Showing posts with label Brian Cox. Show all posts
Showing posts with label Brian Cox. Show all posts

Wednesday, April 26, 2017

THE AUTOPSY OF JANE DOE (2016) (Blu-ray Review)

THE AUTOPSY OF JANE DOE (2016)

Label: IFC Midnight / Scream Factory
Region Code: A
Rating: R
Duration: 87 Minutes
Audio: English DTS-HD MA 5.1, DTS-HD MA 2.0 with Optional English Subtitles
Video: 1080p HD Widescreen (2.40:1)
Director: André Øvredal 
Cast: Emile Hirsch, Brian Cox, Michael McElhatton, Olwen Kelly, Ophelia Lovibond

The Autopsy of Jane Doe (2016) is the follow-up to director André Øvredal's wonderful found-footage fantasy film Troll Hunter (2010) wherein trolls turned out to be real, it's been a few years since that one and let me set you straight right up front - it is worth the wait. In this tense tale shrouded in weirdness we have a father and son mortician team, the gruff father Tommy Tilden (Brian Cox, Trick ’r Treat) and his son Austin (Emile Hirsch, The Dangerous Lives of Altar Boys) who are called upon by the local sheriff (Michael McElhatton, The Hallow) to perform an autopsy on a jane doe victim, a young woman found buried in the basement of a local home which was the scene of multiple grisly murders, and the jane doe they found in the basement is just one of numerous weird things about the unnerving crime scene, so much so that the sheriff is visibly shaken and confounded by the whole thing.

With the jane doe now at the basement mortuary of the Tilden's the father and son go about methodically examining the corpse for a proper cause of death. The victim is a young woman in her twenties, and very quickly the pair begin to note irregularities that defy easy explanation and an accurate cause of death, beginning with that her body look nearly pristine, the skin it smooth, unbroken and not discolored, there are no signs of rigor mortis, her wrists and ankles are brutally broken, her tong has been removed, her internal organs shows signs of scarring and burning... and that's not even the weirder stuff. As the postmortem continues the older Tilden mentors his son, correcting him, challenging him to draw the right conclusions based on the evidence the corpse presents, but this corpse is shrouded in mystery and is  presenting all manner of creepy and contradictory findings, that even the seasoned medical examiner finds himself struggling to understand. 

The movie started winning me over right away with it's craftsmanship, I love a well crafted movie, and this has a nice pace, it strings you along with moments of tension, and I loved the visual nuance and precise cinematography of Roman Osin (Pride & Prejudice)with the moody and atmospheric lighting of the basement mortuary set, but it is the father and son dynamic that glued it all together for me. The team-up of Hirsch and Cox is key, along with a rather good scene with the son's girlfriend Emma (Ophelia Lovibond, Guardians of the Galaxy), who is indulged her morbid curiosity by Tommy to peak at a corpse in one of the cadaver fridges, only to throw in a fun fright involving a bell strapped to the ankle of a corpse, it's good stuff. The character-bonds certainly help to make the weirder stuff more real, and there's some real gut-punch moments peppered throughout this one, which kept me on my toes, and plugged-in through to the end. Going into this one I had some preconceived notions about what the movie would be, though I had avoided all the trailers before viewing it, and while I was not completely surprised by what it turned out to be, I think the brooding and tense execution left we totally satisfied. I found it affecting and consistently creepy, this was one of my best home viewings experiences in quite a while, and by far my favorite of the IFC Midnight releases this year. 

Audio/Video: The Autopsy of Jane Doe (2016) arrives on Blu-ray/DVD Combo courtesy of another IFC Midnight/Scream Factory team-up, looking very nice all the way through. Blacks are deep and inky, colors are vivid and nicely saturated, and the fine detail is robust, some of those autopsy dissection scenes with Cox slicing into the corpse are uncomfortable to watch, good stuff. Audio on the Blu-ray includes choice of DTS-HD MA English 2.0 and surround 5.1, the track exports the creepy and atmospheric score crisply with some nice punch when the more visceral stuff begins. Optional English subtitles are included. 

The extras are slim with just a selection of TV spots, teasers and a theatrical trailer, but I wanted more, this is a movie I wanted to dive into the extras, and there were none. The DVD/BD combo pack, and includes a standard definition DVD with the same extras and lossy audio. The release comes in a standard blue keepcase with a slipcover (O-ring) featuring the same artwork as the sleeve. I also like that the DVD and Blu-ray discs have different artwork. 

Special Features: 
- TV Spots (1 min) HD 
- Teasers (2 min) HD 
- Theatrical Trailer (2 min) HD 

The Autopsy of Jane Doe(2016) is tense and claustrophobic with some icky and visceral body horror elements, the two leads are wonderful as the father/son mortician team, and the movie is well-crafted and keenly executed, I love this movie, this comes highly recommended, must-see fright cinema. Looking forward to what comes next from director André Øvredal, which according to IMDB is a project titled Mortal, about a young man who discovers he has God-like powers based on ancient Norwegian mythology, I'm down. The Autopsy of Jane Doe will be available as a WalMart exclusive on May 2nd and available everywhere June 27th, it is also currently streaming on numerous VOD platforms. 4.5/5

Thursday, May 26, 2016

MANHUNTER (1986) (Collector's Edition Blu-ray Review)

MANHUNTER (1986) 
Label: Scream Factory 
Region Code: A
Duration: 120 Minutes I 124 Minutes
Rating: R I Unrated
Audio: English DTS-HD MA 5.1 with Optional English Subtitles 
Video: 1080p HD Widescreen (2.35:1) 
Director: Michael Mann
Cast: Dennis Farina, Stephen Lang, Tom Noonan, William Petersen, Joan Allen, Kim Greist, Brian Cox


Synopsis: The first film to feature the iconic character Hannibal Lecktor, Manhunter follows former FBI profiler Will Graham (William Petersen, To Live and Die in L.A., CSI: Crime Scene Investigation) as he reluctantly returns to his old job to track a horrific serial killer known as the "Tooth Fairy." But in order to get into the mind of this maniac, Graham must face another: Lecktor (Brian Cox, X-Men 2, Red), the imprisoned psychiatrist whose own insanity almost cost Graham his life… and whose insights into the "Tooth Fairy" could prove as dangerous as the killer himself.

A few years before The Silence of the Lambs (1991) swept through the cinema establishing Anthony Hopkins' Hannibal Lector as one of the premiere cannibal bogeymen of the ages Michael Mann first adapted Thomas Harris's novel Red Dragon into a '80s drenched slice of thriller cinema starring William Petersen as retired FBI profiler Will Graham who captured and imprisoned Hannibal "The Cannibal" Lecktor years earlier. The capture took a toll on Graham, it nearly killed him and drove him insane, and now his FBI superior Jack Crawford (Dennis Farina) has come to him in hopes that the uncanny profiler will advise on a new series of grisly murders, the new killer has been dubbed "The Tooth Fairy" by the press because of the bite marks left on the bodies of his victims. Against the wishes of his concerned wife who knows just how deeply affected Graham was by the Lecktor case, Graham accepts the case and begins down a disturbing path. Those who are familiar with the Hannibal TV show will recognize the influence of this movie on that show, the roots run deep into this movie as it firmly centered on Graham and how the process is hugely devastating on his own psyche. 


Graham begins by visiting the latest crime scene, a horrific blood-spattered home where an entire family has been slaughtered, shards of mirror have been jammed into their eyes. The profiler gets deep into the psyche of the killer but finds that he has lost some of his process through the years, to that end he visits Lecktor in the asylum hoping to pick up the old scent so to speak, and to consult Lecktor about the tooth fairy murders. However, Graham is unaware that Lecktor and the new serial killer have been corresponding through coded messages in the local paper, and are in fact working against him. Things are further complicated when sleazy tabloid journalist Freddy Lounds (an unrecognizable Stephen Lang of Avatar) snaps a pic of Graham emerging from the asylum angering his wife and disturbing Graham, there's a nice side story about Lounds and how he comes to meet the Tooth Fairy face to face, a very memorable scene with a nice payoff. 

The movie makes no attempt to mask the identity of the Tooth Fairy, his name is Francis Dollarhyde (a quietly menacing Noonan) who works at a film developing lab, where he begins a relationship with a blind co-worker named Reba (Joan Allen), whom is not at all put off by his weirdness and the two form a relationship. Just when it seems Dollarhyde's blood lust might be waning things begin to disintegrate for the lovers and the movie erupts into a climatic finale of violence set to the tune of Iron Butterfly's heavy anthem "In-A-Gadda-Da-Vida", Mann sure knows how to make a thriller, I love this guys work in the '80s. 


Thomas Harris' Red Dragon was later remade with Anthony Hopkins in the role of Lector with a fine turn as Dollarhyde by Ralph Feines but an ill-cast Edward Norton as Graham, which ruined it for me. It is Mann's Manhunter that I return to when I feel the need to revisit the story, there's just something about William Peterson's admittedly blank and underplayed performance that I love. I also love the 80s vibe and synth heavy score, I love the nefarious Lecktor played by Brian Cox, a versatile actor who brings a load of polite menace to the small but pivotal role, and then there's Noonan as Francis Dollarhyde, a sadistic murderer who you actually have some sympathy for despite the violence you know he is capable of, you want him to fall in love but the guy is just too deranged for that too happen, it is just not in the cards and it is tragic.

In a lot of way this is a thriller that celebrates style over substance thriller, but Mann is such a vibrant stylist that I cannot help but forgive it's shortcomings, the way he strays from the book and takes so many short cuts in favor of creating an atmospheric and chilling movie. Silence of the Lambs might be a more cohesive and well-structured slice of cinema this is the Thomas Harris adaptation I return to when I get the urge, partly because of the slick and stylish atmosphere and partly because of the combination of William Petersen, Tom Noonan and Brian Cox, these guys are pure magic onscreen when combined with the style and visual alchemy of Michael Mann and cinematographer Dante Spinotti. 


Audio/Video: Michael Mann's Manhunter (1986) arrives n a 2idisc Blu-ray Collector's Edition from Scream Factory, presenting both the theatrical (120 Mins) and director's cut (124 Mins) of the film on separate discs. The theatrical cuts fares the better with some nice deep color saturation, the deep blue and colored hues really pop in HD, Mann's movie is stylish and artfully rendered and look nice and crisp for a mid eighties movie. The director's cut is in HD with standard definition inserts which to be honest are an eyesore, I do enjoy the director's cut and what it adds, but as an HD presentation it does suffer considerably. As an extra on disc two Scream Factory have also included a standard def version of the movie which make the inserts somewhat less unsightly or noticeable. 

Both versions of the movie have English language DTS-HD MA Stereo 2.0 and Surround 5.1 mixes with optional English subtitles. The glorious synth-heavy score comes through strong, some might say the mix is overpowering at times, but not for me, I loved it. Dialogue and sounds effects come through nicely balanced and crisp. 

Onto the extras which are spread out over two discs we have The Making of Manhunter which are brand new interviews produced for this release broken down into five interviews with William Petersen (18 Mins), Joan Allen (16 Mins), Tom Noonan (22 Mins), Brian Cox (40 Mins), and director of photography Dante Spinotti (36 Mins) which make for some fascinating viewing. Petersen looks back on working with Mann on a number of films in smaller parts such as Heat and Thief, his turn in William Friedken's To Live and Die in L.A. which wasn't even in theatres when he was cast in the role of Will Graham. Tom Noonan is always a great interview, the actor is a bit odd but that is part of the reason why I love him, he speaks about avoiding everyone on-set he shared a scene with until they filmed the scene, which must just be his thing, I seem to recall a similar statement from him on the Monster Squad Blu-ray extras. 

Fans of the synth score on the movie will ove the 42-minute The Music of MANHUNTER – including interviews with composer Michel Rubini, Barry Andrews (Shriekback), Gary Putman (The Prime Movers), Rick Shaffer (The Reds) and Gene Stashuk (Red 7), which s very in-depth. 


The First Lecktor – an interview with actor Brian Cox (40 Mins) is a nice sit-down interview with the actor who first brought Hannibal Lecktor (sic) to the big screen, and to be honest is still my favorite version of the character. Cox speaks at length about what research he did to inform the role and about nearly winding up as Lector in a version of Silence of the Lambs. Disc one is finished-up with a theatrical trailer for the movie and an image gallery of poster artwork, screenshots and behind-the-scenes pics. 

Onto disc two we have the previously mentioned standard-def version of the director's cut which makes the insert shots less jarring, but trust me, just watch the HD version. The extras on the second disc are carry overs from the previous versions of the movie including the audio commentary by writer/director Michael Mann, plus vintage interviews with cinematographer Dante Spinotti and stars William Petersen, Joan Allen, Brian Cox and Tom Noonan totalling about a half hour in length. 

The 2-disc Blu-ray set comes housed in a standard blue keepcase with a sleeve of reversible artwork featuring the original one-sheet art and a new illustration artists Christopher Franchi which captures the dark neon feel of the movie, that particular 80s Michael Mann aesthetic. 

Special Features: 

Disc 1: Theatrical Version (HD) (120 Mins) 
- NEW The Mind of Madness – an interview with William Petersen (18 Mins) HD 
- NEW Courting a Killer – an interview with actress Joan Allen (16 Mins) HD 
- NEW Francis is Gone Forever – an interview with actor Tom Noonan (22 Mins) HD 
- NEW The First Lecktor – an interview with actor Brian Cox (40 Mins) HD 
- NEW The Eye of the Storm – an interview with director of photography Dante Spinotti (36 Mins) HD 
- NEW The Music of MANHUNTER – including interviews with composer Michel Rubini, Barry Andrews (Shriekback), Gary Putman (The Prime Movers), Rick Shaffer (The Reds) and Gene Stashuk (Red 7) (42 minutes) HD
- Theatrical Trailer (2 Mins) HD 
- Still Gallery (8 Mins) HD 

Disc 2: Director’s Cut (HD with Standard Definition inserts)(124 Mins) 
- Director’s Cut (Standard Definition)(124 Mins) 
- The Manhunter Look - A Conversation with cinematographer Dante Spinotti (10 minutes)
- Inside Manhunter with stars William Petersen, Joan Allen, Brian Cox and Tom Noonan (18 minutes)

Scream Factory's Manhunter (1986) 2-disc Collector's Edition is the definitive version of the movie with a sweet A/V presentation and a nice selection of new and old extras. If you only know this story through Red Dragon (2002) I recommend a viewing of Michael Mann's Manhunter (1986), this atmospheric slice of '80s serial killer cinema is a fantastic watch. 










Tuesday, October 16, 2012

DVD Review: The Complete Hammer House of Horror 5-DVD Collector's Edition (1980)


THE COMPLETE HAMMER HOUSE OF HORROR (1980)
5-DVD Collector's Edition

Label: Synapse Films
Region: Region 1 NTSC
Rating: Unrated
Duration: 702 minutes
Video: Aspect Ratio: 1.33:1 Full Frame. As Originally Filmed and Broadcast
Audio: English Dolby Digital 2.0 Mono

Directors: Peter Sasdy, Tom Clegg, Alan Gibson, Don Leaver, Francis Megahay, Robert Young, Don Sharp
Cast: Peter Cushing, Denholm Elliott, Pierce Brosnan, Patricia Quinn

Synopsis: Each generation creates tales of horror… stories that seep through the very heart of our collective fears. The legendary Hammer Studios is recognized as the high watermark of the Gothic macabre, creating some of the most chilling and recognizable horror films of all time.

The Series: As the legendary Hammer Films ran out of theatrical steam during the 1970's and  they stopped production of cinema releases and concentrated on television production with this short-lived horror anthology series, each episode a fifty-minute stand-alone feature directed by Hammer alum and featuring many familiar faces including Peter Cushing, Brian Cox, Pierce Bronson and Denholm Elliot among many others. Each episode is tightly directed with strong casts, atmosphere to spare and all matter of horror themed subjects. We get thirteen episodes in all and here's the rundown: 


Witching Time: The debut episode of the series directed by Don Leaver (TV's The Avengers), it's great start to the series here with about a film score composer named David Winter (Jon Finch, Hitchcock's Frenzy) living in the countryside and stressing over his wife's infidelity is visited upon by a beguiling witch named Lucinda (Patricia Quinn, The Rocky Horror Picture Show) whom hails from the 17th century. As she seduces him and drains his life's essence he grows more and more erratic, making life miserable for both he and his cheating wife Mary (Prunella Gee, Never Say Never Again). Great stuff, very comedic in it's own way with nudity aplenty and a great witch-burning pulse-pounder of an ending also featuring Ian McCulloch of Lucio Fulci's Zombie (1979) 


The Thirteenth Reunion: This episode is directed by Hammer-alum Peter Sasdy who also directed Taste the Blood of Dracula (1970) and Countess Dracula (1971) as well as two other Hammer House of Horror episodes, we're in good hands here and his trio of episodes are among the series finest. This is another darkly comical tale of tabloid reporter Ruth (Julia Fioster, Alfie) whom goes undercover at a fat-farm that's infamous for it's vile talking-down to of chubbies, making 'em feel so bad about the extra pounds that they are shamed into fitness. When a man she meets at the clinic dies mysteriously she investigates which ends at a bizarre dinner party where the guest have very peculiar tastes.

Rude Awakening: Also directed by Peter Sasdy this is one of my favorites from the series no doubt in part star Denholm Elliot (Trading Places) as a adulterous real-estate agent who loses his grip on reality after visiting a strange property. Plagued by grisly nightmares of murdering his wife and differing scenarios of lust with his sexy secretary Lolly (Lucy Gutteridge, Top Secret), it hard to tell what real and what's a dream and it's fun stuff, very surreal with some great dream sequences and Gutteridge is a knockout! 


Growing Pains: Directed by Francis Megahay (Taffin), it's a ghostly thriller about a couple whom adopt a strange young boy after there son's tragic death. The parents are a bit self-obsessed and it seems the boy is either responsible for a series of bizarre occurrences or channeling the spirit of their deceased son. The bizarre occurrences include a vicious dog attack, maggot infested meat and a spooky finale at the graveyard.  

The House That Bled to Death: Another notable entry this time directed by Tom Clegg, who? When Mr.Peters (Nicholas Ball, Life Force) and his wife move into a home that was the site of a murder some years previously strange things happen, you get your typical windows and doors slamming shut and a few odder things like blood dripping from the walls and a cat meeting it's demise on a broken window pane. A nice moment of nudity, nosy-neighbor voyeurism and a handful of spooky moments including a notorious scene spraying a birthday party full of kids with massive amounts of the red stuff from overhead pipes, a fun episode with a wonderful twisty and viciousending. 

Charlie Boy: Now we get to the tale of a young couple whom inherit a strange African carved voodoo dolll, this episode directed by Robert Young who brought us the twisted carny-vamp tale Vampire Circus (1972). The couple use it for personal gain but it's not long before the tables are turned setting of a series of voodoo-inspired deaths, and there you have it - another devilishly good episode. 

The Silent Scream: This twisted tale comes from Hammer director Alan Gibson who brought us Dracula A.D. (1972) and The Satanic Rites of Dracula (1973) - two lesser Hammer vamp entries but I will tell you this is a fun episode starring a very young Brian Cox (Manhunter) as an ex-con who goes to work for meek pet shop owner Martin played by horror great Peter Cushing (Horror of Dracula). When Chuck's criminal sensibilities get the best of him he discovers that Martin is not as altruistic as first thought. A very intriguing episode with wonderful performances from Cox and Cushing, this one features a host of big cats and animals with a hint of naziploitation, dark stuff and thought provoking. 

Children of the Full Moon: Here we go, a werewolf tale, finally some classic horror staples. Directed by Tom Clegg (again) who directed a series of Made-for-TV Sharpe's films starring Sean Bean, which I've never seen so that don't mean shit. This time out a young couple find themselves stranded when their car dies on a rural road. Seeking shelter at a home deep in the woods they are attacked by what appears to be a werewolf. We get some creepy moments here with the quirky family that resides and some awesomely schlocky werewolf make-up.

Carpathian Eagle: Francis Megahy returns to direct this police procedural as a Detective Clifford (Anthony Valentine, The Monster Club) investigates a series of ritual murders wherein the victims have had their hearts ripped outta their chest, the prime suspect is Mrs. Henska (Siân Phillips, Dunethe ancestor of a cruel Carpathian countess. Okay, honestly this one's a bit of a snoozer in my opinion but we do get a glimpse of a pre-007 Pierce Bronson. 

Guardian of the Abyss: From Don Sharp the director of the schlock-tastic classic Psychomania (1973) comes this tale of a cursed mirror which brought to mind the story of "The Gate Crasher" from the Amicus anthology film From Beyond the Grave (1973) and I rather enjoyed it, some great occult and fantasy elements even though the cursed-object story was a bit rote by 1980 but Sharp makes it work, fun stuff. . 


Visitor from the Grave: The final Peter Sasdy episode is a good one, too. Much like "Rude Awakening" before it has some very surreal and dreamlike moments. Here we have a slightly disturbed heiress named Penny (Kathryn Leigh Scott, of TV's Dark Shadows) is attacked and nearly raped buy an intruder whom she shoots in the face with a shotgun, ouch. Due to various circumstances she is unable to report the crime to the authorities and the body is buried in the nearby woods. However, Penny is haunted by the apparition of the man afterwards which frays her already tenuous grip on reality. This was another fantastic Sasdy episode, we get some genuinely creepy and surreal  moments with a nice bit of gore, too. 

The Two Faces of Evil: Alan Gibson's second episode of the series deals with doppelgangers and is quite an interesting watch with some wonderfully askew visuals and chilling moments. Janet (Anna-Calder-Marshall) and her husband Martin (Gary Raymond) are on vacation with their young son when they pick up a hitchhiker during a torrential rainstorm. The stranger's face is obscured and he's dressed in a yellow rain slicker, without warning he attacks the husband ending in a horrific car accident that kills the stranger. The husband survives but is is unable to speak and during his recovery there are signs that he just might not be who she thinks he is. This was a great episode, a weird and chilling tale that brought to mind elements of David Cronenberg's The Brood (1979).

The Mark of Satan: The final episode in the series is directed by Don Leaver whom also handled the first episode who much like Jim Carrey's character in the film The Number 23 (2007) becomes obsessed with a number - this time out it's the number 9 which he begins to see everywhere around him following the death of a neighbor after he drills a hole into his skull believing himself possessed by the Devil.

Typical of horror anthologies whether they be TV or film productions there's a lot to digest here and not all of it is stellar but on the whole this is a succeesful and macabre mix of horror and suspense with a surprising amount of nudity. Produced in the 1980 the series definitely has a 1970's feel to it but then again we weren't quite into the MTV era-80's just yet. If you love the classic Gothic-tinged Hammer  horrors there's gonna be a lot to love here. We get a little bit of everything; werewolves, cannibalism, Satanism, doppelgangers, witchcraft and dark comedy, this is great stuff and the generous smattering of nudity and gore is not unappreciated, a few years later Hammer again ventured into the TV market with Hammer House of Mystery and Suspense which I definitely want to seek out now. 


DVD: All thirteen episodes are presented in their original British broadcast versions and aspect ratio of 1.33:1 full-frame and look quite good, detail and colors fare better than I had expected with decent black levels too, not much to complain about here in the video department. Synapse have Likewise the English Dolby Digital 2.0 Mono audio delivers dialogue, score and effects clearly and without distortion, very clean presentation. A very solid presentation from Synapse films.


In the special feature department we get informative if brief one-minute episode introductions by film scholar Shane M. Dallman with bits of trivia for all thirteen episodes. There's also two video interview with actresses Kathryn Lee Scott and Mia Nadasi (then wife of director Peter Sasdy) who offer up tales of how they got into the film industry and working on their respective episodes.

Special Features:
- Episode Introductions with Film Historian Shane M. Dallmann
- GRAVE RECOLLECTIONS: A VISIT WITH KATHRYN LEIGH SCOTT (8:24) 16x9
- HAMMER HOUSEKEEPING: A VISIT WITH MIA NADASI (6:14) 16x9
- Animated Still Gallery (6:14) 


Verdict: Previous to checking out Synapse's 5-disc DVD set I was completely unaware of this Hammer produced British TV horror anthology series but after taking in all thirteen episodes I am pleased to give this a recommend, lovers of The Twilight Zone, Tales from the Darkside and Tales from the Crypt are strongly encouraged to seek this out. Worry not, for a thirty year old TV series these episodes stand the test of time, solid writing and chills through and through. (4 Outta 5)