Tuesday, April 7, 2015

LONG WEEKEND (1978)

LONG WEEKEND (1978)
Label: Synapse Films
Release Date: April 14th 2015 
Region Code:
Rating: Unrated
Duration: 95 minutes
Audio: DTS-HD MA 2.0 Mono, English DTS-HD MA 5.1 Surround 
Video: 1080p Widescreen (2.35:1) 
Director: Colin Eggleston
Cast: John Hargreaves, Briony Behets

Peter (John Hargreaves, Mad Dog Morgan) and Marcia (Briony Behets, Nightmares) are a
young married couple struggling to cope with issues that have of recent plagued their relationship. In an effort to mend their broken coupling they plan a weekend trip to a deserted stretch of beach bringing the family dog Cricket along with them. Peter has bought all manner of expensive camping gear and seems anxious to get to the beach, while Marcia makes it quite clear from the beginning that she would prefer to be spoiled at an urban resort of some sort. 


The ride out to the beach proves to be problematic, fighting over the radio punctuated by long spells of ignoring each other and monosyllabic communication. As Peter grows tired he hits and kills a Kangaroo without so much as hitting the brake, which is our first hint at how little disregard the couple have for nature. The secluded beach turns out to be not so easy to find in the dark of night, the couple becoming lost in a maze of forested thickets and circular trails. They spend the night in their Jeep, haunted by strange and pained howls emanating from the night, sending chills down Marcia's spine. At sunrise they manage to find the beach and set up a campsite and begin to enjoy what nature has to offer.

The troubled travel was worth it though, the beach is a gorgeous sight with miles of sandy Australian shoreline and deep blue waters to enjoy, but Marcia seemingly wants none of it. She's content to stay at the camp and read trashy novels while occasionally blasting ants with insecticide, occasionally dropping her top to sunbathe. Peter meanwhile wanders the shoreline with his gun, casually shooting the local wildlife and tossing empty bottle of lager into the ocean before blasting them as target practice. When Marcia observes a large shadowy shape in the ocean behind Peter while he is swimming she becomes frightened, concerned it might have been a shark, she becomes unsettled and strange things begin to happen, like a speargun misfiring nearly wounding Marcia.  

The romantic trip to the beach turns out to be any but for the couple, whom are ordinary but unsympathetic people. Peter comes off as more agreeable while Marcia is painted as cold and bitchy, though some back story does explain in part her coldness and sexual indifference towards Peter, who himself becomes less sympathetic as the story unfolds. 

There's been a quiet menace about the film up to this point but things turn for the worse when an eagle which tears into Peter after he finds a bird egg, cracking a joke that perhaps they could make an omelet from it. After the bird attack Marcia smashes the eagle egg against a tree while broaching the subject of an abortion she was forced to endure. Later that same night a possum visiting the campsite takes a chunk out of Peter's hand when he gets a little too close for comfort, the wildlife don't seem to want this couple in the area. 

The next day the couple continue to argue while the creepy sounds of pained howling fill the air, which at some points seem to be figments of Marcia's imagination. Venturing further down the beach they happen upon an abandoned campsite, empty except for a snarling dog. Seeing something out in the surf they discovering a what appears to have been a tragic accident of some sort, maybe foreshadowing the butter couples own fate. As night descends the couple's sanity crumbles as they experience something more harrowing than anything they could have imagined, with nature fighting back against the couple who are a blight on the environment.

Long Weekend (1978) makes it's Blu-ray debut from Synapse Films presented with a brand-new HD transfer from original vault materials framed in the original scope aspect ratio. It's a solid transfer with a fine layer of natural film grain providing some nice depth and clarity with accurate skin tones and good contrast, the gorgeous Australian landscape looks fantastic in HD. 

Audio option include a DTS-HD MA 2.0 and a newly re-mastered DTS-HD MA 5.1 surround soundtrack created by Synapse Films which does a great job of creating creepy atmosphere and dread, enhanced in no small part by the score from composer Michael Carlos (The Odd Angry shot). 

Special features on the disc begin with an informative audio commentary from Producer Richard Brennan and Cinematographer Vincent Monton offering memories of making the film, it can be a little dry as they go on about achieving certain shots in the film and memories of cast and crew, but an enjoyable listen for fans of the film.

There's also an motion still gallery over which an audio Interview with Actor John Hargreaves is playing, images of behind-the-scenes shots and advertising campaigns as Hargreaves discusses his acting style and offers advice for young actors. The last extra on  the disc is the theatrical trailer for the film. Synapse have also offered a sleeve of reversible artwork, of which I preferred the b-side. 

Special Features
- Audio Commentary from Producer Richard Brennan and Cinematographer Vincent Monton
- Motion Still Gallery Featuring an Audio Interview with Actor John Hargreaves (5 Mins)
- Original Theatrical Trailer (2 Mins) 


Long Weekend (1978) is an effective and unnerving nature gone wild entry infused with an eeriness not often associated with these sort of movies, this one is quite intense and atmospheric. The new Blu-ray transfer from Synapse Films looks fantastic and will hopefully earn this lesser known Australian gem legions of new fans.  

Sunday, April 5, 2015

CARRIE (2002) / THE RAGE: CARRIE 2 (1999)

CARRIE (2002) / THE RAGE: CARRIE 2 (1999) 

CARRIE (2002)


Label: Scream Factory
Release Date: April 14th 2015 
Region Code: A
Rating: Unrated
Duration: 132 Minutes 
Audio: English DTS-HD MA 5.1, English DTS-HD MA 2.0 with Optional English Subtitles 
Video:1080p Widescreen (1.78:1) 
Director: David Carson
Cast: Angela Bettis, Emile de Ravin, Katharine Isabelle, Chelan Cummings 

Carrie (2002) is a NBC-TV remake of the original Stephen King story which had already been treated to a phenomenal film version directed by Brian De Palma (Dressed To Kill). I remember seeing the commercials for this but did not tune-in during the original broadcast. At the time I thought why watch a water-down version when I have the original film on top, and following the TV version of Stephen King's The Shining (1997) I was in no hurry to see yet another fantastic film ruined for TV. At the time I had not yet seen Lucky McKee's quirky indie-horror film May (2002) and was unaware of actress Angela Bettis who would be taking on the role of Carrie White. If I had seen May first it would have been a bit of a different story, her casting was an inspired choice if maybe a bit too on the nose following May. 

For the most part this version stays very true to the source material and hit many of the same beats as Brian De Palma's film with a few notable exceptions. Of course we have Carrie White (Angele Bettis, May) as the painfully awkward teen with newly emerging supernatural powers who is taunted by the popular kids at school and at home her fanatically religious mother Margaret White (Patricia Clarkson, The Woods) torments her with a twisted morality. Carrie has her first period at school in the shower having been ill prepared for menstruation by her mother she is mercilessly taunted by the popular high school girls, notably Christine "Chris" Hargensen (Emilie De Ravin, The Hills Have Eyes 2006) and Tina Blake (Katharine Isabelle, Ginger Snaps). Humiliated by the group she returns home and after discovering her daughter has officially entered womanhood with the advent of the red curse she is forced to spend time in the dreaded prayer closet.


So far its following script with the addition of a scene De Palma was unable to film to his satisfaction back in the '70s, it's an early scene during Carrie's younger years when her house is pelted by rocks falling from the sky. Unfortunately digital effects being what they were in 2002 the scene as rendered seems as if it might be an outtake from Deep Impact with flaming meteorites falling from the sky, exploding upon impact, apparently having been pulled from outer space. Patricia Clarkson is a bit too subdued in her portrayal of the formerly maniacal mother, her rage and twisted morality were a large part of the original film and to play it down to such a degree for a TV audience neutered it. Additionally, the infamous shower scene is just as downplayed, gone are the tampons being hurled at Carrie and the girls chanting "plug it up, plug it up", the end result being that it loses the traumatic edge of the original. It might be unfair but watching the remake is near impossible to do without drawing comparisons to the original, that this is a neutered TV production only emphasizes the disparity between the two, it just cannot compete with it on any level. 


Sticking to the original story we also have popular girl Sue Snell asking her boyfriend Tommy Ross (Tobias Mehler) to take Carrie to the prom, and gym coach Miss Desjarden punishing the bitchy Chris Hargensen by revoking her prom tickets, who in turn enlists her boyfriend Billy (Jesse Cadotte) to ruin prom for Carrie, it's all very familiar stuff, but the characters are just not as interesting as the first film, Chris doesn't come off as quite so evil and Billy is certainly not as charming as the wanna-get-laid stoner version Travolta brought to life. . 

This version does change it up a bit by adhering to the Stephen King novel, framing it as a police procedural that begins after the fact with a series of interrogations with sequences. At the start of the film we have Detective John Mulchaey (David Keith, White of the Eye) interviewing survivor Sue Snell (Kandyse McClure, Battlestar Galactica) and gym teacher Miss Desjarden (Rena Sofer, TVs Heroes) trying to uncover just what happened at the prom causing the death of over 200 students and staff, at this point treating Carrie White as a missing person. I didn't love this framing story or how it gave the film a standard police procedural, which doesn't really go anywhere.


I do enjoy Angela Bettis as Carrie white, bettis is appropriately awkward and skittish but slightly more empowered than Spacek take on the character, which is evidenced when mom sends her to the prayer closet only this time around she has a secret cubby where she keeps fashion magazines to pass the time, she's rebellious right from the start. Plus Bettis looks pretty good covered in pig's blood during the finale and that's about half the battle right there in my opinion, this is a revenge film and at over 120 minutes it couldn't get to the finish fast enough for me, there are a lot of pacing issues with this one. However, the telekinetic fueled finale is pretty good, once the blood is spilled the fun begin with a flurry of flame, electrocution and death. 

There are some minor differences to post-prom slaughter in the way that Carrie's mom attempts to dispatch her by drowning instead of knifing, which is not the most awful change of direction but afterward we get a miraculous resuscitation and a ridiculous Thelma and Louise styled girls on the run ending, and ending that would have lead into a new weekly TV series, which would have us root for Carrie, a protagonist who just killed 234 students and teachers... some of whom not only did nothing to her but actually helped her at some point. Stephen King had it right the first time around, the only true redemption for Carrie was her own death at the end of the story.  

This version does bring a few new twists to the story but the characters and drama comes off flat and uninspired. This TV production just has no edge and is overlong and padded for running time, there's just no way I could see revisiting this one again, the lone draw would be to see Angela Bettis in the role of Carrie, and even then it is a one and done viewing.

Audio/Video: The Scream Factory packaging mislabels the aspect ratio as full frame. What we actually end up with is a widescreen (1.78:1) aspect ratio that unfortunately looks like a made for TV movie from 2002. Colors are soft and subdued, the image lacks depth and fine detail and the darker scenes are a bit of murky mess. There's also some blurring during fast-action scenes. Audio options include the original DTS-HD MA 2.0 and a slightly more immersive 5.1 surround option that exports score and discreet effects to the surrounds during the finale. 

Bonus content is minimal with just a trailer and a brand-new audio commentary from director David Carson and director of photography Victor Goss, offering some scene specific commentary and speaking about the unenviable task of reworking a film that had already been done to near perfection by a master of cinema. I've always heard rumor that quite a few scenes that ended up on the cutting room floor and never aired on TV, some featuring actress Jasmine Guy (TVs Dead Like Me) as a psychic investigator, these might have made an interesting extra on the disc if they exist. 

Special Features
- NEW Audio Commentary With Director David Carson
- Trailer (2 Mins) 

THE RAGE: CARRIE 2 (1999) 


Label: Scream Factory
Region Code: A
Rating: Unrated
Duration: 105 Minutes 
Audio: English DTS-HD MA 5.1, English DTS-HD MA 2.0 with Optional English Subtitles
Video: 1080p Widescreen (1.85:1) 
Director: Katt Shea 
Cast: Emily Bergl, John Doe, Kate Skinner, Zachary Ty Bryan, Dylan Bruno, Amy Irving, Jason London 

In this sequel to the original film Rachel (Emily Bergl, Happy Campers) is the half-sister to Carrie White from the first film, both having been fathered by the same man. Rachel's  birth mother Brenda (J. Smith-Cameron, True Blood) has been institutionalized for schizophrenia following an incident during Rachel's adolescent years. Now a troubled-teen she lives with foster parents (John Doe and Kate Skinner) and attends a Catholic high school where Sue Snell (Amy Irving reprising her role from the original film) is now a guidance counselor. Rachel's not quite as awkward as her half-sister Rachel but is sort of an outsider Goth girl, and unlike carrie she has a friend, Lisa (Mena Suvari, American Beauty). Only in movies would these two attractive young women be considered the dogs of high school society, but in a post-Scream environment this is what we got. 

Ripping a page from the headlines at the time the baddies in this film are a group of asshole jocks lead by Mark (Dylan Bruno, Numb3rs) who have created a sex-game by which they earn points for sleeping with various girls at the school, based on the very real exploits of The Spur Posse scandal from around the same time. High school jock  Eric (Zachery Ty Bryan, Brad from TVs Home Improvement) has just deflowered Rachel's friend Lisa and when she finds out about the game and how little she meant to him she throws herself from the top of the school to her death, which happens very unexpectedly, as a viewer I did not see that coming, there's very little lead-up to it.

Of course, Rachel is devastated by the suicide, sort of... no one seems overly affected by it to be honest. The incident does offer a chance for us to see Rachel's burgeoning telekinetic powers kick in though. Afterward Rachel discovers a photograph of Lisa and Zachary together which she gives to the local sheriff who investigates the jock-teen for statutory rape, which could potentially threaten his athletic scholarship. Fearing the discovery of the sex-game will ruin their future prospects the jocks pay a visit to Rachel in hopes of scaring her, but they flee once her parents arrive on scene and as her new found telekinetic powers were firing up. 

Along the way we have the jock revenge storyline plus Sue Snell's discovery of Rachel's telekinetic powers, which  leads to the revelation that Rachel is the half-sister to Carrie White died some years earlier after having burned down the school and killed hundreds of students. Additionally we also have Rachel's unlikely romance with Jesse (Jason London, Dazed and Confused), a kind-hearted jock who doesn't seem to agree with his teammates sex-games despite having participated previously.  

Enter a jealous cheerleader named Tracy (Charlotte Ayanna, Jawbreaker) who had a one-night stand with Jesse and you have a recipe for a post-Scream era version of the Stephen King story with a '90s contemporary spin, and it works way more than I would have suspected. No prom this time around, instead we have a kegger at Marc's house and a plan to humiliate Rachel with a sex tape, but as expected it ends with a telekinetic nightmare of revenge and everyone must die. 


Emily Bergl is quite good as the telekinetic Goth girl, I came into it not expecting much from her or the film but walked away pleasantly surprised. There's some fun characters thrown into the mix but no ones a standout, though it was cool to see Amy Irving reprise her role from the first film providing some connective tissue. 

The kegger massacre finale is pretty decent with plenty of cleansing fire, shattered glass and numerous teen deaths, including a satisfying crotch-evisceration, some beheadings and loads of arterial spray. 

This one looks pretty good with some keen cinematography and stylish editing that's easy on the eyes. The late-'90s score features a regrettable third wave ska cut in addition to a few sweet tunes from Fear Factory and Type O Negative, it's definitely an artifact from the late-'90s. While The Rage: Carrie 2 (2002) is an unnecessary sequel it does manage to good trashy teen fun. 

Audio/Video: The Rage: Carrie 2 is presented on a separate disc from the 2002 remake and looks quite good in HD, nice clarity and sharpness, some crispness to the image and vibrant color saturation with  decent black levels. Audio options include choice of English DTS-HD MA 2.0 and DTS-HD MA 5.1 and both offer crisp presentations with the surround option is not a huge spatial improvement but does offer some use of the surrounds during the finale. 

Onto the extras we have two audio commentaries, the original 1999 Audio Commentary With Katt Shea and a brand-new Commentary With Director Katt Shea And Director Of Photography Donald Morgan, Moderated By Filmmaker David DeCoteau. There's also a trailer, additional scenes and a wacky serpentine alternate ending that was rightly excised. 

Special Features 
- NEW 2015 Audio Commentary With Director Katt Shea And Director Of Photography Donald Morgan, Moderated By Filmmaker David DeCoteau
- Original 1999 Audio Commentary With Katt Shea
- Alternate Ending With "Before And After" Special Effect Sequence (1 Mins) 
- Additional Scenes Not Seen In Theaters (7 Mins) 
- Theatrical Trailer (2 Mins) 

Unless you are a huge Angela Bettis fan you are not missing much of anything with the NBC-TV movie version of Carrie (2002), which pales in every way to the original film. The Rage: Carrie 2 (1999) does offer some trashy b-movie fun that at the very least is not a retread of the original material. It may not be an essential purchase but at under $20 your curiosity at least won't break the bank.  I know Cliff McMillan at Scream wanted to do a collector's edition of Brian De Palma's Carrie (1976) film that didn't pan out for whatever reason, I hope this in some way opens the door for a possible future release of that one

ECHOES (2014)

ECHOES (2014) 


Label: Anchor Bay Entertainment
Region Code: A
Duration: 88 Minutes
Rating: Unrated
Audio: English Dolby TrueHD 5.1 
Video: 1080p Widescreen (2.40:1)
Director: Nils Timm

Cast: Steven brand, Kate French, Billy Wirth, Steve Hanks 

Echoes (2014) is a supernatural themed thriller that deals with a young writer named Anna (Kate French) who suffers from sleep paralysis, meaning she awakens in fright in the dead of night, unable to move in a state of hyper-sensitivity often accompanied by horrific visions. 

she has a successful boyfriend named Jeremy (Steven Brand) and the two seem to be having a rough patch in their relationship, to ease the tension Jeremy whisks them away for a weekend getaway to a glass walled house in the middle of the desert for some much needed rest and relaxation, but the very next day he is called back into the city for an an emergency meeting with a client. Anne opts to stay behind with the dog and no car, hoping to cram some writing time, not unexpectedly her first night alone she experiences the sleep paralysis and the visions... or could it be that the visions are supernatural in nature? Either way she is scared witless but not so much so that she's not afraid to venture out into the dark desert alone, of course. In the dark of night she meets a stranger (Steven Hanks)) and encounters a ghostly apparition, which leads her to seek the aid of a local shaman of sorts (Billy Worth), discovering a few things that make her suspect Jeremy might not be such a great guy, and he may have murderous past. 

I wasn't offended by the film but it certainly had more appeal to my horror-hating wife than to myself, with it feeling every inch like a watered down Lifetime Channel version of the supernatural thriller What Lies Beneath (2000). While attractively shot and competently acted I just couldn't buy into it, but the wife enjoyed it, so that's sort of a win in a way. Overall this is pretty generic stuff all the way around and not something I can recommend to the horror fans unless you're looking for something innocuous to watch with your girlfriend who is not a fan of horror but maybe enjoys a men-are-pigs thriller from time to time.  

Thursday, April 2, 2015

RABID GRANNIES (1988)

RABID GRANNIES (1988)

Label: Troma Entertainment
Region Code: Region-FREE
Rating: Unrated
Duration: 68 Minutes 
Audio: English Dolby Digital 2.0 
Video: 1080i Widescreen 
Director: Emmanuel Kervyn
Cast: Danielle Daven, Anne Marie Fox, Jack Mayar, Elliot Lison, Francoise Moens

A pair of elderly old grannies invite their gold-digging family and friends to their mansion to celebrate the occasion of the aging duo's ninetieth birthday. During the party it becomes quite evident that the family members are just a bunch of gold-diggers who are only there to hopefully secure their inheritance once the grannies shuffle off this mortal coil. However, what they don't realize is that these feisty grannies will be out living most of them before the night is through. As birthday cake is being served the grannies open a gift sent via a creepy courier from their estranged nephew, the black sheep of the family who is known to dabble in the occult and for this reason was not invited. The gift is an ornate wood-carved box that appears to be empty, but is actually filled with demonic spirit which quickly possesses the grannies and transforms them into long-clawed, toothy demons with a hunger for human flesh.

The story does not rise above the simple and novel premise of demonic grannies savaging numerous party guests but I must say that the numerous scenes of gruesome gore are especially fantastic and quite a bit of fun, delivering vintage '80s practical effects and vomitous gore-gags in quick succession. While it's strong on gore the film is troubled when it comes to the areas of character development and storytelling, not that many of the characters are around long enough to merit any sort of arc.  

Rabid Grannies is not some classic or even underrated slice of '80s horror cinema but it is a fun and brainless splatter film sort of along the lines of a dumbed down version of Lamberto Bava's Demons or Peter Jackson's Brain Dead, and that's not such bad company to keep in my opinion. 

Audio/Video: The Troma Blu-ray of Rabid Grannies is quite a mess beginning with a 1080i transfer framed in a doctored scope aspect ratio that cuts information from both the top and bottom of the image. Not sure what the source material was but it would appear to have been a VHS with from the looks of it. Murky scenes that alternate between a yellow patina and a blue infusion with rampant softness and no fine detail whatsoever. Truly a disaster of a botched transfer from Troma. The English-dubbed Dolby Digital Stereo audio option is muddied and muffled with some of the poorly dubbed dialogue being quite a chore to decipher.

Onto the extras on the Blu-ray disc we begin with the main feature, which is advertised on the box as an 89 minute run time but the actual duration is an abbreviated sixty-eight minute cut of the film, one that favors the gore scenes but removes twenty plus minutes storytelling, such as it is. Given the nature of this gore-film its arguable that you are not missing much but fans of the film deserve the longest most complete version available to date and that is not what we have here. 

On the Blu-ray there is an option to watch the "Producer's Cut" of the film, which seems to be an early April Fools joke from the Troma team. It's the exact same version of the film only with the addition two minutes of black screen before the movie starts. Extras on the Blu-ray include 8 minutes of deleted scenes, an brief interview with the producer Johan Vandewoestijne, and a typically silly interview with one of the Rabid Grannies.

Onto the DVD we begin with a longer eighty-nine minute version of the film presented in the full screen aspect ratio that contains more story but less of the gore, you just cannot win with this release. The colors are more natural looking and are not marred by the sepia tone and blue tinting of the Blu-ray, which is both sadly confounding and a minor bonus. While it may be full screen at least it's not the bastardized scope aspect ratio of the Blu-ray which is poorly cropped and ugly all the way around

Extras on the DVD include a wealth of junky Tromatic extras that have nothing to do with the film, plus an audio commentary from director Emmanuel Kervyn, which is absent from the Blu-ray. Additionally, there are outtakes, more gory footage, and the interview with the producer.

On it's own merits Rabid Grannies is a trashy gore-film with plenty of splatter and a story that is at least decent enough to set-up a series of grisly scenes as the demonic grannies tear into the flesh of gathered friends and family. Tonally this one is along the lines of Peter Jackson's Brain Dead without the wit, but still a satisfyingly gruesome viewing for the gore-hounds.  However, the sub-par Blu-ray is a true Tromatic turd from top to bottom, and not one I cannot recommend in good faith, this film deserves better than this, you deserve better than this.  

MEMORY LANE (2013)

MEMORY LANE (2013) 

Label: Wild Eye Releasing
Region Code: 0 NTSC
Rating: Unrated
Duration: 70 Minutes
Audio: English DTS-HD MA 
Video: Anamorphic Widescreen 
Director: Shawn Holmes 
Cast: Michael Guy Allen, Meg Barrick, Julian Curi, Zac Snyder

Memory Lane is a damn decent indie science-fiction thriller about a war vet named Nick (Michael Guy Allen) who returns home from the war damaged by post traumatic stress disorder and anguished over things that he did while serving his country. The transition to civilian life has not been east but he's trying to cope, one night while out for a run he happens upon a young woman named Kayla (Meg Barrick) who seems poised to jump off a bridge, until Nick intervenes pulling her away from the edge.

Kayla is crazy-eyed cutie and damaged in her own way, she's exactly the kind of girl that would fuck you in the backseat of your car right before stealing vehicle the night after she nearly jumps off a bridge. It's a strange way to meet each other but these two find a strange happiness with each other, and a whirlwind romance ensues. Things seem to be great for the two love birds but on the day Nick plans to propose he finds Kayla dead in the bathtub, having slashed her own wrists. 

Wracked with grief and beyond consoling Nick attempts to end hos own life by electrocuting himself in the bathtub, but he is discovered and resuscitated after his friends find his lifeless body. Afterward he tells them he saw Kayla during his suicide attempt, in the afterlife, during which she said something specific that makes him believe that she was murdered. In an effort to mimic the circumstances that enabled him to see Kayla during the suicide attempt he and a friends create a low-tech device from electric wiring, a series of light bulbs, and a bathtub full of ice water, designed to stop his heart so he can return to the afterlife in an attempt to discover the truth behind her death by exploring his memories in great detail, after a certain length of time his friends to resuscitate him, and each time bringing him closer to true death.

Are these trips into the afterlife merely dying brain activity or is it something more supernatural, that's the question I kept asking myself. Nick is certainly a troubled man who briefly bonded with a kindred troubled spirit who seemed to have felt the same way for him until her death. He's a haunted man and willing to sacrifice his own life to discover the truth. Each time he crosses over into the afterlife he returns with yet another piece to the puzzle, one step closer to solving the riddle of Kayla's death.

Memory Lane was a decent watch, at just over seventy-minutes it doesn't linger long enough to wear out it's welcome, which is good because while the premise is promising the no-budget production can be a bit anemic at times.  I do applaud the filmmakers for what they were able to manage with very little money, just under $300. I would have loved to see this story fleshed out just a bit more with a heightened science-fiction or supernatural element, but there's only so much you can do on a few hundred bucks, but the intent of the director is there on screen, just not fully formed. Some spotty acting does mar the production but it's worth mentioning what an attractive low-budget production this is, benefiting from some decent framing, giving it a lo-fi arthouse vibe. Looking forward to what comes next from director Shawn Holmes, the lacklustre ending and the novice cast does not completely negate the compelling story and true indie spirit of the movie, this is a pretty cool calling card. 

Special Features:
- Director's Commentary
- Deleted Scenes ( 4 Mins) 
- Short Films (6 Mins) 
- Promotional Videos (9 Mins) 
- Screen Tests (3 Mins) 
- Wild Eye Trailers (7 Mins) 

Not a broad recommend but if you enjoy indie films with interesting ideas there's something to enjoy here, for the masses looking for something more polished this is gonna be a hard sell from the start, but if you're looking for something new and under the radar you could do a lot worse. 


SEX, DRUGS, MURDER, VOYEURISM, NECROPHILIA... TANGO OF PERVERSION (1973) on DVD June 9th from MONDO MACABRO


TANGO OF PERVERSION (1973)

Label: Mondo Macabro
Release Date: June 9th 2015
Duration: 94 minutes
Color Fullscreen 1.37:1 

Greek Dolby Digital Mono with Optional English subtitles 
Region 1
Director: Dacosta Carayan
Cast: Larry Daniels, Erika Raffael, Dorothy Moore, Vagelis Voulgaridis

Synopsis: The Tango club is the favorite hangout for a group of swingers who live for nothing but pleasure. Rosita, a beautiful lesbian, seduces Joanna by giving her dope. Stathis, Joanna's sleazy boyfriend catches the two women in bed together and takes his brutal revenge on them, ending in Rosita’s death. All this happens in the house of Joachim, a rich playboy who gets his kicks by secretly filming Stathis having sex with girls from the Tango club. Joachim believes he is impotent, until he makes love to Rosita's dead body. After that, things start to get weird... Sex, drugs, necrophilia, voyeurism and a dose of Greek psychedelia, this film has it all. One of the legendary exploitation films of the early 1970s now makes its US home video debut in a brand new print, complete and uncut.

Bonus Features:
- Uncut version
- Brand new transfer from film negative
- Trailers
- Interviews with cast and crew
- Extensive production notes
- Newly created optional subtitles
- Mondo Macabro previews


Wednesday, April 1, 2015

VINTAGE NAUGHTY NURSE DOUBLE-FEATURE DVD FROM DISTRIBPIX 4/14


NAUGHTY NURSE DOUBLE FEATURE 2-Disc DVD
HEAD NURSE (1971) / NURSE- MADE (1972) )
Label: Distribpix Inc.
Release Date: April 14th 20015
Duration: 123 Minutes
Color Full screen 1.33:1
English Stereo
Region 0
Directors: Leonard Kirtman, Robert Mansfield
Cast: Andrea True, Marc Stevens, Cindy West, Harry Reems

Synopsis:

Head Nurse, 1972 Kirt Films International
In Head Nurse, director Tim Davies takes us on a tour of NYC’s most bizarre hospital. While there are similarities to a “white coater”, it is clear that producer Jones Gregor, had other ideas…gorgeous nurses, crazed doctors, test tubes and corpses! Not too mention, one of the most unforgettable scenes involving a human skull, ever captured on film. Starring a moustache-free Harry Reems, a young Marc Stevens, and rare sex appearance by disco superstar, Andrea True. With original music by the Bushels.

Nurse-Made, 1971, Mansfield Prodcutions
Some early sex-exploitation films have a cheap and amateurish look. Low quality audio dubbing, sloppy edits and poor lighting are just a few of the signs. Nurse-Made is the epitome of a NYC sexploitation film. Written, directed and produced by Robert B. Mansfield, this film explores a unique relationship between an ailing patient and his young nurse. Starring Jean Ashley, Lee Tucker, Dick Baker. Original music by Bob Mann. Assistant director, Gary Kahn.

Bonus Features:
- Original Theatrical Trailers
- Slideshow Gallery