Friday, January 3, 2020

BODY PARTS (1991) (Scream Factory Blu-ray Review)

BODY PARTS (1991)

Label: Scream Factory 

Region Code: A
Rating: R
Duration: 88 Minutes
Audio: English DTS-HD MA 5.1 Surround & 2.0 Stereo with Optional English Subtitles 
Video: 1080p HD Widescreen (2.35:1) 
Director: Eric Red
Cast: Jeff Fahey, Lindsay Duncan, Kim Delaney, Zakes Mokae, Brad Dourif, John Walsh, Paul Ben-Victor, Peter Murnik, Nathaniel Moreau 


The Eric Red (Bad Moon) directed horror-thriller Body Parts (1991) is an underrated early 90's entry in the genre, concerning a criminal psychologist named Bill Chrushank (Jeff Fahey, Psycho III) who studies the psychology of criminals looking for ways to rehabilitate the worst that society has to offer. While driving to his office he is involved in a horrific car accident and is thrown through his windshield, tearing off his right arm in the process.He's rushed to the hospital where his wife Karen (Kim Delaney, Darkman II: The Return of Durant) is approached by Dr. Agatha Webb (Lindsay Duncan, The Reflecting Skin) who offers a miraculous new transplant surgery that will restore his arm, which she accepts.


The surgery is a success, afterward Bill goes through weeks of rehabilitation at the hospital before being sent home. Everything seems fine, though his arm is severely scarred from the operation, which sort of scares his young kids a bit, but at least he has full use of his new appendage. Not long after returning home he begins to suffer visions of horrific murders, and one day his arm takes on a life of it's own, uncharacteristically lashing out at his son with his right arm while wrestling with him, and later it attempts to strangle his wife while he is fast asleep. Later he discovers that a distinctive tattoo on his donated arm indicates the donor was a death row inmate. Doing a bit of investigating he finds out that it belonged to serial killer named Charley Fletcher (John Walsh, F/X2) who was executed, leading him to confront Dr. Webb  at her clinic demanding she remove it, she refuses and assures him that there is no problem with the new arm despite his worries. 


After a bit of snooping at the clinic Crushank learns that he was not the only recipient of the serial killer's appendages, tracking down Mark Draper (Peter Murnik, TV's Justified) and artist Remo Lacey (Brad Dourif, The Exorcist III) who have received his left arm and legs respectively. The three men meet for drinks at a bar and a fight breaks out when a drunk patron of the bar demands to see Bill's transplanted arm, Bill nearly takes on the whole bar before being stopped by Draper. 


Later that night Draper is attacked and murdered in his apartment and his transplanted legs are ripped right off of his body, and then Lacey's arm is similarly torn off a short time later at his art studio, leaving Bill as the sole remaining recipient of the transplanted appendages, but who's killing these guys? 


The answer comes soon enough and it's a bit of a head-trip so to speak, with he film going from a more serious psychological thriller into a more demented action-horror mode that I thought was absolutely delightful. If you don't want to know the more spoilery stuff you might want to skip on down to the "audio/video" portion of the review because I am going to spill the beans on Body Parts in the very next paragraph.


It turns out that Charley Fletcher's head was also transplanted onto another body and the killer has returned to reclaim his missing limbs! Not only that, but he is doing so with help from Dr. Webb, who already having performed the miraculous transplants wants to go full-on Frankenstein and reattach the severed head and limbs back onto to Fletchers original torso, which are seen being kept supplied with a fresh blood in a cool-looking glass enclosure at her clinic, the only part missing is Crushank's right arm! 


Body Parts (1991) is an underrated slice of 90's horror, well-directed with a solid fast-paced script and some excellent gore gags that make this a riotous watch. The gruesome stuff is plenty gory, but for me the highlight of the whole is an action-packed car chase with Crushank in a cop car ending up handcuffed to the killer in another car!     

Audio/Video: Body Parts (1991) debuts on Blu-ray from Scream Factory who have managed to crack the Paramount vault and get some of these long overdue genre titles back into the public consciousness with HD upgrades, having just releasex 70's cult-classic Let's Scare Jessica To Death on Blu-ray as well. The film is presented in 1080p HD and framed in 2.35:1 widescreen, there's no indication of a new scan for the film so this is probably the HD master prepared by Paramount for streaming platforms that have been floating around. That said, the image is strong but not perfect, grain is reasonably managed throughout and blacks are solid, but the image can look a bit soft at times, a new 2K scan probably would have given this one a tighter presentation but what we get is pleasing if not perfection



Audio comes by way of English DTS-HD MA 5.1 surround and 2.0 stereo with optional English subtitles. There are no issues with hiss or distortion on either track, the elements are in great shape, with my preference being the stereo track for this one. 


While not branded as collector's edition this release is loaded with a body bag's worth of new extras beginning an audio commentary with director Eric Red, plus a 52-min interview with him, in which he gets into his earlier films as well as Body Parts, discussing the issues he had with the studio regarding a few bits of gore in the film that were excised, not due to fear of an x-rating from the MPAA as long thought, but because a couple of studio execs just didn't like it, even after it tested high with audiences. He also says he now actually agrees with the decision even though he fought hard to keep the pair of scenes at the time. 


We also get a 14-min interview with actor Paul Ben-Victor and another 17-min interview with actor Peter Murnik, the later of whom discussed the process of having his molded for all the amputated body parts, also getting into the make-up effects for his severed legs, and mentioning how he feels the film arriving in theaters the same week that the notorious serial killer Jeffrey Dahmer was arrested may have effected the box office negatively. Editor Anthony Redman shows up for a 23-min interview discussing his unorthodox way he broke into the editing films, his early career and editing this film, in addition to laying blame for the lack of proper marketing for the film on the part of the producers. 


We also get the two gore-scenes from the film with optional commentary from director Eric Red who again dispels the myth of the x-rating. These come from a work print and are in rough shape, they've been circulating n YouTube for a while not, but it's great to have them preserved here on the disc.


The disc is stitched-up with a theatrical trailer, TV spots and an still gallery. The single-disc release arrives in a standard Blu-ray keepcase with a sleeve of reversible artwork, both options are original movie poster designs, both are very similar, one with a white logo n the spine, the other with a red logo. The design on the disc itself is the same as the a-side artwork.      

Special Features: 
- NEW Audio Commentary with director Eric Red
- NEW I Dare You to Read the Script – an interview with director Eric Red (52 min) 
- NEW Something Unstoppable – an interview with actor Paul Ben-Victor (14 min)
- NEW Molded for Cinema – an interview with actor Peter Murnik (17 min)
 - NEW That One Hurt – an interview with editor Anthony Redman (23 min)
- Deleted Gore Footage with optional commentary with director Eric Red (10 min)
- Theatrical Trailer (4 min)
- TV Spot (1 min)
- Still Gallery (2 min)


Not only is it great to have this underrated cult-classic on Blu-ray but it is awesome to see Scream Factory cracking into the vaults at Paramount, there's a lot of genre treasures in there that need HD upgrades on disc, so I hope they're able to keep a steady stream genre goodies coming our way. This upgrade of Body Parts (1991) is long overdue, a high recommend for an unsung 90's cult-classic.

Thursday, January 2, 2020

LET'S SCARE JESSICA TO DEATH (1971) (Scream Factory Blu-ray Review)

LET'S SCARE JESSICA TO DEATH (1971)

Label: Scream Factory 
Region Code: A
Rating: PG-13
Duration: 88 Minutes
Audio: English DTS-HD MA 2.0 Mono with Optional English Subtitles 
Video: 1080p HD Widescreen (1.85:1) 
Director: John D. Hancock 
Cast: Zohra Lampert, Barton Heyman, Kevin O'Connor, Gretchen Corbett, Alan Manson, Mariclare Costello




The John D. Hancock (Bang A Drum Slowly) directed cult-classic Let's Scare Jessica To Death (1971) is a strange and eerie atmospheric chiller from the early 70's, a film I first experienced on TV as a kid still in my single-digits, and like many of the TV terrors I caught on the tube as a kid it's become something of a landmark film for me informing my young horror heart with an appreciation for eerie slow-burn chills. It's an atmospheric nightmare about three hippies friends who leave the big city and for a farmhouse in rural upstate New York with dreams of opening an apple orchard. The trio consists of the mentally fragile Jessica (Zohra Lampert, The Exorcist III) and her musician husband Duncan (Barton Heyman), plus their friend Woody (Kevin O'Connor, Special Effects), all of whom arrive into a small town near their new home driving a hearse, only to find that hippies are not greeted with open arms by the local folk. A group of old guys gathered on the porch of a local business give them a hard time, calling them freaks, and for some strange reason are all wearing bandages that cover what appear to be recent wounds, a item which figures into the eerie film later on. 



The peace-loving trio eventually arrive at their fog-shrouded farmhouse and discover an attractive fiery-haired squatter named Emily (Mariclare Costello, Nightmares) taking up residence, she gives them quite a startle when they first encounter her, but after an initial bit of awkwardness they befriend her and invite her to stay on at the home. 



It's established early on that Duncan's wife Jessica has just been recently released from an asylum following a six-month stint after suffering a nervous breakdown of some sort. She's a bit obsessed with death, for starters they arrive in town in a hearse, and she enjoys visiting cemeteries and making rubbings of the gravestones. Throughout the film her inner thoughts provide a running narration, giving voice to her vulnerability, and innermost thoughts, as well as revealing that she is plagued by disembodied voices, these voices begging the question is this creeping insanity or is there something more ghostly and supernatural happening here? 



The voices continue to taunt her, chipping way at the happiness she seeks, and she sporadically sees a mute blonde woman around the property (Gretchen Corbett, Jaws of Satan), but her companions think she's losing her grip on reality. Not helping matters is that the ginger-haired Emily seems to have eyes for her husband, and he for her as well, creating even more tension among the group. Later on while trying to sell some of the antiques found around the house the couple learn of the properties former occupants, who daughter Abigail drowned in a lake on the property on her wedding day a hundred years ago, her body was never recovered and the locals tell stories of how she still wanders the property to this day, as a vampire, which further fuels Jessica's agitated state, especially when she notices that Emily bares an uncanny resemblance to 100 year-old Abigail Bishop. 



I can understand how this one might bit a bit of a slog for some viewers who aren't down with a slow-burn, I remember recommending to a now defunct podcast I listened to years ago, and their reviews were unfavorable to say the least, but I have always enjoyed the regional feel of this atmospheric chiller, a meandering and ambiguous slow-burn nightmare with a cool psychotronic score that layers on the dread and further fuels the languid nightmare pace of the film.



Zohra Lampert is fantastic as the vulnerable wife, she's fragile but she's also a strong character, that and the hauntingly scenic rural backdrop, plus the cool psychotronic and string score, make this a delightful slice of slow-burn dread. It's no bloodbath but it is drenched in eerie atmosphere and a nightmare surrealness that I think should appeal to fans of creepy cult-classics that don't necessarily spill a lot of blood but offer oodles of strangeness. 



Audio/Video: Let's Scare Jessica To Death (1971) debuts on Blu-ray from Scream Factory in 1080p HD framed in 1.85:1 widescreen. There's no information about the transfer so this is probably not a new scan of the elements, but it is still is a strong looking HD presentation. There's good depth and clarity to the film, grain looks natural throughout, and the blacks are solid, though there is a slight white patch that shows up in the middle of the frame from time to time, which I would attribute to limitations of the the original cinematography rather than an issue with the transfer. Overall though the image looks wonderfully crisp and vivid throughout, a very nice upgrade from the previous DVD. 



Audio comes by way of English DTS-HD MA Mono with optional English subtitles, there's some age-related hiss and distortion present on the track but overall I had no issues with it at the end of the day, and the score from Orville Stoeber (Freddy's Nightmares) , with an electronic assist from Walter Sear (Midnight Cowboy), sounds great in the mix.



This release is not branded as a Collector's Edition so it's a bit on the thin side compared to other Scream Factory releases, but it's got a few goodies for us fans. We begin with an audio commentary Co-Writer/Director John Hancock and producer Bill Badalato. This track has a bit of dead space throughout but the guys do offer some good insights into the making of the film, and I was excited to hear the story of why the "mole" in the film was really a field mouse. 



We also get a 16-min interview with composer composer Orville Stoeber who speaks about working for Hancocks, how he was sort of cheated out of payment on the film, and addressing his own addiction issues. The best of the extras for me was a 24-min interview with author/film historian Kim Newman, he's a big fan of it, even claiming it's one of his favorite horror films, and relaying his first time watching the film and talking-up the finer points of the regional film. 



The disc is buttoned-up with a locations then-and-now comparison, theatrical trailer, TV spot and radio spots for the film, plus a gallery of still images, print ads and movie posters from various territories. The single-disc release arrives in a standard Blu-ray keepcase with sleeve of artwork featuring the cool original movie poster with a scene from the film on the reverse side, the same artwork is on the disc.  



Special Features:
- NEW Audio Commentary with Co-Writer/Director John Hancock and producer Bill Badalato
- NEW Art Saved My Life - composer Orville Stoeber on Let’s Scare Jessica to Death (16 min)
- NEW Scare Tactics: Reflections on a Seventies Horror Classic with author/film historian Kim Newman (24 min)
- NEW She Walks These Hills – the film’s locations then and now (7 in)
- Theatrical Trailer (3 min)
- TV Spot(1 min)
- Radio Spot (1 min)
- Still Gallery




This HD upgrade is long overdue and very welcomed, Scream factory give this creepy cult-classic a great looking Blu-ray with some cool extras, if you're a fan of strange 70's cinema like The Witch Who Came From The Sea (1976) and Carnival Of Souls (1962) I think this is gonna tickle your sweet spot.  



Wednesday, January 1, 2020

THE LIGHTHOUSE (2019) (Blu-ray Review)

THE LIGHTHOUSE (2019) 

Label: Lionsgate 
Region Code: A
Rating: R
Duration: 109 Minutes
Video: 1080p HD Full Frame (1.19:1)
Audio: English 5.1 DTS-HD MA with Optional English Subtitles 
Director: Robert Eggers
Cast: Robert Pattinson, Willem Dafoe

After the critical success of the The Witch (2015) director Robert Eggers didn't fritter away his good standing among the film community by directing a some franchise sequel or reboot, nope, instead he went full-tilt arthouse-horror with another folk-horror tale set in New England, the Lovecraft-ian psychological thriller The Lighthouse (2019) set in the 1890s. 

The black and white film opens with former timberman Ephraim Winslow (Robert Pattinson) arriving at his new job, as a "wickie", a lighthouse keeper working with Thomas Wake (Willem Dafoe) on an inhospitable rock island, Wake is a salty sea-dog of a man who is set in his ways, and doesn't make life easy for the younger Ephraim. He's a harsh task master, assigning Winslow back-breaking chores along with some housekeeping the younger man feels is beneath himself, constantly criticizing his work refusing to allow Winslow to see the light at the top of the lighthouse. 

The slow-burning film is a creepy and taut excursion into the the realm of insanity, with each man getting on the nerves of the other, the isolation and claustrophobic confines chipping away at their civility towards one another. We see things mainly through the eyes of the younger Winslow, who begins to suspect a Lovecraft-ian tentacle nightmare that seemingly lays just beyond his periphery. 

Both Pattinson and Dafoe are phenomenal, both actors are in top-form, with Dafoe turning in a couple of deliciously fervent monologues, including a Neptune-naming diatribe that's begun over an argument about the quality of his lobster-cooking skills, that made me laugh quite a bit. Dafoe's craggy face looks amazing in the harsh and shadowed black and white lensing, and for the first time I can see Robert Pattinson as an adult, and not that kid from the Twilight franchise. 

The black and white imagery of the film looks stunning, the cinematography and odd silent-era styled framing really set a tone for the specific period of the film, capturing the harsh and monotonous lightkeeper lifestyle. We also get the aforementioned tentacled Lovecraft-isms that appear in a couple surreal scenes we well as conjurings of the cockle-shelled Lord Neptune and visions of a most vaginal mermaid I have ever seen. 

Audio/Video: The Lighthouse (2019) arrives on Blu-ray and digital from Lionsgate framed in the original 1.19:1 aspect ratio, shot on film stock in black and white the monochrome image is quite lovely, giving it a proper period aesthetic, white and grays are well defined, with the blacks looking deep and inky, with wonderfully supportive contrast. Audio comes by way of English DTS-HD MA 5.1 surround with optional English subtitles. It's not bombastic presentation by any means, this is a dialogue heavy film without any big action sequences to speak of, but the mix in complimentary to the surrounding, shifting tonally according to location, with the crash of the waves on the shore of the stony island and howl of the wind given god placement in the atmospheric surrounds. 

Extras on the disc include a 38-min three-part making of doc, 5-min of deleted scenes and an audio commentary with co-writer & Director Robert Eggers, plus a selection of Lionsgate trailers and a digital copy of the film.  

Special Features: 
- The Lighthouse: A Dark & Stormy Tale 3-Part Featurette (38 min) 
- Audio Commentary with Co-Writer/Director Robert Eggers
- Deleted Scenes (5 min) 
- Lionsgate Trailers (7 min)
- Digital Copy 

Egger's The Lighthouse might not be for all tastes but for me the Lovecraftian-leaning, slow-burn arthouse psychological thriller was completely and utterly engrossing from start to finish, if any of that sounds like your cup o'tea this comes highly recommended.