Saturday, August 22, 2026

LIONHEART: EXTENDED EDITION (1990) MVD Rewind Collection 2-Disc Special Edition 4K Ultra HD + Blu-ray Review

LIONHEART: EXTENDED EDITION (1990)
4K Ultra HD + Blu-ray 2-Disc Special Edition

Label: MVD Rewind Collection 
Region Code: Region-Free
Rating: R
Duration: 109 Minutes 6 Seconds (A.W.O.L. Extended Cut), 104 Minutes 32 seconds  (Theatrical Cut), 110 Minutes 17 Seconds (Leon Extended Cut)
Audio: English LPCM 2.0 Stereo (UHD, Blu-ray) and Dolby Digital 5.1 Surround (Blu-ray) with Optional English Subtitles 
Video: HDR10 2160p Ultra HD Widescreen (1.851), 1080p HD Widescreen (1.85:1) 
Director: Sheldon Lettich, 
Cast: Jean-Claude Van Damme, Harrison Page, Brian Thompson, Ashley Johnson, Jeff Speakman

Lionheart (1990) is directed by Sheldon Lettich (Double Impact) and stars Jean-Claude Van Damme (Knock Off) stars as Lyon "Lionheart" Gaultier, a French Foreign Legionnaire stationed in Africa, who after receiving word that his drug-dealing brother, who lives in Los Angeles, has been set on fire by sadistic street thugs and is at death's door at the hospital. However, when his superior (George McDaniel, TV's Days of Our Lives) refuses to release him so he can see his brother, and attempts to throw him in a hot box as a deterrent, Lyon isn't having it, violently breaking out of the base and going AWOL. He arrives in the U.S. by way of a shady tramp steamer, but after having been mislead discovers that he's arrived on the wrong coast. Stranded in New York without a cent to his name ends up entering the world of underground street fighting to raise money to get to Los Angeles

With the help of former street-fighter Joshua Eldridge (Harrison Page, Vixen!) he climbs the ranks of the underground fight club, dubbed "Lionheart", catching the eye of fight organizer Cynthia Caldera (Deborah Rennard, Land of Doom) and her square-jawed right-hand man Russell (Brian Thompson, Cobra). She offers him a free trip to Los Angeles if he will continue to fight for her, and he reluctantly agrees, but upon arriving n L.A. discovers that is brother has already died from the injuries he sustained. When he tracks down his brother's widow Hélène (Lisa Pelikan, Ghoulies) and young daughter Nicole (Ashley Johnson, Otis), she wants nothing to do with him or the money he's offering to help pay the stack of medical debt the family has incurred. He continues fighting and trying to secretly help them through a insurance payout ruse, meanwhile having to evade a pair of the French Foreign Legion's security forces, Sergeant Hartog (Vojislav Govedarica, Alligator II: The Mutation) and Moustafa (Michel Qissi, Bloodsport), who have been tasked to bring him back to Africa to face court marshal.

The big draw here is the series of street fights Van Damme engages in, an oddball assortment of brute fighters in a variety of interesting locations, including by way of a dirty-fighting Scotsman, another brute inside a glass enclosed racquetball court, a poorly drained inground swimming pool, and another in a circle of cars with their headlights on, the ultimate fight taking place between Lionheart and a gigantic pony-tailed Samoan named Attila (Abdel Qissi, The Quest). The fight sequences are quite entertaining, lots of people getting thrown through panes of glass, nut punches, and Van Damme's patented roundhouse kicks, splits, flexibility and reverse spin-kicks with plenty of slow-motion finishing moves. 

This flick also offered a side of Van Damme I've not seen previously, as I previously discussed in past review for whatever reason, in my youth I avoided certain action flicks and Van Damme was on the list. I've only now been catching up to his work thanks to the MVD 4K restoration and reissues, and I've seen his action and comedy chops, but this time around his character has a softer side, he's really looking out for his widowed sister-in-law and kid, and he has some decent chops for it, too, color me slightly surprised, giving the flick an emotional core I was not expecting. The fight sequences are still bad-ass though, perhaps not the best staged or most impactful of his career, but it all comes together rather entertainingly. 

Audio/Video: The A.W.O.L. extended cut of Lionheart arrives on 4K Ultra HD from MVD with a Director Approved 2025 4K Scan & Restoration sourced from a 16-Bit Scan of the Original Camera Negative framed in in 1.78:1 widescreen, in 2160p Ultra HD with HDR10 color-grade. The film look solid, with appreciable film grain, strong blacks and accurate looking colors throughout. Audio comes by way of English LPCM 2.0 Stereo as do the  Theatrical cut. The extended Leon extended cut gets both the original 5.1 DVD remix and 2.0 stereo audio options in lossy Dolby Digital. The dialogue fares well in the mix, while the score by John Scott (Greystoke: The Legend of Tarzan, Lord of the Apes) hits the late-80s notes of action and schmaltz quite well, and is well-represented in the mix.  

Extras on the 4K UHD disc which only includes A.W.O.L. extended cut, plus a new Audio Commentary by Director Sheldon Lettich moderated by Heath Holland of the Cereal At Midnight YouTube channel for the extended A.W.O.L. cut. The Blu-ray includes both the original 104 -min Theatrical Cut plus the 110-min extended Leon cut, the latter of which includes the 2015 Audio Commentary by Sheldon Lettich & Harrison Page.  We also get some substantial archival extras, including some 2018 featurettes from the previous MVD Blu-ray edition by way of the 48-min The Story of 'Lionheart (2018), 26-min Inside Lionheart with the Filmmakers and Cast (2018), 10-min Lionheart: Behind the Fights (2018) featuring director Sheldon Lettich, producer Eric Karson, and actors Jean Clade Van Damme, Harrison Page, Deborah Rennard, and Brian Thompson. 

Ported over from the 2105 German Blu-ray are the 9-min Archival Making of featurette, 26-min Archival Interview with Sheldon Lettich, 13-min Archival Interview with Harrison Page, and a 5-min Behind the Scenes of the Audio Commentary Archival featurette, plus the Original Theatrical Trailer.
 
The 2-disc 4k UHD/Blu-ray arrives in a dual-hubbed black keepcase with a Reversible Wrap with basically the same key artwork but the option to display it with wither the MVD Rewind Collection or 4K LaserVision Collection branding with different spine numbers to correspond. This release also includes a Limited Edition Slipcover that gives it the look of a worn/bubbled CED video disc. Inside there is a Collectible Lionheart “4K LaserVision” Mini-Poster that has the retro/worn looking the look of a CED (Capacitance Electronic Disc) video disc with a bubbled-label. 

Special Features: 
- Director Approved 2025 4K Scan & Restoration (2160p 16-Bit Scan of the Original Camera Negative) of the extended “A.W.O.L. Cut” of the movie presented in 1.78:1 Aspect Ratio in HDR
- Audio: LPCM 2.0 Stereo (4K + Blu-ray) and 5.1 Surround (Blu-ray)
- NEW! Audio Commentary by Director Sheldon Lettich moderated by Heath Holland
- Archival audio commentary by Sheldon Lettich & Harrison Page (4K & Blu-ray)
- 'The Story of 'Lionheart' (47:38)
- 'Inside 'Lionheart' with the Filmmakers and Cast' (25:51) 
- 'Lionheart: Behind the Fights' (10:18) 
- Archival 'Making of' featurette (8:53) 
- Archival Interview with Sheldon Lettich (25:52) 
- Archival Interview with Harrison Page (13:05) 
- 'Behind the Scenes of the Audio Commentary' Archival featurette (5:40) 
- Original Theatrical Trailer
- 5 Promotional Clips (7:01) 
- MVD Trailer Reel: Black Eagle (1988), Return of Swamp Thing (1989), Attack of the Killer Tomatoes (1978)
- Collectible Lionheart “4K LaserVision” Mini-Poster
Reversible Cover Artwork (with original Rewind artwork on the reverse side)
- Limited Edition Slipcover (First Pressing Only)

Buy it!
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ELEMENTARY CINEMA: THE EARLY FILMS OF SHERLOCK HOLMES (2026) Film Masters Blu-ray Review


ELEMENTARY CINEMA: THE EARLY FILMS OF SHERLOCK HOLMES (2026) 

Label: Film Masters 
Region Code: Region-Free 
Rating: Unrated
Duration: 45 Minutes 24 Seconds 
Audio: English PCM 2.0 Stereo with Optional English Subtitles 
Video: 1080p HD Widescreen (1.78:1) 
Director: Daniel Griffith

Elementary Cinema: The Early Films of Sherlock Holmes is a new documentary from Daniel Griffith's Ballyhoo Motion Pictures that explores the early, pre-Basil Rathbone 
cinematic versions of author Sir Arthur Conan Doyle’s legendary sleuth Sherlock Holmes, celebrating the film history of the world-famous sleuth who has been on film nearly since the invention of cinema itself. 

The brief doc only runs about forty-five minutes and is a  pretty breezy watch. beginning with the 1900 penny arcade loop “Baffled” and other early entries like  1904's Held for Ransom, A Study in Scarlet and 1916's German adaptation The Valley of Fear, on through to the very well-received John Barrymore’s 1922 Sherlock Holmes, and the lost film The Missing Rembrandt Case (1932). This doc feels pretty cursory with the short run time but even still it was still quite revelatory for me, as I was previously well unaware of the pre-Basil Rathbone iterations of the characters, so in that respect I found it all-too-brief but also altogether fascinating.  

The doc utilizes newly restored footage and interviews with film historians, with narration by Mark Redfield, offer tantalizing clips of the early films that helped established the visual tropes like the deerstalker cap, the pipe, and the magnifying glass. The doc also speaks of how Sir Arthur Conan Doyle grew tired of the character and lost interest in it his creation, and how each of the films were received critically and commercially. 

Audio/Video: The film arrives on region-free Blu-ray from Film Masters presented in 1080p HD widescreen (1.85:1), it's an attractively assembled doc, but the archival clips of the film are understandably lower quality, some of which are over a century old. Audio comes by way of English PCM 2.0 with optional English subtitles, and the elements sound fine, the narration is crystal clear, dialogue from some of the later "talkies" sound fine. 

The extras for this mini-doc are stellar, we get over 120-minutes of newly restored shorts which is an absolute treasure trove of Sherlock Holmes shorts. It's pretty astounding to see these so well preserved and restored in HD with uncompressed audio. For the most part these look terrific, with the exception of the two versions of A Black Sherlock Holmes (1913), which look abysmal to be honest, with all manner of weird looking chemical deteriorating throughout, rendering them somewhat of unwatchable. On the other hand it also gives it a weird monochromatic-psychdelic vibe that I sort of liked, it's trippy. The full list of shorts is the 38-second Sherlock Holmes Baffled (1900), 19-min Copper Beeches (1912), 10-min Cousins of Sherlocko (1913), 13-min A Black Sherlock Holmes (Restored Cut Version, 1918), and 13-min A Black Sherlock Holmes (Restored Uncut Version, 1918). 

Other Holmes video ephemera include a 7-min Mutt and Jeff Cartoon: Slick Sleuths (1926), 8-min Felix the Cat Cartoon: Sure Luck Holmes (1928), plus a 26-min Sherlock Holmes Television Episode starring Ronald Howard: The Case of the Blind Man's Bluff (1954), and a 40-min Sherlock Holmes and the Blue Carbuncle, which is a radio broadcast recreation from Redfield Arts Audio featuring the doc's narrator in the role of Sherlock Holmes. 

The single-disc release arrives in a standard keepcase with a single-sided wrap. Inside there's also a 14-Page Illustrated Booklet with a new essay by Richard Heft, Holmes B.B.R. (Before Basil Rathbone) that details the actors who played Holmes on stage and screen in the pre-Basil Rathbone era. 


Newly Restored Special Features: 
- Short Film: Sherlock Holmes Baffled (1900, 0:38) 
- Short Film: Copper Beeches (1912, 19:09) 
- Short Film: Cousins of Sherlocko (1913, 9:47) 
- Short Film: A Black Sherlock Holmes (Restored Cut Version, 1918, 14:18)
- Short Film: A Black Sherlock Holmes (Restored Uncut Version, 1918, 13:24)
- Mut and Jeff Cartoon: Slick Sleuths (1926, 7:15) 
- Felix the Cat Cartoon: Sure Luck Holmes (1928, 7:38) 
Sherlock Holmes Television Episode starring Ronald Howard: The Case of the Blind Man's Bluff (1954, 26:29) 
- Sherlock Holmes and the Blue Carbuncle, radio broadcast recreation from Redfield Arts Audio (39:47)
- 14-Page Illustrated Booklet with a new essay by Richard Heft, Holmes B.B.R. (Before Basil Rathbone)


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P.O. BOX TINTO BRASS (1995) Cult Epics 4K Ultra HD + Blu-ray Review

P.O. BOX TINTO BRASS (1995)
4K Ultra HD + Blu-ray

Label: Cult Epics
Region Code: Region-Free
Rating: Unrated
Duration: 94 Minutes
Audio: Italian or English Dub DTS-HD MA 2.0 Stereo, Dolby Digital 2.0 Stereo with Optional English Subtitles
Video: Dolby Vision HDR10 2160p Ultra HD Widescreen (1.85:1), 1080p HD Widescreen (1.85:1)
Director: Tinto Brass
Cast: Cinzia Roccaforte, Cristina Rinaldi, Erika Saffo Savastani, Gaia Zucchi, Tinto Brass, Laura Gualtieri, Alessandra Antonelli, Gabriella Barbuti, Carla Solaro

With P.O. Box Tinto Brass (1995) the erotic maestro Tinto Brass (All Ladies Do It) takes center stage to present we connoisseurs of a kink with a sexy erotic-comedy anthology based on fan letters, photos and videos of female sexual fantasies sent to him by fans from around the world. As he sorts through his fan-mail a series of vignettes play out depicting the various female fantasies, all the while flirting with his gorgeous assistant who playfully teases the maestro.

We get a sweet variety of the sort of erotic stuff we've come to expect from Tinto Brass, that being plenty of gorgeous nude women seen through his kinky lens, these women usually cheating on their significant others in that very peculiar Tinto Brass sort of way that ends up magically enhancing their relationship somehow, truly an erotic fantasy. The first story features a young couple, Milena (Laura Gualtieri) and her boyfriend going at it on the dunes of a seaside beach when they realize they are being watched by another couple in the throws of passion themselves, each couple then putting on a voyeuristic show for the other. 

Next up, a man finds a condom in the purse of his ginger-haired wife, Elena (Saffo Savastani, Black Angel), revealing that in her spare times she's works at a brothel where she regularly services the local pig farmers, then taking a strange turn as her husband begins frequenting her at the brothel, neither letting onto the other that they know each other, fulfilling each other in ways neither do at home. Then we have an adventurous woman named Betta (Alessandra Antonelli) putting on quite a peep show for a voyeuristic Japanese tourist at some ancient ruins, plus a woman named Renata (Gaia Zucchi) who enjoy sending their amateur sex tapes to Tinto Brass for his enjoyment. We also have the tale of a degenerate gambler with a knockout wife Ivana (Cristina Rinaldi), her husband returns home drunk one night and informs her that he's lost everything, and not only that, but he bet a night of sex with his wife in the process, and she's got to pay up, but he's a bit surprised at how game she is to pay off this debt. 

In another kinky story lonely wife Rosella (Gabrielle Barbuti, The Passion of the Christ) succumbs to the temptation of phone sex with a complete stranger, while Francesca (Carla Solaro, Paprika) is introduced the the liberating swinger lifestyle by her husband, to the delight of both. All of these sexual fantasies are intercut with the maestro himself reading these letters and flirting with his gorgeously curvy  assistant, it certainly has a Penthouse Forum vibe about it, with the cigar chomping Tinto Brass coming off as Alfred Hitchcock by way of your sweet, but strangely perverted uncle, it's sort of almost cute. 

The shorts are fun, naughty, and quite playful, and are gorgeously shot and well lit, and the nudity and sexuality on display is always titillating, sometimes even shocking, but always playful and fun, which is what I love about Tinto Brass's particular brand of erotic cinema. 

Audio/Video: P.O. Box Tinto Brass (1995) arrives on 4K UHD from Cult Epics, with a new 4K restoration sourced from the original camera negative, presented in 2160p with Dolby Vision/HDR10 color-grade. The image is framed in 1.85:1 widescreen and looks terrific, the source is in wonderful shape, and sports warm and well-saturated colors with much improved skin tones and richer more vibrant primary hues. Contrast and image depth are also improved and more fine-tuned compared to the previous Blu-ray from Cult Epics. Audio comes by way of a English-dub or Italian DTS-HD MA 2.0, both tracks sound great, dialogue is nicely prioritized and effects come through fine, but the highlight is the certainly the playful Riz Ortolani (Warriors of the Year 2071) score. 

Extras include a brand new Audio Commentary by Troy Howarth, Jeremy Richey, Nathaniel Thompson, Eugenio Ercolani & Heather Drain, who each tackle their own vignette from the film, plus an archival 16-min Interview with Tinto Brass (1995), Poster & Photo Gallery, and Trailer

The 2-disc UHD/Blu-ray arrives in a black keepcase with a Reversible Wrap that features the Original Italian Poster Art. The first-pressing also includes a Slipcover, and tucked away inside is a 20-Page Illustrated Booklet with essay by Eugenio Ercolani that explores each of the stories and Brass's career when he was at the top of his game. 


Special Features:
- 4K Transfer (from the original camera negative) & Restoration + HDR
- New Audio Commentary by Troy Howarth, Jeremy Richey, Nathaniel Thompson, Eugenio Ercolani & Heather Drain
- Interview with Tinto Brass (1995, 16:01)
- Poster & Photo Gallery (1:25) 
- Trailer (1:06) 
- Slipcover
- Reversible Sleeve w/Original Italian Poster Art
- 20-Page Illustrated Booklet with essay by Eugenio Ercolani

This is yet another fantastic Tinto Brass restoration from Cult Epics in 4K UHD, an easy recommend for fans of erotic-comedies chock full of voluptuous asses, horny delights, and Tinto Brass's patented horny charms. 

Buy it!
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Friday, August 21, 2026

TAG: THE ASSASSINATION GAME (1982) Synapse Films Blu-ray Review + Screenshots

TAG: THE ASSASSINATION GAME (1982) 

Label: Synapse Films
Region Code: Region-Free
Rating: Unrated 
Duration: 90 Minutes 50 Seconds 
Audio: English DTS-HD MA 2.0 Dual-Mono with Optional English Subtitles 
Video: 1080p HD Widescreen (1.78:1) 
Director: Nick Castle 
Cast: Robert Carradine, Linda Hamilton, Bruce Abbott, Kristine DeBell, Michael Winslow

TAG: The Assassination Game (1982), directed by Nick 'The Shape' Castle (The Last Starfighter), is quirky and offbeat campus noir-thriller about a group of students who participate in a game that, well, could never be played these days, that's for sure! In it the players are assigned assassination targets and then set out to try to “murder” each other using rubber suction cup-tipped toy dart guns. If you are shot, you are “killed” and taken out of the game permanently, the victim then gives the killer their assassination assignment, and they carry-on until only the winner remains. In a a dark twist the game's five-time consecutive champ Loren Gersh (Bruce Abbott, Re-Animator) takes the game a bit too seriously. So much so that when a fat kid in a the dorm shower room, his intended target,  accidentally "kills" him first in a fluke turn of events. Gersh mentally snaps, he cannot accept that he has lost the game. He returns to his dorm room as sulks a bit, then returns to the shower with a real gun, shooting the kid who "killed" him. As the game proceeds no one is aware that Gersh is playing for keeps with a real gun!

Other TAG players include Susan (Linda Hamilton, The Terminator) in her first motion-picture role, Shooster (Steven peterman, TV's Square Pegs), Connally (Xander Berkeley, Candyman), Gowdy ("The Man of 10,000 Sound Effects" Michael Winslow, Police Academy), and Randy (John Mengatti, Meatballs II). Other than Gersh and Susan, our other lead here is student newspaper journalist Alex (the only recently late Robert Carradine, Revenge of the Nerds), who has a meet-cute Susan when she unexpectedly ducks into his dorm room while evading a fellow TAG player. He becomes instantly smitten with the beautiful young woman, and grows curious about the game itself, and begins to write an article about the game for the student paper, taking the opportunity to cozy up to her in the process. Other familiar faces that populate the cast include Perry Lang (Alligator) as a fellow student newspaper staffer, future Oscar-winner Forest Whitaker (Body Snatchers) as one Gowdy's pals, and Los Angeles radio-personality Frazer Smith (The Fisher King) as the shady organizer of the TAG tournaments.

It's quite a quirky watch for sure, the sort-of campus set slasher premise is pretty interesting, with college kids playing a "assassination" game,  running around campus after dark with toy guns acting like they're hit men, which on it's face would just never go over these days with the widespread school shotting this century, as where back in '82 it was not a common occurrence. The identity of the killer is known pretty much from the jump, so it falters a bit that in you don't have that mystery element of who's the killer, it's more a tension created by the situation and seeing Gersh descend into the role of a cracked killer, while everyone else is unaware of the impending danger. We also get tension in that you get to know and like Alex and Susan as characters, and you can see that she in particular is being drawn towards potential doom as each of the other competitors are being knocked off one by one, with Gersh disposing of the body who knows where, clandestinely carting of their corpses around campus a laundry cart, till it's just she and Gersh left on the board, unaware that she is caught up in a life and death game of cat and mouse. 

The film is quite offbeat tonally, there's humor, comedy, romance, tension, and it has noir elements, so it's not exactly easy to pin down, but i was really into it. Hamilton's Susan is shot like a noir femme fatale in a lot of scenes, plenty of close-ups of luscious lips, a cigarette in her mouth, surrounded in a cloud of smoke, shadowed lighting accentuating her face. The noir aspect are somewhat  fleeting though and not really carried through as a stylistic choice, but I liked it. Carradine as her awkward suitor Alex is also gets the noir framing as well, stuck behind a typewriter under a lamp while chomping on a cigar, surrounded by his smoke trails as well. Then you have the campus thriller aspect, it's almost slasher like but not really, there's that element of stalkerish pursuit to it. I could see this being a bit off-putting because it's a thriller, there are noir elements, slasher elements, and then we have the romantic coupling with Hamilton and Carradine, it's unbalanced, but I still like all the elements here, it's unique. There's also some early '80s-isms that have not aged particularly well, like when Alex walking in on Frazer Smith's character in what looks like a date-rape in progress, the girl screams and is fending off the handsy with a chair, but Alex does nothing about it.

The movie is well shot, lots of interesting visual flourishes like the aforementioned noir elements, of which Hamilton benefits the most, with some terrific moody lighting and atmosphere, and the references to old Hollywood with references to Ida Lupino, callbacks to Bogart and Bacall in To Have and To Have Not (1944), and an opening reference to 007 all brought a smile to my face,

Audio/Video: TAG: The Assassination Game makes it's worldwide home video debut via Synapse Films, presented in 1080p HD framed in 1.78:1 widescreen, "lovingly restored in 2K from original 35mm vault elements". This low-budget production was shot on 35mm and has an inherently grainy appearance, with some nice texture and detail to the image, the close-ups of jackets, sweaters, strands of hair and facial features look terrific, the color palette looks accurate with dimly lit interiors and dark exterior having some nice shadow detail, without crush or untoward digital manipulation. Skin tones look natural, and the occasional pop of primaries, especially red, have a nice punch to them.  

Audio comes by way of English DTS-HD MA 2.0 dual-mono with optional English subtitles, the track is a bit thin in spots and occasionally slightly harsh in the upper registers, but dialogue is never a chore to discern and the score Craig Sefan (Fade To Black, The Last Starfighter) fates well and live performance from Midwest rockers Rubber City Rebels performing "Born Dead" and "Rebel to the Rescue" are full-bodied sounding, as a fan of the band I wanted more concert footage for sure, but it's a tasty treat nonetheless. 

Extras include an Audio Commentary with writer-director Nick Castle and star Robert Carradine, moderated by Horror’s Hallowed Grounds’ Sean Clark. It's a laid back but pleasantly  conversational track with Castle recalling how he ended up writing the film and directing it, what it was like shooting on the UCLA campus, memorable sequences, and the cast and crew. We also get the 3-min Original Theatrical Trailer, which is quite a bit of fun even if it makes it feel like more of a spoof than it actually is. The singe-disc release arrives in a standard keepcase with a single-sided sleeve of artwork featuring the original illustrated movie poster.

Special Features: 
- Audio Commentary with writer-director Nick Castle and star Robert Carradine, moderated by Horror’s Hallowed Grounds’ Sean Clark
- Original Theatrical Trailer (2:34) 

TAG: The Assassination game is a curious cult-item that I think is well-worth seeking out, and one that up till now has been near impossible to come by via legitimate means, that is until Synapse Films got ahold of of it. If you're a fan of campus-set thrillers this is an entertaining watch, it's not perfect by any means, but it's a gem with an interesting premise that is well-executed. This new Blu-ray is easily the best way to watch it, wonderfully restored by Synapse, and it would make a terrific double-feature with Massacre at Central High, another campus-set thriller starring the late Robert Carradine.  

Screenshots from the Synapses Films Blu-ray: 




























































































Extras: 














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