Showing posts with label Noir. Show all posts
Showing posts with label Noir. Show all posts

Sunday, June 21, 2020

SORRY, WRONG NUMBER (1948) (Imprint Films Blu-ray Review)

SORRY, WRONG NUMBER (1948)

Label: Imprint Films

Region Code: Region-Free
Rating: PG

Duration: 89 Minutes
Audio: English PCM 2.0 with Optional English Subtitles
Video: 1080p HD Full Frame (1.33:1)
Director: Anatole Litvak
Cast: Barbara Stanwyck, Burt Lancaster, Ann Richards, Wendell Corey, Ed Begley 



Sorry, Wrong Number (1948) is a noir-thriller directed by Anatole Litvak and starring Barbara Stanwyck and Burt Lancaster, adapted from a 1943 radio play by Lucille Fletcher. In it Stanwyck (The Thorn Birds) plays Leona Stevenson the ailing bedridden daughter of self-made pharmaceutical tycoon James Cotterell (Ed Begley, The Dunwhich Horror), whom is home alone awaiting her husband Henry J. Stevenson (Burt Lancaster, The Swimmer) to return from work. When he's running later she attempts to call him but the operator connects her to what seems to be the wrong telephone line, during which she overhears men plotting to murder a woman in cold blood that same night. Shaken by the experience she reports this to the operator and then to the authorities, but as she has no detailed information to offer it proves un-useful to them and they do not act on it. 




As the movie moves along we learn more details through flashback, with the bedridden Leona communicating via her only connection to the outside world, the telephone, with the phone operator, the authorities, her husband, and even her husbands ex-gal Susan (Ann Richards, Breakdown), the latter of whom explains to her that there's more to Henry than she is aware of. We learn that Henry and Leona come from very different backgrounds, she a pampered daughter of privilege while he was a working class stiff who lucked into the good life after meeting Leona, but he's not comfortable with his high-earning though title-only job at her father's company, which set in motion him doing some shady stuff with shady guys, with his invalid wife coming to realize that perhaps that cross-connected phone call hits closer to home than she may have realized.  




Sorry, Wrong Number is a tight, fast-paced thriller, bathed in noir atmosphere and a roaming camera that feels appropriately 

voyeuristic, with Stanwyck giving an Oscar-nominated performance as the bedridden woman in a frightful spot, she's fantastic.  At times the oft-used device of the telephone began to wear on me, there are more phone conversations in this film than there are request to "close the door!" in The Thing from Another World (1951), but as it's based on a radio play centered around a woman on a telephone that can hardly be helped, and you might have to explain to the younger kids what the hell a telephone is anyway.



It does start to get a bit convoluted with all the phone calls and flashbacks - sometimes we get a flashback within flashbacks - but it all comes together so deliciously clever at the end. It still gets my pulse racing when I watch it, the final few moments are as suspenseful as anything I have ever seen, making this a memorable and thrilling slice of noir cinema.   




Audio/Video: Sorry, Wrong Number (1948) makes it worldwide Blu-ray debut from Imprint Films, an arm of Via Vision Entertainment, licensed from Paramount Pictures. We get a 1080p HD presentation framed in the original full frame 1.33:1 aspect ratio. It looks to have come from a older HD master with some baked in issues, we get some funky looking grain and some inconsistent softness throughout, which negatively affects clarity and fine detail. At times the image has pleasing clarity and contrast, but quality tends to wax and wane throughout, the lack of consistency that a new scan of the elements would have provided is unfortunate. While it's still an upgrade over my nearly 20-year old Paramount DVD, it also fails to impress. 




Audio comes by way of English LPCM Dual-Mono 2.0 with optional English subtitles. Dialogue is delivered with pleasing directness overall, though a few bits of dialogue were a bit undefined, but that was rare, and the dramatic score from Franz Waxman (Bride of Frankenstein) sounds terrific. 




Extras begin with a new and exclusive audio commentary from noir expert Alan K. Rode, plus a previously unseen 2-min intro from Eddie Muller, and an also previously unseen 30-min 'Hold The Phone: The Making Of “Sorry Wrong Number”', which was fantastic. Nifty bonuses also come by way of the 60-min 1950 Lux Radio Theater radio play with both Stanwyck and Lancaster, plus a filmed 2009 radio play, you can see them voice acting the entire radio play on stage, which was pretty cool. None of these extras were present on the 2002 Paramount DVD, so they were all new to me, and they all added a lot to my re-watch of the film. 




The disc is buttoned-up with a 2-min trailer, a 2-min gallery and a brief Imprint Films promo advertising their first five releases. The single-disc release comes housed in a clear Criterion-style keepcase with a sleeve of artwork with what looks to be a new design based on a promotional image for the film, on the reverse side is a sepia-tone image of a scene from the film. This release comes with a limited edition (of 1500) slipbox with a glossy finish featuring the original illustrated theatrical poster, the disc itself features an excerpt of the same key art. The spine of both the wrap and the slip features the year the film was released and is numbered, this being release number two from Imprint. As with the other releases I have reviewed from the first wave of Imprint releases this has great packaging and it looks great on the shelf.



Special Features:

- NEW Audio commentary by Noir Expert/Film Noir Foundation board member Alan K. Rode
- Eddie Muller Introduction (Previously Unreleased)(2 min) 
- Hold The Phone: The Making Of “Sorry Wrong Number” (Previously Unreleased) (31 min) 
- 2009 “Sorry Wrong Number” A Radio Play by Lucille Fletcher Radio Play - Filmed Performance at Shadowland Theater Ellenville USA (Recorded March 14th 2009) (29 min)
- “Sorry Wrong Number” Lux Radio Theater with Barbara Stanwyck and Burt Lancaster (Broadcast January 5th 1950) (60 min) 
- Theatrical Trailer (3 min)
- Gallery (3 min) 
- Limited Edition slipcase on the first 1500 copies



Sorry, Wrong Number (1945) still ratchets up the tension with the best of the noir-thrillers, with a wonderful performance from Stanwyck as the privileged woman in peril, that the simplistic story still holds sway is a testament to Lucille Fletcher's original story, and to the skill of director Anatole Litvak. I am pleased to see this finally get a Blu-ray, though I wish it's been afforded a new scan and restoration to spit-shine it for it's worldwide debut on the format, it definitely deserves it. That said, it's a handsomely packaged release and the extras are plentiful, adding some heft to this releases desirability.





More Screenshots from the Blu-ray:

Extras: 
  

Monday, October 27, 2014

The Naked City On UK BD/DVD 10/27 from ARROW VIDEO

 

BD/DVD COMBO RELEASE – October 27th 2014

THERE ARE EIGHT MILLION STORIES IN THE NAKED CITY. THIS IS ONE OF THEM

Arrow Films’ Arrow Academy label is proud to announce the release of Jules Dassin’s classic film noir The Naked City, making its worldwide Blu-ray debut on 27th October. The Naked City is the latest Dassin title to join the Arrow Academy collection following Rififi and Brute Force.

The Naked City, shot partially in documentary style, was filmed on location on the streets of New York City and features landmarks such as the Williamsburg Bridge and the Whitehall Building. Winning two Academy Awards, one for cinematography and another for film editing, the film has more recently gone one to be selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
Its visual style was inspired by New York photographer Weegee, who published a book of photographs of New York life entitled Naked City (1945). Weegee was hired as a visual consultant on the film, and is credited with helping to craft its imagery.
Both Screenwriter Albert Maltz and Dassin were to subsequently fall foul of the notorious House Un-American Activities and Dassin, himself, was forced to leave the US. It’s ironic that having so clearly proved himself capable of telling us of the eight million stories of his American home, he was forced to leave that very place having only told one.
 This deluxe edition will include an all-new high definition transfer of the film, alongside a wealth of extras including New York and The Naked City a newly-filmed look at New York's relationship with the moving image by Amy Taubin, a 40-minute interview with Jules Dassin at LACMA with Bruce Goldstein in which the director discusses his career and The Hollywood Ten and also the 1950 documentary short on the ten filmmakers blacklisted from Hollywood for their refusal to name names before the House of Un-American Activities, including The Naked City’s screenwriter, Albert Maltz.

The disc will also feature the striking artwork by Vladimir Zimakov and an extensive booklet, including essays on the main feature by Alastair Phillips (co-author of the BFI Screen Guide, 100 Film Noirs), on Oscar-winning cinematographer by Barry Salt of the London Film School, and on the spin-off TV series by Sergio Angelini.

Synopsis
Jules Dassin followed up his explosive prison picture Brute Force with another slice of hard-boiled crime fiction. Within a decade he’d make Thieves’ Highway, Night and the City and Rififi, thus confirming Dassin’s position as one of the all-time-great film noir directors.

New York, the middle of summer. A blonde ex-model is murdered in her bathtub and detectives Muldoon (Barry Fitzgerald) and Halloran (Don Taylor) are assigned to the case. Their investigation will lead them through the entire city, from Park Avenue to the Lower East Side, culminating in a thrilling climax atop the Williamsburg Bridge.

Inspired by the work of the infamous tabloid photographer Weegee, The Naked City was the first major Hollywood production to be shot entirely on the streets of New York, making use of more than a hundred authentic locations. Both its editing and its cinematographer would earn Academy Awards, while the film itself would be recognised by the Library of Congress as one of American cinema’s most significant motion pictures.

This deluxe package will be full of special features and bonus material including:

·         New high definition digital transfer of the film
·         High Definition Blu-ray (1080p) and Standard Definition DVD presentation
·         Original mono 1.0 audio (uncompressed PCM on the Blu-ray)
·         Optional English subtitles for the deaf and hearing impaired
·         Audio commentary by screenwriter Malvin Wald
·         Jules Dassin at LACMA – a 40-minute interview with Bruce Goldstein in which the director discusses his career
·         The Hollywood Ten – a 1950 documentary short on the ten filmmakers blacklisted from Hollywood for their refusal to name names before the House of Un-American Activities, includingThe Naked City’s screenwriter, Albert Maltz
·         New York and The Naked City: A personalised history of NY on the big screen by critic Amy Taubin
·         Gallery of production stills by infamous photojournalist Weegee
·         Theatrical trailer
·         Reversible sleeve featuring the original poster and newly commissioned artwork by Vladimir Zimakov
·         Collector’s booklet containing new writing on the film by Alastair Phillips, Barry Salt and Sergio Angelini, illustrated with original production stills

SPECS:

Region: 
B/2
Rating: 
PG
Cat No: 
FCD1006
Duration: 
96 min
Language:
English SDH Subtitles
Subtitles: 
English
Aspect Ratio: 
1.33:1
Audio: 
1.0
Colour: 

Black & White
Arrow Video Official Channels

Wednesday, July 11, 2012

Blu-ray Review: THE RED HOUSE (1947)

THE RED HOUSE (1947)
Blu-ray + DVD Combo
Label: HD Cinema Classics
Region: 0 NTSC [DVD] Region-FREE [Blu-ray]
Rating: Unrated
Duration: 100 mins
Audio: English DTS-HD Master Audio Mono
Video: Fullscreen (1.33:1) 
Director: Delmer Daves
Cast: Edward G. Robinson, Judith Anderson, Julie London, Lon McCallister, Allene Roberts
Tagline: You Dare Not Even Guess The Strange Love Story pf The Red House


Pete Morgan (Edward G. Robinson, The Strangers) and his sister Ellen (Judith Anderson, Hitchcock's Rebecca) live on an isolated farm on the outskirts of a small town just on the edge of a dark and allegedly haunted forest. There they've quietly raised their adopted teen daughter Meg (Allene Roberts, TV's Dragnet) since she was abandoned by her parents years ago. Things around the farm are pretty quiet until Meg's friend Nath (Lon McCallister) comes on as a hired hand at the farm assist the aging and one-legged Pete. Meg's teen hormones kick-in and she falls in love with Nath much to the dismay of his smoking-hot girlfriend Tibby (Julie London, Night of the Quarter Moon) who in turn gives her affections to a brooding young man named Teller (Rory Calhoun, Motel Hell).


Pete's a pretty sweet man but his pastoral demeanor starts to unravel when Meg and Nath  explore the swampy forests near the farm despite Pete's alarming warnings of superstitions and soul-shattering screams that emanate from a mysterious red house. As teens are prone to do the warnings on serve to peak their curiosity and it seems the further they delve into the woods the deeper Pete's sinks into madness. 


Edward G. Robinson (Key Largo) is truly fantastic as the unraveling Pete whom bit by bit loses his grip on reality leading to tragic and dizzying finale  - he is the stand apart performance here.  A particularly effective scene has Pete careening into a furious rage that sends a table flying across the room injuring his sister when a dark secret is revealed, it's great stuff. Worth mentioning is cinema great Judith Andrews as Pete's tragic sister Ellen and it was a treat to see "Vincent Farmer" himself Rory Calhoun of the nutso 80's slasher  Motel Hell (1980) portraying the rogue who steals the affections of Nath's girl.  Tibby played by the big-eyed beauty Julie London of TV's Emergency is simply smoldering as the sexually aroused Tibby. We also get good performances from Allene Roberts and Lon McCallister as the young lovers but they really pale in shadow of Robinson's unhinged Pete and the conflicted Tibby who really made the film me. 


The film is definitely a slow burn - at 100 minutes in length the thrills don't really kick in till  the final act which ratchets up the tension and insanity. The night scenes in the woods  are creepy and intense with howling winds and strange noises everywhere. When Nath ignores Pete's warning not to enter the woods he is stricken with an unnatural panic returning to the farm terrified, it's great stuff. Bert Glennon's (The House of Wax) attractively lensed cinematography is strikingly lit and gives  this thriller a definite noir feel at times. 


Blu-ray: HD Cinema Classics presents The Red House (1947) with a restored full-frame transfer sourced from original 35mm elements. Like many of HD Cinema Classics's restored public domain films there's been a thick application of digital noise reduction that's not only sucked away the film grain from the image but left it bereft of fine detail leaving in it's place a waxy plasticine image with rampant smearing. On the plus side there's little visible damage but film grain lovers will not exactly rejoice over this one. 


The Blu-ray features English language DTS-HD mono audio with optional Spanish subtitles. This is the first title from HD Cinema Classics to offer a lossless audio option and it's much appreciated despite the limited fidelity of the mono presentation, there's some minor distortions throughout but it's not an unpleasant listen and Mikola Roza's (Ben Hur) theramin-tinged score sounds pretty great, too.


Special features include a pretty dry audio commentary with author William Hare, the signature movie art postcard that are synonymous with HD Cinema Classics titles, a brief before and after restoration demo, trailer for the film and a standard-definition DVD version of the film that carries over the bonus content.


I just can't give the transfer very high marks particularly after seeing recent black and white  classics like Swamp Water (1941) and Fritz Lang's blistering-noir The Big Heat (1953) from Twilight Time label with gorgeous restored 1080p transfers with the film grain and fine detail intact. To play devil's advocate it must be a tough business model restoring these public domain titles that are freely available online and on numerous budget collections.


Special Features:
- Audio Commentary with author William Hare
- Movie Trailer (1:24) 4:3
- Before and After Restoration Demo (1:05)
- Original Movie Art Postcard


Verdict: The Red House (1947) is probably a bit slow but if you have the patience for a slow-burn with an amped-up finale with a satisfying and dizzying conclusion this is a first-rate psychological-thriller with some great noir-styled thrills.  3 outta 5 





Other HD Cinema Classics reviewed on the site, follow the links to read: Zaat, Poor Pretty Eddie, The Terror, Dementia 13