Friday, April 14, 2017

LAKE EERIE (2016) (DVD Review)

LAKE EERIE (2016) 

Label: Filmrise
Duration: 104 Minutes
Rating: Unrated 
Video: Anamorphic Widescreen 
Audio: English Dolby Digital 5.1 Surround. 2.0 with Optional English Subtitles 
Director: Chris Majors
Cast: Lance Henriksen, Marilyn Ghigliotti, Betsy Baker, Meredith Majors, Ben Furney

Synopsis: Kate, a young widow who is heavily medicated, moves into an old house on Lake Erie to recover from her husband's sudden and traumatic death. The lake house has not been lived in for over 40 years and it is exactly how it was left it in 1969. From the moment Kate moves into the house, she is soon haunted by a dark presence. Is any of this real or are her medications making her hallucinate?

When young widow Kate moves into a old house on the edge of Lake Erie strange things begin happening... 

The house has stood vacant for over forty years, ever since the former owner, Harrison, a famous Egyptian archaeologist, inexplicably lapsed into a prolonged coma and died. He was researching an Egyptian relic, an amulet said to have the powers to transport you to purgatory type dimension, or some such thing. 

Kate, played by Meredith Majors, is haunted by the death of her husband, she is troubled mentally, on medication, and looking for a fresh start. Her neighbor is a typically nose older woman, Eliza (Betsy Baker, of Evil Dead!), informs Kate of the storied house's history and her remembrances of the dashing former owner. She also tells her that her own college-aged niece, Autumn (Anne Leigh Cooper) is studying the life and career and would love to have the opportunity to explore the old house and perhaps read through his journals, which Kate alows. 

Together, Kate and Autumn, read through the journals and come to the conclusion that Harrison is somehow trapped in the purgatory dimension and they begin to put together a plan to free him from the prison dimension. All the while Kate is haunted by memories of her now dead husband, plagued by nightmares of a demonic snake-eyed woman with a stunning figure (Victoria Johnstone), and visited in her dreams by Harrison. 

The movie is a bit on the slow side, it's a slow-burn, it takes its time to build up to a proper head of steam, but unfortunately it never did come to a boil for me. The acting is a bit spotty, wooden in places, uneven in others. Autumn is a bit of a amateur sleuth along the lines of Velma from scooby-Doo, dyed-hair, thick glasses, and always coming up with a what-if theory about Harrison. on a personal note, her eyes were hypnotic, wide-eyed and piercing.
Meredith Majors does good work as the lead, she carries the film on her shoulders, and while I don't think she was completely up to the task, she does make for a sympathetic character, and on a surface level reminded me a but of actress Kelly Reilly (Eden Lake), notably she also wrote the screenplay. 

Back to the film, I didn't mind the slow build-up, dropping nuggets here and there, with a creepy encounters and nightmares peppered about,  but I didn't care for the resolution, the other-world I think was dampened by the low-budget, it felt rushed, and was a step down in quality from the first half of the film. There are a few notable cameos in the film, first we have  Marilyn Ghigliotti (Clerks) as the realtor who sold the house to Kate, I kept waiting for a joke about this being the thirty-seventh house she sold, perhaps with Kate exclaiming "I'm 37!", ha ha, but the director apparently had more class than that. We also get Lance Henriksen (The Pit and the Pendulum) in a walk-on role as Kate's worried father, who shows up unexpectedly to take her back to Idaho, it's a small part, but I think we know Henriksen will do about any movie that comes his ways these days, but he always lends a bit of gravelly voiced gravitas to every role. Also, composer 
Harry Manfredini (Friday the 13th, House II: The Second Story) oes the score, it's far removed from his iconic 80s scores, but not a bad synth accompaniment.   

So, I didn't love this movie, but  it is well made with some decent cinematography, and the story is intriguing, though I don't think it gels particularly well at the end. Fans of low-budget indie horror with a supernatural slant might want to check this out. Director Chris Majors (husband of actress/write Meredith Majors?) is currently working on a new movie Blood Moon starring horror veterans Robert Englund and Betsy Baker, I look forward to checking it out. 2/5   

CREEPOZOIDS (1987) (Blu-ray Review)

CREEPOZOIDS (1987) 

Label: Full Moon Features
Region: Region-FREE
Rating: R
Duration: 72 Minutes
Audio: English Dolby digital 2.0, Dolby Digital 5.1 
Video: 1080p HD Widescreen (1.78:1)
Director: David DeCoteau
Cast: Linnea Quigley, Ken Abraham, Michael Aranda, Richard Hawkins, Kim McKamy, Joi Wilson

Synopsis: Blending key elements of genre hits MAD MAX and ALIEN (while also incorporating elements of Band's PARASITE and METALSTORM) but produced on a tenth of their budgets, CREEPOZOIDS tells the tale of five Army deserters who wander the post-apocalyptic, post-industrial LA landscape seeking shelter from an increasingly toxic environment and poisonous rain. They end up in an abandoned laboratory where they explore, have sex and eventually run afoul of a cavalcade of genetically engineered creatures including mutant rats, a monstrous baby, a massive, bloodthirsty H.R. Giger-esque beast…and something even more malevolent.

This cash-strapped, lo-fi Alien (1979) knock-off opens with a band of army deserters in the then (1987) post-apocalyptic future of 1998, the leader of the rag tag group is Jake (Richard Hawkins, Close encounters of the Third Kind), his second in command Butch (Ken Abraham, Terror Night), scientist Kate (porn star Ashlyn Gere (as Kim McKamy, Evil laugh), badass Bianca (Linnea Quigley, The Return of the Living Dead), and tech-nerd Jesse (Michael Aranda, El Chupacabra). They're wandering through the downtown L.A. ruins and find shelter from the deadly post-nuke acid rain in a seemingly abandoned laboratory. The place seems too good to be true, stocked with food rations and hot running water! However, it turns out the place was a science lab of some sort used for weird amino-acid experimentation, and a rubber-suited creature is on the loose, as are menacing mutant rats of unusual size, both of whom pose a danger to the AWOL deserters. 

This movie is so cheap, shot in 1200 square foot sound stage, it feels claustrophobic, which I guess works well for the bunker location, and there's some nice smoky atmosphere, I also enjoyed the cool retro green-glow of 80s computers, vintage floppy disc, the blue zap of a laser gun, and plenty of gooey and slimy creature effects and gore. Also adding to the entertainment factor is a softcore shower scene of Quigley nude in her prime, it seems to go forever, but any 80s Quigley nudity is always appreciated, and that's the sort of padding I don't much mind. 

I've watched Creepozoids (1987) in the past, or at least I thought I had, but apparently I never made it through to the end (those past DVDs looked like shit), which was a shame, because the finale is where the low-budget gold is hidden away, with the mutant offspring of the creature rampaging through the facility, a hideous baby creation that was awesome, a lot of what came before was cheesy, but that baby sort of made up for a lot of it

That being said, the movie is ultra-stupid, even my Full Moon standards, but DeCoteau and the crew managed to make a fun Alien knock-off on a shoestring budget, and I love it. At times the movie feels a lot like an Italian 80s post-apocalyptic knock-off, particularly Bruno Mattei's Rate: Night of Terror (1984, a film which also features band of apocalyptic survivors taking refuge in a abandoned research bunker, plagued by mutant rodents, and if you haven't seen that one, do yourself a favor and double-feature these together. 

Other cool factors include a cool 80's synth score from Guy Moon (Sorority Babes in the Slimeball Bowl-O-Rama), some atmospheric colored gel lighting, and the much appreciated Quigley sex appeal, but there's no hiding that this production was anemic, the cast is uniformly awful, even Quigley, who is fun eye candy, but c'mon guys. That's not to say that I didn't enjoy it, I loved it, I have a soft spot for these 80s Alien knock-offs, and this one even has a decent chestburster styled scene. Despite the padding and low-budget, they do manage to cram in some good icky stuff, including a decent decapitated head scene, black alien-spew, and a creepy killer baby that is nightmare inducing, good stuff for those who love the bad stuff

Audio/Video: Creepozoids (1987) arrives on Blu-ray from Full Moon Features framed at 1.78 widescreen, cropped on the top and bottom from the original (1.33:1) framing. It looks solid, grain can be a bit chunky at times, but fine detail is nice, there's some nice depth and clarity to the image, this is a huge improvement over the Full Moon Grindhouse Collection DVD from a few years back. The new cropped widescreen image looks good, it never looks crowded, if you'd never seen the fullscreen version you would probably assume this was the original aspect ratio. Audio, as per usual with Full Moon HD releases, is limited to a lossy Dolby Digital presentation, with choice of stereo or surround. For a lossy track it sounds solid, not the most dynamic, but the Guy Moon (Sorority Babes in the Slimeball Bowl-O-Rama) score sounds wonderfully 80s sci-fi, good stuff. No subtitles are provided. 

The disc includes a brand new audio commentary with DeCoteau who is very candid about his second film, his first being Dreamaniac, which he calls a disaster. He speaks about the limited resources and budget, trying to make the slimy sci-fi horror film on a shoestring budget in a 1200ft space with only two doors, both seen ad nauseum inthe movie, haha. He also speaks about actress Kim Mckamy refusing to do nudity in the film, then being shocked a few years later when he found out she went into porn under the name Ashlyn Gere (Anal Secrets, Sorority Sex Kittens 2) with a new set of tits. DeCoteau has had a long and storied career, love listening to him on these commentaries, always a blast. 

Also on the disc are fourteen-minutes of Full Moon trailers, though oddly, the Creepozoids trailer is an older fullframe trailer in SD, but it does serve as a nice comparison to how awful the movie looked on DVD previously. There's also an image gallery of behind-the-scenes photos courtesy of producer Gary P. Ryan.   


Special Features:
- Audio Commentary with Director David DeCoteau 
- Full Moon Trailers: Creepozoids (2 min), Ravenwolf Towers (2 min) HD, Killjoy Psycho Circus (2 min) HD, Puppet Master 2 (2 min) HD, Puppet Master 3 (2 min) HD, Head of the Family (2 min) HD, Spectres (2 min) HD 
- Photo Gallery (2 min) HD 

Creepozoids (1987) is certainly a trashy movie, but it's trashy lo-fi fun and if you're already a Full Moon fan you're well-primed for this sort of 80's schlock. The new Blu-ray looks terrific, there's a nice depth and clarity to the image that past presentations lacked, if you love 80's low-budget schlock then this is worth a watch. 2.5/5

Uncork’d Entertainment opens the HUNTING GROUNDS this May.

HUNTING GROUNDS


On DVD and Blu-ray May 2 2017

Studio: Uncork'd Entertainment
Cast: Bill Oberst Jr
Director: John Portanova

Winner Best Sci-Fi Horror Film at the Toronto Independent Film Festival 2015, writer-director John Portanova’s acclaimed film sees a fractured family forced to go up against an angry clan of Bigfoot.
Festival audiences and horror critics have gone crazy for the story of a father and son, forced to move to an old cabin in the woods after a devastating tragedy, who unearth a tribe of Sasquatch.

Written and directed by John Portanova and produced by horror label The October People, Hunting Grounds stars Miles Joris-Peyrafitte, Jason Vail, David Saucedo, D'Angelo Midili, and Emmy winner Bill Oberst Jr (Criminal Minds).

Special Features: 
- Audio commentary with Writer/Director John Portanova, Producer Matt Medisch, and Director of Photography Jeremy Berg, 
- Making-of feature, deleted scenes (Blu-ray only)
- "John Goes Squatchin'" A featurette following Writer/Director John Portanova as he embarks on his first Squatchin' trip into the Washington rainforest (Blu-ray only).

THE ZODIAC KILLER (1971) Blu-ray coming July 25th via AGFA

The first AGFA title (of dozens) in a collaboration with Something Weird Video... 
THE ZODIAC KILLER (1971)

A new 4K transfer of the only movie in history made explicitly to catch a serial killer.

Label: AGFA 

Release Date: July 25th 2017 
Duration: 86 Minutes
Number of Discs: 2
Audio: STEREO
Director: Tom Hanson
Cast: Hal Reed, Bob Jones, Bertha Dahl

On the heels of a successful 2015 Kickstarter campaign


AGFA (American Genre Film Archive), a non-profit that preserves the legacy of genre films, is pleased to announce details for THE ZODIAC KILLER Blu-ray, which will be released on July 25! This is the first title of dozens in our collaboration with Something Weird Video following a successful 2015 Kickstarter campaign.

Directed by Tom Hanson, who had previously owned a chain of Pizza Man restaurants, THE ZODIAC KILLER was made to capture the real-life Zodiac Killer. That plan didn't work. Instead, we got the most outrageous and compelling "tabloid horror" vortex in the history of planet Earth. And beyond. During theatrical screenings, Hanson constructed in-theater "traps" to lure the killer from hiding. These included the use of an ice cream freezer filled with rent-a-cops and a raffle with a motorcycle as a prize. You won't get insight like this by watching a David Fincher movie. But you will get it while watching THE ZODIAC KILLER.




TRAILER 
Special Features:
- New 4K scan from the only surviving 16mm blow-up elements!
- Commentary track with Tom Hanson, Manny Nedwick, and more!
- Interview with director Tom Hanson and actor Manny Nedwick!
- Tabloid-horror trailers from the AGFA archive!
- Liner notes and director Tom Hanson interview by Chris Poggiali of TEMPLE OF SCHLOCK!
- Reversible cover art!
- Bonus movie: ANOTHER SON OF SAM (1977)! New 2K scan from a 35mm theatrical print!

Available for pre-order at the MVD SHOP and on Amazon.


’70s Mummified, Cult Horror Flick VOODOO BLACK EXORCIST (1974) Digitally Remastered Unraveling on DVD/Blu-ray May 23rd

The Film Detective Proudly Presents 
Twice the Terror, Twice the Shock!


VOODOO BLACK EXORCIST (1974) 

Label: The Film Detective
Release Date: May 23rd 2017 
Rating: Not Rated / Rated: R
Duration: 88 Minutes
Audio: English Dolby Digital
Video: 1080p HD Widescreen (2.35:1)
Director: Manuel Caño 
Cast: Aldo Sambrell, Fernando Sanchez, Eva León


There’s twice the terror and twice the shock when a mummy sentenced to eternal damnation unearths in Voodoo Black Exorcist – restored from original 35mm film elements – available on DVD and Blu-ray May 23rd from The Film Detective.

The mummy of a Caribbean voodoo priest stalks the passengers of a South Seas ocean liner in this sexy, quirky, ’70s Euro horror-thriller from director Manuel Caño (The Swamp of the Ravens) and producer José Antonio Pérez Giner (Tombs of the Blind Dead).

Filmed in such exotic locations as Jamaica and Haiti, this supernatural tale stars Aldo Sambrell (The Good, the Bad and the Ugly) and Fernando Sanchez (Return of the Evil Dead) and features the lovely Eva León as a passenger who reminds the mummy of an old love. 

Commented Phil Hopkins, owner of The Film Detective, “We are delighted to bring this cult classic to HD with a brand new 2K scan from a rare 35mm archival print.” Voodoo Black Exorcist is presented in widescreen with an aspect ratio of 2.35 and Dolby digital sound. Special features include closed captioning.

Wednesday, April 12, 2017

TALES FROM THE HOOD (1995) (Scream Factory Blu-ray Review)



TALES FROM THE HOOD (1995)
Collector's Edition Blu-ray 


Label: Scream Factory 
Region Code: A
Rating: R
Duration: 96 Minutes
Audio: English DTS-HD MA 2.0 Stereo, Alternate DTS-HD MA 2.0 with Optional English Subtitles
Video: 1080p HD Widescreen (1.85:1)
Director: Rusty Cundieff
Cast: Anthony Griffith, Corbin Bernsen, David Alan Grier, Clarence Williams III, Michael Massee, Duane Whitaker, Joe Torry. Paula Jai Parker, Rosalind Cash, Rusty Cundieff, Wings Hauser

Synopsis: It’s a place where your worst fears can come to life. A place where it’s hard to tell nightmares from reality. A place where you will discover Tales from the Hood. Lauded for its take on complex social issues like police brutality and domestic abuse, this cult horror anthology from director Rusty Cundieff and executive producer Spike Lee. 
In Tales from the Hood. Stack, Ball and Bulldog arrive at a local funeral parlor to retrieve a lost drug stash held by the mortician Mr. Simms (Clarence Williams III). But Mr. Simms has plans for the boys. He leads them on a tour of his establishment, introducing them to his corpses. Even the dead have tales to tell and Mr. Simms is willing to tell them all. And you better listen – because when you’re in the ‘hood, even everyday life can lead to extraordinary terror.


When I first saw this horror anthology back on cable TV in the 90s the segment that stuck with me was the wrap-around story, a device all great anthologies use, and this is one of the very best, in my opinion. We open with a trio of South Central L.A. wannabe gang-bangers arriving at a funeral home in the dead of night to purchase illicit drugs from the eccentric funeral director, a creepy mortician by the name of Mr. Simms, played with delicious weirdness by Clarence Williams III (Maniac Cop 2), his toothy grin and the way he says "the shit" in reference to the drugs is so damn odd.  After unnerving the knuckleheads with his creepy ways the mortician offers a tour of the mortuary, pointing out the freshly deceased, each in a coffin, and the film is comprised of each of their stories, with Simms acting as the crypt keeper to this twisted urban tale of urban evil involving cop corruption, racisms, domestic violence and gang violence. 

The first segment "Rogue Cop Revelation" tackles the corruption of the police, with a good guy rookie cop Clarence Smith (Anthony Griffith) and his new partner, Newton (Michael Massee, Lost Highway) roll-up on a stop in progress by a pair of veteran officers, Billy (Duane Whitaker, Pulp Fiction) and Strom (Wings Hauser, Mutant), who are beating the snot out of black man Martin Moorehouse (Tom Wright, Creepshow 2), a prominent civil rights leader, who has been exposing crooked cops in the area. The rookie speaks up against the behavior but turns a blind eye, only to find out that the crooked cops killed Moorehouse and made it look like a heroin overdose. Eventually Moorehouse comes back from beyond the grave as a zombie to hand out punishment to the crooked cops. It's great stuff, Tom Wight played the Hitchhiker in Creepshow 2, manages to be even more terrifying here as the undead spectre out to off the racist cops in L.A.. It's a great segment, the use of Billie Holiday's mournful classic "Strange Fruit", which plays during Moorhouse's brutal killing, was a nice touch. 

Up next, "Boys Do Get Bruised" features kind hearted grade school teacher Richard Garvy, played director/writer Rusty Cundieff, who notices some strange bruising on the arm of one of his pupils, Walter (Brandon Hammond, Mars Attacks!), who tells him that a monster did it, showing him a crayon drawing of the monster. Teach heads to the kids home he speaks with his mom (Paula Jai Parker, Friday) who attributes the bruising to the boy's clumsiness, but it soon becomes apparent that the real monster is her abusive boyfriend, played by David Alan Grier of TV's In Living Color!. Not sure I bought the funnyman as an abusive type, and the segment gets a bit silly with an arc having to do with the boys ability to make what is depicted in his crayon drawings happen in reality, bit still a decent entry, and the abusive boyfriend gets a brutal comeuppance, as he is horribly contorted and burned, all the the while spouting off a verbal tirade of hatred.   

Back at the mortuary, Mr. Simms open a casket to reveal a doll, introducing the story "KKK Comeuppance", one of the more notorious segments of the anthology, featuring Corbin Bernsen (Major League) as Duke Metger, a white racist southern politician, and former member of the KKK, who has taken up residence in a former slave plantation, said to be haunted by the "negro dolls" containing the spirits of slaves who died there. There's a painting of the former owner, Miss Cobbs, an elderly black woman, sitting in a rocking chair, surrounded by little black dolls, which plays into the story. While Jewish and African-American protesters gather outside the plantation, Metger and his African-American image-consultant Rhodie (Roger Guenveur Smith), work on a new campaign ad, until the the uncle-tom Rhodie falls down the stairs to his death. After the funeral Metger returns to the plantation, noticing that some of the dolls in the painting have disappeared, leaving behind a blank white space on the canvas, soon he finds himself fighting for his racist life, screaming at the little "nigglins", draping himself in the American flag while trying to beat down the dolls. I love the slave-dolls, they're a bit on the goofy side, but the Chiodo Brothers (Killer Klowns from Outer Space) creations brought to mind the Zuni dolls segment of the TV anthology Trilogy of Terror (1975), lots of fun, and a deliciously twisted segment. 

The last of the main stories is "Hard-Core Convert" featuring an unrepentant gang-banger named Crazy K (Lamont Bentley, TV's Moesha) who is sent to prison after murdering multiple people, all of it black-on-black street violence. In prison he meets a murderous white supremacist who tells him of the end-of-days for black people, but also tells him that he might be spared, as the two have one thing in common, they have both only killed black people. One day Dr. Cushing (Rosalind Cash, The Omega Man) arrives and has Crazy K transferred to a different facility, where he is told that he has been given the opportunity to be rehabilitated, to learn the consequences of his actions, to show remorse for his crimes against his own people, including the innocents he has gunned down along the way. The experiment involves Clockwork Orange slide shows of racism, lynching and gang violence in addition to a deprivation chamber, where he must face the demons of the mind, his victims, which were pretty harrowing. The whole movie smacks of social commentary, I always found this one to be the most poignant and unpleasant, but it has powerful message. 

Now we come to the finale, the completion of the warp-a-round story with Mr. Simms and the knuckle headed wannabe gang-bangers, who have come for the "shit", which they get in spades, and as promised, they are "knee-deep in the shit" with Mr. Simms  transforming into Satan, cackling with glee as the truth about the trio's fate is revealed, a classic end to a classic horror anthology. 

Tales From The Hood (1995) is a wonderful horror anthology, one of the highlights of 90s horror and in the upper echelon of horror anthologies, it's right up there with Creepshow (1982), Torture Garden (1967), Trick R Treat (2007), Tales from The Crypt (1972) and Tales from The Darkside (1983), it's that good, and now that it is again widely available it's stature among horror fans will only grow. The stories are a nice mix of goofy horror and brutal social commentary, the effects are quite good, brutal, and only marred by some slight early CGI used to morph some of the effects, but this is the good shit, I promise.  

Audio/Video: Tales From the Hood has long out-of-print on DVD, it finally arrives on Blu-ray from Scream Factory looking spiffy, shot in the 90s the source looks crisp and clean for the most part, there's a bit of softness throughout, but overall we get nicely managed grain, good fine detail, and the colors are vibrant. The old DVD was cropped on all four sides, this is a huge improvement, and the clarity is impressive. Audio on the disc is handled by English DTS-HD MA Stereo 2.0 track that is crisp and powerful. Dialogue, effects and the awesome Christopher Yong score come through  nicely balanced and free of any distortion, optional English subtitles are provided. There's an alternate stereo track, not sure what the source is, but it seems muted and much less dynamic, compared to the main audio track, I switched back and forth a few times wondering if perhaps there were different music cues, but I didn't notice anything. I
f anyone can clue me into what this alternate track is I would appreciate it.


Onto the extras we begin with the sole NEW extra, a brand new documentary Welcome to Hell: The Making of Tales from the Hood, which features new interviews with director/writer Rusty Cundieff, producer/writer Darin Scott, actors Corbin Bernsen, Wings Hauser and Anthony Griffith, special effects supervisor Kenneth Hall, doll effects supervisors Charles Chiodo and Edward Chiodo; it's a great watch with plenty of input from everyone, who all seemed to genuinely enjoy making the anthology, writer director/writer Rusty Cundieff, producer/writer Darin Scott are funny guys, the Chiodo Brothers offers some dun insights into creating a few of the special effects used in the film. There's also a vintage making-of featurette narrated by the character of Mr. Simms, plus the director's audio commentary from the laserdisc is included, as is the original theatrical trailer and a series of TV spots, plus a gallery of images including stills, behind-the-scenes, sketches, and promotional lobby cards for the movie. 


Notably, while I was listening to the Shockwaves podcast a few weeks ago writer Darren Scott said a new commentary was recorded for the movie but was lost due to a technical glitch, which is a serious bummer.  

The single-disc Collector's Edition Blu-ray comes housed in a standard blue keepcase with a sleeve of reversible artwork featuring the original one-sheet poster art and a new colorful illustration by Joel Robinson, wjo also did some vibrant artwork for Scream Factory releases of The Exorcist II, Black Christmas and The Serpent and the Rainbow. The alternate artwork is also featured on the limited edition o-ring (slipcover).  

Special Features:

- NEW Welcome to Hell: The Making of Tales from the Hood – featuring interviews with director/writer Rusty Cundieff, producer/writer Darin Scott, actors Corbin Bernsen Wings Hauser and Anthony Griffith, special effects supervisor Kenneth Hall, doll effects supervisors Charles Chiodo and Edward Chiodo (56 min) HD 
- Audio Commentary with director/writer Rusty Cundieff
- Vintage “Making of” Featurette (6 min) 
- Original Theatrical Trailer (2 min)
- Original TV Spots (3 min) 
- Still Gallery (10 min) HD 

It's been a long time coming for Tales from Hood to arrive on Blu-ray, the DVD has been out of print for years, and I was beginning to think it would never happen, but Scream Factory have come through with a wonderful Blu-ray with some cool extras, the A/V looks nice and the movie's blend of goofy horror and brutal social commentary truly is "the shit", worth the price of purchase alone for the performance from Clarence Williams III in the wrap-a-round, everything else is just the cherry on top!  4/5 

Monday, April 10, 2017

Wild Eye Invites you to Play with Heidi Daniel Ray's Award-Winning Horror Indie Comes Home Available on DVD and Digital HD April 11th

Wild Eye Releasing has opened the toy chest and brought Daniel Ray's Heidi to DVD and Digital HD to punish all the bad children. Available nationwide on April 11th, Daniel Ray's first feature took home five awards at the Pollygrind Film Festival of Las Vegas, including Audience Choice for Best Feature Film. Heidi stars Samuel Brian, Joei Fulco, Joey Bell, Eva Falana, Elizabeth Callahan and Michael Monteiro.
  

After investigating a neighbor's attic, two high school pranksters are increasingly plagued by a series of disturbing, supernatural events involving a creepy, vintage doll named Heidi.  As she stalks them day and night, no one will take their claims seriously until it is too late.

Heidi (Official Trailer)
Heidi (Official Trailer)