Showing posts with label Tony Todd. Show all posts
Showing posts with label Tony Todd. Show all posts

Sunday, May 27, 2018

NIGHT OF THE LIVING DEAD (1990) (Umbrella Entertainment Blu-ray Review)

NIGHT OF THE LIVING DEAD (1990)

Label: Umbrella Entertainment 
Region Code: Region-FREE
Duration: 88 Minutes
Rating: R
Video: 1080p HD Widescreen(1.77:1) 
Audio: English DTS-HD Master Audio 5.1 with Optional English SDH Subtitles
Director: Tom Savini
Cast: Tony Todd, Bill Moseley, Katie Finneran, Tom Towles, Patricia Tallman

Synopsis: Fleeing from the legion of limping undead, a small group of survivors comprised of Barbara (Patricia Tallman, Army of Darkness), Ben (horror legend Tony Todd, Candyman) and Harry (Tom Towles, Halloween), hole-up in a remote farmhouse and prepare for a bloody onslaught. As the marauding zombies surround the house, tensions between the survivors flare up, desperate to do anything to survive the hideous battle that is before them.

Directed with flair and gusto by leading horror exponent Tom Savini (who provided make-up effects for Romero’s original Dawn of the Dead and Day of the Dead), Night of the Living Dead cuts to the chase and sets the splatter count high – leaving behind a grisly trail of blood and guts, like any good zombie movie should.

Much like the original Romero film the Tom Savini remake opens with siblings Johnny (Bill Moseley, The Devil's Rejects) and Barbara (Patricia Tallman, Army of Darkness) visiting their mother's grave at a rural cemetery - it's as picturesque a location as could hope for in an eternal resting spot with it's rolling green hills overlooking a lake. Johnny is an acerbic and witty sibling who takes pleasure in tormenting his more reserved sister about zombies, intoning the iconic line "they're coming to get you Barbara" with a ghoulish Boris Karloff affectation, while also referencing how horny the dead can be. On cue a disheveled man with a bloody wound on his head stumbles into the scene, you're thinking , there it is, that's the zombie, but in a nice bit of misdirection the man is only dazed and injured, he mumbles an vague apology before wandering off, and while we're watching him from screen left a zombie shows up, Johnny struggles against the fiend for a bit while Barbara screams her head off. Johnny then falls onto a gravestone at a weird angle, his neck snaps, it's a brutal fall that always makes me cringe. The panic-stricken Barbara flees the scene and eventually ends up at a rural farmhouse, where the rest of the film plays out. 

It's at the farmhouse that Barbara meets Ben (Tony Todd, Candyman) who  also finds the house while fleeing the chaos of whatever it is that's happening in the area, a radio informs them that people are turning violent and cannibalistic.  The two set about clearing the house of a few zombies, fortifying the entrances and windows in an effort to prevent the massing zombie hordes from entering the home. They remove doors from entry ways inside the home and barricade the windows, in the process of looking for lumber they discover the house is not as empty as it once appeared, in the basement they find hard-ass Harry Cooper (Tom Towles, Henry: Portrait of a Serial Killer), his wife put-upon Helen (McKee Anderson), plus their young daughter Sarah (Heather Mazur, TV's Pretty Little Liars), who it turns out was bitten by one of the flesh-hungry fiends. The young girl is deathly ill but no one realizes just yet how dire the situation really is for her and for them yet. Also taking refuge in the basement is a teenage couple Tom Bitner (William Butler, Ghoulies II) and his girlfriend Judy Rose Larson (Katie Finneran, TV's Wonderfalls).

Immediately Cooper rubs Ben the wrong way - both are strong headed men of action who have differing opinions on the best course of action in regard to holding off the zombies, which leads to a loads of hard-headed tension on both end with plenty of drama and physical altercations, with damning consequences. One of the most noticeable departures from the original is that Barbara as portrayed by short-coiffed ginger Patricia Tallman (Babylon 5) is quite the opposite of the nearly catatonic blond Barbara (Judith O'Dea) from the '68 original. Tallman is a red-haired fire-brand, she starts off a bit  on the prissy side but by the film's end she is a straight-up zombie-killing bad-ass, it's a great switch-up and makes for a better film. Tony Todd capably fills the shoes of Duane Jones as Ben - this just might be Todd's finest performance in my opinion, he's a likable guy with good intentions. Special mention goes out to Tom Towels (Stuart Gordon's The Pit and the Pendulum) as the abrasive Harry Cooper, a real bastard, super unpleasant and quite intense, there's a nice exchange of words between his character and Ben as they fight over control of the only TV in the house. I love it when Towles character heatedly calls people "lame brains" and "yo-yos", which he does a lot! 

The film has atmosphere to spare, the rural farmhouse proves to be an claustrophobic setting as hordes of zombies arrive at the farmhouse until they end up falling through the boarded up windows like a mass of swarming insects. The sound of incessant hammering  as windows are boarded up and patched throughout the siege is unnerving, the zombies are slow-moving shamblers, it's creepy stuff, it worked in the original and it work with this one. 

Sadly, this would be the only feature length film directed by splatter-master Tom Savini - though a remake of Nightmare City is in the works -  he's directed some shorts both before and after but this is far and away his finest moment behind the camera. The extras reveal that Savini had some really elaborate Argento-esque gore gags and ideas that were vetoed by Romero and the producers, who apparently meddled quite a bit on this one, keeping Savini from adding his own stylish flair and keeping more to the look and feel of the original film, I still love this one though, but I have to say I really wanted to see some of Savini's ideas executed on film! 

The films is shot in color but like the black and white original it is propelled by chilling atmosphere and dread, not just gore, though there are certainly some great gore provided by the capable special effects make-up team of John Vulich (Re-Animator, The Hidden) and Everett Burell (Dolls) whom created some great zombie make-ups for the film, the undead in this one look fantastic, this is all pre-digital and everything looks wonderfully gruesome, with loads of memorable zombies, including a cool-looking autopsy zombie with the y-incision on his chest. 

The film pretty much sticks to the blueprint of the original Night of the Living Dead (1968) save for a few fun twists, one being the wickedly great finale, there's a delicious irony in Ben taking final refuge in the basement after disputing it so vehemently with Cooper, because as we all know after watching the original, Cooper was actually right about holing up in the basement. I've always said in conversation with my son, if there was a zombie outbreak I'd climb on the roof and lay low for a bit, no one ever seems to do that in movies, but at least temporarily the rood seem like a damn good option, right? Anyway, there's  a fun final twists with Barbara and Cooper that always blows me away with this one, great stuff from the beginning to the end, this is one of the best remakes ever. 

Reversible Artwork
Audio/Video: Night of the Living Dead (1990) arrives on region-free Blu-ray from Aussie distributor Umbrella Entertainment in 1080p HD widescreen 1.77:1., the framing is slightly cropped compared to the TT Blu-ray, but only just slightly. Notably this is sourced from a different HD master than the now out-of-print 2012 Twilight Time Blu-ray, which was infamous for having the daylight scenes tinted a heavy blue to simulate dusk, which angered a lot of fans. This Blu-ray corrects that error with the original warmer tones without the blue-tinting, which is excellent news. This looks to be sourced from a theatrical print with the some dirt and minor print damage throughout, mostly by way of white speckling and not much else. Grain looks solid, it's not DNR-scrubbed to death and there's some pleasing fine detail, but the condition of the source is not as well-graded as the Twilight Time version, though I don't think anyone will much mind the slight step down in source quality versus having the original color grading. 
  
Audio comes by way of an English DTS-HD MA Surround 5.1 with optional English subtitles, there's some nice atmospheric touches in the surrounds but the majority of the action is front and center, dialogue is crisp and the atmospheric score from Paul McCullough and effects sound great in the mix, robust and immersive. 

Umbrella carry-over all the extras from the previous DVD version, this includes the theatrical trailer, making of featurette and the audio commentary with director Tom Savini, it's a relaxed and scene-specific commentary covering many facets of the film, it's quite an interesting listen as he discusses the numerous splatter scene excised from the film by the MPAA and an alternate death scene for the character of Helen. The TT Blu-ray was missing the making-of piece, but did have an isolated score highlighting the score by composer Paul McCollough (The Majorettes), which this release does not, the TT release also had a booklet with liner notes from Julie Kirgo.  

Umbrella also offer up some new extras produced by Severin films, with the help of Red Short Pictures' Michael Felsher, beginning with a 28 minute interview with director Tom Savini who goes into how he was chosen to direct, his preparation for the film by creating over six-hundred storyboards, and his general unhappiness  during the making of the film, partly because he was going through a divorce at the time.He also discusses how Romero and producers keept him from executing some if his ideas due to tone and budget, and you can tell it really bothered him. He goes into some great detail about deleted and unfilmed scenes, some with accompanying storyboards. He also discusses the cast, and who auditioned for the role of Ben that didn't land the role, including Laurence Fishburn (The Matrix) and Eriq La Salle (TV's ER).

There's also an interview with special make-up effects supervisors John Vulich and Everett Burrell who touch on a few excised scenes and visiting a morgue in Pittsburgh   to do research on corpses, going into detail how they strived for authenticity in the undead, not just a coll artists rendering of the undead, notably the yellow fleshtones. They also go into the ideas like a cool sound bullet POV shot that was dreamed-up by Savini that he was not allowed to film.

Next up is star Patricia Tallman who recounts auditioning for the role, being a Romero fan from way back, being drawn-in by the characters shift from meek in the original to a total bad-ass woman and her experiences on-set with Savini, Tom Towles and the rest of the cast. 

The single-disc release comes housed in an over-sized Blu-ray keepcase with a sleeve of reversible artwork, the a-side featuring the original movie poster illustration, the b-side a good-looking illustration from Umbrella's in house designer Simon Sherry. The disc itself featuring an excerpt of the a-side artwork. It's nice to finally have a NOTLD '90 release with some decent looking artwork, past releases have been not-so-great, including the TT release. 


Special Features:
- Audio commentary with Director Tom Savini
- The Dead Walk Featurette (25 min) 
- NEW! Tom Savini Interview (28 min) HD 
- NEW! Return to the Living Dead: Interview with Special Make-Up Effects Supervisors John Vulich and Everett Burrell (21 min) HD 
- NEW! Being Barbara: Interview with Lead Actress Patricia Tallman interview (17 min) HD 
- Behind the Scenes featurette (8 min) SD
- Trailer (1 min) HD 

Night of the Living Dead (1990) is a chilling and poignant take on George A. Romero's '68 original, with Romero himself penning the screenplay the film follows the sketch of the iconic black and white classic with precision with but a few nice surprises. I will offer up that when I take in Romero's trilogy of the Dead I actually throw this on instead of the '68 original oftentimes - which might be heresy - but I think it's that good. As remakes of classic horror films go this is right up there with The Blob (1988), The Thing (1982) and Invasion of the Body Snatchers (1978) in my opinion - definitely one of the better horror entries of the 90's. The Blu-ray from Umbrella looks and sounds great with the correct color grading and the extras are super-cool, highly recommended. 


Saturday, March 2, 2013

DVD Review: SUSHI GIRL (2012)



SUSHI GIRL (2012)
Region Code: 1 NTSC
Rating: R
Duration: 99 Minutes
Video: 16:9 Widescreen (2.40:1)
Audio: English 5.1 Dolby Digital EX with Optional English Subtitles
Director: Kern Saxton
Cast: Tony Todd, James Duval, Noah Hathaway, Andy Mackenzie
Mark Hamill, Sonny Chiba, David Dastmalchian, Michael Beihn, Danny Trejo, Jeff Fahey, Cortney Palm
Tagline: Revenge is a Dish Best Served Raw

Synopsis: Brand new prison parolee Fish (Noah Hathaway) has spent the past six years in incarcerated following a botched diamond heist, the only one of a crew of five to get nabbed by the police afterward, being a stand-up guy he's not rolled on any of them while in prison, their secrets are safe. The very night he is released from the prison he's invited to a celebration dinner reuniting the five men who performed the heist, and what begins as a congratulatory and lavish Yakuza-style sushi dinner served off the nubile flesh of a gorgeous young woman (Courtney Palm) quickly turns quite a bit more sinister when old wounds are re-opened and the proverbial salt is applied with bitter viciousness as Fish's former friendlies attempt to find out just what exactly happened to the missing diamonds following his incarceration. 


The leader of the crew of criminals is Duke (Tony Todd), a well-mannered but menacing presence, it is Tony Todd after all, the guy just does not do sweet. Duke is joined for dinner by the perversely effeminate Crow (Mark Hamill), the bearded mad dog Max (Andy McKenzie) and the coke-sniffing Francis (James Duvall), whom is the most square of the bunch, his former life of crime seems to have left a bad taste in his mouth and he's reluctant to join in on the Duke's sadistic games, particularly a torture game involving a storied three-minute timer, interrogation and brutality. We get all manner of the ultra-violence as the crew not-so-politely inquire as to the whereabouts of the missing loot, there's a sock full of broken glass upside the face, broken ribs, chop sticks used rather inappropriately, the fingering of an open wound and the removal of teeth, it's not for the squeamish but fear not for it's not on the level of what some might all "torture porn" either. I'd put it right up there with the "ear" scene from Tarantino's Reservoir Dogs (1992). There's some undeniable and delicious Tarantino influence throughout the film, particularly the dialogue which is razor sharp and the words spewing from Todd and Hamill's mouths are delightful to the ears. it was particularly enjoyable to see Mark Hamill seemingly channeling an effeminately perverse version of his iconic Joker character from Batman - The Animated Series, truly sublime.

The cast is superb through and through with great volatile chemistry from the main bunch of guys as they spew barbs of sarcasm, we also get fun cameos from genre legends Danny Trejo and Sonny Chiba, plus a brief Planet Terror (2010) reunion of Michael Beihn and Jeff Fahey, loved it! It took me a few minutes to place James Duvall, whom I remember so fondly from Doom Generation (1995) and Donnie Darko (2001), he's not quite so baby faced these days and I wondered what the Hell happened and then I went to the bathroom and took a look at myself in the mirror, what the fuck happened indeed. Sushi Girl is just a great watch from start to finish, it's a bit of heist film, there's a great revenge thread and it ought to thrill fans of classic grindhouse cinema as well as those who love the recent wave of exploitation throwbacks, too. 

The DVD comes jam-packed with extras including two audio commentaries from the filmmakers and cast, a reel of outtakes, an alternate reveal and ending, a producer's video diary, a hour long making-of documentary, trailers, poster and still galleries and my favorite would be some retro shot-on-video aesthetic commercials which were quite fun, Sonny Chiba selling soy sauce, gotta love it. Also, be on the lookout for a great Easter egg featuring Mark Hamill and a prop from a certain Kevin Smith film, it's a fantastic edition sure to please special feature lovers.

Special Features: 
- Filmmaker Commentary with Kern Saxton, Destin PLaff, Neal Fischer and Suren M. Seron
- Cast Commentary with Tony Todd, James Duval Noah Hathaway, Andy McKenzie, David Dastmalchian, Destin Plaff and Kern Saxton- Sushi Girl: A Documentary (59:54)
- Outtakes (16:59) 
- Producer’s Diaries (7:22) 
- Sushi Girl Music Video: "Victories and Consequences: by Send the Sages (3:52)
- Fake TV Commercials a la Sushi Girl: Falkore Plumbing (1:34), Colonax (2:06), Killaman Soy Sauce (0:36)
- Alternate Reveal (0:30)
- Alternate Ending (1:53)
- Poster and Promotional Image Gallery
- Behind the Scenes Photo Gallery 
- Storyboards
- Trailers: Green Band Grindhouse Trailer (2:07), Red Band Voices Trailer (1:55), - Magnolia Trailers: John Dies at the End (3:53), ABC's of Death (3:54) 

Verdict: A pretty fucking sweet, fast-talking, slice of revenge awesomeness, a great watch and it gets a high recommend, fun stuff. A great feature film debut from filmmaker Kern Saxton right outta the gate, can't wait to see what's next for the young director, this is exciting stuff.  4 Outta 5
  
http://www.magnetreleasing.com

Saturday, September 29, 2012

Blu-ray Review: NIGHT OF THE LIVING DEAD (1990)


NIGHT OF THE LIVING DEAD (1990)
- The Limited Edition Series -
Label: Twilight Time DVD
Region Code: ABC
Duration: 88 Minutes
Rating: R
Video: 1080p 16x9 Widescreen(1.85:1)
Audio: Englisg DTS-HD Master Audio 5.1, DTS-HD Master Audio 2.0 with Optional English SDH Subtitles
Cast: Tony Todd, Bill Moseley, Katie Finneran, Tom Towles, Patricia Tallman
DirectorTom Savini
Synopsis: Night of the Living Dead (1990)—a George Romero-approved remake of his 1968 cult horror classic, directed by makeup wizard Tom Savini—tells once again the chilling tale of seven people holed-up in a farmhouse besieged by armies of the un-dead. As the terrified little group fights for their lives, they begin to find themselves as plagued by the evil lurking within as by the ravening flesh-eaters battering on hastily boarded-up windows and doors. “Splatter King” Savini keeps things moving—and the blood flowing—as the survivors dwindle one by one.

The Film: Much like the original Romero-directed film we open with siblings Johnny (Bill Moseley, The Devil's Rejects) and Barbara (Patricia Tallman, Army of Darkness) visiting their mother's grave at a remote, rural cemetery - it's a picturesque location with rolling hills covered in green grass overlooking a lake. Johhny is an acerbic and witty and takes great pleasure in tormenting his sister about zombie, intoning the iconic line "there coming to get you Barbara". On cue a man stumbles into the scene, you're thinking it's a zombie but we get a fake out as the film deviates from the original. The man is dazed and injured, mumbles a warning and stumbles off, confused. It's now that we've been lulled into a false sense of security that the undead show up and attack, Johnny struggles against the fiend while Barbara screams her head off, he falls onto a gravestone at a weird angle, his neck snaps, it's brutal. The panicked Barbara flees the scene and eventually ends up at a rural farmhouse. It's here that she meets Ben (Tony Todd, Candyman) a man also fleeing the chaos of whatever it is that's happening in the area, it seems people are turning violent and eating people. We the audience of course realize this is the beginning of a zombie outbreak but remember the characters don't really know what the Hell is going on, they're panicked and stricken with fear. The two set about fortifying farmhouse in an effort to prevent the massing zombie hordes from entering the home. They remove doors from entry ways inside the home and barricade the windows, in the process of looking for lumber they discover the house is not as empty as it once appeared, in the basement they find Harry Cooper (Tom TowlesHenry: Portrait of a Serial Killer), his wife Helen (McKee Anderson), their daughter Sarah (Heather Mazur, TV's Pretty Little Liars) , who was bitten by one of the fiends. She's deathly ill but no one realizes just yet how dire the situation really is. Also taking refuge in the basement is a young couple Tom Bitner (William Butler, Ghoulies II) and his girlfriend Judy Rose Larson (Katie Finneran, TV's Wonderfalls).

Immediately Cooper rubs Ben the wrong way - both are strong headed men of action and have differing opinions on the best course of action to follow which leads to a lot of tension, drama and altercations, some with damning consequences. One of the most noticeable departures from the original is the character of Barbara portrayed by Patricia Tallman (Babylon 5) who is quite the opposite of the blonde, meek and nearly catatonic Barbara (Judith O'Dea) in the '68 film here is a red-haired fire-brand, she starts off a bit  on the prissy side but by the film's end is a zombie-killing bad-ass,  it's a great switch-up . Tony Todd very capably fills the shoes of Duane Jones as Ben - this just might be Todd's finest performance. Special mention of Tom Towels (Stuart Gordon's The Pit and the Pendulum) as the abrasive Harry Cooper, a real bastard, super unpleasant and quite intense, there's a nice exchange of words between his character and Ben as they pretty much fight over a TV - great stuff.

The film has atmosphere to spare, the rural farmhouse proves to be an claustrophobic setting as hordes of zombies try to break-in until they eventually fall through the windows like a mass of insects. The sound of incessant hammering  as windows are boarded up and patched throughout the siege is unnerving, the zombies are slow-moving shamblers, it's creepy stuff. 

This was the first of only four features that splatter-master Tom Savini directed and it's far and away his finest moment behind the camera, the most recent being the "Wet Dreams" segment of The Theatre Bizarre, the weakest of that anthologies vignettes. Perhaps what we have something akin to a Spielberg-Hooper situation on Poltergeist (1982) here with Romero-Savini... it's not likely but apparently Savini's directorial debut will remain his most well-regarded effort. 

The films is shot in color but like the black and white original it is propelled by chilling atmosphere and dread, not gore, though there are certainly moments of grue provided by the capable effects team of John Vulich (Re-Animator, The Hidden) and Everett Burell (Dolls, Castle Freak) whom created some great zombie make-ups for the film. 

The film pretty much sticks to the blueprint of the original save for a few twists, one being the wickedly great finale, there's a delicious irony in Ben taking final refuge in the basement after disputing it so vehemently with Cooper, the final twists are fantastic and the final few shots of the film are eerie and chilling

Blu-ray: Twilight Time offer up Tom Savini's chilling remake of George A. Romero's Night of the Living Dead in a very nice looking MPEG-4 AVC encoded transfer in it's original theatrical widescreen aspect ratio of 1.85:1 (anamorphic). It's sourced from a very nice print, most likely the same Columbia master used for the DVD, I saw no print damage whatsoever, there's a fine layer of grain and while the 1080p image didn't exactly leap off the screen with fine detail it is absolutely an improvement over the previous Columbia Pictures DVD edition.   
The English language DTS-HD Master Audio 5.1 sounds great with some nice atmospheric touches in the surrounds but the majority of the action is front and center, dialogue is crisp and the score and effects sound great. There is an optional English SDH subtitle option.

Special features are culled from the previously mentioned DVD edition and include a theatrical trailer plus an audio commentary with director Tom Savini, it's a relaxed and scene-specific commentary covering many facets of the film, it's quite an interesting listen as he discusses the numerous splatter scene excised from the film by the MPAA and an alternate death scene for "Helen". Something noticeably missing from the Blu-ray is the "The Dead Walk" (24:52) making-of featurette. Not sure why that was not included but I believe for one reason or another not all bonus materials from Columbia are made available to third-party distributors, it would have been a sweet inclusion but it was not to be, however, we do get Twilight Time's signature isolated score track (DTS-HD Master Audio 2.0) featuring the original score by composer Paul McCollough (The Majorettes) which is not found on the DVD. The last item is a 8 page color booklet with color pictures and wonderful writings by  Twilight Time staff-writer Julie Kirgo who always offers interesting insights that put the film in perspective. I must compliment Twilight for the inclusion of a booklet in every release, it's a nice touch and something that's all but disappeared, such a shame. 

Something I never really comment on with releases is the Blu-ray box art and I gotta say that this film has ever really had great artwork associated with it's releases. The Columbia DVD was pretty lame I hate to say it but this Blu-ray is worse, it's just uninspired, worthy maybe of Diary of the Dead maybe but not this. The backside of the booklet features some great original theatrical poster art, that would have been fantastic.

 Special Features:
- Isolated Score Track by Paul McCollough
- Audio Commentary with Filmmaker Tom Savini
- Original theatrical Trailer
- Julie Kirgo liner notes
Verdict: Night of the Living Dead (1990) is a chilling and poignant take on George A. Romero's '68 original, with Romero himself penning the screenplay the film follows the sketch of the iconic black and white chiller with precision with but a few nice surprises. I will offer up that when I take in Romero's trilogy of the Dead I actually throw this on instead of the '68 original - it's that good. As remakes of classic films go this is right up there with The Blob (1988), The Thing (1982) and Invasion of the Body Snatchers (1978) - definitely one of the better horror entries of the 90's and a high recommend. 4 Outta 5 

NOTE: This release was limited to only 3,000 units and is sold out and fetching upwards of $100 on eBay :( 

www.screenarchives.com

Monday, October 4, 2010

Film Review: Hatchet II (2010)


HATCHET II (2010)
"Victor Crowley Lives Again"
Dark Sky Films

RATED: Uncut & Unrated
RUNNING TIME: 89 Min.
DIRECTOR: Adam Green
CAST: Dabielle Harris (Marybeth), Tony Todd (rev. Zombie), Kane Hodder (Victor Crowley/Thomas Crowley), Perry Shen (Justin), R.A. Mihailoff (Trent), Alexis Peters (Avery), Ed Aclerman (Cleatust)


FILM: Thank you to AMC Theatres for supporting unrated horror. From what I can tell this is the 1st unrated horror film to play in a major theatre chain since DAWN OF THE DEAD (1978). After the MPAA deemed the film NC17 Green and Dark Skiy Films stuck to their guns and went the unrated route. AMC Theatres after having seen the film offered a limited run. I hear that the Canadian AMC theatres had quite a time of it and had to pull the film from their theatres under threat of fines. I would also like to thank the awesome Dread Central from whom I won free tickets to the screening stemming from a Twitter contest. Upon arriving at the theatre there was an awesome lobby poster for the film but it was not listed on the theatre marquee, so how would anyone know that the film was playing let alone at what time? That was disappointing. Aside from my son and I there were only two other patrons in the theatre which could be attributed to the 5:45PM screening, I only hope the two later screening brought in more splatter fans.

UPDATE: Tuesday Otober 4th, 2010 - As of yesterday AMC announced they would be pulling the film from all AMC Theatre locations due to poor tcket sales. His statement to Entertainment Weekly about the decision can be foun here.


We return to the bloody bayou in HATCHET 2 mere seconds following the events of Hatchet as we find MaryBeth who this time around is portrayed by scream queen Danielle Harris of HALLOWEEN 4 (1988), HALLOWEEN (2007) fame barely escaping the clutches of Victor Crowley (Kane Hodder). She is assisted by grizzled local fisherman Jack Cracker who takes her to the relative safety of his cabin. Once there he realizes who she is and unceremoniously forces her at gunpoint to leave. Not willing to explain himself he tells her to speak with Reverend Zombie (Tony Todd) but she needs to get the Hell out now. Fearing that his involvement with her might bring the wrath of Crowley ...and he's right. Not minutes after she leaves Cracker is strangled and decapitated by his own bloody intestines, as his corpse spews blood against the wall opening credits roll to the sound of Ministry's "Just One Fix".
Marybeth makes her way back to Reverend Zombies voodoo shop and the Rev lays a slightly altered Victor Crowley origin story on us that implicates her family in the death of Crowley all those years ago. It's an interesting spin on the story and it's told in a flashback featuring Kane Hodder once again as Thomas Crowley. Hodder is called upon to act much more dramatically that we've seen him before, and he pulls it off relatively well. Reverend Zombie reluctantly agrees to return to the cursed swamp to recover the bodies of MaryBeth's father and brother as well as his lost tour boat. A hunting party of mercenary gator hunters is amassed and the motley crew head back into the swamp, however, Reverend Zombie has ulterior motives for helping MaryBeth which play out as the band of armed men enter Honey Island Swamp.

Short story shorter, this film freaking rocks! Hatchet 2 is a satisfying, self-indulgent, splatter-romp that pulls no punches. The kills are bloodier, the laughs are louder, the screams are longer and the cliches are full-on. You get power sanders to the skull, chainsaws to the balls, and one of the funniest decapitation during sex scenes you'll likely ever see. Green is a director capable of much more nuanced, tense, and well paced cinema as evidenced by the psycho-thriller SPIRAL (2007) and the newly released FROZEN (2010) but with Hatchet 2 he's having a blast and just rips into it giving tribute to the slasher films of the 80's with the glee and abandon of a horror-geek on steroids.


VERDICT: Hatchet 2 is the antidote to the unfulfilling PG13 films and remakes that shy away from blood and gore. If you've come for the splatter there's nothing a matter here folks, this one is thigh deep in entrails and viscera, you won't be disappointed. The story is overly simple  but no one is coming to HATCHET II expecting anything more or less. I hold Green up there with Ti West (HOUSE OF THE DEVIL, CABIN FEVER 2) and Lucky McKee (RED, MAY, THE WOODS) as up and coming horror directors to watch, these guys are gonna be around for a while. Green is a true fan of the slasher genre and this sequel ramps up the blood & guts to the nth degree. How can you not love a film that begins with Ministry's "Just One Fix" and ends with Overkills "Old School", you cannot
 ***1/2 (3.5 Out of Five Stars)

- McBASTARD