Monday, February 23, 2026

Bride of Re-Animator (1989) in 4K UHD from Ignite Films!

BRIDE OF RE-ANIMATOR (1989)

HERE COMES THE BRIDE!

RESTORED IN SPECTACULAR 4K UHD — PRESENTED IN HDR

Director-approved by Brian Yuzna

The outrageous, blood-soaked sequel returns — newly restored in 4K with hours of bonus features.

Bride of Re-Animator returns in a director-approved 4K UHD restoration, delivering the outrageous, blood-soaked sequel in its most definitive presentation to date. Years after defying death itself, the brilliant and unhinged Herbert West resumes his forbidden experiments, dragging a reluctant Dan Cain into his most audacious creation yet.

Darker, bolder, and more grotesque than its predecessor, Bride of Re-Animator pushes the franchise’s pitch-black humor and elaborate practical effects to thrilling new extremes. Director Brian Yuzna expands the mythology with grander set pieces, escalating chaos, and unforgettable imagery that cemented the film’s cult reputation.

Loaded with newly produced bonus features, a 60-minute documentary, and extensive legacy extras, this release is a must-own for horror fans and collectors seeking the ultimate edition of one of the genre’s most fearless sequels.

The new Bride of Re-Animator 4K UHD is available in 4 editions, including our Ultimate Limited Edition Box Set featuring a Finger Creature collectible — which doubles as a desk top phone holder. With limited quantities available, this exclusive individually hand painted collectible won't be restocked once its gone.

AVAILABLE IN 4 EDITIONS

Ultimate Limited Edition Box Set - $129.95
4K UHD + Blu-ray Combo Pack

- EXCLUSIVE FINGER CREATURE COLLECTIBLE! Doubles as a desktop phone holder
- 3-Disc Set: 4K UHD + 2 Blu-rays, region-free, housed in a deluxe digipack
- Newly produced bonus features, including a 60-minute documentary
- Extensive legacy bonus features on Blu-ray
- Hardcover book featuring new interviews with stars Jeffrey Combs, Bruce Abbott, Kathleen Kinmont, and Fabiana Udenio, with an introduction by director Brian Yuzna
- 5 collector art cards
- Rigid box with J-Card packaging

Deluxe Edition Box Set - $79.95
4K UHD + Blu-ray Combo Pack

- 3-Disc Set: 4K UHD + 2 Blu-rays, region-free, housed in a deluxe digipack
- Newly produced bonus features, including a 60-minute documentary
- Extensive legacy bonus features on Blu-ray
- Hardcover book featuring new interviews with Jeffrey Combs, Bruce Abbott, Kathleen Kinmont, and Fabiana Udenio, with an introduction by director Brian Yuzna
- 5 collector art cards
- Rigid box with J-Card packaging

4K UHD Standard Edition - $49.95
- 2-Disc Set: 4K UHD + Blu-ray, region-free
- Exclusive slipcover (Ignite-Films.com only)
- Newly produced bonus features, including a 60-minute feature-length documentary
- Extensive legacy bonus features on Blu-ray

Blu-ray Standard Edition - $39.95
- 2-Disc Set: 2 Blu-rays, region-free
- Exclusive slipcover (Ignite-Films.com only)
- Newly produced bonus features, including a 60-minute feature-length documentary
- Extensive legacy bonus features on Blu-ray
- Languages: English
- Subtitles: English
- Region: All discs region free (UHD + Blu-rays)

Newly Produced Bonus Features:
- Till Death Do Us Part: Making Bride of Re-Animator — a newly produced, 60-minute documentary
- Extended interviews with Director Brian Yuzna, Bruce Abbott, Fabiana Udenio, Jeffrey Combs, and Kathleen Kinmont
- Newly produced 4K release trailer
 -Legacy Bonus Features:
- HD restoration of the Rated version
- Audio commentaries with Director Brian Yuzna, stars Jeffrey Combs and Bruce Abbott, special effects coordinator Thomas Rainone, and the effects team including John Buechler, Mike Deak, Robert Kurtzman, Howard Berger, and Screaming Mad George.
- Brian Yuzna Remembers Bride of Re-Animator — the Director looks back at the making of the Re-Animator sequel
- Splatter Masters: The Special Effects Artists of Bride of Re-Animator — FX featurette with a wealth of behind-the-scenes footage and interviews with Robert Kurtzman of KNB, Screaming Mad George, Tony Doublin, and John Buechler.
- Getting Ahead of Horror — archive making-of featurette
- Meg is Re-Animated — deleted scene with behind-the-scenes footage
- Carnival Sequence — the cast and crew discuss this excised sequence    

Lionsgate Announce: THE SUBSTITUTE Available 3/17 on a Lionsgate Limited Combo Pack 4K UHD +Blu-ray + Digital

 

THE SUBSTITUTE (1996) 

Available 3/17 on a Lionsgate Limited Combo Pack 4K UHD +Blu-ray + Digital
    
Genre: Action, Crime, Drama
Rating: Rated R
U.S. Release Dates: Lionsgate Limited 4K + Blu-ray + Digital Vestron Collectors Series on 3/17/26
Running Time:  114 minutes 
Directed by: Robert Mandel
Written by: Roy Frumkes, Rocco Simonelli, Alan Ormsby
Produced by: Morrie Eisenman, Jim Steele
Cast: Tom Berenger, Raymond Cruz, William Forsythe, Luis Guzmán, Richard Brooks, Ana Azcuy, Diane Venora, Glenn Plummer, Sharron Corley, Vincent Laresca, Maurice Compte, Marc Anthony, Ernie Hudson, Beau Weaver, Cliff De Young
 
Synopsis: In this action-thriller favorite, now on 4K for the first time, a mercenary faces off against one of his most formidable enemies: a high school gang. Shale (Tom Berenger) is an ex-Vietnam vet reeling from a botched covert operation. Returning home, he reunites with his girlfriend, Jane (Diane Venora), a high school teacher who’s hospitalized after a beating by the Kings of Destruction gang. Hunting Jane’s attackers, Shale goes undercover as a substitute teacher, and uncovers a cocaine highway running through the school involving gang leader Lacas (Marc Anthony) and the school’s shady principal, Rolle (Ernie Hudson). Summoning his mercenaries, Shale goes to war with the Kings of Destruction – and rival guns for hire – on the unusual battleground of a high school, but for the usual stakes: life…and death
 
Special Features on the 4K + BD:
- Power Achieved Is Power Perceived: Director Robert Mandel on The Substitute
- Color Grade Is in Session
- Bullet Points: Storyboard-to-Film Exploration
- Theatrical Trailer

PROGRAM INFORMATION 
Year of Production: 1996
Title Copyright: The Substitute © 1996 Lions Gate Entertainment Inc. All Rights Reserved.
Closed-Captioned: No
Feature Run Time: 114 mins.
Subtitles: English, Spanish, SDH
Feature Run Time: 114 Mins.
Format:  Widescreen (1.85:1) in Dolby Vision®
Audio: English Dolby Atmos

THE SNAKE WOMAN (1961) & DOCTOR BLOOD'S COFFIN (1961) arrive in Collector’s Editions FROM HAMMER fILMS!

Two brand-new restorations join the Hammer Presents collection.
 
From Edwardian dread and superstition to a Cornish nightmare of disappearance and ., these two cult favourites arrive in Collector’s Editions, newly restored and featuring brand new special features.

THE SNAKE WOMAN (1961) 
Superstition. Secrets. Venom.


Language: Mono/English
Region: B
Certification: PG
Run time: 68 minutes feature
Subtitles: English
Actors: John McCarthy, Susan Travers
Produced By: George Fowler
Written By: Orville H. Hampton
Directed By : Sidney J Furie
Release Date: 1961

An atmospheric monster mystery from award-winning director Sidney J. Furie, The Snake Woman follows an Edwardian detective investigating a series of venomous deaths — and the growing fear that something unnatural is moving through the community.
 
Painstakingly restored by Hammer from the original film negatives, this brand-new presentation is available here for the first time anywhere in the world.
 
Highlights include:
- An Edwardian detective investigates a series of venomous deaths in this thrilling monster horror from award-winning director Sidney J. Furie.
 - A brand-new restoration, scanned from the original film negatives
- Newly commissioned artwork by Lydia Maltby
- Limited Collector’s Edition packaging with O-card slipcase
- A brand-new commentary exploring the film’s folklore, themes and legacy
- Original theatrical trailer
- Image gallery



DOCTOR BLOOD'S COFFIN (1961) 
Disappearance. Experimentation. Resurrection.
 
Language: Mono/English
Region: B
Certification: 15 
Run time: 92 minutes feature
Subtitles: English
Actors: Kieron Moore, Hazel Court, Ian Hunter
Produced By: George Fowler
Written By: Nathan Juran
Directed By: Sidney J Furie
Release Date: 1961

A macabre Cornish horror starring Hazel Court and cult actor Keirron Moore, Doctor Blood’s Coffin begins as people mysteriously vanish near a remote village — where a scientist’s experiments may be reviving the dead.
 
Scripted by Oscar-winner Nathan Juran and featuring early camera work from a young Nicolas Roeg.
 
Newly restored by Hammer from the original film negatives, this brand-new presentation is available here for the first time anywhere in the world.
 
Highlights include:
- A brand-new restoration, scanned from the original film negatives
- Hazel Court and Keiron Moore in a macabre Cornish nightmare
- Featuring early camera work from a young Nicolas Roeg
- Newly commissioned artwork by Chris Barnes
- Limited Collector’s Edition packaging with O-card slipcase
- A brand-new commentary with film historian Jonathan Rigby and editor of the Encyclopaedia of Fantastic Film and Television website, Kevin Lyons
- Original theatrical trailer
- Image gallery

Hammer Films Announce HAMMER: HEROES, LEGENDS and MONSTERS Limited Collector’s Edition on 4K Ultra HD & Blu-ray

HAMMER: HEROES, LEGENDS and MONSTERS 
 Limited Collector’s Edition on 4K Ultra HD & Blu-ray


Narrated by Charles Dance, Hammer: Heroes, Legends and Monsters unearths the true story behind the trailblazing studio that changed horror cinema forever.

From its humble beginnings, Hammer Films went from relative obscurity to global recognition. Its run of thrilling horror films is loved by fans worldwide and remain influential to this day. This acclaimed feature-length documentary includes exclusive never-before-seen extended interviews, rare footage, and untold stories. With insights from cast members like Barbara Shelley, Caroline Munro and Ingrid Pitt, plus crew, filmmakers and fans like Tim Burton, John Landis and John Logan, it covers Hammer's turbulent history and lasting influence on horror.
Produced by Deep Fusion Films in association with Hammer Films, the documentary offers exclusive insight into the figures who brought Hammer’s unique vision to life. 
John Gore, CEO and Chairman of Hammer Films, shares: “Hammer Films has always represented a unique family of talent both on screen and off and our mission today is to honour that legacy while looking to the future with new stories and cutting-edge restorations. This documentary celebrates the visionaries who made Hammer what it was, while recognising the passionate fans who have kept the brand alive. I’m thrilled to lead Hammer into its next chapter.”

Hammer: Heroes, Legends and Monsters tracks Hammer Films’ journey from humble beginnings in London’s Regent Street to its iconic status in the horror genre, where its core legacy of gothic horror and psychological tension continues to inspire and entertain to this day.

It explores the influential figures - both on screen and behind the scenes - who formed a unique family within the studio and made Hammer a defining force in cinema, including stars like Christopher Lee and Peter Cushing. Through a series of fateful turns, the film reveals how Hammer’s distinct visual style and storytelling continue to shape modern horror and inspire filmmakers around the world.

Benjamin Field, Producer/Director, Hammer: Heroes, Legends and Monsters, Deep Fusion Films adds: “It’s been a great honour to explore such a complex historical story during Hammer’s 90th year. I’ve been immersed in crafting this documentary for most of this year and the tales I’ve uncovered are richer than I ever imagined. I hope audiences will gain a fresh perspective on Hammer’s entire catalogue and appreciate the pioneering work the studio achieved.”

The documentary culminates in a powerful and poignant reveal of Hammer royalty, with a special homage to the incomparable Peter Cushing at the very end, ensuring this moment will be an unforgettable highlight for long-time fans and newcomers alike. Field added: “After seven decades of resurrecting Dracula, it feels fitting to have created the final sequence with the legendary Peter Cushing!”

Exclusive Features Include:
Extended interviews with John Logan, Martine Beswick, Janet Clemens, Blair Mowat, Caroline Munro, Madeline Smith and Matthew Kneale
An alternative, pre-broadcast version
A behind the scenes compilation
Full trailer
This Feature-Length Documentary Includes:
English, French, Italian, Spanish and German subtitles on the documentary
Collector’s Packaging:
Limited Edition die-cut O-card packaging

Sunday, February 22, 2026

CRYPT-KICKERS: NOISE FROM THE UNDERGROUND VOL. 5


NOISE FROM THE UNDERGROUND VOL. 5

SUPLECS - HYMSS UNDER A BLOOD MOON SKY (2026) CD - JIMMIE RODGERS - A CAREER ANTHOLOGY: RCA & BLUEBIRD RELEASES 1927-1933 5-CD SetTHE BLASTERS - THE BLASTERS (1981) CD THE BLASTERS - HARD LINE (1985) CD 

SUPLECS - HYMNS UNDER A BLOOD MOON SKY 
CD 
(2026) 

Label: Ripple Music
Duration: 46:27

NOLA stoner-metal legends  Suplecs have returned with a new studio album after fifteen years, and they have not mellowed with age, Hymns Under a Blood Moon Sky offers a dozen tracks of sludge, doom and bluesy riff monsters that will chew you up and spit you out. Album opener "Got Nothing" is slabby riffage with plenty of crunch, bombastic drums and some earworm soloing, and then into more of the same with "Pentacle Star". The third track "No Apologies" settles into more of a vibe with acidic guitar work and a pleasant headbanging chug. "Forest of Fire" has some psychedelia/prog element thrown in that were tasty. "Old Spanish Trail" offers a desert rock interlude, then into the heavy riff-o-rama of "Damn These Pills", this one has a heavy fuzzed-out throb to it. Listening to this in my car on my way into work and then again on the commute home just revealed one banger after another, and it saves the best for last, the album closer "La Ti Da" ended up being my favorite, playing it on repeat three times in a row just to experience it again and again, and again, the track featuring a brassy low-end apocalypse horn section courtesy of The Horn of Egg Yolk Jubilee, which adds an additional and unexpected heavy element to a song that is already heavy as fuck. This single-disc CD released by taste-makers Ripple Music arrives in a four-panel digipack with a clear plastic tray, no booklet in this one. 

Track Listing
1. Got Nothing
2. Pentacle Star
3. I See You
4. Forest Of Fire
5. Black Water Rising
6. Old Spanish Trail
7. Damn These Pills
8. Mountain
9. $6 Man
10. Heartless Bodies
11. No Apologies
12. La Ti Da

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JIMMIE RODGERS - A CAREER ANTHOLOGY: RCA & BLUEBIRD RELEASES 1927-1933 5-CD set 

Label: Acrobat Music 
Duration: 360 Minutes 

Jimmie Rodgers was a  pioneer of country music, dubbed "The Father Of Country Music" as well as "The Singing Brakeman", as he worked on the railroads before leaving the railroad after being diagnosed with tuberculosis at the age of 27 in 1924, then going onto become a professional musician. This 110-song 5-disc CD set from the UK-based Acrobat Music label spans his entire career, spanning the records he made for the RCA Victor and Bluebird labels from 1927-1933, among them his best-known songs like "In The Jailhouse Now", "Brakeman's Blues", "Waiting For A Train", "Blue Yodel No. 1", and of course "Mule Skinner Blues", as well as his team-up with the legendary Carter Family in 1931, and songs from his final sessions that were released posthumously. I first discovered Jimmie Rodgers for myself while I was first heavily getting into hank Williams Sr., who was hugely influenced by Rodgers music, he himself having covered "Blue Yodel No. 1 (T for Texas)" was covered by a number of Rodgers songs, including "Mule Skinner Blues",
"In the Jailhouse Now" and "My Old Pal". If your a fan of William Sr. i imagine that Rodgers oeuvre will go down like a fine dandelion wine. His music is an intoxicating blend of plaintive blues and country strumming, Appalachian hillbilly folk, and country western, combined with Rodgers distinctive yodeling style, that goes down smooth, there's an inherent honesty to it, and the storytelling, which only got better towards the end of his life, is simply wonderful. The 110-song set is not complete and does not pretend to be, there are alternate takes and other songs that have proven to include, but its damn near definitive, and you can puck this up pn amazon for $32 right now, which is a steal of deal, this set is fantastic. The 5-disc CD set arrives in a five-disc clear jewel case, inside there's a 24-page booklet with in-depth liner notes by American roots music historian Paul watts, detailing the release chronology as well as information about Rodgers life and death, his influence, and of course the recording sessions of the songs featured on this set. 

Track Listing
Disc 1:
1. Sleep Baby Sleep
2. Soldiers Sweetheart
3. Away Out On The Mountain
4. Blue Yodel - T For Texas
5. In The Jailhouse Now
6. Ben Dewberry's Final Run
7. Brakeman's Blues
8. My Lovin' Gal Lucille (Blue Yodel No. 2)
9. Mother Was A Lady
10. Treasures Untold
11. Blue Yodel No. 3 (Evening Sun)
12. Never No Mo' Blues
13. Dear Old Sunny South By The Sea
14. My Little Old Home Down In New Orleans
15. Memphis Yodel
16. Lullaby Yodel
17. Waiting For A Train
18. Blue Yodel No. 4 - California Blues
19. I'm Lonely And Blue
20. The Sailor's Plea
21. My Little Lady
22. You And My Old Guitar
Disc 2:
23. My Carolina Sunshine Girl
24. Desert Blues
25. My Old Pal
26. Daddy And Home
27. Blue Yodel No. 5
28. I'm Sorry We Met
29. Frankie And Johnnie
30. Everybody Does It In Hawaii
31. Tuck Away My Lonesome Blues
32. My Rough And Rowdy Ways
33. Blue Yodel No. 6
34. Yodeling Cowboy
35. A Drunkard's Child
36. Whisper Your Mother's Name
37. Jimmie's Texas Blues
38. Train Whistle Blues
39. Hobo Bill's Last Ride
40. That's Why I'm Blue
41. Anniversary Blue Yodel (No. 7)
43. Any Old Time
43. He's In The Jailhouse Now No. 2
44. High Powered Mama
Disc 3:
45 Pistol Packin' Papa
46. Those Gambler's Blues
47. Mule Skinner Blues (Blue Yodel No. 8)
48. Jimmie's Mean Mama Blues
49. Mystery Of Number Five
50. Nobody Knows But Me
51. T.B. Blues
52. Mississippi River Blues
53. Jimmie The Kid
54. My Blue Eyed Jane
55. I'm Lonesome Too
56. Travellin' Blues
57. Moonlight And Skies
58. Jimmie Rodgers Visits The Carter Family
59. Standing On A Corner - Blue Yodel No. 9
60. Looking For A New Mama
61. What's It
62. Why Should I Be Lonely
63. Let Me Be Your Sidetrack
64. Gambling Polka Dot Blues
65. When The Cactus Is In Bloom
66. Roll Along Kentucky Moon
Disc 4:
67. For The Sake Of Days Gone By
68. My Time Ain't Long
69. Ninety Nine Year Blues
70. Home Call
71. She Was Happy Till She Met You
72. Mississippi Moon
73. Blue Yodel No.10 (Ground Hog Rootin' In My Back Yard)
74. Down The Old Road To Home
75. The Hobo's Meditation
76. Rock All Our Babies To Sleep
77. Mother, The Queen Of My Heart
78. Miss The Mississippi & You
79. In The Hills Of Tennessee
80. Whippin' That Old T.B.
81. No Hard Times - Blue Yodel
82. Gambling Bar Room Blues
83. Long Tall Mama Blues
84. Peach Pickin' Time Down In Georgia
85. Prairie Lullaby
86. Sweet Mama, Hurry Home
87. Blue Yodel No. 11 (Eight)
88. Southern Cannon Ball
Disc 5:
89. Land Of My Boyhood Dreams
90. Mississippi Delta Blues
91. Old Pal Of My Heart
92. Yodeling Ranger
93. I'm Free (From The Chain Gang Now)
94. Old Love Letters
95. Somewhere Down Below The Dixon Line
96. Barefoot Blues - Blue Yodel No.12
97. Cowhand's Last Ride
98. Jimmie Rodgers' Last Blue Yodel
99. Fifteen Years Ago Today
100. I've Ranged, I've Roamed And I've Traveled
101. Why Did You Give Me Your Love
102. My Good Gal's Gone Blues
103. Why There's A Tear In My Eye
104. Carter Family & Jimmie Rodgers In Texas
105. I've Only Loved Three Women
106. That Wonderful City
107. The One Rose
108. Yodeling My Way Back Home
109. Take Me Back Again
110. Dreaming With Tears In My Eyes

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THE BLASTERS - THE BLASTERS
 (1981) CD

Label: Liberation Hall 
Duration: 30:51 

The Blasters second self-titles album was released in 1982, a dozen tracks of roots rockin' "American Music", a vibrant and upbeat array of blues, rockabilly, country, jazz, swing, and early rock & roll, the album alternating between originals and covers, like a saxed-up cover of Rudy Toombs "I'm Shakin'", and honky-tonk original like "Border Radio". Phil Alvin vocals are exuberant and distinct, along side his brother Dave Alvin finger lickin' lead guitar, with rhythm section of John Bazz and
Bill Bateman, piano from Gene Taylor and the tenor/baritone sax combo of Lee Allen and Steve Berlin. It would be a challenge indeed to slap this disc on and not start shakin' your booty! The single-disc reissues from Liberation Hall arrive in a four-panel digisleeve, with a 8-page booklet featuring writing by Chris Morris.

Track Listing: 
  1. Marie Marie
  2. No Other Girl
  3. I'm Shakin'
  4. Border Radio
  5. American Music
  6. So Long Baby Goodbye
  7. Hollywood Bed
  8. Never No Mo' Blues
  9. This Is It
  10. Highway 61
  11. I Love You So
  12. Stop the Clock
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THE BLASTERS - HARD LINE 
(1985)  CD 

Label: Liberation Hall
Duration: 36:03 

The Blasters fourth album, 1985's Hard Line, went for a slightly more contemporary sound, but it still rocks the roots with standouts like "Trouble Bound" and "Help You Dream", Dave Alvin's guitar tone is thick and wonderous, while his bother's Phil's vocals and lyrics are sharper than ever, including the ominous "Dark Night," which was featured years later as the opening song for the Tarantino/Rodriguez flick From Dusk Till Dawn soundtrack. The album is solid, but probably my least favorite of the original four album, but there's no denying the more poppier sensibilities are intriguing, we get two songs co-penned by John Doe of X ("Little Honey", "Just Another Sunday"), and John Mellencamp wrote the song "Colored Lights", and the Jordanaires who do back-up vocals on "Trouble Bound" and the traditional song "Samson and Delilah". There's not a clunker in the bunch but the energy level is a bit subdued to previous albums, but it's flavorful, we get some Cajun zydeco influence with :Little Honey", and the tune "Common Man: has a real countryfied Credence Clearwater Revival vibe about it, closing the album with the rockabilly raver "Rock and Roll Will stand".  The single-disc reissues from Liberation Hall arrive in a four-panel digisleeve, with a 8-page booklet featuring writing by Chris Morris that details the recording of the album, trouble behind-the-scenes and the series of events that lead to Dave Alvin departing the band.  

Track Listing: 
  1. Trouble Bound
  2. Just Another Sunday
  3. Hey Girl
  4. Dark Night
  5. Little Honey
  6. Samson and Delilah
  7. Colored Lights
  8. Help You Dream
  9. Common Man
  10. Rock and Roll Will Stand
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Friday, February 20, 2026

THE ISLAND CLOSEST TO HEAVEN (1984) Cult Epics Blu-ray Review + Screenshots


THE ISLAND CLOSEST TO HEAVEN (1984) 

Label: Cult Epics
Region Code: Region-Free 
Rating: Unrated 
Duration: 102 Minutes 28 Seconds 
Audio: Japanese DTS-HA MA 2.0 Dual-Mono, LPCM 2.0 Dual-Mono with Optional English Subtitles 
Video: 1080p HD Widescreen (1.85:1) 
Director: Nobuhiko Obayashi
Cast: Tomoyo Harada, Yukihiro Takahashi, Ryoichi Takayanagi, Toru Minegishi, Miyoko Akaza

The Island Closest To Heaven (1984), directed by Nobuhiko Obayashi (School in the Crosshairs) is a beautiful coming-of-age story starring Tomoyo Harada (The Girl Who Leapt Through Time) as an introverted teen, based on Katsura Morimura's 1966 best-selling travelogue, Obayashi's paradise-laden coming-of-age tale is an island. The film opens with a scene of her and her father (Yukihiro Takahashi) at the ocean's edge talking whimsically of the someday visiting the "island closest to heaven". Years later her father passes away at a young age and the bookish teen decides to honor her late father by taking a trip to the lovely white sands of New Caledonia, a solo journey with her mother's blessing, travelling to the tropical archipelago's indigo-tinted waters in search of this mythic island. 

Mari journey takes her off the beaten path to gorgeous exotic locations, she leaves her tour group in favor of heading out on her own to find the exact spot her father described, along the way befriending islander boy Taro (Ryoichi Takayanagi) and a quirky older tour guide named Yuichi (Tôru Minegishi, Godzilla vs. Biollante) who enables her to visit multiple island in her quest. The story of a naive highschool girl travelling to a foreign place sounds like it might be fraught with peril and potential menace, but Nobuhiko Obayashi fantastic coming-of-age tale is anything but, it's an affecting and romanticized portrait of a young girl's journey to self-discovery, it's quite a warm and fuzzy odyssey full of teen melancholy and tender melodrama, all set on a series gorgeous tropical islands.

Audio/Video: The Island Closest to Heaven gets a region-free Blu-ray from Cult Epics, presented in 1080p HD framed in 1.85:1 widescreen. The film has an attractive, perhaps intentionally softy look to it with blacks that often appear greyish, this might have been a stylistic choice. Skin tones look accurate, the turquois tropical waters look terrific, and a couple of the striking sunsets look absolutely breathtaking. Audio options include both Japanese LPCM 2.0 dual-mono and DTS-HD 2.0 dual-mono with newly improved optional English subtitles, both tracks are clean and have solid fidelity, the dialogue, including some English and French passages, sound excellent, as does the lush and evocative score by Asakawa Tomoyuki.

Extras include an Audio Commentary by film critic Derek Smith that does excellent work commenting on the career of Obayashi, including his early work in television commercials, noting the cast and crew, locations and stylistic choices. We also get a 26-min  Kadokawa and Obayashi - Visual essay by Alex Pratt, which explores the career of  producer Haruki Kadokawa who worked with Obayashi, who went onto to become a director in his own right. The hour-long Tomoya Harada 28 Days in Caledonia: The Making of The Island Closest to Heaven is a making-of featuring plenty of footage and images of young star Tomoya Harada on the island, behind-the-scenes of the making of the film, footage of her t locations on the island, at the airport, and the premiers of the film The last of the disc extras is an 8-min collection of Nobuhiko Obayashi Trailers including The Island Closest to Heaven, His Motorbike, Her Island, School In the Crosshairs, and The Girl Who Leapt Through Time, all of which have been released by Cult Epics. 

The single-disc release arrives in a clear keepcase with a Reversible Wrap featuring the original Japanese poster art, inside, at lest with the first-pressing is a cool reproduction of the 24-page Japanese press booklet , plus we get a 
Slipcover with unique artwork by Sam Smith, which is also limited to the first-pressing. 

Special Features: 
- Audio Commentary by film critic Derek Smith
- Kadokawa and Obayashi - Visual essay by Alex Pratt (26:04) 
- Tomoya Harada 28 Days in Caledonia: The Making of The Island Closest to Heaven (59:56) 
-  Nobuhiko Obayashi Trailers: The Island Closest to Heaven (1:41), His Motorbike, Her Island (1:32), School In the Crosshairs (1:53) and The Girl Who Leapt Through Time (2:43)
- New Slipcase art design by Sam Smith
- Reversible sleeve with original - Japanese poster art
- First Pressing includes repro 24-page Japanese booklet (pamphlet)

Cult Epics continuing journey through the filmography of director Nobuhiko Obayashi has been quite exciting for me, I'd previously only known him as the director of the surreal haunter House (1977). This dive into his other lesser-known (at least here in the U.S.) works, which have not had quality North American releases till now, has been quite an eye-opener, offering a blend of quirky romantics and coming-of-age tales that sometimes have fantastical elements, all with the director's unique visual style, None quite cater to my personal tastes the way that House does, it's still my go-to from the director, but it's certainly given me a deeper appreciation for his work. 


Screenshots from the Cult Epics Blu-ray: 





























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Thursday, February 19, 2026

BLUE SUNSHINE (1977) Synapse Films Single-Disc 4K Ultra HD Review

BLUE SUNSHINE (1977) 
Standard 4K Ultra HD

Label: Synapse Films
Region Code: Region-Free
Rating:
Duration: 94 Minutes 49 Seconds 
Audio: English DTS-HD MA 2.0 Mono and 5.1 Surround with Optional English Subtitles 
Video: Dolby Visions (HDR10) 2160p Ultra High Definition Widescreen (1.85:1)
Director: Jeff Lieberman
Cast: Zalman King, Deborah Winters, Mark Goddard, Robert Walden, Charles Siebert

Directed by Jeff Lieberman (Squirm, Just Before Dawn, Remote Control, Satan's Little Helper), the acid-damaged thriller Blue Sunshine (1977) is a hybrid mix of 70s conspiracy thriller and acid-soaked psychological terror, about a dangerous dose of acid called "Blue Sunshine" that a small group of hippies ingested back in the late 60's while attending Stanford University as students, that has comes back to haunt them a full decade later when they experience not just sudden hair-loss and baldness, but a deranged homicidal psychosis. 

The film starts off with a small party at a cabin in the woods, the jokester of the party Franny (comedian Billy Crystal's brother Richard Crystal, Fun With Dick and Jane) starts crooning a tune and making out with his pal's girlfriend. His pal goes to pull him off his girlfriend and ends up accidentally pulling-off Franny's toupee, shocking everyone in the room with his unexpected chrome dome! His eyes light-up like a madman and he flees the scene, but he returns a short time later in a homicidal rage, killing three women by stuffing them into the raging fireplace! Our protaganist here is Jerry 'Zippy' Zipkin (Zalman King, Galaxy of Terror) ends up chasing after the killer into the woods, catching up to him in the middle of the road where he is hit by a truck and killed, but Jerry ends up being accused of not just his death, but the murder of the three young women back at the party. It doesn't help that he flees the scene without defending his name either, but he's convinced that with no witnesses to back him up he's gonna be railroaded by the criminal justice system, probably not incorrectly either. 

Now he finds himself on the run sort of like a Hitchcockian wrong-man and looking to get to the truth about why his pal Franny went on a homicidal killing spree. Having been shot by a wrong-headed good Samaritan Jerry while fleeing the scene of the crime Jerry seeks medical attention from an old friend, surgeon David Blume (Robert Walden, Audrey Rose) who treats him, noticing while examine him that he is losing hair and suffering from headaches. He is further aided by girlfriend Alicia (Deborah Winters, TV movie Tarantulas: The Deadly Cargo) who hooks him up with a set of wheels while he is (sort of) laying low trying to avoid the cops. 

As Jerry further citizen-sleuths the matter he reads about a local cop who killed his entire family as well as a neighbor and their dog, the newspaper reports that the man suddenly lost his hair, which clues Jerry into the fact the two cases might somehow be connected. As he sets about investigating the murderous cop story he gets the lowdown on the gruesome homicide from a nosey neighbor, played by actress Alice Ghostley, who will be familiar to anyone who grew up watching re-runs of Bewitched like I did. He breaks into the crime scene and discovers a couple of clues, including the words "Blue Sunshine", and a connection to a local politician named Edward Flemming (Mark Goddard, TV's Lost in Space) who is running for congress. Jerry tracks Flemming down at a campaigns stop but the politician feigns not knowing anything about what "Blue Sunshine" is, and downplays his connection to the murderous cop. The politician realizing that Jerry's inquest could prove problematic for his campaign assigns his hulking security guy Wayne (Ray Young, TV's Bigfoot and Wildboy) to keep and eye on Jerry and Alicia. Jerry ends up figuring out the hair-loss and homicidal urges are related to a group of friends who attended Stanford in the late 60's and all took a batch of LSD known as "Blue Sunshine", which was given to them by a former drug-dealer, Flemming.

With the politician unwilling to shed any light on the matter Jerry tracks down the politicians his ex-wife Wendy (Ann Cooper, Just Like Old Times), and just in time, too, as he enters her apartment she's already bald and wild-eyed, about two murder two kids with a butcher's knife! He struggles with her and she ends up going over the balcony and falling to her death, and now Jerry stands accused of another murder after a neighbor finds him holding a bloody knife.

Jerry theorizes that the murders are all stemming from that peculiar bad dose of acid, and sets about trying to find someone affected by the drug so that they can be tested for chromosomal damage, and he gets that chance when bodyguard Wayne turns out to be one of the acid-buddies from college and he goes on a rampage that starts off at the discotheque and ends at the shopping mall, with Jerry shooting him with a tranquilizer gun. 

The film is well-directed by Jeff Lieberman, it has that atmosphere and vibe of a 70's political thriller, but with a semi-surreal drug-culture vibe, complete with a menacing bad-trip score by Charles Gross (The Group). I like how the film actually starts off during the title sequences introducing the character who took the acid, we see them experiencing what appear to be severe headaches, sort of setting up what's to follow. Later in the film each becoming triggered by emotional events like domestic turmoil, public humiliation and annoying kids before going off the deep end. My favorite scene after the opening attack sequence is that of poor Wendy losing her hair and mind, fretting over the hair loss after one of her bratty kids pulls a clump of her hair out, later suffering headaches before turning wild-eyed and going after the kids with a butcher's knife, battling Jerry before he chucks her right off the balcony, it's very well done. 

Zalman King makes for a handsome protaganist, his performance careens from a bit too subdued to over-the-top, the tone of the performance is all over the place, but I was down with it, and it fit this weird flick very well. The bald-headed killers are also pretty cool, the movie kind of glossed over how each of them went bald and ended up with wigs, but eventually each is revealed to be nearly bald, with just a few ugly patches of hair left on their chrome domes, though the finale does end up in a shopping mall, where indeed their is a wig store, which I thought was a nice touch. The 4K resolution certainly didn't do the films bald-cap and make-up work any favors, but it doesn't ruin it either. 

It's not a perfect film by any means, the premise is aces, but the way it sort of resolves happens rather quickly, and does not actually answer many questions, I had a lot of lingering questions when this one wrapped up, which might have actually worked in the film's favor, because I am not so sure a word for word explanation of what the heck was happening here would have been very satisfying either. There are also a couple of obvious plot holes and arcs that go nowhere as well, which I would chalk up to low-budget shortcoming and not being enough shooting days to cram it all in. As a sort of abstract LSD-terror drugsploitation flick it works pretty aces though, and every time I watch it I walk away from it pretty satisfied by how fucking weird and creepy it is. 

Audio/Video: The single-disc 4K UHD of Blue Sunshine (1977) features the same stunning 4K restoration as the 3-disc limited edition, presented with Dolby Vision (HDR10 compatible) color-grade, framed in 1.85:1 widescreen. Per the usual the Synapse Films restoration is gorgeous, grain is intact and looks lush and wonderful, fine detail and textures of facial close-ups and those 70s fashions look terrific, and the colors pop quite nicely with the Dolby Vision (HDR10). Primaries looks terrific, whites are crisp, and the black levels are deep and inky with much improved shadow detail. Skin tones are noticeably warmer and more supple looking than on past editions I have seen. The framing is also a bit tighter than the previous Blu-ray from Filmcentrix which offered 1.78:1 framing as where this release restores the original theatrical 1.85:1 aspect ratio. Contrast and clarity are also appreciably improved with the 4K resolution and WGC color-grade. This is just a terrific upgrade from the ground up, easily the best the film has ever looked on home video. To see an extensive screenshots comparison of the Synapse 2025 Blu-ray versus the Filmcentrix 2016 Blu-ray check out our review of the 3-disc limited edition set HERE

Audio option include uncompressed English DTS-HD MA 2.0 dual-mono and 5.1 surround with Optional English Subtitles. The tracks are clean, free of hiss or distortion, dialogue sounds terrific, with the lysergic score from Charles Gross being a highlight, it's an eerie, tension-filled score with 
strained strings and moments of brassier full-bodied moments. I still prefer the original mono presentation myself, but the surround option does offer a fun if somewhat artificial sounding surround presentation. 

Synapse's new release is well-stocked with extras, starting off with Two Audio Commentaries featuring director Jeff Lieberman, the first an archival track with Lieberman moderated by Howard S. Berger, the second is commentary recorded by Lieberman with Elijah Drenner moderating ported over from the previous Filmcentrix Blu-ray from 2016. We also get a 90-second New introduction to the film by director Jeff Lieberman (1:30); a 41-min Archival 2003 interview with director Jeff Lieberman; an archival 31-min “Lieberman on Lieberman” Video Interview; the 14-min Channel Z “Fantasy Film Festival” interview with Mick Garris and Jeff Lieberman; and a new 36-min Fantasia Film Festival 4K Premiere Q&A with moderator Michael Gingold and director Jeff Lieberman. 

Another nice inclusion are the Anti-drug “scare films”: LSD-25 (1967) (26:41) and LSD: Insight or Insanity? (1968) (18:03), courtesy of the American Genre Film Archive, plus Jeff Lieberman’s First Film The Ringer, which gets two versions: the original uncut version (from a projection print source) (19:41) and the final release version (remastered in 4K by Synapse Films from the original camera negative) (18:33), the former of which gets with Optional Audio Commentary on the uncut version by Jeff Lieberman and moderator Howard S. Berger. Disc extras are buttoned-up with  5-min of Theatrical Trailers and a 6-min Still Gallery. 
 
The single-disc 4K Ultra HD release from Synapse Film arrives  in a black keepcase with a 2-sided Reversible Wrap, inside is a 2025 Synapse Films product catalog. 


Special Features: 
- 4K restoration of the original 35mm camera negative mastered in Dolby Vision (HDR10 compatible)
- Lossless English DTS-HD Master Audio original theatrical mono and a 5.1 surround sound mix supervised by director Jeff Lieberman
- Two audio commentaries featuring director Jeff Lieberman
- New introduction to the film by director Jeff Lieberman (1:30) 
- Archival 2003 interview with director Jeff Lieberman (40:44) 
- “Lieberman on Lieberman” Video Interview (30:44) 
- Channel Z “Fantasy Film Festival” interview with Mick Garris and Jeff Lieberman (14:04)  
- Fantasia Film Festival 4K Premiere Q&A with moderator Michael Gingold and director Jeff Lieberman (36:29)   
- Anti-drug “scare films”: LSD-25 (1967) (26:41) and LSD: Insight or Insanity? (1968) (18:03), courtesy of the American Genre Film Archive 
- Jeff Lieberman’s first film The Ringer, included here in two versions: the original uncut version (from a projection print source) (19:41) and the final release version (remastered in 4K by Synapse Films from the original camera negative) (18:33) with optional audio commentary on the uncut version by Jeff Lieberman and moderator Howard S. Berger
- Theatrical Trailers (5:02) 
- Still Gallery (5:37) 
- Reversible Wrap 

Blue Sunshine (1977) is one weird film all the way around, an acid-damaged thriller about a bad batch of acid with the delayed effect of turning those who turned-on into deranged homicidal psychos a decade later. It's heavy with atmosphere and a couple of moments of visceral violence that still pack a shock, especially that opening scenario with Franny stuffing a woman into raging fireplace, I found that very unnerving. It's a bit of slow-burn at times, as a lot of 70s flicks were, but as a deranged, paranoid thriller the premise is pretty awesome, director Jeff Lieberman really came up with a winningly weird and singular film with this one, there is nothing else quite like it, the only flick that even comes close to it in my mind is Larry Cohen's God Told Me To (1976). If you missed out on on the 3-disc Limited Edition 4K UHD/Blu-ray/CD set all I have to say is get it, it's a killer set and still available from Synapse direct HERE! If that is not an option (I'm sorry) but I can comfortably say this standard release version is still freak'-a awesome, you still get all the disc extras minus the Blu-ray version (which is also available separately) and the CD soundtrack, it's the same phenomenal transfer, so yeah, grab it, it's awesome!