Showing posts with label Joanna Cassidy. Show all posts
Showing posts with label Joanna Cassidy. Show all posts

Monday, May 20, 2019

GHOSTS OF MARS (2001) (Mill Creek Entertainment Blu-ray Review)

GHOSTS OF MARS (2001) 

Label: Mill Creek Entertainment

Region Code: A
Rating: R
Duration: 99 Minutes
Audio: English DTS-HD MA 5.1 with Optional English Subtitles
Video: 1080p HD Widecreen (2.35:1) 
Director: John Carpenter
Cast: Natasha Henstridge, Ice Cube, Jason Statham, Clea DuVall, Pam Grier, Joanna Cassidy, Duane Davis



John Carpenter's Ghosts of Mars (2001) is a film I caught in the cinema on it's first run, and I honestly hated it right from the start, but much like similarly unloved Escape from L.A. I've re-watched it several times in the years since and have come around to it to a degree. I don't love it, but it is a fun if cheesy sci-fi Western set on Mars, while it ain't good, it is an entertaining watch.   




The troubled production began life as a sequel to Escape from L.A. but when that film tanked at the box office it was reworked into this film, and interestingly it features a number of pulls directly from Carpenter's own filmography, such as opening with a retelling of the events after the fact like we saw in Big Trouble in Little China, a Western genre mash-up as with Vampires, and the story itself is basically Assault on Precinct 13 on Mars with an imprisoned criminal who becomes the anti-hero of the film.




The story is set in the 22nd century on a now colonized Mars that been partially terraformed, at least so much that our cast can walk around without wearing restrictive spacesuits. We have Lt. Melanie Ballard (Natasha Henstridge, Species) and her squadron that includes Commander Helene Braddock (Pam Grier, Coffy), Sgt. Jericho (Jason Statham, The Meg) and rookies, Descanso (Liam Waite) and Bashira (Clea DuVall, HBO's Carnivale). They're on a train headed to rural mining outpost Shining Canyon to transport a prisoner locked-up there, and this is no ordinary prisoner, they're picking up the infamous criminal James 'Desolation' Williams (Ice Cube, Friday) who stands accused of a massacre on Mars.




When they get to Shining Canyon they find the place is deserted, except for Desolation Williams who is still in lock-up, along with a handful of other prisoners. While taking him into custody and readying him for transport they discover that he is the least of their worries, it turns out the miners at the outpost recently uncovered an ancient Martian doorway buried beneath the surface of the planet, opening it they unwittingly released the disembodied spirits of an ancient indigenous race of Martians. Once unleashed the spirits possess the bodies of the miners, who then proceed to mutilate themselves and dress-up like Shout At The Devil-era Motley Crue. Aside from being keen on body manipulation they also have a penchant for slinging buzz-saw blades and cutting the heads off their victims and mounting them on sticks in the ground.




While on the run from the titular ghosts of mars the squad team-up with  scientist Dr. Arlene Whitlock (Joanna Cassidy (Blade Runner) and a small band of survivors, and the expected horror scenario plays out as they encounter the hyper-violent alien threat, with Cube's Desolation Williams becoming the anti-hero of the film, mugging for the camera and spitting out really bad one-liners.



The movie is totally cheesy but it's not without it's charms, just seeing Henstridge, Statham, Cube and Pam Grier all on the same screen together might be worth the price of admission all on it's own, it's a strange brew of personalities, even if they don't mix all that well. Pam Grier is gone far too soon and is regrettably killed off screen, while Statham is the douche of the bunch, he was initially cast in the Desolation Williams role before the studio pushed Ice Cube into the role. The anti-hero is a bit of ill-fitting role for Cube in my opinion, but he at least offers up some cheesy entertainment value.


It's also fun to see the western tropes filtered through the whole space opera setting, along with some minor gore by way of severed limbs and decapitations via those flying buzz-saw blades, which are the baddies weapons of choice. A lot of the early-00s digital FX don't look great, and the red-stained/lit desert setting is a bit of eye-sore, it feels cheap and underfunded on all levels.




The villains are cool-looking if a bit ambiguous, with their leather-bound body modifications and blade-slinging, but the fight/action sequences look like a metal video mosh-pit with fiery explosions peppered throughout, but that riff-heavy score from Carpenter and company fit it quite nicely. It's a film that doesn't set anything up or button it up very well, getting by on the charisma of the cast and some interesting ideas and visuals, but it feels aimless and undefined, there's plenty of action, but when the credits role it feels rather unsatisfying. Re-watches and tempered expectations have gone a long way to at least allowing me to enjoy it for the cheesy sci-fi action/western that it is, but I still wouldn't say it was a good film, just a fun bad one. 




Audio/Video: Ghosts of Mars (2001) was previously issued on Blu-ray from Sony, now picked-up for distribution by Mill Creek Entertainment who present the film in 1080p HD and framed in 2.35:1 widescreen. The image looks solid enough, grain is present, fine details are plentiful and the colors are saturated, over-saturated by design actually, this is an unnaturally color-pushed film with a lot of eye-sore red throughout. 




Audio on the disc comes by way of an English DTS-HD MA 5.1 surround mix with optional English subtitles, it's a solid track with some fun use of the surrounds. The track highlights the Carpenter synth score, probably the best thing about the film, which is bolstered by collaborations with rockers Anthrax as well as guitarists Steve Vai, Elliot Easton of The Cars,Robin Finck of NIN, and Buckethead. The riff heavy soundtrack absolutely feels early-00s dated, but it suits the cheesy film to a large degree.



Extras are ported over from the previous Sony Blu-ray release, this includes an audio commentary with Director John Carpenter and actress Natasha Henstridge that's pretty lively, plus a 17-min video diary, a 6-min scoring the film featurette, and a 6-min special effects extras that has some cool behind-the-scenes shots of the miniatures used in the film.



The single-disc release comes housed in a standard Blu-ray keepcase with a one-sided sleeve of artwork, this is a film that's never had good artwork in my opinion, and this release remedy that, still ugly.  




Special Features: 

- Audio Commentary with Director John Carpenter and Actress Natasha Henstridge.
- Video Diary: Red Desert Nights (17 min) 
- Scoring Ghosts of Mars (6 min)
- Special Effects Deconstructions (6 min)



Ghosts Of Mars (2001) is fun albeit bad film from director John Carpenter, a film coming  at the tail-end of a storied career of a man who brought us genre fans so much joy through the years, as such I can still find plenty to like about it, even if it is a bad film.


Friday, November 2, 2012

DVD Review: THE NIGHT CHILD (1975)


THE NIGHT CHILD (1975)
Label: Arrow Video
Region Code: 0 PAL
Rating: TBA
Duration: 88 mins
Aspect Ratio: 16:9 Widescreen (1.85:1)
Audio: Italian and Englih Dolby Digital 2.0
Cast: Richard Johnson, Joanna Cassidy, Ida Galli
Director: Massimo Dallamano
Tagline: YOU’LL NEED MORE THAN AN EXORCIST TO SAVE THE NIGHT CHILD

Synopsis: When a documentarian delves into the dark world of satanic art for a new film, he unearths a disturbing painting that leads him into a world of post-Exorcist Italo-Horror where cursed medallions, possessed children and the overwhelming power of the dark lord converge to create a visually stunning and wildly eccentric exploitation classic from Massimo Dallamano (WHAT HAVE YOU DONE WITH SOLANGE?)



The Film: THE NIGHT CHILD (1975) comes to us from Italian director Massimo Dallamano, who also directed WHAT HAVE YOU DONE TO SOLANGE? (1972) and THE SECRET OF DORIAN GRAY (1970) two fantastically atmospheric slices of Eurosleaze. Dallamano, also a talented cinematographer, worked on both Sergio Leone's A FISTFUL OF DOLLARS (1964) and FOR A FEW DOLLARS MORE (1965) and as such his films, the few I have seen anyway, are quite visually stunning and this occult chiller is no exception. This time out he works with cinematographer Franco Delli Collie who lensed STRIP NUDE FOR YOUR KILLER (1975) and DJANGO KILL...IF YOU LIVE SHOOT! (1967)

A lot of Italian 70's and 80's occult cinema gets thrown in with the more obvious pasta-possession films like BEYOND THE DOOR (1974) following the worldwide success of William Friedkin's THE EXORCIST (1973) but this one stands apart with tons of eerie atmosphere, nightmarish imagery and fantastic settings. 



Michael Williams (Richard Johnson, ZOMBIE) is a documentary filmmaker researching satanic artwork for his next film when he comes across a painting depicting a mob in pursuit of a young girl underneath the image of a fiery angel falling from the sky and Satan. The image of the fiery Angel stirs painful memories of his own wife's fiery death, a tragedy witnessed by his young daughter Emily (Nicoletta Elmi, A BAY OF BLOOD) who is haunted by the unforgettable images. A local art dealer/psychic tells Michael of the cursed artwork's mysterious origins, it is said to have appeared the night a young girl's corpse disappeared from the village some 200 years earlier, he's warned to stay away from the cursed object for it will bring death to his family but he nonetheless continues his obsessive research which reveals a medallion that bares an uncanny resemblance to his daughter's own necklace.

Father and daughter are joined by nanny Jill (Evelyn Stewart, LA DOLCE VITA) and his production manager Joanna (Joanna cassiday, BLADERUNNER) who bares an uncanny resemblance to the dead girl's mother, it turns out both women have romantic leanings for the documentarian, the romantic angle sorta dragged a bit for me at times but didn't bring it crashing down, honestly it just wasn't sleazy enough for me, ridiculous I know but we do get some shots of Joanna Cassidy's wonderful breasts but no sleazy euro-fucking *sigh* 



Nicoletta Elmi's "Emily" is a creepy ginger-haired young woman, freckle faced and haunted by nightmares of her mother's incendiary death, she's also plagued by visions of persecution at the hands of an angry mob which mirror the depictions in the painting her father is so fascinated by, soon she starts acting very strange, the young girl takes up cigarette smoking and begins speaking to herself in the mirror, and before you know it the nanny is pushed from a cliff with a crochet mallet falling into the river below where she is swept downstream to her death, it's a well shot scenario as is the entire film, it's just a gorgeous production from the top down with many nice visual elements. Quite simply a gorgeous and lyrical tale of child possession and occult-tinged tragedy, a great watch that's maybe a bit slow at times and features some dated effects but for those with the taste and temerity for a slow-burn occult thriller THE NIGHT CHILD will be sure to please. 


DVD: The film is presented in it's original widescreen aspect ratio (1.85:1), the 16:9 transfer is sourced from a very nice print with very few flaws aside from some minor dirt. Colors are deeply saturated and pop nicely, blacks are quite good and there's a nice layer of film grain present. The English Dolby Digital track sounds pretty decent though it does throw out some hiss and pop from time to time, the Italian language track is a bit cleaner but both are adequate, just not outstanding. The DVD from Arrow Video is region-FREE and PAL formatted.  

Special features include EXORCISM ITALIAN-STYLE Documentary (12:43) with critic Paolo Zelati, filmmaker Luigi Cozzi (CONTAMINATION) and screenwriter Antonio Tentori (DRACULA 3D) reflecting on the brief boom in pasta-possession movies of the 70's and 80's following the unparalleled success of Friedkin's THE EXORCIST a few years after ROSEMARY'S BABY broke the horror genre through the b-movie barrier. They offer fond remembrances of Dallamano's work and of his skill not only as a director but as an accomplished cinematographer, too. They also speak about child star Nicoletta Elmo (DEEP RED, DEMONS) the "little Dark Lady" of Italian cinema. There's also the Italian Trailer ((2:28) and the US Trailer (1:55). The review screener did not include the reversible sleeve artwork or booklet.




Special Features:

- Newly translated optional English subtitles
- EXORCISM ITALIAN-STYLE Documentary (12:43) 16:9
- Original Italian Trailer (2:28) 16:9

- US trailer (1:55) 16:9
- Collector’s booklet featuring writing on the film by author/critic Calum Waddell
- Reversible sleeve with original and newly commissioned 
Graham Humphreys artwork 


Verdict: A creepy Euro-horror child possession film that sticks with you for a bit after the titles scroll, good stuff and a recommend especially for fans of Italian horror with an atmospheric Mario Bava tinged occult flavor. Would love to see this attractively shot b-movie chiller get a Blu-ray release at some point. (3.5 Outta 5)