Sunday, July 21, 2013

DVD Review: THE LIFE AFTER DEATH PROJECT (2013)

THE LIFE AFTER DEATH PROJECT (2013) 
Collector's Edition 2-DVD Set 

Label: Yellow Hat Productions
Region Code: 0 NTSC 

Rating: Unrated
Duration: 106 mins
Audio: Dolby Digital Stereo
Video: 16:9 Widescreen
Director: Paul Davids
Cast: Richard Matheson, Whitley Strieber, Dannion Brinkley, Gary E. Schwartz, Michael Shermer, Forrest J Ackerman, Mark Macy, Joe Moe, Sean Fernald


Paul Davids, the director of the documentary The Sci-Fi Boys spurred this exploration of the afterlife after an odd encounter in a hotel room. While staying at a hote he printed a piece of paper, he then left the room for a few moments and when he returned he found what he believes was proof that his friend, the departed Forrest J Ackerman of Famous Monsters of Filmland magazine, had reached out him from beyond the grave. Actually, what he found was an unexplained ink smudge on a piece of paper, but this documentary would have you believe it's proof of the existence of the conscious mind from beyond.

Personally I do believe in something in the hereafter. What exactly that is I won't speculate on but I do hope there's something beyond what we know, I wanna believe there's more than just rotting in the dirt. When my younger tragically brother passed on at a young age I found myself speaking to him while I was alone in the dark, I was full of regret and mourning his death, there were so many things I wished I'd said, and I would find myself speaking these things to him as if he were there. Do I think he was present at the time, was his spirit with me, does anyone really know?

Paul Davids and a small group of true believers, scientists and friends of the departed Forrest J Ackerman would have you believe yes, there's something out there. we have entries from respected science fiction authors Richard Matheson, Whitley Strieber, Dannion Brinkley and Michael Shermer, whom all chime in. There are also testimonies and research from scientist including Gary Schwartz, the Director of the Laboratory for Advances in Consciousness and Health, here in Tucson, AZ at The University of Arizona, where I work. Schwartz in his lab attempts to communicate with the deceased through a series of yes/no questions and awaits a metered response, which proves absolutely nothing in my opinion. Seriously, until I see an apparition myself it's gonna be difficult for me to believe, not that I do not want to, I just need a little proof.

Some of these testimonies are compelling stories, witnesses recount weird happenings that they assign to the afterlife, but c'mon now, papers falling off a chair... one time! If it weren't for the trappings of Forry Ackerman here I don't think I would have even given this documentary a shot, I hate shows like Ghost Hunters. I do appreciate the fond remembrances of the the world's ultimate science-fiction nerd but as a science-based exploration of life after death the film is utterly lacking, simply stating that science cannot rule out communication from the afterlife does not prove squat.

There are 40 minutes of bonus features including audio excerpts from a 2009 tribute to Ackerman with touching tributes from Rick Baker and Ray Bradbury. There's also a second disc featuring The Life After Death Project 2 - Personal Encounters (101 Mins) with further testimony about personal accounts of supposed life after death. I would much rather watch a documentary about Forrest J. Ackerman's life and what he meant to legions of fans, what happened after his death is of far less interest. 2 Outta 5


DVD Review: RACE WAR: THE REMAKE (2012)

RACE WAR: THE REMAKE (2012)

Label: Wild Eye Releasing

Release Date: August 20th 2013
Region Code: 0 NTSC
Rating: Unrated
Duration: 95 Minutes
Audio: English Dolby Digital 2.0 
Video: 16:9 Widescreen 
Director: Tom Martino 
Cast: Howard Calvert, Jamelle Kent, Danny McCarty, Matt Rogers, Corey Fuller, Joe Grisaffi
Tagline: Surprise, Surprise White Guys!

Wild Eye Releasing have been putting some fun sub-Troma atrocities for a few year's now, if you're familiar with their output you've got a leg up on the newbies which means you've either chosen to skip it or just embrace the no-budget schlock. In Tom Martino's Race War: The Remake (2012) Baking Soda (Howard Calvert) is a PCP-swilling drug dealer from the ghetto and when intergalactic drug dealers start turning his customers into zombies with their otherworldly space crack he and his pals G.E.D. (Jamelle Kent) and Da Black Kreacha arm up and fuck shit up!

What a strange movie, an offensive and splatteriffic slice of no-budget schlock filled to the brim with toilet humor, racism and insensitivity. It's not particularly clever in any sorta way, it's just crude in-your-face vulgarity with some gory practical effects, it's quite a bloody affair. The comedy is sophomoric, just a never-ending barrage of toilet humor and crude sexual behavior which wouldn't be so bad if the writing was a bit better, but it's pretty miserable.  

There's a nutty cast of ghetto-character that include about every awful racial stereotype you could imagine, the best part of the film by far was Baking Soda and the bizarre Da Black Kreacha whom make quite a duo, did I mention the cum-guzzling weirdo with a gallon of milk for a face?  

There's no shortage of grisly no-budget head trauma onscreen with gallons of blood spraying from gaping wounds and decapitations but to sit through this 95 minute feature will undoubtedly be a chore, even for the most hardened of schlock enthusiasts. 

The disc from Wild Eye includes a few special features including a rambling group commentary that was a bit to chaotic too enjoy, a gag reel, a fun gore reel and a selection of trailers from Wild Eye. 

A bizarre entry even by Wild Eye standards, if you're in the mood for an offensive slice of trash cinema with no little to redeeming value this gets a weak recommend otherwise I say skip it. There's some camp and cult value here, a group viewing of this with a few friends and a lot of beer would not be entirely devoid of fun. I appreciate Wild Eye's commitment to releasing these micro-budget weirdies that not even Troma would pick-up but it doesn't mean I have to enjoy 'em all. 1.5 Outta 5 

Saturday, July 20, 2013

Blu-ray Review: THE FOG (1980)

THE FOG (1980)
Collector's Edition Blu-ray 

Label: Scream Factory / Shout! Factory 
Region Code: A 
Rating: R
Duration: 90 Minutes
Audio: English DTS-HD Master Audio 5.1 
Video: 1080p Widescreen (2.35:1) 
Director: John Carpenter
Cast: Adrienne Barbeau, Jamie Lee Curttis, Tom Atkins, John Houseman, Janel Leigh, George "Buck" Flowers 
Tagline: What You Can't See Won't urt You... It'll Kill You!

John Carpenter's The Fog (1980) opens with a great campfire tale on the eve of Antonio Bay's 100th anniversary. Actor John Houseman begins with the phrase "11:55, almost midnight, enough time for one more story..." before he relays a tale of  vengeful sailors returning from their watery graves to a group of children, it's pitch perfect and sets the tone for entire film, it's a traditional and inspired piece of cinema. 

 After the tale at the stroke of midnight strange things begins to happen in Antonio Bay as an unearthly and unseen presence sweeps through the sleepy village causing a rash of supernatural phenomena, horns blare and sirens wail. A local fisherman named Nick Castle (Tom Atkins, Night of the Creeps) drives down a windy scenic nighttime road as we hear the seductive sounds of DJ Stevie Wayne (Adrienne Barbeau, Swamp Thing) broadcasting from her  lighthouse studio. Castle picks up a perky hitcher named Elizabeth (Jamie Lee Curtis, Terror Train) when suddenly the windows of the truck shatters violently, the incident apparently so damn frightening that it seems to have scared the clothes right of Elizabeth as the next scene features the pair in a post-coital glow nestled in Castle's bed, ha ha. That Tom Atkins is a chic magnet, thrill me baby. 

At the local Church the drunken Father Malone (Hal Holbrook, Creepshow) sips wine when a sudden rumbling of the Earth loosens a stone in the wall of his rectory revealing a small relief. Inside is the century old diary of one of Antonio Bay's celebrated founding father, Malone's grandfather. The writings in the book implicate Malone and five other conspirators  whom deliberately shipwrecked the clipper ship Elizabeth Dane and it's crew of lepers just off the coast to plunder their riches. 


This same night at sea the fishing trawler the Seagrass and it's crew are overcome by a eerie supernatural fog bank that's arrives from out of nowhere. A century old clipper ship pulls up alongside them and they are boarded by sword wielding, crusty sailors sheathed in fog. It's quite an eerie sight and the men are slaughtered, gutted by hooks and run-through by swords. The next day the bodies are discovered and Antonio Bay might never be the same again, at the stroke of midnight the seaside village is inundated by glowing fog and the arrival of vengeful specters, there's definitely something in the mist! 

The Fog (1980) is an effective little chiller, and while it may not regarded as well as John Carpenter's slasher classic Halloween (1978) but I think it's pretty a fantastic watch, it remains one of my most cherished ghost stories of all time. Antonio Bay is the perfect setting for Carpenter's ghostly revenge thriller, too. It's views are both scenically gorgeous and eerie, particularly when the fog rolls in with the salty lepers in it's midst ready to gut those unfortunate enough to be overcome by the incandescent mist.


And what a cast! We have Jamie Lee Curtis (Terror Train) at her scream queen prime and Tom Atkins who a this point was not just yet a genre staple in great supporting roles. Plus Hal Holbrook, (Ritual) who effortlessly classes up every joint, is pretty great as the drunken priest. The star of the show is the sultry Adrienne Barbeau (Swamp Thing) as the velvet-tongued late night DJ who's sexing up the airwaves on the bay from her remote lighthouse studio. She's truly the star of the film, sort of at the center of everything and the first two put the pieces together, when she's left alone to face off against vengeful spirits in the lighthouse it's great stuff, a real nail biter. Also spicing up the cast are George "Buck" Flowers (They Live) and Janet Leigh (Psycho) in smaller roles, there's just not a bad apple in the bunch. John Carpenter even shows up in a brief cameo at the top of the film. 

It's  super-creepy, from the very start with the pitch prefect campfire tale The Fog (1980) is a spooky haunted attraction, in an age of pre-digital effects we get are some creative old school ingenuity, the fog effects are fantastic and put to shame the soulless 2005 remake. To this day  I cannot see a fog bank and not imagine salty sword-wielding sailor with glowing red eyes emerging to reap their awful revenge. The crusty sailors effects created by Rob Bottin are great and we see quite a bit more of them here with this hi-def presentation that we've ever gleaned before, while it's certainly not a bloodbath film it's grisly in it's own gritty little way, the deaths stick with you. Check out the gruesome death of the poor horny weatherman, a hook right through the throat!

The film is more or less a traditional tale of spectral vengeance but it can get a bit schlocky from time to time and if you know anything about me you can appreciate  that I do love a fair amount of schlock. A few weird jump scares are peppered  throughout that seem slightly incongruous to the scenes wrapped round 'em and here's why... Carpenter administered numerous re-shoots and re-edits following his displeasure with the first cut of the film feeling it lacked shock and awe so he ramped up the violence and gore, and I think it's a better film for it. Another observation is that the sea-faring ghosts seems more like soggy zombies than unearthly specters, which is actually more menacing. Maybe not a perfect film but a spectral classic just the same, this is essential chiller cinema.  

Blu-ray: The Fog (1980) gets a brand new 1080p widescreen (2.35:1) transfer supervised by cinematographer Dean Cundey and it's a marked improvement over the standard-def DVD.Colors appear natural and vibrant while the black levels are deep, this is a very dark film and we're seeing things here in 1080p that we've never seen before,with some very nice fine detail and a nice intact grain structure.


Audio options include English DTS-HD Master Audio 5.1 and a 2.0.  Both are nicely balanced and quite strong with a definite edge going to the 5.1 for the atmospheric use of the surrounds, adding more depth to the proceedings. John Carpenters score still sends shivers down my spine, it's definitely one of those Carpenter films where the visuals and audio elements come together perfectly, it completely ramps up the tension. Optional English subtitles are included on the disc. 


Reversible Artwork
Onto the special features we get all of the extras from MGM's 2005 DVD including the fantastic commentary with writer/director john Carpenter and writer/producer Debra Hill. Always have been a fan of the Carpenter commentaries and this is a great one with an unvarnished recounting of shooting the film and the re shoots and edits done after a disastrous first screening. We also get the two retrospective featurette with input from John Carpenter, Deborah Hill, Adrienne Barbeau, Jamie Lee Curtis, Janet Leigh, Dean Cundey and Tommy Lee Wallace, a reel of outtakes, storyboards, TV spots and trailers, plus some neat special effects test footage.These were great extras and it's great to see them carried over for Scream Factory's Blu-ray. 

Scream Factory offer a few brand new features beginning with an audio commentary with  Actress Adrienne Barbeau, Actor Tom Atkins and Production Designer Tommy Lee Wallace and it's  warm and friendly one filled with great anecdotes, it's a fun listen and you can tell the trio quite enjoy each others company.  


My Time with Terror with Jamie Lee Curtis (27:54) features the former scream queen in a really talkative mood, this is great stuff. As she sits down for the interview she comments on the fog rolling in just outside the window, noting that it bodes well for the interview and it surely does. Curtis talks about her time on the film and is very honest about how she felt about the film, apparently it's just not her thing, go figure. Lucky for we slasher fans the scream queen speaks about her work on 80's slasher classics Terror Train (1980), Prom Night (1980) and the ozploitation thriller Road Games (1981) with Stacey Keach, probably my favorite of the new extras.

Dean of Darkness (18:40) features cinematographer Dean Cundey speaking of his collaborations with John Carpenter including Halloween (1978), The Fog (1980), Escape from New York (1981), Big Trouble in Little China (1986) and the first two sequels to Halloween. It's a great listen as he talks about the style and lighting of each film, noting in particular the great atmosphere of this particular chiller. 


Of course Sean Clark returns with another edition of Horror’s Hallowed Grounds – A Look At The Film’s Locations (20:22), always a fun romp and you gotta love Clark's corny sense of humor. Finishing off the new features is an Easter egg hidden away on one of the menus, spoiler alert, it's am ABC Sunday Night Movie promo for The Fog (1980). The set also includes a slip case featuring a great illustration by Justin Osbourne, plus a sleeve of reversible artwork, thinking this is the best artwork so far! 


New Scream Factory™ Special Features:
- New HD transfer of the film supervised by Director of Photography Dean Cundey
- My Time with Terror with Jamie Lee Curtis - Exclusive interview with Actress Jamie Lee Curtis discussing The Fog and covering her legendary early 80s “Scream Queen” career.

- Audio commentary featuring Actress Adrienne Barbeau, Actor Tom Atkins and Production Designer Tommy Lee Wallace
- Dean of Darkness - Retrospective interview with Director of Photography Dean Cundey about his many legendary collaborations with John Carpenter (18:40)
- Horror’s Hallowed Grounds – A Look At The Film’s Locations with host Sean Clark (20:22)

- Easter Egg (1:02)

Extras from the MGM™ DVD Edition:
- Tales From The Mist: Inside The Fog Featurette (27:58)
- Fear On Film: Inside The Fog Featurette (7:42)
- The Fog: Storyboard To Film Comparison (1:25)
- Outtakes (4:10)
- Theatrical Trailers (4:34)

- TV Spots (3:05)
- Special Effects Tests (2:39)
- Photo Gallery (8:02)

- Storyboards (2:18)
- Audio Commentary With Writer/Director John Carpenter And Writer/Producer Debra Hill


Verdict: Thirty plus years later John Carpenter's The Fog (1980) is still an effective chiller with some great atmosphere and an fantastic cast. When I think of a well-crafted tales of terror with a healthy dose of grue this classic immediately comes to mind, an essential purchase. Scream Factory keep doing it right, another outstanding Blu-ray edition  4 Outta 5 

Wednesday, July 17, 2013

Blu-ray Review: Q THE WINGED SERPENT (1982)

Q THE WINGED SERPENT (1982) 

Release Date: August 27th 2013 
Region Code: A NTSC
Duration: 92 Minutes 
Audio: DTS-HD Master Audio 2.0 
Video: 1080p Widescreen (1.78:1)
Director: Laarry Cohen
Cast: Michael Moriarty, Candy Clark, David Carradine, Richard Roundtree
Tagline: It's Name is Quetzalcoatl.... Just Call it "Q"... That's All You'll Have Time to Say Before it Tears You Apart!

A pair of seasoned cops, Sergeant Powell (Richard Roundtree, Shaft) and Detective Shepard (David Carradine, Kill Bill Vol. 2),  investigate a series of strange murders in New York City. The city is plagued by gory roof-top dismemberment, at the same time a ritually skinned corpse is found in a hotel room, something very strange is going on in Lower Manhattan, including sightings of a giant winged serpent!

Thrown into the mayhem is a quirky small time crook named Jimmy Quinn (Michael Moriarty, The Stuff) who quite by accident stumbles upon the nest of the voracious winged terror in the spire of the Chrysler Building. When Quinn is brought into police headquarters for questioning in relation to a botched jewelry heist he plays the only card he has available, the whereabouts of the beast's nest. Quinn demands not just leniency for his crimes but squeezes a million dollar payday from the city, much to the duress of the Mayor's office and the cops. 

Q is a very simple creature feature with a straight-forward plot and some great character drive drama, it's not rocket science, it's a b-movie science-fiction thriller. While the creature effects are dated in a schlocky sorta way they are nonetheless fantastic and super enjoyable, it's the best sort of low-budget spectacle. If you love vintage stop-motion creature effects prepare to blow a load in your pants, this is a riot. The special effects here are a mixed bag of b-movie awesomeness with some great stop-motion, some not-so-great giant claws grasping a woman from out of a roof-top pool and some poorly matted effects, it's not all high caliber movie magic but it's definitely low-rent entertainment, you get a lot of bang for your buck.

What's so damn enjoyable, and what is typical of Larry Cohen's low-budget features, are the great cast of gritty and neurotic New York City characters, none more so than the superbly unhinged and nuanced performance from Law and Order's Michael Moriarty who steals the film from both beast and co-star, definitely my favorite Moriarty performance. I felt a great deal of  sympathy for his long suffering girlfriend (Candy Clark, The Blob) who just wanted so much to see the good inside of him, but in the end he's just a low-life hood. 

Now the departed David Carradine was an actor with a long pedigree of b-movie credits most of which I've never much cared for, but with Q he gives a great performance as the detective who manages to connect the dots, linking the appearance of the winged serpent Quetzalcoatl with the ritual human sacrifices, plus we have Shaft's Richard Roundtree as his no-nonsense partner, the film has a great cast.  

Giant winged creature, Aztec ritual human sacrifice, a dark comedy laced with some awesome characters, fun dialogue and shoe-string budget special effects. It all adds up to a genuinely entertaining slice of drive-in cinema, if you have love for  The Crater Lake Monster (1977) this one is right up your alley. 

Blu-ray: Back in 2003 Blue Underground Larry Cohen's drive-in classic a very nice DVD release, 10 years later Shout! Factory continue to celebrate b-movie monster romp with a hi-def Blu-ray presented in 1080p widescreen (1.78:1) with an MPEG-4 AVC encode. Q - The Winged Serpent has never looked better! It's not the most eye-popping hi-def you've ever witnessed, there's minor print damage, grain and dirt evident throughout, it's not gonna knock your socks off but the 1080p upgrade is very nice, fans will be quite pleased. The single audio option is English language DTS-HD Master Audio 2.0  which delivers dialogue and effects cleanly, plus the Robert O. Ragland (Grizzly) score comes through strong, it's a fun soundtrack.


Not a lot of extras on the disc, the main feature being a brand new audio commentary from director Larry Cohen and it's a winner, Cohen's a fascinating filmmaker, his oeuvre from the 70's and 80's is loaded with fantastic cult and b-movie gems and Q is one of his finest moments in my opinion. He fondly recalls filming the creature feature in New York City in the 80's, he heaps praise on actor Michael Moriarty and paints a picture of David Carradine's career both before and after the feature. The commentary starts off with a fun anecdote about the first screening of the film and how patrons fled the cinema as soon as the name of American Pictures International impresario Samuel Z. Arkoff's appeared on screen, now that's quite a reputation. Cohen keeps it interesting for the entirety of the film, an essential commentary from one of the great figures of 70's and 80's exploitation cinema. The only additional features are a theatrical trailer (2:32) and a teaser promo (0:30) for the feature. 


Now, the eternal question is to double-dip or not, if you own the Blue Underground disc you may not wanna trade-in that one quite yet, for starters the DVD has a DTS-ES 6.1 surround audio and there's a different Larry Cohen audio commentary moderated by filmmaker Blue Underground's William Lustig (Maniac, Maniac Cop) that you might wanna hang on to. I'm a fan of Cohen's films and I think its worth the double-dip, just keep in mind that unlike a few of the Scream Factory editions we've reviewed which ported the special features from previous DVD editions and added a few new ones, this is just not that definitive an edition, but it's a very nice 1080p presentation just the same and for some, that's quite enough. 

Verdict: Larry Cohen's Q - The Winged Serpent (1982) holds up quite well with some great performances and strong stop-motion effects work, a drive-in cult classic and a fun genre film. If you haven't seen it in a while check it out, definitely an underrated gem of genre cinema. 3.5 Outta 5 

Sunday, July 14, 2013

Blu-ray Review: DEAD SOULS (2012)


DEAD SOULS (2012)

Label: Scream Factory / Shout! Factory
Region Code: A 
TV Rating: MA
Duration: 92 Minutes
Audio: DTS-HD Master Audio 5.1
Video: 1080p Widescreen (1.78:1)
Director: Colins Theys
Cast: Jesse James, Bill Moseley, Magda Apanowicz, Jaiden Kaine, Noah Fleiss, Geraldine Hughes
Tagline: Don't Go Home.

Dead Souls (2012)  starts off on a just the right note with a priest doing some chores in the barn when he just up and snaps, he takes a shovel to the family dog and then continues his murderous spree inside the house where he drowns his suffering wife, slashes his daughter's throat and slaughters his son. Apparently the son David knew that his father was about to flip the switch and hid away the youngest member of the family, a baby brother Bryan, somewhere where dad would not find him. The priest drags the bodies into the barn where he crucifies the family and himself on rough-lumber crosses he's erected. The local sheriff arrives on scene just as he priest drives in the last nail into his own palms before dying...

Now 17 years later the surviving baby has been adopted and goes by the name of Johnny, it's on his 18th birthday that he receives word of an unexpected inheritance, it's the very same farm from the start of the film, now if this sounds pretty familiar it is, we saw this very same set-up with Texas Chainsaw 3D (2013). Arriving on the farm, against his adopted mother's wishes, Johnny discovers who he really is and begins piecing together just why the town folk don't care for his presence on the farm much at all. The opening massacre is pretty savage and I would imagine that the 7 minutes of additional not seen in the original Chiller TV broadcast that are advertised make up much of this, it's a great starter.

The issues I have arise about a 1/3 of the way through the film when we get to the convoluted mystery of why that priest snapped and what the consequences are for Johnny these many years later. Without getting to spoiler-y it's got something to do with weird pagan-christian rituals and spirits inhabiting other bodies, there's definitely some promise to the premise, but the film quickly collapses under it's own convoluted wight and cannot live up to the intensity of the first few minutes of the film, it just fails completely.

The acting from the principal cast is pretty good, definitely not a horribly acted film. Genre veteran Bill Mosely (Texas Chainsaw Massacre 2) makes an appearance as the former Sheriff who's been a bit nutty since he discovered the massacre at the start of the film, he's there to deliver some poorly written exposition and it's a pretty shit role. Mosely's not the worst offender, there are also some side characters who give rather shoddy performances, and by the end of the film the surprisingly fantastic beginning and the few promising elements just don't add up to much, this is a pretty generic formulaic watch.

Blu-ray: Dead Souls (2012) is 
presented on Blu-ray with an AVC encoded 1080p transfer in widescreen (1.78:1) and while the digitally shot made-for-TV film is fairly sharp is rather bland looking, by design it's desaturated color scheme is cold and somewhat gray, it didn't work for me and drew attention to itself, just not a fan of the look of the film but the Blu-ray is probably indicative of what the filmmakers were going for, just not my cup o' tea, too drab. Also, it's a very feature with little to any depth to it. 


Surprisingly the DTS-HD Master Audio 5.1 is pretty great, very strong audio presentation for this one, the 5.1 is quite immersive with some effective use of the surrounds, a few of the discreet channel effects caught me by surprise. The score didn't do much for me but it's a well balanced track with crisp dialogue.

Special features include an audio commentary with Director Colin Theys, and Screenwriter John Doolan, along with producer Andrew Gernhard and it's a pretty lively track even if I didn't quite appreciate the film. There's also a fun Blooper Reel, a tour of the set and a a few TV spots for the made-for-TV production. Surprisingly the disc includes a slipcase which puzzles me, so why does my scream Factory edition of Terror Train (1979( not have a slipcase but this mediocre Chiller production get one, that sort of bothers me more than it should. 

Verdict: Not an offensively terrible watch, just maybe something worse, middle of the road TV horror that's perhaps above average for Chiller production, and that's not very high praise. Shout! Factory have won me over with the schlocky Cannon title  Ninja III: The Domination (1984) but I'm not sure how I feel about 'em watering down their classic horror imprint with made-for-TV productions, it's not like this is a vintage TV horror like Dark Night of the Scarecrow (1981).  Unfortunately, it puts me in the position of not recommending a Scream Factory Blu-ray for the first time, I say wait for a rerun on Chiller TV or till it's streaming on Netflix. 2 Outta 5 

Blu-ray Review: DARK ANGEL (1990) aka I COME IN PEACE

DARK ANGEL (1990) 
aka I COME IN PEACE 


Label: Shout! Factory / Scream Factory
Release Date: August 27th 2013
Region Code: A
Rating: R
Duration: 91 Minutes
Video: 1080p Widescreen (1.78:1)
Audio: English DTS-HD Master Audio 5.1, 2.0 with Optional English Subtitles 
Cast: Brian Benben, Dolph Lundgren, Betsy Brantley
Director: Craig R. Baxley
Tagline: It's Not a Close Encounter... It's the Last!

I thought for sure I had watched this 1990 sci-fi actioner before but quickly realized just a few minutes in that this was simply not the case, I would have remembered Brian Benben (HBO's Dream On) for sure. What it all boils down to an 80's buddy-cop film with some fun sci-fi featuring street tough Houston officer Jack Caine (Lundgren, Red Scorpion) whose partner dies during an undercover drug deal with the White Boys drug cartel when Caine is distracted by robbery in progress. The White Boys henchmen are wiped by a 7 ft  white-eyed weirdo who arrives on scene and makes short work of the baddies with CD-slinging weaponry before running-off with the cache of dope. if you loved that goofy Cenobite from Hellraiser III: Hell on Earth (1992) that similarly fancied the digital compact disc as a weapon you will love this.

After the botched deal leaves his partner dead Caine's captain is furious with the officer's loose-cannon methods and relieves him from case but when the White Boys steal a shipment of heroin from police lock-up facility and blow it up he's put back on the case and assigned a new partner, the straight-laced FBI agent Larry Smith (Benben) and the two set out to sleuth the murder/heroin cases while exchanging comedic barbs with each other. Lundgren's tough-guy cop persona and Benben's sycophant FBI agent characters play well of each other, it's a great buddy-cop schtick and while it's not quite Lethal Weapon it's fun stuff.


Turns out that the 7 ft weirdo whom massacred the White Boys crew is an drug dealer from outer-space, no shit! His name is Talec (Matthius Hues) and he comes across as part Highlander (1986) and part Predator (1987), he's arrived on Earth to harvest human endorphins which he plans to synthesize into a drug and peddle throughout the galaxy. To this end Talec injects his victims with the smack via a sharp-tipped cable that penetrates their chest, then harvesting the endorphins by thrusting a spike, which pops out of his gloved-hand, straight into their forehead and siphoning off the smack-fueled endorphins. Trailing the extraterrestrial drug-peddler to Earth is a alien cop named Azeck (Jay Bilas) who makes contact with his earthly counterparts enlisting their aid in apprehending Talec. 

The performances are what you might expect from a 80's buddy-cop sci-fi actioner, maybe even a little bit better. I really enjoyed Benben here as the comic foil to Lundgren, who doesn't come off quite as stoic as he has in some of his other film roles, tossing off a few good Schwarzenegger-esque one liners, good corny stuff, very 80's. You're probably not watching this film for the performances though, what you wanna see shit blow-up real nice and the film delivers non-stop action from start to finish.

Director Craig R. Baxley worked second unit for directors Walter Hill (The Long Riders) and Don Siegal (Dirty Harry) and the man knows a thing or two about shooting action sequences  additionally he was a stunt coordinator on The Warriors (1979) and Predator (1987) so we get some great in-camera stunt work thrown up on the screen, you get pretty much everything you could want from an 80's sci-fi actioner minus some gore, which is pretty absent throughout. If you don't think about it too much there's not a lot to complain about here, the one things that irked me was the unnecessary love interest who's just squeezed into the story with very little to do, otherwise it's a pretty painless watch.

Blu-ray: Dark Sky (1990) was previously only available in the U.S. as a manufacture-on-demand DVD only from MGM so it's great to see this sci-fi action film get a nice Blu-ray release from Shout!Factory imprint Scream Factory. Presented in 1080p widescreen (1.78:1) the film gets a MPEG-4 AVC encode and is sourced from a very nice print, there are some minor imperfections visible from time to time but overall we get a very solid presentation with strong colors, a very decent hi-def presentation from Scream Factory, yet again. 

The English language DTS-HD Master Audio comes with choice of 2.0 stereo or 5.1 surround mix and it sounds quite nice even if there are no surprises, the 5.1 has more of a presence that the 2.0 with some use of the surrounds but it's pretty tame.Dialogue and effects sound are balanced nicely plus Jan Hammer's synth-heavy 80's rock soundtrack is just awful but in an awesome retro-Miami Vice sort of way, it wouldn't sound out of place on an Astron-6 film. 

Onto the special features we get a A Look Back at Dark Angel (24:17) with interviews from director Craig R. Baxley and actors Dolph Lundgren and Brian Benben. The director reflects on the David Kopepp penned script, meeting Dolph and casting the film while Benben seems to mostly remember being physically hurt by Lundgren on set. Dolph himself speaks fondly of the film, recalling the work of the director and the great in-camera stunt work. We also get a reversible sleeve of artwork featuring the alternate title of "I" Come in Peace, a trailer and an image gallery, it's not the most robust set of features from Scream factory but I'm pretty jazzed just to have it on Blu-ray, a fun film.

Special Features: 
- A Look Back at "Dark Angel" Interviews With Director Craig R. Baxley And Actors Dolph Lundgren And Brian Benben (27:14)
- Theatrical Trailer (1:14) 

- Photo Gallery (4:06)

Verdict: Dark Angel (1990) is a pretty brainless sci-fi actioner and that's alright by me, an entertaining romp with some fun buddy-cop comedy and enough fiery action to stop you from thinking about what's going on, released at the start of the 90's the film is certainly entrenched in the 80's style of action and sci-fi, a trashy slice of fun with some decent carnage. 
3 Outta 5 


Thursday, July 11, 2013

HANDS OF THE RIPPER (1971) Synapse Films Blu-ray Review

HANDS OF THE RIPPER (1971)
Blu-ray/DVD Combo Pack 

Region: Region A/1
Rating: Unrated 
Duration: 85 minutes
Audio: English DTS-HD Master Audio 2.0 Mono, English Dolby Digital 2.0 Mono. Subtitles: English 
Aspect Ratio: 1080p Widescreen (1.66:1)
Director: Peter Sasdy

Cast: Eric Porter, Angharad Rees, Jane Merrow, Keith Bell

Another glorious Hammer Films production on hi-def Blu ray from Synapse, this time it Hands of the Ripper (1971) and it's Hammer's second stab at the Jack the Ripper mythos following Room to Let (1949) some three decades earlier. Directed by the incredibly skillful Hammer familiar Peter Sasdy (Taste the Blood of Dracula) the film is a fairly straight ahead thriller with a nice layer of psychological intrigue and supernatural suspense sewn into the proceedings. 

The films open in 1888 London as the notorious Jack the Ripper flees the scene of his latest bloodletting, he's pursued by an torch wielding mob out for justice. The elusive slasher just barely makes it home unseen but as soon as he bars the door behind himself his wife notices his blood-stained hands and quickly puts two and two together. In a state of panic and rage Jack the Ripper murders the woman in front of their infant daughter, his hands still dripping with blood from the earlier murder. 

Now we jump ahead fifteen years later Anna has been adopted by a fraudulent spiritual medium named Ms. Granny Golding (Dora Bryan) who enlists Anna to help her siphon money from the pockets of the the grieved wealthy through theatrical seances. On this particular night a seance is performed and in attendance are psychiatrist John Pritchard (Eric Porter, The Forsyte Saga) and his son Michael (Keith Bell) alongside a grieving woman whose lost a child and Mr. Dysart (Derek Godfrey, The Abominable Dr. Phibes) ), a lecherous member of British Parliament. After the seance Ms. Golding makes an arrangement with Mr. Dysart whom wishes to procure the unfortunate Anna's virginity for a price. When Anna refuses Granny comes into the room to calm the situation, but when reflective light dances upon Anna's face the young woman turns from meek to murderous, she grabs a fire poker and rams it straight through the spiritualist abdomen, impaling her to the door, to the shock of Mr. Dysart. Hearing the blood curdling scream from outside the home Dr. Pritchard rushes inside and comes upon the grisly scene just as Mr. Dysart flees the grisly scene. 

Pritchard knows quite well that it was the young Anna whom murdered the old woman but chooses not to reveal this to the authorities  in fact he takes the young woman home where he can psychoanalyze the young woman to discover just what could have pushed this demure woman could commit such an unspeakable act, believing it to be some for of schizophrenia. To this end he performs various Freudian therapies upon her to get to the root of the evil within her. We soon realize that the murder of the old woman was not an isolated incident and when Anna is subjected to reflective light upon her face the glint triggers a homicidal impulse. The films puts forth this question, is Anna's butchery some form the warped subconscious trauma or is it something more supernatural, perhaps she's possessed by the spirit of her father, Jack the Ripper?

Hands of the Ripper (1971) is a wonderful Gothic thriller with supernatural elements, director Peter Sasdy was firing on all cylinders here, it's a gorgeous period piece with atmosphere to spare and a great cast. Particularly Angharad Reese who is just fantastic as the sweet-faced Anna. There's a wonderful duality to the role as she turns from sweet, to murderous, she's pretty great and despite the fact that we know for a fact that she is the killer we do feel sympathy for her character. Eric Porter turns in a solid performance as the sympathetic psychiatrist who opens his home to the murderess. There's some hubris involved here as the psychiatrist jumps at the opportunity to explore the mind of a murderer, which turns out unsurprisingly to be quite an awful idea. Pritchard's poor judgment not only leads to more murders but to him actually covering-up a few of the murders, there's also a suggestion that the doc has more than pure thoughts where the young woman is considered, too. Definitely a film with some twisted subtext t go along with the onscreen carnage. 


The murders themselves are very nice, perhaps a bit dulled when viewed through eyes that have sat through countless viewings of 80's splatter horror, but surely shocking for the day and when taken in the context of an early 70's Hammer production a pretty gnarly affair. At just 85 minutes in length this is all ripper and no filler, a very well-paced Gothic thriller with great tragic ending, very nice. 

Blu-ray: It's good to see another Hammer property in the trusted hands of Synapse Films, the film distributor has been doing a bang-up job with the previous Hammer titles Twins of Evil (1971) and Vampire Circus (1972) and now we get Peter Sasdy's gruesome Hammer classic Hands of the Ripper (1971) with newly restored hi-def transfer, presented uncut for the first time on Blu-ray here in the U.S.. Presented in 1080p widescreen (1.66:1) with an MPEG-4 AVC encode. The image is very nice indeed and on par with Synapse's other Hammer presentations, meaning it's quite pleasing. Colors are strong and there's a nice intact grain structure, the cinematography itself is not very sharp, there's a lot of soft focus, but the Blu-ray image is about as sharp as could hope for, a very pleasing 1080p image.


The DTS-HD Master Audio 2.0 Mono audio is strong and offers up what depth it's mono spectrum can offer. Dialogue is always clear and Peter Gunning's atmospheric string score comes through very strong, the set even includes an isolated music track for further enjoyment, this is good stuff. There are optional English subtitles included on both the Blu-ray and DVD.


Ballyhoo Motion Pictures again produce a few great supplements for the release beginning with The Devil's Bloody Playthings: Possessed By the Hands of the Ripper (28:21). The engaging featurette is like a half-hour mini Hammer Horror history lesson with interviews from director Peter Sasdy, Hammer historian Wayne Kinsey, author Tim Lucas, director Joe Dante and more. We get some very interesting tidbits about the film's production, producer Aida Young and the difference between the British and censored American cuts of the film.

Slaughter of Innocence: The Evolution of Hammer Gore (5:43) is as a nearly six minute montage of pictures highlighting the more gruesome moments in Hammer history set to Gunner's score.  


The U.S. Television Introduction (7:07) is an interesting audio only relic.  In the U.S. the film was heavily censored for gore and sexuality and an additional intro was filmed for ABC TV broadcast to pad out the abbreviated running time, while these film elements are now considered destroyed during the 2008 Universal Studios fire and what survives is an audio-only recording of actor Severn Darden portraying a psychiatrist which bookends the film. Not the highlight of the features in my opinion but an interesting artifact, even if the audio elements are a bit shaky.    


The last of the extras on the disc are the Original Theatrical Trailer (1:57), 2 TV Spots (0:59), the  Hands of the Ripper Motion Still Gallery (5:43) plus an Isolated Music and Effects Audio Track which is exclusive to the Blu-ray portion of the Blu-ray/DVD combo. Something new to this title is the inclusion of a reversible sleeve of artwork, neither of the previous Hammer Blu-rays from Synapse offered this nifty addition. Overall, a really great presentation of the film, the special features are a bit slim when compared to the previous hammer Blu-rays from Synapse but this is surely a case of just being spoilt, this is a definite recommend.  

Special Features: 
- The Devil's Bloody Playthings: Possessed By the Hands of the Ripper (28:21)
- Slaughter of Innocence: The Evolution of Hammer Gore (5:43)
- U.S. Television Introduction (7:07)
- Original Theatrical Trailer (1:57) 
- 2 TV Spots (0:59)
- Hands of the Ripper Motion Still Gallery (5:43)
- Isolated Music and Effects Audio Track (Blu-ray Exclusive) 

Verdict: Hands of the Ripper (1979) is a wonderful 70's Hammer thriller and a very interesting take on the Jack the Ripper mythos. We get some great turn-of-the-century Gothic atmosphere and a few grisly murders along with some psychological weirdness and supernatural elements, this is a fantastic watch. Lucky for us Synapse have also acquired the rights to the Hammer Films' erotic vampire opus Countess Dracula (1971) starring the sublime Ingrid Pitt (The Vampire Lovers) and if all goes according to plan it should on the store shelves by year's end! 4 Outta 5