Showing posts with label Max Phipps. Show all posts
Showing posts with label Max Phipps. Show all posts

Monday, October 9, 2017

DARK AGE (1987) (Blu-ray Review)

DARK AGE (1987)
Ozploitation Classics Blu-ray 

Label: Umbrella Entertainment
Rating: MA 15+
Region Code: Region-FREE
Duration: 90 Minutes 
Audio: English Dolby Digital 2.0 Mon, 2.0 Stereo with Optional English Subtitles 
Video: 1080P HD Widescreen (1.77:1)
Director: Arch Nicholson
Cast: John Jarratt, Nikki Coghill, Max Phipps, Burnham Burnham, David Gulpilil, Ray Meagher, Jeff Ashby, Paul Bertram, Ron Blanchard

Synopsis: A classic tale of terror from the golden age of Aussie exploitation, Dark Age features outback stalwart John Jarratt (Wolf Creek) as Northern Territory wildlife ranger Steve Harris, a stoic survivor charged with conserving the ever diminishing crocodile population from encroaching hunters, hell-bent on destruction of the species. Faced with formidable opposition from gung-ho hunter John Besser (Max Phipps, Mad Max 2), Steve is joined by girlfriend Cathy (Nikki Coghill, The Time Guardian) and sets out to relocate a giant crocodile to a breeding ground sanctuary, well out of harm's way. Aided by expert tracker Oondabund (Burnam Burnam, Ground Zero) and Adjaral (David Gulpilil, The Tracker) the intrepid foursome risk life and limb in a terrifying journey that will test their nerves and transform the tranquil Territory waters into a raging red torrent of death.

It was director Mark Hartley's insanely fun Ozploitation documentary Not Quite Hollywood (2009) where I first caught a glimpse of the killer croc flick Dark Age (1987) with it's 20 foot plastic man-eating crocodile, I knew then that I needed this movie in my life! John Jarratt (Wold Creek) portrays Northern Territory wildlife ranger Steve Harris, a real eco-friendly kinda guy with aims to conserve the land down under's dwindling crocodile population from the threat of poachers. One poacher in particular proves to be a thorn in Steve's arse, a local named John Besser (Max Phipps, Mad Max 2), who along with his fellow poachers fail to heed warnings of aboriginal (David Gulpilil, The Last Wave) of a large croc in the area, and thus the hunters become the hunted, attacked by the fearsome reptile, only Besser survives. With the threat of a killer croc in the area Steve sets out to relocate the man-eating croc despite public outcry to exterminate the beast. Steve is aided on his mission by two Aboriginees; the mystic Oondabund (Burnam Burnam, Howling III: The Marsupials) and tracker Adjaral (David Gulpilil, The Last Wave), whom view the creature as a mystical keystone to their people's past.


Throughout the film the giant croc, or Numunwari as it's known to the Aboriginees, savages the poacher Besser again, apparently not having learned his lesson the first time around, this time the bloke loses half his arm for his troubles. The injury spurs an Ahab-styled obsession against the creature making it all the more difficult for the trio to recover the croc without incident, add to that Steve's superior further laying on the pressure to kill the creature. Mixed into the carnage is a ham-fisted love story  wherein Steve is reunited with his former girlfriend Cathy (Nikki Coghill, The Time Guadrian), it's a pointless exercise but does result in the film's lone instance of nudity so it ain't all that bad, Coghill is easy on the eyes. Jarratt's conservationist Steve is far removed from his sadistic character Mick from the later-day Ozploitation classic Wolf Creek (2005). As usual David Gulpilil steals every frame of film, he's just so magnetic on screen, the camera loves this guys face, definitely the most recognizable Aboriginal actor of all time in my opinion.


The glimpse I caught of the croc in Not Quite Hollywood was actually pretty terrible, it appeared quite the hideous construct. So how's the giant saltwater croc stack-up now that I've had a good look at it? Not too shabby for the most part, all things considered, with some notable exceptions. There's definitely a Spielbergian less is more approach to the film, and that's just one of many Jaws-esque ideas and themes floating around this flick; from the decision not to kill the creature, the boat being pulled along by the force of the creature, etc - it's just expected and not at all alarming in my opinion, pretty much every creature feature riffs on Jaws. The creature effects are decent when kept to a minimum, once the croc gets on dry land during the final few minutes it's get pretty bad pretty damn fast, but it's only momentarily awful. The kills are  fun if not particularly amazing, when poachers and fisherman run afoul of the menace it's usually a bloody affair, not too much gore though.  I will say that when a toddler gets snatched from the end of a dock it was surprising, I didn't expect that one to go full-on kill-the-kid.


Director Arch Nicholson keeps the thrills coming at a pretty good clip with good production value. The Northern territories of Australia make for a gorgeous backdrop and the film really showcases the land's beauty, which is wonderfully captured by cinematographer Andrew Lesnie who would later go onto great acclaim and Oscars after lensing Peter Jackson's Lord of the Rings trilogy. I've always had a fondness for the look and aesthetic of Aussie films and this proves no different, love the lighting of the night shots, the fog covered swamps are moody and atmospheric.


Keep in mind that this is an ozploitation film and as such their some fair amount of lunacy to be found, such as a car full of punks menacing an old man and a car chase featuring a car full of angry redneck poachers chasing a semi rig with the croc strapped to it's trailer through the outback, it's pure craziness but awesome just the same. All in all a pretty fun watch, perhaps not a great film but definitely a great watch!


Audio/Video: Dark Age (1987) arrives on Blu-ray from Umbrella Entertainment with a new HD scan framed in 1.77;1 widescreen. This is a nice improvement over their previous DVD release, the grain is present but less chunky looking, but it does get a bit grainy, particularly at night, but it is better resolvedhere. There's some minor print damage and white speckling from time to time, but nothing too offensive. Skin tones and colors look accurate, the night scenes are at times a bit murky, but fine detail is decent during brighter scenes and in close-ups.  


There are two audio options, and sadly both lossy Dolby Digital, Umbrella have chosen not to take full advantage what the HD format offers. We get 2.0 Mono and 2.0 stereo, for my money I liked the mono audio track. Dialogue, score and special effects come through clean, it's not overly dynamic or crisp, and there's not much separation, but it is quite serviceable. Optional English subtitles are provided. 


Onto the extras Umbrella carry-over the audio commentary with star John Jarratt and ozploitation producer extraordinaire Antony I.Ginnane (Patrick, Thirst), which is pretty relaxed and not really alive with energy but enjoyable as Ginnane recalls why the film never received Australian distribution prior to this DVD release and Jarratt recalls working with the cast and filming a few scenes specifically. Would have loved at least a few trailers but the commentary certainly sweetens the deal.


Umbrella upgrade the extras n the Blu-ray too with a host of new stuff for fans to dig through, beginning with Uncut Not Quite Hollywood Interviews with John Jarratt and Antony I. Ginnane, running about 17-minutes. Jarratt speaks about the making of the film, how he felt during filming it should have been a comedy, how the croc didn't work so great, and warning actors not to get stuck in a two-shot scene with Gulpilil because no one will even see you!

There's also a panel discussions with film historians Lee Gambin, Alexandra Heller-Nicholas, Emma Westwood and Sally Christie running 24-minutes long, none of these folks had anything to do with the film, but offer their interpretations and take aways from the movie. There's also a 59-min vintage doc about protecting crocodiles in Australia  - which has nothing to do with the film other than Grahame Webb, seen in the doc, is the author of 'Numunwari', the book which inspired  the movie. There's also a selection of trailers and a gallery of images, including production notes, key art, home video releases,, selections from shooting script, and stills. 

The single-disc Blu-ray release comes housed in the usual over-sized Blu-ray keepcase with a sleeve of reversible artwork featuring the original key-art, the reverse side features a variant of the same key artwork minus the rating label. Also, good news, this release is region-free! 


Special Features: 
-Audio Commentary with Actor John Jarratt and Executive Producer Antony I. Ginnane
-A Bicentenary with Bite: Revisiting “Dark Age”
- Panel discussion with film historians Lee Gambin, Alexandra Heller-Nicholas, Emma Westwood and Sally Christie (24 min) HD 
-Uncut Not Quite Hollywood Interviews with John Jarratt and Antony I. Ginnane (17 min) 
-Living With Crocodiles: 1986 documentary with Grahame Webb, author of 'Numunwari', the book which inspired Dark Age (49 min) HD 
- Theatrical Trailer (2 min) HD 
- US Home Video Trailer #1 (2 min) HD 
- US Home Video Trailer #2
- Image Gallery including rare press and promotional material

Dark Age (1987) is a fun ozploitation creature feature that's perfect for a Saturday night on the couch with some frosty beers and a few good friends. It's definitely worth seeking out, particularly if you crave ozploitation cinema and have a predilection for giant killer croc and gator flicks like Rogue, Black Water and Lake Placid, it's a fun Jaws riff and a good watch!


Friday, April 4, 2014

Blu-ray Review: THIRST (1979)

THIRST (1979) 
Label: Severin Films
Region Code: Region-FREE
Rating: Unrated 
Duration: 93 Minutes
Audio: Englsih Dolby Digital 2.0 Mono
Video: 1080p Widescreen (2.35:1)
Director: Rod Hardy 
Cast: Chantal Cantouri, David Hemmings, Henry Silva, Max Phipps


Thirst (1979) starts off with a deceptive bit of a Hammer-esque Gothic horror before revealing itself as post-modern vampire tale with a twist. An attractive young woman Kate (Chantal Contouri, Snapshot) is home with her cat one day and feeling a bit strange when she is suddenly abducted by a cult known as The Brotherhood. The Brotherhood are a cult of wealthy eccentrics who whisk her away to their secluded island colony and reveal that she is a descendant of the infamous mass murderer Elizabeth Bathory.

In a way that sort of brought to mind the cult-classic TV series The Prisoner (1967) the cult attempt to brainwash her into accepting her legacy and to acquire a taste for human blood neither of which she's very keen on accepting. The film strays from the traditional vamp mythos as the Brotherhood are presented not as supernatural entities but a superior race whom ritually drink human blood. They harvest blood from brainwashed donors known affectionately as "blood cows" which are routinely milked of their life essence not unlike a dairy farm,  complete with filtration and pasteurization to remove unwanted traces of drugs, antibiotics and disease. 


Young Kate proves
surprisingly resistant to the cult's conditioning process and the sinister Mrs. Barker (Shirley Cameron), with the super creepy Cheshire grin, resorts to a using an experimental psychotropic approach which sends Kate teetering on the brink of insanity. Her performance here brought to mind Catherine Deneuve's in Roman Polanski's Repulsion (1965) as she quickly descends into a nightmarish spiral of dreamlike encounters leading up to her partaking in a bizarre bloodsucking cult ritual.

The film has a top notch cast beginning with Chantal Contouri who is just fantastic as the emotionally distraught lead, such a convincing and sympathetic performance. The Brotherhood is embodied by the creepy Mrs. Baker (Cameron), the slightly more benign Dr. Gauss (Henry Silva, Ghost Dog) and Dr. Fraser played by Eurocult superstar David Hemmings (Dario Argento's Deep Red) who is a more compassionate character and seems to have a soft spot for Kate. In the background you might notice Robert Thompson who most remember from the Aussie shocker Patrick (1978) in a mostly silent performance. 


The look and aesthetic of the film could be described as slightly art house with a twist of the Aussie new wave featuring some cinematography by Vincent Morton (Long Weekend) who captures the gorgeous locations on film. Such an attractively shot and edited production which manages to sustain a creepy atmosphere without resorting to scene after scene of gore and cheap scares. It just creeps up on you and is peppered with just a few unnerving scenes that work exquisitely, the blood shower scene comes to immediately to mind.

Blu-ray: Severin have created a brand-new HD transfer of the film from the original camera negative framed in it's original scope aspect ratio and it's quite nice. Colors are vibrant and nicely saturated with a fair amount of detail, depth and clarity to the image. Notably there's a distinct amber hue to the color timing that drew my attention but that's a nitpick, overall the image is top notch. As with their Patrick Blu-ray Severin have opted for a Dolby Digital 2.0 Mono audio track without benefit of subtitles. The track is decent but if only just to augment Brian May's fantastic score I wish we had an uncompressed audio option. 



The special features are ported over from the previous DVD edition including a decent audio commentary with Director Rod Hardy and legendary Aussie  producer Antony I. Ginnane plus an isolated score option that showcases Brian May's atmospheric soundtrack. We also have a few TV spots and the theatrical trailer. Definitely not a greatest selection of extras, and it's a bummer we have no new content, but the 1080p upgrade (at least the video) is very nice. 

Special Features:
- Audio Commentary with Director Rod Hardy and Producer Antony I. Ginnane
- Isolated music score by Brian May
- Theatrical Trailer (1:38)
- TV Spots (1:17) 


Verdict: Thirst (1979) is an underrated slice of post modern bloodsucking cinema infused with surreal weirdness and science fiction elements that should please fans of on non-traditional vamp tales such as George A. Romero's Martin (1977) and Guillermo del Toro's Cronos (1993). The Severin Blu-ray looks quite nice and should be an easy upgrade for fans of the Aussie classic. 3 Outta 5