THE DEVIL'S REJECTS (2005)
Label: Umbrella Entertainment
Region Code: Region-FREE
Rating: MA 15+
Duration: 111 Minutes
Audio: English DTS-HD MA Surround 6.1 with Optional English Subtitles
Video: 1080P HD Widescreen (1.77:1)
Director: Rob Zombie
Cast: Sheri Moon Zombie, Sid Haig, Bill Moseley, Ken Fore, Priscilla Barnes, Geoff Lewis, Leslie Easterbrook, Danny Trejo, Diamond Dallas Page, William Forsythe,

The film is a weird one, it corrals you into rooting for the demented firefly clan in a weird way, the twisted killers on the run from he lawman who becomes just a deranged as the trio of killers, Forsythe as Sheriff is haunted by the death of his brother George (Tom Towles, Henry: Portrait of a Serial Killer), when he snaps he murders Mother Firefly in her jail cell, and to see Easterbrook at Mother Firefly is demented, she capably the shoes of Karen Black (Burn Offerings) who portrayed the matriarch in the first film! Unhinged and out for revenge Wydell hires a pair of underworld bounty hunters named Rondo (Danny Trejo, From Dusk Till Dawn) and Snapper (Diamond Dallas Page) to track down the trio of killers, leading up to a fiery inferno at the Firefly ranch.
Along the way we have a cast of side characters including Ken Foree (Dawn of the Dead) as a whore mongering lowlife, Michael Berryman (The Hills Have Eyes), 80's porn star Ginger Lynn (New Wave Hookers) and Elizabeth Daily (Better Off Dead) as whores, and both are lunatics, plus P.J. Soles (Carrie) as a woman victimized by Captain Spaulding, who also lays a head trip on her terrified son!

Audio/Video: The Devil's Rejects (2005) arrives on region-free Blu-ray from Umbrella Entertainment framed in 1080p HD widescreen (1.77:1). The visuals are going for that 70's washed-out patina, the whites burn bright, and the overall image is gritty and dirty, everything appears authentic to the original presentation without digital artifacts or other compression issues. The only audio option on the disc is a healthy sounding English DTS-HD MA Surround 6.1 track and it sounds great, the dialogue and effects are crisp and clean, well-balanced, and the 70's Southern rock soundtrack notably opening with Allman Brothers Band "Midnight Rider" and closing with Lynard Skynyrd's "Free Bird", with tasty selections from James Gang, Joe Walsh, Three Dog Night and a memorable rendition of "Satan's Got to Get Along Without Me" by Buck Owens and His Buckaroos. All the music sounds great, including a score by Tyler Bates (Guardians of the Galaxy). Optional English subtitles are provided, though they are not indicated on the box.
Onto the extras we get all the extras from the 2-disc Director's Cut DVD except for the two audio commentaries and the 144-minute making of doc, which is a shame, as far as extras go that 2-disc DVD is still the definite edition, with the Lionsgate Blu-ray only carrying over the commentaries and deleted scenes, but this Blu-ray from is solid, I just wish we had a 2-disc Blu-ray release with both the theatrical and director's cut versions, the director and cast commentaries and the making of doc.

Special Features:
- Bloody Stand-up (02:17)
- Matthew McGrory Tribute (01:59)
- Buck Owens: Satan's Got to Get Along Without Me (01:52)
- "Mary the Monkey Girl" Commercial (1 min)
- Captain Spaulding's Xmas Commercial (1 min)
- Otis' Home Movies (1 min)
- Deleted Scenes (13 min)
- Blooper Reel (6 min)
- Make-up Test (13 min)
- The Morris Green Show (13 min)
The Devils Rejects (20015) is a blood-soaked road movie, transforming the demented Firefly clan from the heinous over-the-top sicko clan of House of a 1000 Corpses to not just heinous killers, but anti-heroes of a sort, it's grim, gritty and not unfunny, playing and looking very much like a slice of vintage 70's exploitation. This is still my favorite Rob Zombie film to date, and it only gets better with age.