Showing posts with label Robert Wise. Show all posts
Showing posts with label Robert Wise. Show all posts

Friday, June 15, 2018

THE CURSE OF THE CAT PEOPLE (1944) (Scream Factory Blu-ray Review)

THE CURSE OF THE CAT PEOPLE (1944) 

Label: Scream Factory
Region Code: A
Rating: Unrated
Duration: 70 Minutes
Audio: English DTS-HD MA 2.0 Mono with Optional English Subtitles
Video: 1080p HD Full Frame (1.33:1)
Director: Gunther von Fritsch and Robert Wise
Cast: Simone Simon, Kent Smith, Jane Randolph, Ann Carter, Elizabeth Russell, Eve March, Julia Dean, Erford Gage, Sir Lancelot




Few Hollywood producers had such an atmospheric impact on their films as Mr. Val Lewton, the series of films he produced for RKO Pictures all bare his unique visual stamp, shadow-soaked atmospheric chillers with small budgets but Gothic-style to spare, and that can be said of this sequel to Cat People (1942). A haunting supernatural fantasy about a lonely young girl with a vivid imagination who conjures an imaginary friend.
Kent Smith reprises his role from Cat People as Oliver Reed, whom after the death of his doomed first wife Irena (Simone Simon, Cat People) has remarried, tying the knot with his former co-worker Alice Moore (Jane Randolph, Abbot and Costello Meet the Frankenstein, and also returning from Cat People), the couple have a six-year old daughter, Amy (Ann Carter), a daydreamer who has difficulty making friends her own age, which worries her parents. Lacking friendship she conjures up an imaginary friend, later shocking her parents when she recognizes a photo Oliver keeps if Irena tucked away among his personal belongings, the idea that the specter of his late wife might be his daughter's imaginary friend is understandably disturbing, believing that she must have seen a photo of his doomed ex at some point and Incorporated that in her imagination, and the film could very well play both ways. This revelation leads to some corporal punishment by way of a spanking that happens off screen, more disturbing is that her mother and a family friend speak of how important a first spanking can be for a young child! 




Around the same time Anne befriends an elderly woman living in the neighborhood, aging actress Ms. Farren (Julia Dean), a slightly mad old woman who lives in a mansion with her estranged daughter Barbara (Elizabeth Russell, The 7th Victim), but Anne's parents disapprove  of the friendship with the old woman, warning her not go there again, though the family butler Edward (Sir Lancelot, The Ghost Ship) adds to just not go alone, that he will accompany her there. The warning from her parent's turns out to be justified, not so much because the dame is weird, but because the woman's daughter turns out to be murderously jealous of the attention her senile mother lavishes on the girl, all the while failing to acknowledge her own flesh and blood daughter, with Ms. Farren mentioning several times that she believes her real daughter died in adolescence and that this woman, her daughter, is only a caretaker pretending to be her daughter. 



Co-directed by Gunther V. Fritsch and Robert Wise (The Haunting), the film offers plenty of that familiar Val Lewton light and deep shadow visual style with Gothic-laced fantasy and loads of suspense. While advertised as a horror film upon release this is really a kid fantasy film with suspense, a story about a confused girl in need of a friend whose parent's disapprove of her over-active imagination, with the introduction of some keen supernatural element. It's a terrific sequel to the original, one that keeps the themes of what came before but does something unique with it, bringing Irena that cat woman back as an Angelic presence, a sort of guardian angel and companion for the misunderstood young woman, which is strange redemption considering she's the murderess from the first film, but it really works.



The film has a nicely artful and shadowy look about it in addition to some whimsical snow-covered scenes in the woods and in the family garden when Irena appears to young Anne, it adds fantastical elements to the film and looks great. The psychological underpinnings of this one are varied and have been studied for decades by much smarter people than myself, they're definitely there to study if you're looking for them, but the film is also an interesting film on a surface level and makes for a great watch regardless of what you're reading into it.


    

Audio/Video: The Curse of the Cat People (1942) arrives on single-disc Blu-ray from Scream Factory through their new licensing deal with Warner Bros, presented in full frame 1.33:1 in 1080p HD, sourced from a fine grain master from the Museum of Modern Art in New York. This release is not advertised as a new 2018 scan so I assume it comes from the previously existing master used for the 2005 DVD, but I have no verification about that. The Nicholas Musuraca (The Ghost Ship) black and white cinematography looks wonderful, deep blacks and pleasing shadow detail, the contrast levels are pleasing and we get some nice detail in the close-ups.  Comparing the DVD to the Blu-ray the framing is the same, grain is richer and better managed, contrast is improved and blacks are deeper looking to my eyes, it's a nice HD upgrade without being overwhelmingly significant upgrade. For a comparison of the DVD vs Blu-ray check out the screenshots at the bottom of the review.
Audio on the disc comes by way of an English DTS-HD MA 2.0 Mono track  with optional English subtitles, it's clean and free of distortion, it's a bit dated and flat but in good shape, the Roy Webb (I Walked with a Zombie) comes through nicely, too. 



Onto the extras Scream Factory carry-over the audio commentary with film historian Greg Mank, with audio interview excepts with actress Simone Simon, and the trailer from the 2005 Val Lewton collection release, and add a few extras of their own. New stuff begins with a new commentary with author/historian Steve Haberman(Silent Screams: The History of the Silent Horror Film) whose done quite a number of vintage horror commentaries for Scream Factory, he always brings a wealth of knowledge with him on these tracks, this one is no different. 


But wait, there's more! There's a audio interview with Ann Carter, moderated by Tom Weaver from 2007 and was featured in Tim Lucas's Video Watchdog magazine, Carter played young Anne in the film, describing her experiences making the film. We also get the 31-min video essay Lewton’s Muse: The Dark Eyes of Simone Simon –by filmmaker Constantine Nasr (Shadows in the Dark: The Val Lewton Legacy) which details the scandalous life of the French actress, plus  theatrical trailers for both Cat People (1942) and The Curse of the Cat People (1944), and a gallery of posters and ads for the film.   


Special Features:
- NEW Audio Commentary with author/historian Steve Haberman
- Audio Commentary with historian Greg Mank, with audio interview excepts with actress Simone Simon
-  NEW Lewton’s Muse: The Dark Eyes of Simone Simon – a video essay by filmmaker Constantine Nasr (Shadows in the Dark: The Val Lewton Legacy)(31 min) HD
-  NEW Audio Interview with Ann Carter, moderated by Tom Weaver (19 min) HD
-  Theatrical Trailers for Cat People (1942) (1 min) HD and The Curse of the Cat People (1944)(2 min) HD
-  Still Gallery (5 min) HD


The Curse of the Cat People (1944) is a wonderful child fantasy/suspense film, it's a surprising sequel but it works on it's own term and plays well. The cast is great, Simone Simon is an ethereal beauty and her charms though relegated to a smaller part in this sequel are considerable. Great to see this get an HD release from Scream Factory with some notable extras, here's hoping we see more Val Lewton classics turning up on Blu-ray through their licensing deal with Warner Bros. 




Top: Scream Factory 2018 Blu-ray 
Bottom: Warner Bros. 2005 DVD 












Screenshots used in this review and comparison were sourced by me from both the 2005 Warner Bros. DVD and 2018 Blu-ray release from Scream Factory.


Wednesday, August 18, 2010

DVD Review: Audrey Rose (1977)

AUDREY ROSE (1977)

“A Haunting Vision of Reincarnation”
RATED: PG
RUN TIME: 113 Min.
DIRECTOR: Robert Wise
CAST: Marsha Mason, Anthony Hopkins, John Beck, Susan Swift

I’ve always heard mention of this film in the same breath as the George C. Scott classic The Changeling. So, it’s been on my radar a while, then I discovered it was directed by Robert Wise, and that really caught my attention. Let me spin off just a few of this man’s films: The Curse of the Cat People (1944), The Body Snatcher (1945) – which is one of my favorite Karloff films, the sci-fi classic The Day the Earth Stood Still (1951), The Haunting (1963), The Sound of Music (1965), The Andromeda Strain (1971), and Star Trek: The Motion Picture (1979) – what a body of work! Considering the comparison to The Changeling, his body of work, and the appearance of Sir Anthony Hopkins (The Silence of the Lambs) I thought it was high time I took in a viewing. I picked it up from a SwapaDVD.Com trade, if you’re not familiar with the site, check it out, it’s awesome. FYI, the film is based on a same-titled novel from Frank De Felitta, which I’ve not read.


SYNOPSIS: The parents of 11-year-old girl are approached by a stranger who tries to convince them that their daughter is the reincarnation of his deceased daughter.

THE FILM: Audrey Rose opens during a rainstorm, a mother and daughter are driving to an unspecified location; a car heading the opposite direction veers into oncoming traffic, striking the car resulting in a rollover and the fiery death of the title character and her mother. The scene closely mirrors a scenario in The Changeling, a very similar introduction, indeed. We’re then introduced to Janice and Bill Templeton and their daughter Ivy played by Susan Swift (Halloween: The Curse of Michael Meyers). Ivy suffers from tormented dreams of a fiery death, they’re getting progressively worse as time goes by, eventually manifesting themselves in the form of violent waking nightmares. About this time her parents notice a strange man following them on several occasions, he seems unusually interested in their daughter. The stranger is actually Elliot Hoover, the father of the title character who was killed in the fiery car crash, played by Anthony Hopkins. It eventually comes to light, though convoluted it may be, that Elliot believes the day his daughter died her soul was reincarnated into the body of the newly born Ivy. Hopkins plays the role with such sincerity, albeit a bit demented, that you don’t believe he’s out to harm the girl, but you’re not quite sure he’s there to help, either. The parents, of course, balk at the idea, though, eventually Janice (Marsha Mason) comes around to the notion, while Bill (John Beck) becomes increasing hostile towards Elliot, frustrated by his powerlessness to help his own daughter.


I think I may have come into this film with a bit too much enthusiasm or expectation. I’d the preconception that it would be eerie thriller, ala Wise’s amazing film The Haunting or the aforementioned The Changeling. In reality, its presented in a docudrama style, very antiseptic and dry, not haunting in the least, or visually alluring, and it’s probably not meant to be. At its heart the film is less a supernatural thriller than an examination of religious beliefs.

What saved the film for me were the performances of Hopkins and Swift. Swift, truly an odd looking adolescent at the time, was pretty great. The night terrors she suffered were convincing, particularly the regressive hypnotherapy session during the films finale, frightening stuff. The most chilling scenes involved Ivy running through the house clawing at the windows, in an attempt to escape the fiery car of her dreams, very effective. Hopkins portrayal of Mr. Hoover is not over-the-top, it’s tense and demented but never does he chew on the scenery as he’s prone to do these days, The Wolfman anyone?

DVD: Audrey Rose is presented in its original 1.85:1 non-anamorphic widescreen aspect ratio. This DVD came out back in 2001, pretty early on in the DVD age, as was the case with a lot of the early MGM releases it’s a bare bones affair, the only special feature being a trailer. Yawn.

VERDICT: While I don’t think that Audrey Rose is a classic film along the lines of The Haunting or The Changeling, it’s an effective and striking examination of the idea of reincarnation. Seeing Hopkins in this film, in that era, reminded me of his 1978 film Magic, I saw when I was 7 and it scared me something fierce, I need to revisit that film, I mean it’s been 30 years, it’s about time, right? It’s out of print and expensive, so If you have a spare copy send it my way. ***1/2 (3.5 out of 5 stars)