BLUE COLLAR (1978) (Indicator Blu-ray Review)

BLUE COLLAR (1978)
Limited Blu-ray Edition (UK Blu-ray premiere)

Label: Indicator

Region Code: Region-B Locked 

Rating: 18

Duration: 114 Minutes 

Audio: English LPCM Mono 1.0 with Optional English Subtitles

Video: 1080p HD Widescreen (1.85:1) 

Director: Paul Schrader

Cast: Richard Pryor, Harvey Keitel, Yaphet Kotto, Ed Begley Jr., Harry Bellaver, George Memmoli 

Blue Collar (1978) is the directorial debut of screenwriter Paul Schrader (Hardcore, Taxi Driver), a suitably cynical factory union, working-man story of three Detroit auto workers employed at a car factory working on the assembly line in various capacities, they put in a grueling day of labor at the plant but each man struggles to make ends meet at home. The trio are made up of two black characters; Zeke Brown (Richard Pryor, See No Evil, Hear No Evil) and Smokey James (Yaphet Kotto, Alien) and a white Polish guy Jerry Bartowski (Harvey Keitel, Two Evil Eyes), all of whom owe money to various people. Jerry cannot afford his daughter's much needed braces despite having a second job pumping gas, Zeke owes money to the IRS and Smokey is an ex-com in deep with a loan shark. One night while partying with whores and doing lines of coke the trio come up with a plan to rob the factory's union, who they've been unhappy with for quite a while. Pryor's character is particularly venomous about the union, at one union gathering he declares "plant is short for plantation!", which doesn't win him any favors with the union's crooked rep, played by Lane Smith (Dark Night of the Scarecrow).

The burglary doesn't score much cash but Pryor's character Zeke snags a ledger containing all the dirty secrets of the union, they're even more crooked than they knew!  While Zeke attempts to leverage the ledger for a better lot at the plant he puts himself and his buddies in a lot of danger, as the union is tied into the mob and things don't quite go as planned, causing the group's loyalties to drift, even when one of them is killed in a staged "workplace accident", a brutal suffocation scene inside a paint room.

The movie is a true slice of working class cinema, the Detroit factory scenes are gritty and sweaty, the characters are honest and wear there colors on their sleeves, and the film which starts as a bit of a factory comedy of sorts, including a fun forklift attack on a thieving beverage machine, turns dark and very cynical, especially when the close knit group's loyalties are tested and betrayed, with the corporate bosses pitting the men against each other. The film has a real downer ending as two friends devolve into racism and hatred for one another, finding themselves venomously divided by the opposing sides of the American dream.
 
Audio/Video: Blue Collar arrives on region-B locked  Blu-ray from Indicator in 1080p HD widescreen (1.85:1) looking great, there's a nice natural layer of film grain, the image is nicely sharp without artificial sharpening and colors look accurate, Indicator have yet to fail me with their Blu-ray transfers. Likewise the audio is solid, the LPCM Mono handles dialogue, effects and the Jack Nietzsche score very nicely, in addition to soundtrack cuts from Lynyrd Skynyrd, the awesome Howlin' Wolf, and Ike and Tina Turner, optional English subtitles are provided. 

Extras include an audio commentary from writer-director Paul Schrader and author Maitland McDonagh, plus a 1982 BFI Masterclass with director Paul Schrader which can be played like an audio commentary along with the film.  We also get an archival interview with Schrader, in both the original 21-minute broadcast version with an introduction, and the longer 58-minute version with a newly recorded introduction by Tony Rayns. Next up, an appreciation by Director/Actor Keith Gordon (John Carpenter's Christine), a Trailer's from Hell commentary by Josh Olson, the theatrical trailer, plus an image gallery. Retail versions (this was a check disc only version sent for review from Indicator) will include a 40-page booklet with a new essay by Brad Stevens, archival interviews with director Paul Schrader, and film credits, which I believe is only included in the initial limited edition run of 3000 copies.     

Special Features:
- Audio commentary with writer-director Paul Schrader and author Maitland McDonagh
- Paul Schrader BFI Masterclass (1982, 106 mins): the filmmaker presents a fascinating summary of the many issues and ideas he explores in his screenwriting class, recorded at the National Film Theatre, London
- 'Visions’: Interview with Paul Schrader (1982): archival interview, presented in two versions – the broadcast cut with its original Tony Rayns introduction (21 mins), and the complete interview rushes with a newly recorded introduction by Tony Rayns (58 mins)
- Keith Gordon on ‘Blue Collar’ (2018, 12 mins): a new filmed appreciation by
the filmmaker and actor
- Trailers' From Hell Trailer Commentary with Josh Olson (3 min)
- Original theatrical trailer
- Image gallery: on-set and promotional photography
- New and improved English subtitles for the deaf and hard-of-hearing
- Limited edition exclusive 40-page booklet with a new essay by Brad Stevens, archival interviews with director Paul Schrader, and film credits
- UK premiere on Blu-ray
- Limited Edition of 3,000 copies

This was a first time watch for me, like all of the January titles from Indicator, and it's a keeper, a real hidden gem of working-class cinema! Blue Collar certainly gets under the skin of the blue collar workers of the film, picking away at what makes them tick, their frustrations, and how they are manipulated by the corporate big wigs, eventually turning on each other revealing their own prejudices in the process, it's a powerful film, and one that is particularly resonant and poignant in the current socio-political climate, sadly. We have such a great cast here, the film anchored by the talents of Richard Pryor, Harvey Keitel, and Yaphet Kotto, all are great, but Pryor's performance was the most surprising, a rare dramatic performance and is a career highlight that needs more recognition, definitely an under seen slice of Americana. 

HAMMER VOLUME ONE: FEAR WARNING! (Indicator Blu-ray Review)

HAMMER VOLUME ONE: FEAR WARNING! (1963-965) 

Four classics from Hammer, each presented on Blu-ray for the very first time in the UK. Whether it's a mad man brandishing a welding torch, a mythical monster who's looks can kill, an ancient royal with diabolical powers, or a mad woman wielding a pair of scissors, this set has something to unease everybody. Containing a wealth of new and exclusive extra features – including title-specific documentaries, cast and crew interviews, expert appreciations, introductions and more – this stunning Blu-ray-only Limited Edition box set is published in a horribly limited, numbered edition of 6,000 units.

MANIAC (1963)

Label: Powerhouse Films/Indicator Series
Region Code: Region-FREE
Rating: Cert. 15
Duration:
Audio: English PCM 1.0 Mono with Optional English Subtitles 
Video: 1080p HD Widescreen (2.35:1)
Director: Michael Carreras
Cast: Liliana Brusse, Nadia Gray, Kerwin Mathews

Hammer's black and white thriller Maniac (1963) is set in the South of France, opening with a young woman named Annette (Liliane Brousse) accepting a ride home from school from a landscaper, who drives her to a remote area and rapes her. When the girl's father discovers this he kidnaps the man and tortures/murders the rapist with an acetylene torch. In the aftermath the father is sent away to the asylum for the criminally insane, but is regarded as something of a local hero for his act of vengeance. 

Enter into the picture an American painter named Geoffrey Farrell (Kerwin Mathews, The Boy Who Cried Werewolf) who ends up at a small hotel run by the young girl's step mother Eve Beynat (Nadia Gray, La Dolce Vita). Geoffrey initially is charmed by the teen aged Annette, but the flirtation is frowned upon by Eve, who intercedes and before you know it Geoffrey and Eve are involved in a passionate physical relationship, which was weird, moving on from the daughter to mother happened real quick. Eve involves her new love in a plot to free her homicidal husband from the asylum, and what transpires from there is a twisty, sexed-up thriller that I could not have predicted the outcome of, this thing has several hairpin turns that will absolutely disorient you with it's labyrinthine of deceit!

Audio/Video: Maniac (1963) arrives on Blu-ray from Powerhouse Films as part of their Indicator Series, framed in the scope widescreen (2.35:1) aspect ratio. The wide lensed black and white cinematography looks great, capturing the coastal French location nicely with a good looking grain structure, fine detail is plentiful and the contrast and shadow detail is very pleasing. Audio comes by way of a clean and crisp English LPCM Mono 1.0 track, dialogue and the jazzy score from Stanley Black (The Flesh and the Fiends) sound terrific, optional English subtitles.  

Onto the extras we have a 11-min retrospective with  cultural historian John J. Johnson and author Jonathan Rigby, plus a Hammer's Women feature with horror film expert Lindsay Anne who gives an appreciation of star Nadia Gray. Focus Puller Trevor Wrenn and Clapper Loader Ray Andrew show up for a recollection of working on the film, including working in the asbestos mines for the final scenes, and how the clapper boy had the youthful foolishness to walk up to the director and suggest how the film should end - and they used it! There's also some discussion of the lively after-hours entertainment during the shoot. Additionally we get the theatrical trailer, a gallery of on-set images, and a collector's booklet with new essay by writer Kim Newman, 1978 interview extract with director Michael Cerreras from House of Hammer magazine, memoir extract from writer/producer Jimmy Sangeter's memoir, contemporary reviews, historic articles, and full film credits.

Special Features: 
- White-Hot Terror: Inside ‘Maniac’ (11 min) HD
- Hammer’s Women: Nadia Gray (2017): horror film expert Lindsay Anne Hallam looks at the fascinating life and work of the Romanian stage and screen actor (8 min) HD
- Focus Puller Trevor Wrenn and Clapper Loader Ray Andrew on ‘Maniac’ (2017): original crew members share their memories of working on the film (5 min) HD
- Trailer (2 min) HD
- Original Promotional Material (1 min) HD
- On Set Photography (1 min) HD
- Exclusive booklets with new essay by writer Kim Newman, 1978 interview extract with director Michael cerreras from House of Hammer magazine, memoir extract from writer/producer Jimmy Sangeter's memoir, contemporary reviews, historic articles, and full film credits.

FANATIC (1965)

Label: Powerhouse Films/Indicator Series
Region Code: Region-FREE
Rating: Cert. 15 
Duration: 95 Minutes 
Audio: English DTS-HD MA 1.0 Mono with Optional English Subtitles 
Video: 1080p HD widescreen (1.85:1) 
Director: Silvio Narizzano
Cast: Tallulah Bankhead, Stephanie Powers, Yootha Joyce, Peter Vaughn, Donald Sutherland

Hammer's first color film was this matriarchal nightmare, also known as Die! Die! My Darling! in the U.S., starring Tallulah Bankhead (Lifeboat)as religious zealot Mrs. Trefoile, a decrepit woman who is visited upon one day by Patricia Carroll (Stephanie Powers, Experiment in Terror) - the one time fiance of her now dead son, he having apparently perished in a fatal car accident. Bankhead is channeling Bettie Davis in a hag-horror role chewing-up the scenery with maniacal lunacy, blaming Patricia for taking her son away from her, chastising her for wearing the devil's color (red), and wearing lipstick. When she finds out that Patricia plans to marry another man she locks her away in a room, hoping to make her repent, to purify her and mend her wicked ways. Mrs. Trefoile is assisted in her religious zealotry by a husband/wife servant duo, the lecherous Harry (Peter Vaughn, Straw Dogs) and dutiful Anna (Yootha Joyce, Fragment of Fear), plus a dim-witted gardener played by a very young, and under utilized, Donald Sutherland (Invasion of the Body Snatchers). 

This was such a fun movie, very campy in a later-era Bettie Davis/Whatever Happened to Baby Jane? sort of way, with the wicked old woman starving poor Patricia, along the way while her servant Anna regularly lays hands upon her, even stabbing her at one point with a pair of scissors, providing some of that precious, patented red-paint Hammer blood. If you love campy hag-horror this one has it in spades as the puritanical lunatic attempts to brainwash/purify the 60's-era liberated young woman. 

Audio/Video: Fanatic (1963) arrives on Blu-ray from Powerhouse Films as part of their Indicator series, presented in 1080p HD widescreen (1.85:1). The image is crisp and clean, the source looks fantastic, colors are rich and textured, there's some nice use of Mario Bava-esque lighting in some attic scenes that absolutely glow/pop-off the screen. Grain is nicely managed and fine detail is abundant, with only some minor white speckling to note as far as blemishes. Audio comes by way of an English LPCM 1.0 Mono track, it's well-balanced, the dialogue and Gothic score from Wilfred Josephs (The Deadly Bees) comes through naturally without any distortion, optional English subtitles are provided. 

Extras include a 14-min retrospective with cultural historian John J. Johnson and author Jonathan Rigby, another Hammer's Women focusing on Tallulah Bankhead with Kat Ellinger, and oh boy did she lead a wild and unapologetic life! There's also an appreciation of composer Wilfred Josephs, and both continuity supervisor Renée Glynne and second assistant director Stuart Black recall the making of Fanatic, plus the option to watch the film with the alternate Die! Die! My Darling! US title sequence, original theatrical trailer, image gallery and a booklet. 

Special Features: 
- House of Horror: Inside ‘Fanatic’ (14 min) HD
- Hammer’s Women: Tallulah Bankhead (2017): Kat Ellinger explores the life and work of the inimitable star of stage and screen (9 min) HD 
- David Huckvale on Wilfred Josephs (2017): an appreciation of the composer’s work by the author of Hammer Film Scores and the Musical Avant-Garde (14 min) HD
- Fanatical Detail (2017): continuity supervisor Renée Glynne and second assistant director Stuart Black recall the making of Fanatic (9 min) HD
- Matthew Lombardo on Tallulah Bankhead and ‘Fanatic’ (2017): the acclaimed playwright discusses his play Looped and his fascination with Tallulah Bankhead (7 min) HD
- Die! Die! My Darling!: alternative presentation of Fanatic with the US title sequence 
- Original Trailer (3 min) HD
- Image gallery (60 images) HD 
- Exclusive booklet with new essay by Josephine Botting, curator at the BFI National Archive, 1977 interview with director Silvio Narizzano, Starlog interview with writer Richard Matheson on Fanatic, actress Stephanie Powers on Looped, Fanatic  and Tallulah Bankhead, and contemporary reviews, historic articles, full film credits, and notes about the A/V presentation

GORGON (1964)

Label: Powerhouse Films / Indicator Series
Region Code: Region-FREE
Rating: Cert. 15 
Duration: 83 Minutes 
Audio: English LPCM Mono 1.0 with Optional English Subtitles 
Video: 1080p HD Widescreen (1.66) 
Director: Terence Fisher
Cast: Christopher Lee, Peter Cushing, Richard Pasco, Barbara Shelley, Michael Goddliffe, Patrick Troughton

Back into the realm of Gothic Hammer horror
we have The Gorgon (1964) directed by Hammer veteran Terence Fisher (Dracula: Prince of Darkness) and set in the German village of Vandorf in 1910. We have a series of unsolved murders in the village, each occurring on the night of a full moon. Paul Heitz (Richard Pasco, Rasputin: The Mad Monk) arrives in the village after his younger brother is found dead, his body strangely turned to stone. Meanwhile Dr. Namaroff (horror great Peter Cushing, Corruption) is falsifying the death certificates to obscure the truth behind the strange deaths. Heitz calls in friend Professor Karl Meister (the other horror great Christopher Lee, Horror Express) to help him get to the bottom of things. Meanwhile Heitz begins to form a romantic relationship with nurse Carla (Barbara Shelley, Village of the Damned) and discovers that the spirit of a fabled snake-haired Gorgon sister may be haunting the nearby castle ruins. The Gorgon is laced with vintage Gothic fashion and set dressing, dripping with atmosphere and creepiness, but all is nearly undone when the final scene reveals the snake-haired Megaera. which to be nice I will say is a bit on the cheap side, but thankfully it doesn't undo the movie, this is good stuff and worth a watch! 

Audio/Video: The Gorgon (1964) arrives on Blu-ray from Powerhouse Films as part of their Indicator series, presented in 1080p HD widescreen (1.66:1). I own this on a double-feature Blu-ray from Mill Creek, and I am here to tell you this wipes the floor with that release. We have more image information, the colors are more saturated and warmer, the grain is better resolved and fine detail and clarity are improved.  As where ill Creek went with their usual lossy audio Indicator gives us a more robust English LPCM Mono 1.0 track with optional English subtitles.

Again Powerhouse/Indicator go all out with the extra, beginning with a commentary from Samm Deighan and Kat Ellinger, an appreciation of Barbara Shelley by Patricia MacCormack, an appreciation of the film by actor and filmmaker Matthew Holness, a trailer, promotional images, and the 1977 comic-strip adaptation from House of Hammer magazine, plus the retrospective with cultural historian John J. Johnson and author Jonathan Rigby. We also get a booklet with new essay by writer Marcus Hearn, 1977 Hammer magazine interview with director Terrence Fisher and Barbara Shelley, 2010 interview extracts from interview with Barbara Shelley, contemporary reviews, historic articles, and full film credits.

Special Features: 
- Heart of Stone - Inside The Gorgon (14 min) HD
- The Gorgon Audio Commentary with Daughters of Darkness Podcast co-hosts Samm Deighan and Kat Ellinger 
- The Gorgon introduction by actor and filmmaker Matthew Holness (15 min) HD
- Hammer’s Women – Patricia MacCormack on Barbara Shelley (9 min)
- Trailer (3 min) HD
- Promotional Material (2 min) HD
- The Gorgon Comic Strip Adaptation (37 Panels) HD
- Exclusive booklets with new essay by writer Marcus Hearn, 1977 Hammer magazine interview with director Terrence Fisher and Barbara Shelley, 2010 interview extracts from interview with Barbara Shelley, contemporary reviews, historic articles, and full film credits.

THE CURSE OF THE MUMMY'S TOMB (1964) 

Label: Powerhouse Films/Indicator Series
Region Code: Region-FREE
Rating: Cert. 15 
Duration: 80 Minutes 
Audio: English LPCM Mono 1.0 with Optional English Subtitles 
Video: 1080p HD Widescreen (2.35:1) 
Director: Michael Carreras
Cast: Christopher Lee, Peter Cushing, Richard Pasco, Barbara Shelley, Michael Goodliffe, Patrick Troughton

The Curse of the Mummy's Tomb (1964) has a pretty typical set-up for a mummy movie, an American showman Alexander King (Fred Clark, Sunset Boulevard) unearths a tomb of a disgraced Pharaoh. He plans to take it on the road as a way to print money, he steadfastly refuses to allow the discovery to be whisked away to some dusty old museum, and he makes a few enemies because of his entrepreneurial ways. As expected they open the sarcophagus at some point and the mummified Pharaoh is nowhere to be found, but soon those who have done wrong by the ancient Pharaoh are found dead and the lurching creature starts making quite a mess of things. 


I didn't find this to be the most pulse pounding of the Hammer entries on this set, it's a pale bandage-wrapped shadow of the Terrence Fisher classic The Mummy (1959) starring Christopher Lee, who was by far a more threatening mass of moldy bandages, it doesn't help that the bandaged bundle here is portrayed by a lumbering stuntman and not an actor, but this one has some opulent Egyptian set pieces, the Pharaoh's tomb looks fantastic, but this is still a bit on the slow side, thank goodness for Freddie King who does a fantastic job as the fast-talking PT Barnum type American Showman.

Audio/Video: The Curse of the Mummy's Tomb (1964) arrives on Blu-ray from Powerhouse Films as part of their Indicator series, presented in 1080p HD widescreen (2.35:1). As with The Gorgon I own this on a double-feature Blu-ray from Mill Creek, and again Indicator destroy that other version,the colors look renewed when compared to the washed-out US edition, colors are more vivid and robust, side by side this is a striking improvement. Again Indicator go with an English LPCM Mono 1.0 audio track with optional English subtitles. 

Onto the extras we have another look at the film with cultural historian John J. Johnson and author Jonathan Rigby, one of them pointing out an anachronism concerning Turkish delight, plus an appreciation of actress Jeanne Roland by Diabolique magazine’s Kat Ellinger. Actor  Michael McStay shows up for a brief interview, discussing his role as the Pharaoh, how when told to just make up lines of the silent scene he spoke about an upcoming Manchester United match, and how that translated into complaints from deaf members of the audience who read his lips, and nearly faintng when his prosthetic hand was chopped off. Composer Carlo Martelli also appears, discussing others composers music used for the opening credits and the belly dancing scenes, and what he contributed. 

We also get a seven-minute super 8 version of the film, full-frame and silent, very rough looking but a cool addition just the same. Finishing up the disc we have a trailer for the film, an image gallery, and a booklet new essay by Kat Ellinger, contemporary reviews, historic articles, full film credits, and notes about the A/V presentation.  

Special Features: 
- Blood and Bandages: Inside ‘The Curse of the Mummy’s Tomb’ (13 min) HD
- Hammer’s Women: Jeanne Roland (2017): Diabolique magazine’s editor-in-chief Kat Ellinger offers an appreciation of the Burmese-born actor’s short career (11 min) HD
- Interview with Michael McStay (2017)- the British film and TV actor looks back at his time working for Hammer (6 min) HD
- The Curse of the Mummy's Tomb Super 8 Version: original cut-down home cinema presentation (7 min) HD
- Interview with Composer Carlo Martelli on The Curse of the Mummy's Tomb (4 min) HD
- Trailer (3 min) HD
- Image Gallery (131 Images) HD
- Exclusive booklet with new essay by Kat Ellinger, contemporary reviews, historic articles, full film credits, and notes about the A/V presentation

For some reason the Hammer Films releases do not get a ton of love from US distributors, occasionally we get something special, but the majority of the releases are lackluster and bare bones. Thankfully UK distributor Powerhouse Films have stepped-up to the plate with this phenomenal (region-free) 4-disc edition with lavish A/V presentation and a wealth of extras that will take hours to pour through, this is a phenomenal release, highly recommended for Hammer horror fans.