Friday, August 22, 2025

15th Anniversary Retro review #8: WORLD’S GREATEST DAD (2009)

Review #8 on the blog, posted August 11th 2010, was the Bobcat Goldthwaite dark comedy World's Greatest Dad, starring the late-great comedy legend Robin Williams as a father trying to navigate the death of his son. This was sort of my first review screener, I had won George A. Romero's Survival of the Dead n DVD from Magnolia, probably from a social media post, and I had to email them my address, so I took a change and when I sent the email I also mentioned my blog, and asked if they could kindly send a few other DVDs that I could review on my new blog - and low and behold they did, though it would be a while before they added me to their screener list proper for a bit. It was pretty exciting at the time to get a free movie, and I tell you what, it's still pretty exciting getting to review stuff, it feels like Christmas every time, unless it's just a screener disc with no artwork, that's a little less exciting, but still appreciated. I am also impressed looking back, not so much at my review, but that between 8/3 and 8/11 back in 2010 I managed to churn out eight freakin; reviews, which I would never manage these days, haha.

WORLD’S GREATEST DAD (2009)

“Lance Clayton Is About To Get Everything He Deserves”

RATED: R
RUNNING TIME: 99 Min.
DIRECTOR: Bobcat Goldthwait
CAST: Robin Williams, Daryl Sabara, Alexie Gilmore, Henry Simmons

ANECDOTAL: Robin Williams, the man is a comedic genius, his stand-up still kills me, however, it is easy to forget that he once starred in amazing films, for much like Eddie Murphy; I do not believe that he’s ever turned a role down. If you only recall Williams for eye-rolling comedies like RV (2006) and FLUBBER (1997), treat yourself to his darker, more dramatic roles, fine examples being THE WORLD ACCORDING TO GARP (1982). THE BEST OF TIMES (1986), DEAD POET SOCIETY (1989), THE FISHER KING (1991), and the chilling ONE HOUR PHOTO (2002).

SYNOPSIS: Robins Williams portrays school teacher Lance Clayton, a single father and aspiring writer. He loves his douche-nozzle son Kyle (Daryl Sabara, SPY KIDS) despite the fact that his son is a cold, sexist loser, until one day Kyle dies while jerkin’ it. Rather than suffer the indignity of the nature of his son’s death he stages a suicide, types a note, and then must endure the fallout stemming from his actions.

“Come on now, Kyle, you must be passionate about something.” – Lance Clayton/Robin Williams

“You wanna know what I like? I like looking at vaginas.” 
- Kyle Clayton/Daryl Sabara

THE FILM: Robin Williams’ Lance wants a relationship with his teenage son, Kyle, a chronic masturbator slash loser of a child who shows little regard for his father’s need for a meaningful relationship. He’s prone to misogynist/sexist statements like “that pussy’s not gonna eat itself”, his only friend, Andrew (Evan Martin), whom he treats like shit, but there’s an awkward trusting relationship there that filters through, somehow. It’s pretty obvious that Andrew is being neglected to some degree at home and Kyle is sensitive to this on some level. Kyle's father is an aspiring, unpublished writer, he’s teaches poetry at Kyle’s school, were he’s in a secretive relationship with a younger, fellow educator Claire (Alexie Gilmore), whom Kyle describes as a TILF, “a teacher I’d like to fuck”. Kyle is portrayed quite well by Daryl Sabra, whom you may recall as “Juni” from the SPY KIDS franchise. Williams gives an amazing performance as his befuddled and frustrated father, probably his best work to date. After a night out Lance returns home to find that Kyle has accidentally died while performing autoerotic asphyxiation. Having loved his son despite his shortcomings he stages a suicide in an effort to provide a more dignified death. He types a suicide note to bolster the scenario. When the note is published in the school paper a post-death Cult of Kyle springs fort. In a plotline not dissimilar from the late-80’s classic HEATHERS (1989), the faculty and student body regard Kyle, a person universally reviled before his death, as a deep, and misunderstood individual. For the 1st time Lance is receiving praise for his writing under the guise of his son’s suicide note, craving more recognition, and perhaps wanting to rewrite his sons tarnished image, he pens a fictional diary in his departed son’s name, it becomes a sensation. Williams character comes across sympathetically, and the fraud perpetrated feels more a way of dealing with loss than the need to receive recognition for his own writings, but it’s borderline, and the line is crossed several times throughout as he strives to fulfill his own needs. The comedy is dark and sardonic, bitterly humorous and at times poignantly touching. Many kudos to director Bobcat Goldthwaite who has directed several other films; SHAKES THE CLOWN (1991), SLEEPING DOGS LIE (2006), and WINDY CITY HEAT (2003) – none of which I’ve seen, but are on my shortlist of films to see, now. The finale is satisfying, though not as dark as one would assume, I think.

“You guys didn't like Kyle. That's okay. I didn't either. I loved him. He was my son. But he was also a douchebag.” 
– Lance Clayton/Robin Williams

DVD: WORLD’S GREATEST DAD is released by Magnolia Pictures. The DVD sports a 1.85:1 anamorphic widescreen presentation, 5.1 surround audio. Special features include a commentary from writer/director Bobcat Goldthwait, Behind the Scenes featurette, Outtakes & Deleted Scenes, HDNET: A Look at World’s Greatest Dad, and a Deadly Syndrome music video. Pretty well-stocked package, indeed.

VERDICT: I highly recommend WORLD’S GREATEST DAD, what an introduction to the writer/director prowess of Bobcat Goldthwait, whom you probably recall as Cadet Zed from the POLICE ACADEMY films, who woulda thunkit? You also get a terrific dramatic performance from Robin Williams. This is savage, darkly funny comedy along the lines of Alexander Payne’s ABOUT SCHMIDT (2002) or Todd Solondz’s STORYTELLING (2001), pretty amazing stuff. ****1/2 (4.5 out of 5 stars)




THE TRAGEDY OF MAN (2011) Deaf Crocodile Blu-ray Screenshots

THE TRAGEDY OF MAN  (2011) 

Label: Deaf Crocodile
Region Code: A
Rating: Unrated 
Duration: 2 Hours 46 Minutes 20 Seconds 
Audio: Hungarian DTS-HD MA 2.0 Stereo with Optional English Subtitles 
Video: 1080p HD Fullscreen (1.33:1)
Director: Marcell Jankovics
Cast: Ágnes Bertalan, Mátyás Usztics, Tibor Szilágyi

THE TRAGEDY OF MAN (AZ EMBER TRAGÉDIÁJA), 2011, Mozinet, 160 min. An incredible 23 years in the making, THE TRAGEDY OF MAN is the legendary Hungarian animator Marcell Jankovics's (SON OF THE WHITE MARE) sprawling, kaleidoscopic masterwork: a seemingly-endless animated scroll of gorgon-like demons, cave paintings that spring to life, barbarian warriors, bejeweled pharaohs, knights and martyrs and prophets bleeding together -- one brutal age dissolving into another and another, all of human history passing like pages in a child's flipbook. Adapted from the dramatic poem by 19th century author Imre Madách that's often compared to Goethe's Faust and Milton's Paradise Lost, THE TRAGEDY OF MAN is no ordinary cartoon: it's one of the most visually stunning and wildly ambitious animated epics ever made (and then some). Out of the galactic void at the beginning of the story emerges Lucifer the Devil, the Great Winged Bat, Anubis, the antagonist who adopts many faces and forms as it guides and manipulates the characters of Adam and Eve throughout history, searching for the purpose of human existence -- if there is one. Broken into 15 different episodes (the segments were produced one at a time by Jankovics as he cobbled together funding), each section has a different visual style, incorporating a mindblowing tapestry of world art, cultures, symbols, and rituals. In ancient Egypt, the bodies of slaves become the literal building blocks of the pyramids - in ancient Greece, the background shatters like broken pottery - in Rome, mosaics of gladiators come to life, slashing at each other - in the Middle Ages, arguing zealots are transformed into Orthodox churches, clashing against one another as they crumble. The sum total of Jankovics's cosmic vision of human "progress" is utterly surreal, psychedelic, operatic and Wagnerian: a breathtaking Hieronymus Bosch-like triptych of Hell on Earth, with brief glimpses of Grace and Love which may offer hope for the future.

Audio/Video: REVIEW COMING SOON!

Special Features: 
- FIrst-ever U.S. Blu-ray release
- New video essay 'Time and Transformation: Marcell Jankovics The Teagedy of Man' by Evan Chester (23:19) 
- New Audio Commentary track by animation producer and podcaster Adam Rackoff, podcaster and film critic James Hancock and film critic Martin Kessler
- New Video Interview with György Ráduly, director of the National Film Institute (NFI) in Budapest on Marcell Jankovics (56:00) 
- New video interview with key members of the original animation team [83:15) 
- 2025 Trailer (1:27)

Screenshots from the deaf Crocodile Blu-ray:


















































































Buy it!
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