Wednesday, April 12, 2017

TALES FROM THE HOOD (1995) (Scream Factory Blu-ray Review)



TALES FROM THE HOOD (1995)
Collector's Edition Blu-ray 


Label: Scream Factory 
Region Code: A
Rating: R
Duration: 96 Minutes
Audio: English DTS-HD MA 2.0 Stereo, Alternate DTS-HD MA 2.0 with Optional English Subtitles
Video: 1080p HD Widescreen (1.85:1)
Director: Rusty Cundieff
Cast: Anthony Griffith, Corbin Bernsen, David Alan Grier, Clarence Williams III, Michael Massee, Duane Whitaker, Joe Torry. Paula Jai Parker, Rosalind Cash, Rusty Cundieff, Wings Hauser

Synopsis: It’s a place where your worst fears can come to life. A place where it’s hard to tell nightmares from reality. A place where you will discover Tales from the Hood. Lauded for its take on complex social issues like police brutality and domestic abuse, this cult horror anthology from director Rusty Cundieff and executive producer Spike Lee. 
In Tales from the Hood. Stack, Ball and Bulldog arrive at a local funeral parlor to retrieve a lost drug stash held by the mortician Mr. Simms (Clarence Williams III). But Mr. Simms has plans for the boys. He leads them on a tour of his establishment, introducing them to his corpses. Even the dead have tales to tell and Mr. Simms is willing to tell them all. And you better listen – because when you’re in the ‘hood, even everyday life can lead to extraordinary terror.


When I first saw this horror anthology back on cable TV in the 90s the segment that stuck with me was the wrap-around story, a device all great anthologies use, and this is one of the very best, in my opinion. We open with a trio of South Central L.A. wannabe gang-bangers arriving at a funeral home in the dead of night to purchase illicit drugs from the eccentric funeral director, a creepy mortician by the name of Mr. Simms, played with delicious weirdness by Clarence Williams III (Maniac Cop 2), his toothy grin and the way he says "the shit" in reference to the drugs is so damn odd.  After unnerving the knuckleheads with his creepy ways the mortician offers a tour of the mortuary, pointing out the freshly deceased, each in a coffin, and the film is comprised of each of their stories, with Simms acting as the crypt keeper to this twisted urban tale of urban evil involving cop corruption, racisms, domestic violence and gang violence. 

The first segment "Rogue Cop Revelation" tackles the corruption of the police, with a good guy rookie cop Clarence Smith (Anthony Griffith) and his new partner, Newton (Michael Massee, Lost Highway) roll-up on a stop in progress by a pair of veteran officers, Billy (Duane Whitaker, Pulp Fiction) and Strom (Wings Hauser, Mutant), who are beating the snot out of black man Martin Moorehouse (Tom Wright, Creepshow 2), a prominent civil rights leader, who has been exposing crooked cops in the area. The rookie speaks up against the behavior but turns a blind eye, only to find out that the crooked cops killed Moorehouse and made it look like a heroin overdose. Eventually Moorehouse comes back from beyond the grave as a zombie to hand out punishment to the crooked cops. It's great stuff, Tom Wight played the Hitchhiker in Creepshow 2, manages to be even more terrifying here as the undead spectre out to off the racist cops in L.A.. It's a great segment, the use of Billie Holiday's mournful classic "Strange Fruit", which plays during Moorhouse's brutal killing, was a nice touch. 

Up next, "Boys Do Get Bruised" features kind hearted grade school teacher Richard Garvy, played director/writer Rusty Cundieff, who notices some strange bruising on the arm of one of his pupils, Walter (Brandon Hammond, Mars Attacks!), who tells him that a monster did it, showing him a crayon drawing of the monster. Teach heads to the kids home he speaks with his mom (Paula Jai Parker, Friday) who attributes the bruising to the boy's clumsiness, but it soon becomes apparent that the real monster is her abusive boyfriend, played by David Alan Grier of TV's In Living Color!. Not sure I bought the funnyman as an abusive type, and the segment gets a bit silly with an arc having to do with the boys ability to make what is depicted in his crayon drawings happen in reality, bit still a decent entry, and the abusive boyfriend gets a brutal comeuppance, as he is horribly contorted and burned, all the the while spouting off a verbal tirade of hatred.   

Back at the mortuary, Mr. Simms open a casket to reveal a doll, introducing the story "KKK Comeuppance", one of the more notorious segments of the anthology, featuring Corbin Bernsen (Major League) as Duke Metger, a white racist southern politician, and former member of the KKK, who has taken up residence in a former slave plantation, said to be haunted by the "negro dolls" containing the spirits of slaves who died there. There's a painting of the former owner, Miss Cobbs, an elderly black woman, sitting in a rocking chair, surrounded by little black dolls, which plays into the story. While Jewish and African-American protesters gather outside the plantation, Metger and his African-American image-consultant Rhodie (Roger Guenveur Smith), work on a new campaign ad, until the the uncle-tom Rhodie falls down the stairs to his death. After the funeral Metger returns to the plantation, noticing that some of the dolls in the painting have disappeared, leaving behind a blank white space on the canvas, soon he finds himself fighting for his racist life, screaming at the little "nigglins", draping himself in the American flag while trying to beat down the dolls. I love the slave-dolls, they're a bit on the goofy side, but the Chiodo Brothers (Killer Klowns from Outer Space) creations brought to mind the Zuni dolls segment of the TV anthology Trilogy of Terror (1975), lots of fun, and a deliciously twisted segment. 

The last of the main stories is "Hard-Core Convert" featuring an unrepentant gang-banger named Crazy K (Lamont Bentley, TV's Moesha) who is sent to prison after murdering multiple people, all of it black-on-black street violence. In prison he meets a murderous white supremacist who tells him of the end-of-days for black people, but also tells him that he might be spared, as the two have one thing in common, they have both only killed black people. One day Dr. Cushing (Rosalind Cash, The Omega Man) arrives and has Crazy K transferred to a different facility, where he is told that he has been given the opportunity to be rehabilitated, to learn the consequences of his actions, to show remorse for his crimes against his own people, including the innocents he has gunned down along the way. The experiment involves Clockwork Orange slide shows of racism, lynching and gang violence in addition to a deprivation chamber, where he must face the demons of the mind, his victims, which were pretty harrowing. The whole movie smacks of social commentary, I always found this one to be the most poignant and unpleasant, but it has powerful message. 

Now we come to the finale, the completion of the warp-a-round story with Mr. Simms and the knuckle headed wannabe gang-bangers, who have come for the "shit", which they get in spades, and as promised, they are "knee-deep in the shit" with Mr. Simms  transforming into Satan, cackling with glee as the truth about the trio's fate is revealed, a classic end to a classic horror anthology. 

Tales From The Hood (1995) is a wonderful horror anthology, one of the highlights of 90s horror and in the upper echelon of horror anthologies, it's right up there with Creepshow (1982), Torture Garden (1967), Trick R Treat (2007), Tales from The Crypt (1972) and Tales from The Darkside (1983), it's that good, and now that it is again widely available it's stature among horror fans will only grow. The stories are a nice mix of goofy horror and brutal social commentary, the effects are quite good, brutal, and only marred by some slight early CGI used to morph some of the effects, but this is the good shit, I promise.  

Audio/Video: Tales From the Hood has long out-of-print on DVD, it finally arrives on Blu-ray from Scream Factory looking spiffy, shot in the 90s the source looks crisp and clean for the most part, there's a bit of softness throughout, but overall we get nicely managed grain, good fine detail, and the colors are vibrant. The old DVD was cropped on all four sides, this is a huge improvement, and the clarity is impressive. Audio on the disc is handled by English DTS-HD MA Stereo 2.0 track that is crisp and powerful. Dialogue, effects and the awesome Christopher Yong score come through  nicely balanced and free of any distortion, optional English subtitles are provided. There's an alternate stereo track, not sure what the source is, but it seems muted and much less dynamic, compared to the main audio track, I switched back and forth a few times wondering if perhaps there were different music cues, but I didn't notice anything. I
f anyone can clue me into what this alternate track is I would appreciate it.


Onto the extras we begin with the sole NEW extra, a brand new documentary Welcome to Hell: The Making of Tales from the Hood, which features new interviews with director/writer Rusty Cundieff, producer/writer Darin Scott, actors Corbin Bernsen, Wings Hauser and Anthony Griffith, special effects supervisor Kenneth Hall, doll effects supervisors Charles Chiodo and Edward Chiodo; it's a great watch with plenty of input from everyone, who all seemed to genuinely enjoy making the anthology, writer director/writer Rusty Cundieff, producer/writer Darin Scott are funny guys, the Chiodo Brothers offers some dun insights into creating a few of the special effects used in the film. There's also a vintage making-of featurette narrated by the character of Mr. Simms, plus the director's audio commentary from the laserdisc is included, as is the original theatrical trailer and a series of TV spots, plus a gallery of images including stills, behind-the-scenes, sketches, and promotional lobby cards for the movie. 


Notably, while I was listening to the Shockwaves podcast a few weeks ago writer Darren Scott said a new commentary was recorded for the movie but was lost due to a technical glitch, which is a serious bummer.  

The single-disc Collector's Edition Blu-ray comes housed in a standard blue keepcase with a sleeve of reversible artwork featuring the original one-sheet poster art and a new colorful illustration by Joel Robinson, wjo also did some vibrant artwork for Scream Factory releases of The Exorcist II, Black Christmas and The Serpent and the Rainbow. The alternate artwork is also featured on the limited edition o-ring (slipcover).  

Special Features:

- NEW Welcome to Hell: The Making of Tales from the Hood – featuring interviews with director/writer Rusty Cundieff, producer/writer Darin Scott, actors Corbin Bernsen Wings Hauser and Anthony Griffith, special effects supervisor Kenneth Hall, doll effects supervisors Charles Chiodo and Edward Chiodo (56 min) HD 
- Audio Commentary with director/writer Rusty Cundieff
- Vintage “Making of” Featurette (6 min) 
- Original Theatrical Trailer (2 min)
- Original TV Spots (3 min) 
- Still Gallery (10 min) HD 

It's been a long time coming for Tales from Hood to arrive on Blu-ray, the DVD has been out of print for years, and I was beginning to think it would never happen, but Scream Factory have come through with a wonderful Blu-ray with some cool extras, the A/V looks nice and the movie's blend of goofy horror and brutal social commentary truly is "the shit", worth the price of purchase alone for the performance from Clarence Williams III in the wrap-a-round, everything else is just the cherry on top!  4/5 

Monday, April 10, 2017

Wild Eye Invites you to Play with Heidi Daniel Ray's Award-Winning Horror Indie Comes Home Available on DVD and Digital HD April 11th

Wild Eye Releasing has opened the toy chest and brought Daniel Ray's Heidi to DVD and Digital HD to punish all the bad children. Available nationwide on April 11th, Daniel Ray's first feature took home five awards at the Pollygrind Film Festival of Las Vegas, including Audience Choice for Best Feature Film. Heidi stars Samuel Brian, Joei Fulco, Joey Bell, Eva Falana, Elizabeth Callahan and Michael Monteiro.
  

After investigating a neighbor's attic, two high school pranksters are increasingly plagued by a series of disturbing, supernatural events involving a creepy, vintage doll named Heidi.  As she stalks them day and night, no one will take their claims seriously until it is too late.

Heidi (Official Trailer)
Heidi (Official Trailer)

Friday, April 7, 2017

THE VAMPIRE BAT (1933) (Blu-ray Review)

THE VAMPIRE BAT (1933)

Label: The Film Detective

Rating: Not Rated
Duration: 63 Minutes
Audio: English DTS-HD MA 2.0 with Optional English Subtitles 
Video: 1080p HD Fullscreen (1.33:1) 
Cast: Lionel Atwill, Fay Wray, Melvyn Douglas, Dwight Frye 
Director: Frank R Strayer

Directed by Frank R. Strayer (The Ghost Walks) and written by Edward T. Lowe (House of Frankenstein, House of Dracula), pre-code horror film The Vampire Bat (1933) was a bit of a poverty row horror cash-grab made by  Majestic Pictures to capitalize on the 30's horror boom, using sets and actors from recent Universal Studios and Warner Bros films, we end up with a nice mash-up of mad science, Gothic horror and bloodsucking set in the small European village of Klineschloss, where the villagers are in a panic, terrified by the bloodless corpses which have been turning up around town with, what appears to be, bite marks on their necks. 



Investigating the spree of bizarre murders is police inspector Karl Brettschneider (played by the always handsome Melvyn Douglas, Ghost story) whom believes the crimes can be attributed to as of yet unidentified criminal mind, not an undead bloodsucker. However, local scientist Dr. Otto von Niemann (Lionel Atwill, Mystery of the Wax Museum) believes the corpses might be attributed to vampires, promoting the ideas to the local villagers, who then begin to suspect the village simpleton Herman Gleib (Dwight Frye, Frankenstein, Dracula), who has an abnormal love for the furry flying creatures, and was in proximity to each of the murders, might be the blood drinking culprit. 

The Vampire Bat has a lot going for it for fans of moody, atmospheric golden age horror, there's an old dark house, a mad science angle involving a strange, pulsating life form, telepathic mind control, and a cast of legendary Hollywood actors, including blond bombshell Fay Wray as Brettschneider's girlfriend, who honestly doesn't do a whole lot, but makes for a fun damsel in distress. I love Dwight Frye, he's is doing his usual creepy guy routine, a variation on Dracula's Renfield, as the creepy simpleton who loves bats, which makes him a target. 


I 'm about to spoil the movie here, so you might ant to skip past this paragraph if you're not familiar, but it turns out there's no bloodsucking vampire on the loose, just a mad scientist with the ability to bend others will to his own to abduct, kill, and drain victims of the blood, which he then feeds to a pulsating blob he keeps locked away in his basement lab, apparently some new lifeform he has created which requires human blood to grow, but that's about all we learn about the life form, which does not figure prominently into the story. The doc uses the local superstitions about vampyrism to influence the villagers to suspect Poor simpleton Herman, whom while creepy, turns out to be harmless, only to be chased t his death by a fearful mob with torches, which is deliciously evil. 


Melvyn Douglas and Lionel Atwill are terrific, with the latter sliding into the role of mad doc with such ease, having played many during is career. Melvyn Douglass is charming as the level-headed inspector, adding some humor to the role, but for me there are two bit players who steal the show for my money, Dwight Frye runs away with every scene he's in, and Maude Eburne as elder lady Gussie Schnappmann, a hypochondriac with great comic timing, her finest moment involving a dog faced Herman, which is a references a dream in Frankenstein, that one made me laugh quite a bit.


The golden-age era movie hold up quite well, the new restoration makes this one much easier to digest and enjoy on its own merits, instead of trying to see it through the muck and grime of poor past presentations, hopefully this will bring the vintage slice of Hollywood horror to a few new eyes. 


Audio/Video: The Vampire Bat(1933) arrives on a BD-R from The Film Detective in conjunction with the UCLA Film and Television Archive, a new restoration sourced from a 35mm composite acetate fine grain master and a 35mm nitrate print, which is vastly superior to all previous public domain presentations we've seen on countless budget DVD collections for years, this is phenomenal. The restoration looks wonderful, blacks are nice and deep, the grayscale is well represented, you can see actually some modest fine detail and the textures are nicely resolved. The source does show some white speckling and scratches, but this is by far the most definitive edition of the film to hit home video, ever. Also notable, UCLA’s restoration recreates the long-lost Gustav Brock color sequence, coloring the flame of the villagers torches during a chase scene,which has been unacknowledged and unseen since first run, it looks great. The audio chores are capably handled by an English DTS-HD MA 2.0 track with optional English subtitles, sounding very good within the limitations of the source recordings, surprisingly there are no issues with snap, crackles an/or pops, very crisp and clean

Extras on the disc include a bitter/sweet remembrance of his father, Melvyn Douglass, by son Gregory Hesselberg. He speaks of his father leaving his mother for another woman when he was very young, but reuniting with him in his teens years when his mother fell ill, and how the change from average boy to Hollywood star's son was a bit of shocker. he also speaks of not appreciating his father's film work until much later in life. There's also a commentary from movie producer Sam Sherman, a legendary figure in his own right, who relays a load of information about producer Phil Goldstone, discussing the movies run on TV, and his own personal encounters with Fay Wray and Melvyn Douglass, it's a very good commentary. 


Special Features:

- “Becoming the Son of Melvyn Douglas” A Melvyn Douglas featurette with his son, Gregory Hesselberg (7 min)
- Audio Commentary by film historian/movie producer Sam Sherman.

I love seeing this pre-code horror get a new lease on life with a brand new restoration, The Film Detective and the UCLA Film and Television Archive have done an astounding job with The Vampire Bat (1933), it's simply never looked better on home video. I appreciated this on a whole new level, it really was like watching it for the first time. Fans of vintage Gothic horrors need this in their life, highly recommended for retro-horror fans. Some might find the fact that this does not come on a pressed Blu-ray disc off-putting, but the BD-R looks and sounds great, have no worries. 

No One is Safe in the First Trailer for POOL PARTY MASSACRE (2016)


Bikini Babes Face a Killer's Blade in Retro Throwback
First Trailer and Images Debut for Drew Marvick's 
POOL PARTY MASSACRE (2016) 

Floating Eye Films has released the first trailer and stills for the old school splatterfest Pool Party Massacre. The debut feature from horror fanatic Drew Marvick, Pool Party Massacre is an ultra low-budget 80's-inspired slasher that cuts to the flesh and bone of a group of young friends. With a pounding synth score and a heavy metal soundtrack, Marvick has crafted a loving homage to the body count of 80s B-movies.


Synopsis: Blair Winthorpe, a high-maintenance young socialite, is having a pool party while her parents are out of town. What should have been a relaxing summer day spent tanning for the girls quickly becomes a blood soaked nightmare when an unknown guest crashes the party. He finds a garage full of dangerous toys and gets to work stalking and dismembering them one by one.
















THE HEARSE(1980) and MALIBU HIGH (1979) on Blu-ray May 30th from Vinegar syndrome


THE HEARSE (1980) 
On Blu-ray/DVD May 30th!

George Bower's neo-gothic horror classic, THE HEARSE, newly restored from its original negative and featuring an exclusive interview with its enigmatic leading man, David Gautreaux comes to Blu-ray May 30th from Vinegar Syndrome!


Heads up! The first 1,000 copies sold through VinegarSyndrome.com will include a limited edition embossed o-card designed by Chris Garofalo. Of course, the original one-sheet artwork is available as a reversible cover (see images below).


SPECIAL FEATURES:
- Region free Blu-ray/DVD combo pack
- Newly scanned and restored in 2k from 35mm original camera negative
- “Satan Get Behind Thee” - video interview with lead actor, David Gautreaux
- Original theatrical trailer
- TV spot
- Promotional still gallery
- Reversible cover artwork
- Limited o-card edition (1,000) available only at VinegarSyndrome.com!
- English SDH Subtitles


MALIBU HIGH (1979) 
On Blu-ray/DVD May 30th!

Irv Berwick's sleaze gem, MALIBU HIGH, restored from its original negative and loaded with over two hours of extras comes to Blu-ray May 30th from Vinegar Syndrome!



SPECIAL FEATURES:
-  Region free Blu-ray/DVD combo pack
- Newly scanned and restored in 2k from 35mm original camera negative
- Group commentary track with: Producer Lawrence Foldes and Actress Tammy Taylor
- Video interviews with: Producer Lawrence Foldes, Actress Tammy Taylor, Actor Garth Pillsbury
- Q&A from a screening at the New Beverly Cinema w/ Producer Lawrence Foldes, Actress Tammy Taylor & Actor Alex Mann
- “Struggle for Israel” (1976) - a short film by Lawrence Foldes
- “Grandpa & Marika” (1975) - a short film by Lawrence Foldes
- Original theatrical trailer
- Production still gallery
- Reversible cover artwork
- English SDH Subtitles

Also coming to DVD May 30th:

THAT'S OUTRAGEOUS (1983) 

In this erotic send-up to classic Hollywood screwball comedies, Jamie Gillis stars as top Paris fashion photographer Paul…or Philippe, alternating between both identities to suit his interests, so that he can maintain simultaneous affairs with two beautiful sisters. With the help of his assistant, Rick (Joey Silvera), the two go on a series of lusty misadventures throughout both Paris and New York, as Paul hopes to achieve his ultimate sexual goal of seducing both sisters at the same time!




Director Fred Lincoln pulls out all stops in this lavishly mounted and exquisitely photographed French-American co-production. Featuring supporting performances from Tiffany Clark, Anna Ventura, Sharon Kane, and many others, THAT’S OUTRAGEOUS is a madcap and sex-filled romp spanning the splendor of old Europe to the grandeur of modern metropolises, and all the beautiful women there are along the way!

Directed by: Fred Lincoln
1983 / 86 minutes / Color / 1.85:1
Starring: Mai Lin, Tiffany Clark, Jamie Gillis, Joey Silvera, Anna Ventura, Sharon Kane, Natasha

Features Include:
- Region free DVD
- Scanned and restored in 2k from 35mm original camera negative
- Video interview with Actor John Mozzer

- Promotional still gallery

PUSSYCAT RANCH (1978)/ HERE COMES THE BRIDE (1978)

Two erotic classics from one of the maverick filmmakers in NYC’s sexploitation scene, John Christopher.

PUSSYCAT RANCH: Two old west bank robbers take refuge on a rural farm that’s been threatened with foreclosure, as they try to escape the law. Instead they find themselves caught up in a web of non-stop lust with the local girls, until a genius plan is hatched: to open a brothel!

HERE COMES THE BRIDE: Rhonda is a more than meets the eye kind of woman. She knows how to get what she wants. When she decides to marry the nice boy downstairs, she tells her flimsy fiancé that she is a virgin, and dedicated to preserving her untouched body for the wedding night. However, we will see what kind of tricks she has up her sleeves at her bachelorette party and beyond…

Directed by: John Christopher
1978 / 169 minutes (combined) / Color / 1.85:1
Combined cast: Samantha Fox, Colleen Anderson, Arcadia Lake, Eric Edwards, Joey Silvera, Roger Caine, Molly Malone

Features Include:
- Region free DVD
- Both films scanned and restored in 2k from 35mm negative

- Original theatrical trailer for HERE COMES THE BRIDE


Wednesday, April 5, 2017

Red Christmas, Starring Scream Queen Dee Wallace, to be Released by Artsploitation Films


RED CHRISTMAS 

Controversial Abortion-Themed Horror Film Set for Genre Festivals and Theatrical before DVD/Blu-ray/VOD Release

Artsploitation Films has acquired US rights from international sales agent Devilworks for the Australian horror film Red Christmas directed by veteran television director/producer Craig Anderson. The dark,violent and sickly twisted tale had its World Premiere at the Sydney Film Festival, its North American Premiere at Fantasia Festival and its European Premiere at London's Frightfest.


The film stars (and was co-produced by) horror film acting legend, Dee Wallace (The Hills Have Eyes, The Howling, E.T., Cujo, Critters, Halloween,The Lords of Salem) as the mother of a squabbling family, gathered together in a remote Outback estate on Christmas Eve. When a mysterious, deformed young man named Cletus appears at their door, things soon go from petty insults to bloody, imaginatively orchestrated violence as Wallace attempts to protect her family from the vengeful intruder. The film deliriously infuses comedy, dark family secrets with outlandish gore and adds the always controversial subject of abortion in its blood-stained mix.


Initial critical response: 

VARIETY: "An energetic, candy-colored romp through genre tropes that manages to take its subject matter seriously while poking fun at itself at the same time."

RUE MORGUE: "Nothing is sacred to Anderson and setting murderous mayhem on the eponymous holiday is only the beginning of Red Christmas‘ challenge to propriety and good taste.”;

BIRTHDEATHMOVIES: "Anchored by a genuinely great Dee Wallace performance, Red Christmas is a completely bizarre horror film...it enters the realm of perverse fascination."

SCREAM MAGAZINE: "Striking, bold and brilliant; a sure-fire Christmas classic for horror lovers.”

Artsploitation Films president Ray Murray says, "We are excited to release this over-the-top, deliriously entertaining genre film. With its odd anti-abortion angle, it could very well be the first horror film of the Trump era!" Devilworks president Matteo Rolleri remarks, "’We are thrilled to be working with Artsploitation and couldn’t think of anyone better to release such a striking exploitation film! Red Christmas sits among the classics; it is kinetic, untamed and saturated in gore.’’

The US premiere of the film and the initial festival run will be announced in the coming weeks while the limited theatrical run is scheduled for August and DVD/Blu-ray and VOD scheduled for October.

100 GIRLS BY BUNNY YEAGER Premieres on BLU-RAY April 11, 2017

100 GIRLS BY BUNNY YEAGER

Label: Cult Epics 

Release Date: April 11th, 2017
Production Year: 1950/1997/2016
Rating: Not Rated
Duration: Approx. 70 Min
Language: English language 
Aspect Ratio: 1.33:1
Audio: Dolby Digital 2.0 Stereo

Cult Epics presents a homage to 50s Pin up photography. Bunny Yeager, ‘the worlds prettiest photographer’, started out as a beauty contest winner and professional photographer’s model in the 50’s. She established herself as one of America’s top ten glamour photographers throughout the 50’s and 60’s for Playboy and other magazines. This pictorial shows 100 of her most glamorous models, featuring her most famous one Bettie Page, and includes photographs and original footage of Bunny with the girls behind the scenes. Narrated by Bunny Yeager, who past away in 2014. 

Blu-ray features a 2K HD transfer and new bonus features including two featurettes of Bunny’s never-before-seen photos of Bettie Page, as shown and presented at the Catalina Island Museum in 2016. 

100 GIRLS BY BUNNY YEAGER Blu-ray
SPECIAL FEATURES
- New 2K HD Transfer (from original 16mm film)
- Over 200 Pin Up photos
- Clips from Bunny Yeager’s Nude Camera and Nude Las Vegas and unseen footage
- Bettie Page Uncovered: The Unknown Photographs of Bunny Yeager
- Introduction by Helmut Schuster 2016, HD
- Bunny Yeager/Bettie Page HD Virtual photo exhibit (2016, HD)