Saturday, November 16, 2024

BONES AND ALL (2022) (Scream Factory 4K Ultra HD Review)


BONES AND ALL (2022)

Label: Scream Factory 
Region Code: Region-Free (4K UHD), A (Blu-ray)
Rating: R
Duration: 131 Minutes
Audio: English Dolby Atmos (True HD 7.1), DTS-HD Master - Audio 5.1 & 2.0 
with Optional English Subtitles
Video: Dolby Vision (HDR) Ultra HD Widescreen (1.85:1)
Director: Luca Guadagnini
Cast: Taylor Russell, Timothée Chalamet, Mark Rylance, André Holland, Michael Stuhlbarg, Jessica Harper, Chloë Sevigny

Bones and All (2020), directed by Luca Guadagnini, director of the Suspiria remake, is a couple of things all at once, we have a coming-of-age story, a love story, a road movie, and all of it is wrapped up in dark edges that make for a pretty captivating watch. It begins with highschooler Maren (Taylor Russell, Escape Room) who is living with her single-father (André Holland, Moonlight), he keeps he locked into her bedroom at night for reasons not clear right away, but when she sneaks out her bedroom window one night to attend an impromptu PJ party with her friend from school we discover the reason. The girls are gossiping and applying nail polish on each other, when asked by her friend for her opinion on a nail polish color Maren takes her friends finger into her mouth, which for a split second seems sexual, until she bites down hard, you hear the bone crunch, and then she peels the flesh from her finger. Covered in blood she runs away home and when ger father sees what has happened he says to grab everything she can in three minutes and split town - obviously something like this has happened before. A few months later we catch up with Maren who wakes to find that her father has split, leaving behind her mother's birth certificate and a cassette tape, which she listens to throughout the film, filling us in on past incidents of biting and cannibalism throughout her life.

Her father never talked about her mother, whom she never knew, and with that birth certificate in hand she hits the road via the bus looking for her mysterious birth mother (Chloë Sevigny, Gummo). On the road she first encounters a creepy old man named Sully (Mark Rylance, Don't Look Up), he sniffs her out at a but stop and reveals himself to be an "eater" like her, attempting to take her under his wing and teach her his rules and how to sniff out the dying to feast on their flesh; even showing her a macabre rope he has made from the hair of his victims. He creeps her out and she takes off the next day, eventually encountering another "eater" named Lee (Timothée Chalamet, Dune) in a convenience store after they mutually sniff each other out. He is more to her liking and together they hit the road in search of her birth mother and human flesh to feast on, occasionally encountering other "eaters" like a greasy pair of wanderers Jake (Michael Stuhlbarg, A Serious Man) and Brad (David Gordon Green, dir. of Halloween Ends), the later of whom is not a true eater, just a groupie cannibal man who tags along for the ride.

What an "eater" is is left fairly ambiguous, we know they crave human flesh and look and act human in all other respects, there's no transformation, but does it give them power of any sort, other than the extrasensory sense of smell? I don't know and I am alright with that, it's a film that keeps it's mystery. The dark love story is interesting in that you're pulling for Maren and Lee, despite the fact they're cannibalistic outsiders hunting humans and devouring them, the rest of the world seems so ugly, so that helps. They have a set of rules that they follow, or seem to be making up as they go, with Maren often regretting her cravings and how they pan out, but their story is interesting and you want to see them emerge on the other side, if not victorious, at least happy. But let's be real, this is a dark fairytale about a pair of "eaters", it was never gonna end in rainbows and puppy dog tails, but I was with it from the beginning to the end. Set in the 80's in rural America the film brought to mind the vibes of stuff like Badlands, My Own Private Idaho and The Reflecting Skin, offering an artful but desolate backdrop to this dark coming of age story that is both beautiful and quite tragic, recommended. 

Audio/Video: The films arrives on 4K Ultra HD from Scream Factory in 2160p HD framed in 1.85:1 widescreen with a Dolby Atmos, (TrueHD 7.1), as well as DTS-HDMA 2.0 Stereo and 5.1 Surround mixes. The image looks organic with pleasing colors, solid blacks and excellent depth and clarity. Skin tones look natural and the Dolby Vision pinches up primaries quite nicely without over doing it. The Atmos audio is a nice bonus, offering a sound design that feels naturalistic, dialogue is well-defined and there's some immersive use of the surrounds especially during outdoor scenes set at night, likewise both DTS mixes deliver the audio goods with aplomb. 

This 4K release has the same slate of extras that accompanied the previous Warner Bros. Blu-ray, a brief 2-min EPK features with director Luca Guadagnini and actors Taylor Russell, Timothée Chalamet, and Mark Rylance with some brief behind-the-scenes footage. New extras would have been appreciated but the 4K resolution and Dolby Vision (HDR) upgrades are nothing to scoff at. The 2-disc release arrives in a black keepcase with a single-sided sleeve of artwork, the same key artwork as the WB Blu-ray


Special Features:
Disc 1: (4K UHD):
- NEW 4K Presentation from The Original Elements
- Presented In Dolby Vision and Dolby Atmos
- Audio: English DTS-HD Master - Audio 5.1 & 2.0, Dolby Atmos (TrueHD 7.1)
Disc 2: (Blu-ray):
- NEW 4K Presentation from The Original Elements
- Audio: English DTS-HD Master - Audio 5.1 & 2.0, Dolby Atmos (TrueHD 7.1) 
"A Look Inside" (2 min) 
- Luca Guadagnnino: The Vision of Bones and All (2 min)
- "Meet Lee" (2 min) 
- "Meet Maren" (2 min)
- "Outsiders In Love" (2 min)