Showing posts with label Lindsay Duncan. Show all posts
Showing posts with label Lindsay Duncan. Show all posts

Friday, January 3, 2020

BODY PARTS (1991) (Scream Factory Blu-ray Review)

BODY PARTS (1991)

Label: Scream Factory 

Region Code: A
Rating: R
Duration: 88 Minutes
Audio: English DTS-HD MA 5.1 Surround & 2.0 Stereo with Optional English Subtitles 
Video: 1080p HD Widescreen (2.35:1) 
Director: Eric Red
Cast: Jeff Fahey, Lindsay Duncan, Kim Delaney, Zakes Mokae, Brad Dourif, John Walsh, Paul Ben-Victor, Peter Murnik, Nathaniel Moreau 


The Eric Red (Bad Moon) directed horror-thriller Body Parts (1991) is an underrated early 90's entry in the genre, concerning a criminal psychologist named Bill Chrushank (Jeff Fahey, Psycho III) who studies the psychology of criminals looking for ways to rehabilitate the worst that society has to offer. While driving to his office he is involved in a horrific car accident and is thrown through his windshield, tearing off his right arm in the process.He's rushed to the hospital where his wife Karen (Kim Delaney, Darkman II: The Return of Durant) is approached by Dr. Agatha Webb (Lindsay Duncan, The Reflecting Skin) who offers a miraculous new transplant surgery that will restore his arm, which she accepts.


The surgery is a success, afterward Bill goes through weeks of rehabilitation at the hospital before being sent home. Everything seems fine, though his arm is severely scarred from the operation, which sort of scares his young kids a bit, but at least he has full use of his new appendage. Not long after returning home he begins to suffer visions of horrific murders, and one day his arm takes on a life of it's own, uncharacteristically lashing out at his son with his right arm while wrestling with him, and later it attempts to strangle his wife while he is fast asleep. Later he discovers that a distinctive tattoo on his donated arm indicates the donor was a death row inmate. Doing a bit of investigating he finds out that it belonged to serial killer named Charley Fletcher (John Walsh, F/X2) who was executed, leading him to confront Dr. Webb  at her clinic demanding she remove it, she refuses and assures him that there is no problem with the new arm despite his worries. 


After a bit of snooping at the clinic Crushank learns that he was not the only recipient of the serial killer's appendages, tracking down Mark Draper (Peter Murnik, TV's Justified) and artist Remo Lacey (Brad Dourif, The Exorcist III) who have received his left arm and legs respectively. The three men meet for drinks at a bar and a fight breaks out when a drunk patron of the bar demands to see Bill's transplanted arm, Bill nearly takes on the whole bar before being stopped by Draper. 


Later that night Draper is attacked and murdered in his apartment and his transplanted legs are ripped right off of his body, and then Lacey's arm is similarly torn off a short time later at his art studio, leaving Bill as the sole remaining recipient of the transplanted appendages, but who's killing these guys? 


The answer comes soon enough and it's a bit of a head-trip so to speak, with he film going from a more serious psychological thriller into a more demented action-horror mode that I thought was absolutely delightful. If you don't want to know the more spoilery stuff you might want to skip on down to the "audio/video" portion of the review because I am going to spill the beans on Body Parts in the very next paragraph.


It turns out that Charley Fletcher's head was also transplanted onto another body and the killer has returned to reclaim his missing limbs! Not only that, but he is doing so with help from Dr. Webb, who already having performed the miraculous transplants wants to go full-on Frankenstein and reattach the severed head and limbs back onto to Fletchers original torso, which are seen being kept supplied with a fresh blood in a cool-looking glass enclosure at her clinic, the only part missing is Crushank's right arm! 


Body Parts (1991) is an underrated slice of 90's horror, well-directed with a solid fast-paced script and some excellent gore gags that make this a riotous watch. The gruesome stuff is plenty gory, but for me the highlight of the whole is an action-packed car chase with Crushank in a cop car ending up handcuffed to the killer in another car!     

Audio/Video: Body Parts (1991) debuts on Blu-ray from Scream Factory who have managed to crack the Paramount vault and get some of these long overdue genre titles back into the public consciousness with HD upgrades, having just releasex 70's cult-classic Let's Scare Jessica To Death on Blu-ray as well. The film is presented in 1080p HD and framed in 2.35:1 widescreen, there's no indication of a new scan for the film so this is probably the HD master prepared by Paramount for streaming platforms that have been floating around. That said, the image is strong but not perfect, grain is reasonably managed throughout and blacks are solid, but the image can look a bit soft at times, a new 2K scan probably would have given this one a tighter presentation but what we get is pleasing if not perfection



Audio comes by way of English DTS-HD MA 5.1 surround and 2.0 stereo with optional English subtitles. There are no issues with hiss or distortion on either track, the elements are in great shape, with my preference being the stereo track for this one. 


While not branded as collector's edition this release is loaded with a body bag's worth of new extras beginning an audio commentary with director Eric Red, plus a 52-min interview with him, in which he gets into his earlier films as well as Body Parts, discussing the issues he had with the studio regarding a few bits of gore in the film that were excised, not due to fear of an x-rating from the MPAA as long thought, but because a couple of studio execs just didn't like it, even after it tested high with audiences. He also says he now actually agrees with the decision even though he fought hard to keep the pair of scenes at the time. 


We also get a 14-min interview with actor Paul Ben-Victor and another 17-min interview with actor Peter Murnik, the later of whom discussed the process of having his molded for all the amputated body parts, also getting into the make-up effects for his severed legs, and mentioning how he feels the film arriving in theaters the same week that the notorious serial killer Jeffrey Dahmer was arrested may have effected the box office negatively. Editor Anthony Redman shows up for a 23-min interview discussing his unorthodox way he broke into the editing films, his early career and editing this film, in addition to laying blame for the lack of proper marketing for the film on the part of the producers. 


We also get the two gore-scenes from the film with optional commentary from director Eric Red who again dispels the myth of the x-rating. These come from a work print and are in rough shape, they've been circulating n YouTube for a while not, but it's great to have them preserved here on the disc.


The disc is stitched-up with a theatrical trailer, TV spots and an still gallery. The single-disc release arrives in a standard Blu-ray keepcase with a sleeve of reversible artwork, both options are original movie poster designs, both are very similar, one with a white logo n the spine, the other with a red logo. The design on the disc itself is the same as the a-side artwork.      

Special Features: 
- NEW Audio Commentary with director Eric Red
- NEW I Dare You to Read the Script – an interview with director Eric Red (52 min) 
- NEW Something Unstoppable – an interview with actor Paul Ben-Victor (14 min)
- NEW Molded for Cinema – an interview with actor Peter Murnik (17 min)
 - NEW That One Hurt – an interview with editor Anthony Redman (23 min)
- Deleted Gore Footage with optional commentary with director Eric Red (10 min)
- Theatrical Trailer (4 min)
- TV Spot (1 min)
- Still Gallery (2 min)


Not only is it great to have this underrated cult-classic on Blu-ray but it is awesome to see Scream Factory cracking into the vaults at Paramount, there's a lot of genre treasures in there that need HD upgrades on disc, so I hope they're able to keep a steady stream genre goodies coming our way. This upgrade of Body Parts (1991) is long overdue, a high recommend for an unsung 90's cult-classic.

Thursday, August 22, 2019

THE REFLECTING SKIN (1990) (Film Movement Blu-ray Review)

THE REFLECTING SKIN (1990) 

Label: Film Movement Classics 
Region Code: Region-Free

Duration: 96 minutes
Rating: R
Video: 1080p HD Widescreen(1.85:1) 
Audio: English PCM 2.0 Stereo with Optional English Subtitles 
Director: Philip Ridley
Cast: Viggo Mortensen, Lindsay Duncan, Jeremy Cooper, Sheila Moore, Duncan Fraser

The Reflecting Skin (1990) is a warped David Lynchian-Norman Rockwell-ish nightmare, wherein an impressionable and slightly disturbed eight-year-old named Seth
(Jeremy Cooper) is coming of age in rural 1950's Idaho. It's a slow-burning American Gothic tale populated by some strange characters, including a murderous band of greasers who travel the back roads in a shiny, black Cadillac looking for children to murder. It's the sort of place where bored young boys resort to blowing-up frogs for fun, and where Seth's young playmates are murdered one by one until his only companion in the world is the rotting corpse of a baby fetus he keeps in a box beneath his bed. 

Yeah, this is a weird one, and that's just the tip of the strangeness-iceberg, let's not forget the English widow down the road named Dolphin Blue (Lindsay Duncan, Body Parts) whom Seth begins to believes is a vampire out to drain his older brother Cameron (Viggo Mortensen, 
Leatherface: The Texas Chainsaw Massacre III)
of his precious bodily fluids. Then there's his overbearing mother whose manages to drive her troubled husband to commit suicide in a gasoline-fueled inferno. Lots of weird stuff, so strap yourself in and prepare yourself for a melancholic Americana nightmare set to endless fields of yellow grain and big blue sky.

Audio/Video: The Reflecting Skin (1990) arrives on Blu-ray from Film Movement as part of their Film Movement Classics line-up, presenting the film in 1.85:1 widescreen and sourced from a 2K restoration from the original film elements. The image is crisp and clean, perhaps a bit too clean, with what looks to be some DNR-smoothing having been applied, with certain scenes looking a bit waxy, which is unfortunate. Digital scrubbing aside this otherwise looks solid, it's the first time I've seen it in proper widescreen on home video, and the color-grading is very pleasing, far superior to the shite fullframe DVD I had of it previously, a pleasing though not perfect upgrade.


Audio on the disc comes by way of an English PCM 20 stereo presentation with optional English subtitles. Everything is crisp and clean sounding, there were no issues with hiss or distortion, and the big score from Nick Bicât is magnificent and sounds terrific. 
   
Extras include an audio commentary with writer/director Philip Ridley that digs deep into the making of the film, plus a 44-min making of retrospective 'Angels & Atom Bombs: The Making of The Reflecting Skin' with interviews from the director, Viggo Mortenson,  plus a 20-page booklet with notes on the restoration from the director, plus a pair of essays on the film by writers Travis Crawford and Heather Hyche. For the sake of comparison I now that the UK Blu-ray from Soda Pictures also features a pair of Philip Ridley's short films and an isolated music score, which are not found on this release. 

The single-disc release comes housed in a clear Blu-ray keepcase with a two-sided sleeve of artwork featuring the original movie poster, with the reverse side featuring a scene from the film, with the disc featuring the same artwork as the wrap.

Special Features: 
- Angels & Atom Bombs: The Making of The Reflecting Skin (44 min)
- Audio Commentary with writer/director Philip Ridley
- Booklet with introduction by Philip Ridley and new essay by Travis Crawford and Heather Hyche 


Fans of  disturbed youth cinema like Butcher Boy (1997) or The Other (1972) definitely need to check this one out, it's a kindred spirit, a film that channels the small town dread of Lynch's Blue Velvet (1986) with a bit of that enigmatic children's allegory of The Spirit of the Beehive (1973). It's great to see this one finally getting a good-looking Blu-ray in the proper aspect ratio in the U.S., hopefully it brings this under-seen gem some deserved glory, and also be sure to check out Ridley Philip's haunting film Heartless (2009). 

Wednesday, April 16, 2014

THE REFLECTING SKIN (1990) (Echo Bridge DVD Review)

THE REFLECTING SKIN (1990) 

Label: Echo Bridge Home Entertainment
Duration: 96 Minutes
Rating:  R
Audio: English Dolby Digital Stereo 2.0 
Video: Fullscreen (1.33:1) 
Cast: Viggo Mortensen, Jeremy Cooper, Duncan Fraser, Lindsay Duncan
Director: Philip Ridley 
Tagline: Sometimes terrible things happen quite naturally.

Seth is an impressionable and disturbed eight-year-old growing up in the rural America of the 1950, a warped David Lynchian-Norman Rockwell nightmare, an American Gothic tale populated by murderous greasers and an eccentric one-eyed sheriff with a prosthetic arm. The kind of place where a bored young boys resort to exploding frogs for fun and a child's friends are murdered one by one until his only companion is the discarded corpse of a fetus kept in a box under his bed. The sort of place where the widow down the road is certainly a vampire, where a domineering wife drives her husband to to commit suicide in a gasoline fueled dust devil. Prepare yourself for a melancholic nightmare set to endless fields of grain and big sky.


For years director Phillip Ridley haunting debut film The Reflecting Skin (1990) was unavailable on DVD and sat in the Miramax vault gathering dust. Echo Bridge Home Entertainment licensed a number of titles from Weinstein's and now we have it on DVD for the first time. Unfortunately the transfer is a fullframe port of what would appear to be a VHS master or Laserdisc with the grain smeared away. The image is undefined, drab and plagued by artifacting. The Dolby Digital stereo audio is soft and the levels fluctuate wildly, it's just not a pretty sight.  


This is a gorgeously shot film and for it to languish on such a poor DVD is quite a crime, this might not be a lost classic but it's certainly a neglected slice of 90's cinema deserving of a new HD transfer. Fans of  disturbed youth cinema like Butcher Boy (1997) or The Other (1972) definitely need to check this one out, it's a kindred spirit.