrated 
Duration: 145 Minutes 51 Seconds 
Audio: Russian PCM 1.0 Dual-Mono with Optional English Subtitles 
Video: 1080p HD Fullscreen (1.37:1) 
Director: Aleksandr Ptushko 
Cast: Valeri Kozinets, Natalya Petrova, Vladimir Fyodorov

Ruslan and Ludmila (1972), based on an epic fairy tale written in 1820 by Alexander Pushkin, would prove to be the final film from Aleksandr Ptushko, who died a year after making it. In the nearly three-hour epic warrior bogatyr Ruslan (Valeri Kozinets) is set to marry beautiful Ludmila (Natalya Petrova), the daughter of Prince Vladimir (Andrei Abrikosov), but on the night of their wedding his new bride is spirited away out the window of the castle by the long-bearded wizard Chernomor (Vladimir Fyodorov, Kin-dza-dza!). Angry that Ruslan was not able to protect his daughter Prince Vladmir offers Ruslan's three rival suitors, Farlaf (Vyacheslav Nevinny), Rogdai (Oleg Mokshantsev) and ratmir (Ruslan Akhmetov), the chance to marry the princess if they are able to rescue her and return her safely. As the four set out to rescue the princess they have various encounters, with Ruslan meeting a hermit named Finn who reveals a tragic past and how he once dabble din sorcery to gain the affection of Naina (Maria Kapnist) only for it to sour with her becoming his nemesis, and an ally of the sorcerer Chernomor. He then comes upon a giant, sentient severed head who tells his sad tale and how he was the eldest brother of the evil sorcerer, buy who gives him a mystical sword to avenge his decapitation by his brother. More adventures ensue as he encounters his rivals, and there's a terrific Sleeping Beauty elements to it that emerges, with Ruslan encountering the three rivals. It's another magical and fantastical adventure with stunning visuals and a sense of fairytale wonder, pulling in elements of Sleeping Beauty, with all manner of the fantastic by way of healing magical rings invisibility cloaks, resurrection water and stone warriors. 

Special Features: 
- Newly restored in 4K
- New commentary track by comics artist (Swamp Thing) and film historian Stephen R. Bissette.
- 16-Page Booklet with New essay by professor and film historian Peter Rollberg (Historical Dictionary of Russian and Soviet Cinema)
- New video essay by film critic Walter Chaw (Film Freak Central)
- Blu-ray authoring by David Mackenzie of Fidelity In Motion.

Audio/Video: All four films arrive on Blu-ray from Deaf Crocodile in 1080p HD, all sourced from original film elements, with The Tale of Tsar Sultan scanned in 2K while the three other films were scanned in 4K. The image quality is quite strong, looking generally filmic with nice color-saturation, pleasing skin tones look. Some of the optical effects shot can look inherently soft at times, but this restoration is generally quite impressive. The color-grade is impressive in that it is both naturally muted but when called upon does terrific work with the more vibrant and dep-hued colors. Audio comes by way of DTS-HD MA 2.0 dual mono, all films are in Russian with the exception of Sampo is in Finnish. The tracks are clean and well-balanced, maybe a bit thin in terms of fidelity and range, but they still have some modest depth to them. 

The four-film, four-disc set arrives in a high-quality top-loading hardbox designed Beth Morris using the fantastic watercolor artwork of Tony Stella with spot-gloss elements. The spines of he hardbox are adorned with the film titles. Inside the box films are each presented in their own clear, full-height Scanavo keepcases with 2-sided, non-reversible sleeves of artwork, both the wrap and the interior artwork feature more of Stella's fantastic watercolor artworks, these look absolutely terrific, even the Bu-ray discs are adorned with his . inside the Blu-ray discs feature the same key artwork as the wraps.   Inside each of the keepcases there are booklets with new essay by film historian and professor Peter Rollberg (Historical Dictionary of Russian and Soviet Cinema) for both Ruslan and ludmila and The Tale of Tsar Sultan, and reprints of a 37-page 2-part study of Ptushko from the pages of Video Watchdog magazine from '91 and '92 by the late film scholar Alan Upchurch. 

We also get an impressive array of extras, including audio commentaries for all four films by comics artist (Swamp Thing) and film historian Stephen R. Bissette, a 62-min  Mike Nelson of 'Mystery Science Theater 3000' and Rifftrax, moderated by noted comics artist Bob Fingerman and Dennis Bartok of Deaf Crocodile, a new hour-long video interview with Academy Award winning Visual FX artist Robert Skotak (Aliens, Terminator 2) on Ptushko and the history of Russian fantastika filmmaking, a new video essay by film critic Walter Chaw (Film Freak Central), plus trailers for all four film. 
,
This is a terrific four film set, if you grew up watching the fantastical films of George Pal, Walt Disney, Mario Bava, love the stop-motion magic of Ray Harryhausen, or the wonderment of The Lord of the Rings adaptations I would have trouble thinking that you would not absolutely adore these four films of Aleksandr Ptushko. I was instantly entranced by these tales of myth and folklore, they're epic, fantastical, and look stunning on Blu-ray from Deaf Crocodile, and they should be known by a larger swathe of genre film fans, and this four film set is a wonderous deep-dive into Ptushko's catalog. 

Buy it!
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Saturday, October 11, 2025

DAIEI GOTHIC VOL 2: JAPANESE GHOST STORIES (1960-1970) Radiance Films Blu-ray Review + Screenshots

DAIEI GOTHIC VOL 2:  JAPANESE GHOST STORIES 
(1960-1970) 

THE DEMON OF MOUNT OE (1960) 
THE GHOST OF KASANE SWAMP (1969)
THE HAUNTED CASTLE (1970) 

Japan's classic ghost stories are brought to the screen by masters of the genre, Tokuzo Tanaka (The Snow Woman) and Kimiyoshi Yasuda (Yokai Monsters: Spook Warfare). 
Newly restored in 4K, three more stories from the Daiei studio represent the Japanese ghost film at its most lavish and chilling.

THE DEMON OF MOUNT OE (1960) 

Label: Radiance Films 
Region Code: A,B
Rating: Unrated 
Duration: 113 Minutes 51 Seconds 
Audio: Japanese 2.0 PCM Dual-Mono with Optional English Subtitles
Video: 1080p HD Widescreen (2.35:1)
Director: Tokuzo Tanaka
Cast: Kazuo Hasegawa, Kojiro Hongo, Raizo Ichikawa, Shintaro Katsu

The Demon of Mount Oe (1960),based on the legend of Shuten-dôji, is a jidaigeki folk horror fantasy about mighty warriors who are sent to eliminate a shape-shifting demon who steals women from the imperial capital of Kyoto.  It's a pretty epic costume melodrama with terrific swordplay, romance, tragedy, and of course mythological yokai monsters via a satanic bull monster and a giant-sized spider that shoots silly string! This is directed by Tokuzo Tanaka who directed the superior The Snow Woman (1968) from the first volume of the Daiei Gothic, it has some visually arresting set pieces with impressive production design and some occasionally terrific samurai swordplay. There are also some interesting character dynamics for sure, and I did enjoy that the big bad here turns out to be surprisingly human and not unsympathetic, but it is a bit long n the tooth and it does get bogged down a bit too much in the melodrama, and it doesn't help that the finale sort of fizzles out, but I loved the wild lighting style of the supernatural elements, and the magenta-lit bridge encounter is a standout. 

Special Features: 
- New interview with period film historian Taichi Kasuga (2025) (18:53) 
- Blade of the Demon Slayer: a visual essay by Tom Mes (2025) (4:04) 
- Trailer (2:56) 
- Reversible sleeve featuring original and newly commissioned artwork by Filippo Di Battista

THE HAUNTED CASTLE (1970) 

Label: Radiance Films 
Region Code: A,B
Rating: Unrated 
Duration: 82 Minutes 31 Seconds 
Audio: Japanese 2.0 PCM Dual-Mono with Optional English Subtitles 
Video: 1080p HD Widescreen 
Director: Tokuzo Tanaka
Cast: Kazuo Hasegawa, Kojiro Hongo, Raizo Ichikawa, Shintaro Katsu

The Haunted Castle (1960) is a bakeneko film, a demon-cat flick, wherein blind monk is viciously killed by Lord Nabeshima (Koichi Uenoyama) after refusing to allow his sister Lady Sayo (Mitsuyo Kamei, Gambler's Life: Unstoppable Bloodbath) to become the lord's concubine. After learning of her brother's death the sister commits suicide and with her dying breaths implores her black cat Tama to drink of her blood, thereby transferring her grudge to it. With the feline now imbued with supernatural ability it assumes the human form of one of the lord's ladies-in-waiting and begins to wreak bloody havoc after infiltrating the inner-circle, killing his staff and working it's way up to him. This is a terrifically suspenseful and macabre demon-cat tale, it's shadowy and stylized, eerie, and when the various possessions are revealed they are quite ghoulish, the half-cat, half-human creatures has a long pink tongue, and piercing gold eyes, with some surprisingly strong bloodshed and great atmospheric colored lighting that brought to mind the films of Mario Bava. I love the bloody paw prints found around the estate, and feasting on raw fish from the koi pond, or crawling up the walls and over the roofs. This is a wonderfully macabre tale of a vengeful spirit, and is my favorite of the three films here. This was also directed by Tokuzo Tanaka (The Snow Woman) and would prove to be his last film for Daiei, but he went out on a banger for sure. 

Special Features: 
- New interview with J-horror filmmaker Mari Asato (2025) (17:08) 
- A visual essay by ghost story scholar Zack Davisson (2025) (5:46) 
- Trailer (2:10) 
- Reversible sleeve featuring original and newly commissioned artwork by Filippo Di Battista

THE GHOST OF KASANE SWAMP (1969) 

Label: Radiance Films 
Region Code: A,B
Rating: Unrated 
Duration: 82 Minutes 34 Seconds
Audio: Japanese 2.0 PCM Dual-Mono with Optional English Subtitles
Video: 1080p HD Widescreen (2.35:1) 
Director: Kimiyoshi Yasuda
Cast: Kazuo Hasegawa, Kojiro Hongo, Raizo Ichikawa, Shintaro Katsu

While The Haunted Castle (1960) is my favorite tale on this set I must say the The Ghost of Kasane Swamp (1970) is a close second. Directed by Kimiyoshi Yasuda, in this one samurai Lord Fukami (Saburô Date, Bullet Train) owes a debt to the blind masseur/money lender Soetsu (Kenjiro Ishiyama, Kwaidan), when he comes looking to collect the samurai lord says he's broke but to see his wife Sawano (Mitsuko Tanaka, Giants and Toys) to collect. The wife tired of her husband's cheating with maid Okuma (Reiko Kasahara, Island of Horrors), tries to repay her husband's debt with her body. Fukami then feigns surprise when he catches them in bed together and murders them both with his sword, and then dumps their bodies in a nearby swamp. The spirits of the murdered return however, scaring  the lord to death, while also passing the curse onto the samurai lord's disinherited son Shingoro (Ritsu Ishiyama, The Fort of Death) and the money lender's estranged daughter Oshiga (Maya Kitajima, Haunted Samurai), both of whom curse themselves by seeking a hidden cache of money that the lender has hidden away. I quite enjoyed this one, again we have some intensely eerie moments that are atmospheric and dread-filled, vengeful spirits, and a disfiguring incident for Oshiga, who has forcibly taken control of a brothel, when the original brothel madame scald her horribly with water from a steam kettle, strongly recalling elements  of The Ghost of Yotsuya (1959), and culminating in the darkened swamp where the bodies of the money lender and the scorned wife rest. I loved the old-school way that the apparition of the murdered appear tot he living here, and the image of Sawano's cold, dead arm sticking out of a wicker basket as Fukami's henchmen, Jinzo (Takumi Shinjo, Zatoichi at Large) and Senta (Kazue Tamaki, The Invisible Swordsman), are about to toss her body in the swamp, there's lot of cool visual flourishes here that make this ghost story quite a solid chiller. 

Special Features: 
- New interview with J-horror filmmaker Norio Tsuruta (2025, 17:36
- Select-scene audio commentary by horror film scholar Lindsay Nelson (2025, 24:24)
- A visual essay by ghost story scholar Zack Davisson (2025, 12:16)
- Trailer (2:22) 
- Reversible sleeve featuring original and newly commissioned artwork by Filippo Di Battista

Limited Edition Box Set Special Features:
- New 4K restorations of each film by Radiance Films
- Uncompressed mono PCM audio for each film with Optional English subtitles for all films
- Newly designed box and booklet artwork by Time Tomorrow
- Limited edition 80-page perfect bound book featuring new writing by Amber T, Jasper Sharp, and Tom Mes, plus archival writing by Daniel O’Neill and original ghost stories The Goblin of Oeyama and The Vampire Cat
- Limited Edition of 4,000 copies presented in a rigid box with full-height Scanavo cases for each film and removable OBI strip leaving packaging free of certificates and markings


Audio/Video: All three films arrive on their own dedicated Blu-ray disc framed in 2.35:1 widescreen with new 4K restorations presented in 1080p HD. All three look terrific, maintaining their natural filmic qualities with grain structures, and solid depth and clarity across the board. Colors look excellent, especially the bright colors of kimono and the garishly lit supernatural sequences. Black levels are generally pleasing, if slightly green-hued at times. Audio on all three come by way of uncompressed Japanese PCM 2.0 dual-mono with optional English subtitles. The tracks are clean and well-balanced, age-related wear is not an issue, the atmospheric sound design and score come through nicely and dialogue is always intelligible and precise.  

Onto the extras, Demon of Mount Oe (1960) include a New interview with period film historian Taichi Kasuga (2025) (18:55) studio strategy to release  films at opportune times, like during Holidays and Golden Week, and how each studio had their own large draw stars they would include in these tentpole releases hightong the all-star cast including veteran star Kazuo Hasegawa, Kojiro Hongo, newcomer Raizo Ichikawa, Shintaro Katsu, Fujiko Yamamoto, Tamao Nakamura, the difference between yokai and kwaidan films, how the film tinkers with original story, changing to key elements, David knows for technically superior period films but this sort of fantastical film was new for them, background of director Tokuzo Tanaka, a relative newcomer at the time, and this would have been a surpringly prestige picture for him. We also get a 4-min Blade of the Demon Slayer: a visual essay by Tom Mes (2025) that offers the backstory for the real-life blade that inspired the sword in the film, 11 centuries old. He gets into its lineage and some disagreements over its rightful ownership post WW2, plus the 3-min Trailer.  

For The Haunted Castle (1960) we get a 17-min New interview with J-horror filmmaker Mari Asato (2025) who talks about how demon-cat films are not being made to-day, this being based on the "Nsbeshima Disturbance" legend, highlighting the three main "bekeneko" stories, all of which have multiple fil adaptation, citing Ghost of Sahlga Mansion (1953), Black academy Mansion (1958), key differences between the original ralecand this film, appreciation of the optical and composite effects, the exorcism scene,  how technically skilled it is, and the artistry of Daiei, the layered set design, noting this was Tanaka's last film for Daiei. 
Also included is a 6-min A visual essay 'The Strange Case of Ikuko Mori' by ghost story scholar Zack Davisson (2025), examination of tge career of "The Snake Actress" Ikuko Mori, a former model turned Actress, star of The Snake Trilogy, the sordid details of her life and how this was her final film before going to prison for stabbing her lover, and the 2-min Trailer.  

For the Ghost of Kasane Swamp (197) we start off with an 18-Min New interview with J-horror filmmaker Norio Tsuruta (20250, the grandson of a Daeie exec, he grew up on a steady diet of the studios offering, he gets into the different versions of the Ghost of Kasane Swamp, seven films, twice by Faeir in '60 !and '70, both directed by Kimiyoshi Yasuda. Noting ker differences like the limited set, few extras and sex scenes in the latter, noting why this was.the influence of Vietnam newsreel footage and Hollywood,
 how there are no heroes to root for. There;s also a 24-min Select-scene audio commentary by horror film scholar Lindsay Nelson (2025) gets into the visual style, different versions of the story, elements similar to Yotsura story, the old school visual trickery, a 12-min Visual essay by ghost story scholar Zack Davisson (2025) that taks about the macabre Edo-period ghost stories, noting the 7 versions and differences I'm the written, Kabuki and filming adaptations, 
plus the 2-min Trailer.

The packaging mirrors the first set, we get a Limited Edition (of 4000) 3-film, 3-disc Blu-ray set arrives in a sturdy, side-loading Rigid Slipbox designed by Time Tomorrow with the oversized Removable Obi Strip on the spine, the three films each arrive in two clear, full-height keepcases with Reversible Wraps featuring original and newly commissioned artwork by Filippo Di Battista. Also tucked away inside the slipbox is a Limited Edition 80-page Perfect Bound Book, also designed by Time Tomorrow, chock full of images and featuring new  in-depth and enlightening writing on the films by genre experts Anber T, Jasper Sharp, and Tom Mes, plus archival writing by Daniel O’Neill and original ghost stories The Goblin of Oeyama and The Vampire Cat, as well as cast and crew info and notes about the transfer. It's a handsome set indeed, not only does it looks great on the shelf, but more importantly, the films themselves look gorgeous with an array of extras and writings that lend even greater depth of appreciation for these terrific Japanese tales of the macabre and fantastic.

Screenshots from the Radiance Blu-rays: 

THE DEMON OF MOUNT OE (1960) 











































Extras: 





THE GHOST OF KASANE SWAMP (1969) 






































    Extras: 





THE HAUNTED CASTLE (1970) 































Extras: 






Buy it!
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