Showing posts with label Luca Bercovici. Show all posts
Showing posts with label Luca Bercovici. Show all posts

Thursday, September 27, 2018

FRIGHTMARE (1983) (88 Films Blu-ray Review)

FRIGHTMARE (1983) 
Label: 88 Films 
Region Code: Region-FREE
Certification: 15
Duration: 87 Minutes
Video: 1080p HD Widescreen (1.78:1)
Audio: Eglish 1.0 DTS-HD MA Mono with Optional English Subtitles 
Director: Norman Thaddeus Vane
Cast: Ferdy Mayne, Luca Bercovici, Nita Talbot


Frightmare (1983) is a tasty slasher mash-up combing the body count of an 80s slasher with the vintage Gothic trappings of a Hammer film starring Christopher Lee, only this one stars Ferdy Mayne as aging horror star Conrad Radzoff (Ferdy Mayne, The Fearless Vampire Killers) whose bloodstained star had faded with age, once iconic the aged star is relegated to appearing in lousy TV commercials. At the top of the film we see him filming a commercial, when a take is blown the star gets a dress down from the director in front of the cast and crew, the ornery star walks up to him a short time later and pushes him to his death from balcony. Later Radzoff attends an event to a more appreciative crowd, at the local college he is given a lifetime achievement award for his work from the school's Horror Society, but while accepting the award he suffers a heart attack on stage, and he is revived by student Meg (Jennifer Starrett). He later retires to his home knowing death is near and plans his death, including some very elaborate funeral arrangements, but shortly before dying he manages to summon the strength to strangles his disrespectful chauffeur, who also happened to have been his former director, played by Leon Askin, who was General Burkhalter from TV Hogan's Heroes, for those old enough to remember it. Funny story, that show got me into a bit of trouble when I started scrawling swastikas on my first-grade homework, I loved the show and thought the Nazis were inept bad guy, but had yet to learn what exactly it was the Nazis stood for. Anyway, Mrs. Goldstein took exception to my artwork and kept me after school one day and showed me VHS footage from the Holocaust and set me straight about what that symbol meant. 

After the star's proper death there's an elaborate funeral service with a 'from beyond the grave' video message from him addressing his fans, after the survive his body is then interred in a rather fabulous mausoleum decked out in neon and video screens with more videos from beyond the grave that are intended to play to visitors coming to pay their respects, but also a message for those who would dare disturb his eternal slumber. Mourning the loss of their icon the horror society break-in to the mausoleum and steal the horror star's corpse, bringing it back to a mansion where they party with his corpse in disrespectful ways, not dissimilar to Bob Clark's Children Shouldn't Play with Dead Things. They dance, drink and make-out with he star's dead body, eventually taking him up the attic and storing his body in a coffin. At around the same time his grieving widow discovers the body of her beloved has been stolen and approaches a spiritual medium who reaches out to the spirit of the horror star to try to find the body, during which Radzoff is somehow re-animated inside the coffin, rising from the dead he stalks the mansion and the body count begins. 


From here on in the film is pretty much a by the book body count film with the teens being picked off one by one by the angry horror star, who takes great pleasure in killing his fans in a myriad of gruesome ways. There's a tongue ripped out, a levitating coffin smashes a victim in the face, a beheading, a live cremation, someone bursts into flames and someone else is suffocated by noxious fumes released inside the booby-trapped mausoleum. That mausoleum is quite a technological marvel, set up with video screens, loads of neon-lighting, and a poisonous smoke machine, it's not very plausible for the time but it works for the movie. 


The film has loads of atmosphere, thanks in large part to cinematographer Joel King who did a lot on a little budget, tthere's lots of smoke and fog being pumped into the frames, good use of light and shadow, but the narrative has some big gaps in story and logic, but this is a film that I've always been able to watch and not get bogged down in the whole 'well, that doesn't make sense' arguments, I just dig it. Ferdy Mayne (Night Train to Terror) is near perfection as the Christopher Lee-ish horror star even if why he's out to kill everyone is properly explained, but maybe that hey disturbed his final sleep is reason enough, right? I like his air of self-importance, and be on the lookout for a very young Jeffrey Combs (Re-Animator) as one of the members of the horror society, and Chuck Mitchell (Porky from Porky's!) as a cop investigating the theft of the horror stars body. 


Audio/Video: Frightmare (1983), which is also known as The Horror Star, arrives on region-free Blu-ray from 88 Films using the same 2K restoration that Vinegar Syndrome did for it's own US release a few years back, it's presented in 1080p HD framed in 1.78:1 widescreen. The film is shot with a certain dreamy aesthetic with shrouds of fog and smoke throughout, there's an inherent haziness to it, but the grain is nicely managed and colors looks nicely dense and accurate. Audio comes by way of an English DTS-HD MA Mono 1.0 audio track with optional English subtitles, the elements are in good shape and sound good, if not exactly crisp and pronounced. 


88 Films do not skimp on the extras for this one, we get four audio commentaries on this release, beginning with the three that originally appeared on the Vinegar Syndrome Blu-ray. The first with David Del Valle and David DeCoteau, a second with the The Hysteria Continues podcast crew, and an archival audio interview with Director Norman Thaddeus Vane which plays over the film like a commentary track, These are all great tracks, De Valle and DeCoteau have a wealth of knowledge about the film and the key players, while the Hysteria Continues track is more fun but also laced with loads of researched information. The audio interview with the late director has some sketchy audio but gives a nice overview of he director's career. Also carried-over from the VS release is a 12-min interview with cinematographer Joel King, who seems like such a character, having worked a few classic films including Brian de Palma's Carrie, opening the interview with "if you don't know light, you're not a photographer", going into his early career as a photographer and how he came into movies. He shows off some still photographs he took of Peter O'Toole and Sissy Spacek on various sets, speaking about working on Duel with Spielberg, borrowing stuff he learned on Carrie for this film, and how the film was lit with the possibility that it might end up black and white.



88 Films advance over the VS release with two new video extras, we get a new interview with actor Scott Thomson (Ghoulies) who recalls reading Stephen King's 'Danse Macabre' and chugging five espressos before going into his audition, the various shooting locations, and how his name helped inform his character, and him being a bit of horror-snob, plus we get a brand new audio commentary by Nathaniel Thompson and Tim Greer from Mondo Digital who cover some of the same info as previous commentaries but add some new insight and interpretation. Extras are finished-up with a trailer for the film and an image gallery with various poster designs and promotional images.  


The single-disc release comes housed in a cool red Blu-ray keepcase with a sleeve of reversible artwork, one side is the Frightmare artwork with the reveres showing the alternate The Horror Star artwork. The first 300 copies sold via 88 Films website includes the variant artwork, which was actually borrowed from the anthology film From Beyond the Grave, you know, the one with the awesome dagger through the skull image, both the spine of the wrap and slipcover are numbered, this being number thirty-eight in 88 Films' Slasher Classics Collection. We also get a 4-page booklet with writings on the film from Matty Budrewicz & Dave Wain.


Special Features: 
- Limited Edition Booklet notes by Film journalists Dave Wain and Matty Budrewicz
- All new 2K Scan and Restoration from 35mm Camera Negative
- Bobo's Confession - An Interview with Scott Thomson (16 min) 
- New Interview with Cinematographer Joel King (21 min) 
- Archival Audio Interview with Director Norman Thaddeus Vane (Played over the Film)
- Audio Commentary with David Del Valle and David DeCoteau
- Audio Commentary by the Slasher Loving Podcast, The Hysteria Continues
- Audio Commentary by Film Journalists, Nathaniel Thompson and Tim Greer from Mondo Digital
- Original Theatrical Trailer (1 min) 
- Stills Gallery (2 min)  
- Reversible Cover Artwork


Frightmare offers some fun old dark house creepiness and a slasher-y bodycount goodness, but it has some slow spots and the suspense is lacking. You'll stay for the fog-drenched atmosphere and Ferdy Mayne's fun performance but it's hard not to feel the shortcoming of the story and difficulty of tone, it feels like a send-up/parody of the genre almost but the humor just isn't there, which isn't to say I don't like it, I do, just go into this one with some tempered expectations, it's a bit on the loopy side of Gothic horror. 88 Films Slasher Classics Collection edition of the film is region-free and comes with all Vinegar Syndrome extras and a few new ones, making this the definitive version of the film to own. 

Monday, April 20, 2015

GHOULIES (1985) / GHOULIES II (1987)

GHOULIES (1985) / GHOULIES II (1987) 

Label: Scream Factory 
Duration: 81 Minutes, 89 Minutes 
Region Code: A
Rating: PG-13 
Audio: English DTS-HD MA 5.1, English DTS-HD MA 2.0 
Video: 1080p HD Widescreen (1.85:1) 
Director: Luca Bercovici, Albert Band
Cast: Peter Liapis, Lisa Pelkin, Michael Des Barres, Jack Nance,  Mariska Hargitay, Scott Thomson, Keith Joe Dick, Kerry remsen, Phil Fondacaro, William Butler, Royal Dano, J. Downing, Damon Martin

GHOULIES (1985) 

College student Jonathan Graves (Peter Liapis) cannot believe his good fortune when he inherits a sweet mansion that once belonged to his estranged father Malcolm Graves. He moves in right away with girlfriend Rebecca (Lisa Pelkin) with plans to renovate it, but he becomes increasingly obsessed with the occult following the discovery of his journal, turns out that Dad was something of a Warlock. The new found interest in the occult disturbs Rebecca but Jonathan secretly  continues to dabble without her knowledge down in the creepy basement. When the two host a house warming party Jonathan suggest to his friends that they should hold an occult ritual in an effort to summon a demon, which sounds like a great idea to a roomful of drunks. Gathered in the basement Jonathan draws a pentagram and other ritualistic symbols on the floor, but it doesn't seem to summon much of anything... at least at first. It turns out that the spell casting was a success, having conjured not just series of supernatural creatures but a pair of pint-sized minion named Greedigut (Tamara De Treaux) and Grizzel (Peter Risch), who seemingly set out to help Jonathan master his nascent occult powers. 

Rebecca and Jonathan host yet another party and invite the same group of friends, an anthology of '80s stereotypes, the drug-addled burnouts, the nerd, a horny beefcake and two young female companions. Notably among them is the very attractive Mariska Hargitay, the future star of TVs Law and Order: SVU, in her very first onscreen role. The group fall under the control of Jonathan, who is now much stronger, his eyes now glowing with satanic power, who coerces them into performing another ritual, but it turns out that he has been duped by his diminutive minions who only helped him perform the ritual to resurrect their true master, Jonathan's deceased father Michael Graves (Michael Des Barres) who emerges from his grave to reap a terrible vengeance upon the party goers with some help from his ghoulie demon-spawn.


Viewers might be thrown off by the fact that the creatures take a bit of a back seat to Jonathan's exploration of occult in the first film, only coming out to play from time to time in short bursts before receding back into the shadows for long stretches. I still love the creature design, my favorite has feline features, while another has the appearance of a rat, and then there's the iconic ghoulies recognized from the advertising campaign, the slimy green-skinned goblins seen emerging from the crapper and apparently scaring young children away from proper potty training, if Charlie Band is to be believed. 

The cast is a bit stuff, Peter Liapis is wooden through and through as the apprentice warlock, as is the porcelain-skinned Lisa Pelkin, and poor Jack Nance (Wild at Heart) just looks lost during his own scenes, as the mansion's  caretaker.  On the other hand Michael Des Barres (one time singer of '80s rockers Power Station) is a lot of fun as the reanimated master of the occult, a blue-skinned spectre who at one point transforms into a horny blond babe (Bobbie Bressie, Mausoleum) to seduce a young man before strangling him with an elongated tongue. As a young teen I found this sexual switcheroo to be quite disturbing. In one of the more genuinely creepy moments a young woman is terrorized by a clown marionette, a gag borrowed from Poltergeist but with a green-ooze twist, it's good stuff. All of the murders are happening without Jonathan's knowledge and when he becomes aware that his friends have been murdered he must face off against his father in a battle of the black arts.


The finale is a bit of bust honestly, a ridiculous eye-zapping laser show of magic that is the most '80s and dated sequence in the entire damn movie, but you just gotta love it. I freely admit that the scares are few and far between throughout and that my own love for this one is largely based on overwhelming nostalgia, something I have always been able to muster with relative ease. Your own mileage may vary depending on your own level of nostalgia and love of cheesy b-movies, but if you enjoy other Full Moon Entertainment titles like Puppet Master I think it;s safe to say you will enjoy this one. 


Special Features: 

- Audio Commentary With Director/Co-writer Luca Bercovici
- FROM TOILETS TO TERROR: THE MAKING OF GHOULIES - New Interviews With Executive Producer Charles Band, Composer Richard Band, Actor Michael Des Barres And Special Effects Makeup Artist John Vulich (30 Mins) 
- Original Theatrical Trailer (2 Mins)
- Still Gallery (4 Min) (41 Images)


GHOULIES II (1986)

I remember hearing about Ghoulies II because of the inclusion of the band W.A.S.P. on the soundtrack, a tasty little track called "Scream Until You Like It" which was one of my favorite hair-metal bands at the time, it was an easy sell for a sixteen year old rocker who loved horror movies This time around the setting has changed from a musty mansion to a dilapidated carnival roadshow on it's last legs,  it's a great location with a built-in atmosphere which makes for a great setting. There's no Jack Nance this time around, but we do get Royal Fano (Killer Klowns from Outer Space) as Uncle Ned, the alcoholic proprietor of a fright house, who along with his nephew Larry (Damon Martin) must fight to keep the attraction open when the corporate financial baker arrives with pans to close down the attractions that are bleeding profit. 

Luckily for Uncle Ned, but unluckily for the fun house patrons, the ghastly ghoulies have taken up residence inside the attraction, adding an air of menace to the otherwise hokey scares. However, when Ned sees the demons inside the attraction he tries to stop them, but his nephew Larry and the crew assume he suffering from alcoholic hallucinations. Things kick into gear on the first night they open the attraction, particularly for two jaded kids and a group of trouble-making teens who wanna cause some trouble after the ghoulies break their boom box.


The sequel kicks the fun and the gore up a notch, while I enjoyed the first film the sequel is far and away the superior film, plus we have the added benefit that the creatures are front and center throughout, with more articulation and a more proactive role in the storyline. 

Special Features:
- MORE TOILETS MORE TERROR: THE MAKING OF GHOULIES II - New Interviews With With Executive Producer Charles Band, Actors Kerry Remsen And Donnie Jeffcoat, And Special Effects Artist Gino Crognale (17 Mins) 

- Rare Deleted Scenes (3 Mins)
- Original Theatrical Trailer(1 Mins) 

- Still Gallery (26 Images) 

Audio/Video: Scream Factory have crammed both films onto a single Blu-ray disc but the image quality is solid, there's a fine layer of film grain and with it some modest fine detail with minor depth and clarity, easily surpassing the old standard-def DVD, fans of both films will be pleased. Each film is given both English DTS-HD MA 2.0 and 5.1 options, with optional English subtitles. I prefer the surround option which while not the most lively presentation does wonders for the Richard Band score. 

Onto the extras for the first film we have a half-hour making of featurette with new interviews with Executive Producer Charles Band, Composer Richard Band, Actor Michael Des Barres And Special Effects Makeup Artist John Vulich, all of whom paint a fun picture of the film and are very up front with what kind of film it is. Then we have a theatrical trailer for the film, a still gallery and an audio commentary with Director/Co-writer Luca Bercovici which is a bit of a slog to be honest. 

Extras for the sequel include a shorter seventeen-minute making of featurette with New Interviews With Executive Producer Charles Band, Actors Kerry Remsen And Donnie Jeffcoat, And Special Effects Artist Gino Crognale. The actors discuss how exciting it was to be filming in Rome and touring Italy while Crognale has some great anecdotes about creating the effects for the film. 


Also included are three-minutes of alternate R-rated gore scenes that were originally included during the theatrical release of the film but have been missing since it made it's debut on home video, I think Scream missed an opportunity to sell a few more units by not presenting the film in it's original R-rated theatrical cut. The last of the extras are a theatrical trailer and a still gallery of promotional images and stills from the movie. The only thing missing would be the video for the W.A.S.P. tune "Scream Until You Like It" and an R-rated cut of the film. 

A solid double dose of '80s creature features and by far the best either film has ever looked on home video. The Ghoulies films are certainly not a tent-pole horror franchise but they are good, watchable b-movies with some fun elements. The first one seems a bit maligned by fans when compared to the second, but I do love the glowing green-eyed occult '80s party atmosphere of it, there's just not enough of the ghoulies in it. The sequel remedies that with more screen time for the pint-sized terrors and a fun carnival setting, plus a great tune from W.A.S.P. doesn't hurt either.