Showing posts with label AGFA. Show all posts
Showing posts with label AGFA. Show all posts

Friday, April 19, 2019

HARD TICKET TO HAWAII (1987) (Mill Creek Entertainment Blu-ray Review)


HARD TICKET TO HAWAII (1987) 

Label: Mill Creek Entertainment
Region Code: A
Duration: 96 Minutes 
Rating: R
Audio: English DTS-HD MA 2.0 with Optional English Subtitles
Video: 1080p HD Widescreen (1.78:1) 
Director: Andy Sidaris
Cast: Ronn Moss, Dona Speir, Hope-Marie Carlton, Cynthia Brimhall, Harold Diamond, Rodrigo Obregon



Now if I have this right the "plot" of Hard Ticket To Hawaii concerns a pair of sexy DEA agents played by the more often than not topless Playboy Playmates Dona Speir (Hard Hunted) and Hope Marie Carlton, who are working undercover as inter-island airplane pilots delivering cargo for Molokai Cargo. Their latest shipment is a large snake meant for a local zoo, but in a strange mix-up they're accidentally given a lethal toxic-waste contaminated snake, whatever that is! Along the way the agents discover a stash of diamonds hidden away inside an RC helicopter that just happens to land right in front of them, with the lovely ladies becoming targets of a local crime Kingpin  Seth Romero (Rodrigo Obregon) and his assortment of dim-witted henchmen who wants those diamonds back.



The lethal-ladies get back-up from The Agency via bro-hunks Jade (Harold Diamond) and Rowdy Abilene (daytime soap-stud Ron Moss, of Bold and the Beautiful) who arrive on the island and are almost immediately set upon by a skateboarding assassin, who in one of the film's more infamous scenes is skateboarding along the side of the road holding a blow-up sex doll and a gun, during the skate-by-shooting Jade is injured, but the guys terminate him with extreme prejudice. First they hit him with their Jeep Wrangler which sends him flying through the air, and while he's still airborne they launch a land to air missile at him, which they just happen to have in their Jeep, firing a second missile at his harmless blow-up doll in a nice bit of 80's overkill! 



The film like its predecessor Malibu Express is overwrought and hilariously awful, but also lots of fun. That lethal toxic snake mentioned earlier ends up escaping from it's shipping crate and begins randomly attacking vacationers around around the island. The shit-looking snake is a stiff piece of rubber that looks about as animated as an oven mitt on the end of someone's arm. Sidaris is always dropping 007-on-a-budget references, here we have Rowdy throwing a razor-edged Frisbee that he uses to take out an enemy in a way that sort of recalls Oddjob's hat from Goldfinger, with the tanned hunk giving himself a silly fist-pump to celebrate his lethal accuracy! 



As with a lot of Andy Sidaris' films this feels like a cocaine-fueled fever dream of 80's excess. A bit like an R-rated mash-up of Three's Company and Mangnum P.I. with Playboy Playmates dropping their tops every three minutes or so, punctuated by some tasty camp dialogue and some deliciously over-the-top action. It's the sort of cheese-tastic T&A  that will put a smile on your z-grade cinema loving face.



I did miss the cheese-ball charmer Darby Hinton from the first film, but in his place we get the hunky Ron Moss, a guy I sort of grew up with thanks to my mother's strange choice of punishment. As a kid on summer vacation I would often get into trouble, as punishment my mom would make me sit in the living room and watch daytime soaps with her, and this guy was sort of a big deal on The Bold and The Beautiful at that time, playing a fashion house impresario Ridge Forrester, who was only slightly less cheesy than his character here! 


Audio/Video: Hard Ticket To Hawaii arrives on Blu-ray from Mill Creek Entertainment with a new 4K restoration prepared by America Genre Film Archive (AGFA) that looks pretty dang spiffy. There's some rough edges by way of vertical lines throughout the presentation, but the grain structure is rich, colors are vibrant, and the plentifully displayed skin tones looks natural. The image and colors  are much brighter compared to the previously released DVD, but the image is cropped from the original full frame to create a widescreen 1.78:1 presentation that's HD TV friendly, but the cropping looks good and doesn't looked cramped. 



The English DTS-HD MA stereo audio sounds good, it's clean and well-balanced, it's a bit muffled in places, but it does the job. Optional English Subtitles are provided. 



The special features are carried over from the previous special edition DVD, we get an introduction from director Andy Sidaris who is joined by Julie Strain, plus an audio commentary from the director and his wife, 22-min of Malibu Bay trailers, and 37-minutes of behind-the-scenes footage which includes Joe Bob Briggs interviewing Dona Speir. Digging through the menu you will find an Easter Egg tucked away, a very brief video of Julie Strain nude and slipping a pair of underwear over her landing strip. This release also comes with a digital code of the film for Mill Creek Entertainment proprietary streaming service, it's won't work with Vudu or Movie Anywhere.  



Special Features: 
- Introduction with Andy Sidaris and Julie Strain (1 min) 
- Audio Commentary with Director Andy Sidaris and Arlene Sidaris
- Behind the Scenes (37 min) 
- Malibu Bay Trailers: Malibu Express (2 min), Hard Ticket to Hawaii (2 min), Picasso Trigger (2 min), Savage Beach (2 min), Guns (2 min), Do Or Die (1 min), Hard Hunted (1 min), Fit to Kill (2 min), Enemy Gold (2 min), The Dallas Connection (1 min), Day of the Warrior (2 min), Return to Savage Beach (2 min)



This slice of 80's sexploitation-action is bathed in a lethal mixture of tits, explosions and some fairly awful acting, but somehow it all comes together to form a shit-cinema burrito that pretty tasty, in a deliciously awful sort of way. I love seeing these film get the HD treatment, the restorations afforded them are well beyond what they deserve, it will make me very happy to see these films on the shelves at Walmart, and hope to see more of these sexed-up action films arriving on Blu-ray soon! 



Friday, April 20, 2018

THE SOULTANGLER (1987) (AGFA DVD Review)

THE SOULTANGLER (1987)

Label: AGFA/Bleeding Skull
Region Code: ALL
Rating: Unrated
Duration: 90 Minutes 
Audio: English Dolby Digital 
Video: Full Frame (1.33:1)
Director: Pat Bishow
Cast: Bill Bernhard, Jennifer Brown, Tom Ciorciari, Pierre Devaux, Ginny Dunlevy, Jamie Kinser 

Synopsis: If Re-Animator was shot on Long Island for the price of a used car, The Soultangler would be the result. Insane genius Dr. Anton Lupesky has developed a drug that allows users to inhabit corpses and transform into rabid maniacs! Can reporter Kim Castle stop the carnage and save our species from annihilation?! This epic of outsider filmmaking is a dream-like wasteland that’s punctuated with severed heads, evil beasties, and hooded slashers. Filmed in basements and garages, director Pat Bishow’s earnest devotion to storytelling in the spirit of H.P. Lovecraft elevates The Soultangler beyond kitsch and into heavenly territory.

Shot on the cheap in Long Island back in 1985 this lo-fi Re-Animator (1985) riff from backyard movie maker Pat Bishow is the mind-bending tale of Dr. Anton Lupesky (Pierre Devaux), a greasy sort of Herbert West character who like the Lovecraftian mad doc has also created a nightmarish green-serum, not a re-animating agent, but a drug he calls "anphorium" that allows him to project his soul into the bodies of corpses (as long as they have eyes), but it also afflicts the user with horrific hallucinations and sends them careening into a void of insanity. 


At the start of the film Lupesky has been expelled from legitimate medical practice at the Whitewood Institute by Dr. Janet Simpson (Ginny Dunlevy) who objected to the docs unorthodox experiments on the insane, an expulsion and professional disgrace which sent him to Germany in search of more medical freedoms abroad, but after a year he returns to the U.S. after finding that Germany's medical facilities were not up to his high standards. After returning to Long Island he settles into a makeshift basement laboratory, and with the help of adoring assistant Jessica (Louise Millmann) and hammer-wielding henchmen Carl (Bob Cederberg) the doc begins his mind-altering experiments anew, with Bob cruising the streets in a van and procuring a supply of fresh souls/corpses for the doc to experiment on. The scenes of Bob in a hooded mask chasing down and hammering his chosen victims is an inept sort of low-budget spectacle, hammering folks in their front yards and stalking a woman in a basement, ripping off his mask and stiffly (maniacally?) laughing. 


Lupesky's return to Long Island draws skepticism from Dr. Janet Simpson who unwisely decides to confront the doc face-to-face, and then there's a local reporter named Kim Castle (Jamie Kinser) who is obsessed with the doc, looking for a connection between him and her late religious father who warned against the maniacal madman. Castle becomes entangled in the story, also managing to rope-in her boyfriend Zack (Tom Ciorciari) and her concerned roommate Sandra (Susan Chase). 


This cheap splatter film is poorly made but the director's love of horror bleeds through with a trippy homegrown aesthetic that I can get behind, the low-budget gore is actually quite astounding once it gets going, but the film starts of deathly slow with a lot of boring filler-scenes. Apparently the director was contracted by the distributor to turn in a ninety-minute version of the movie, and it's padded with numerous scenes of people walking and/or driving around and close-ups of eyeballs!  However, once we get to the final third it ramps up nicely with scene after scene of exquisitely cheap practical effects. We get all sort of gooey stuff, decapitations, gouged eyes, cadavers in various states of dissection, nightmare zombie dreams, and a doll stuffed guts, all sorts of nasty fun to be had, including a memorable scene of a soul-tangled corpse with a wildly flicking tongue strangling someone with it's own bloody intestines, and a scenes of a disembodied brain that looks like Gary the snail from Spongebob Squarepants with two eyes attached via optic nerves! It's all very cheaply done but I have to give it up to the folks who made it for going all-out with the imaginative gore in the final stretch, it was breathtaking in in a lo-fi sort of way. 


Now the acting throughout is bad, real bad, the cast is made-up of friends and relatives of the director doing their best but somehow still coming up short in the traditional sense. Pierre Devaux as the mad doc turns in the best of the bunch, and by best I mean absolutely unhinged, he goes for it with a lot of heart and overshoots it by a mile with an enthusiastic bit of scene-chewing fun, he's out of his mind high on his own mind-bending drug, it's endlessly entertaining. The Soultangler (1987) is a trippy bit of homegrown horror cinema, the line "Re-Animator was shot on Long Island for the price of a used car" from the synopsis really captures the essence of the film, if you're the sort of demented horror fan who craves micro-budget gore and cheap backyard production values you could do a lot worse than The Soultangler, a film that wears it's heart on it's sleeve and is dripping with cheap atmosphere and plenty of blood-colored Karo syrup.  

Audio/Video: The Soultangler arrives on DVD from AGFA/Bleeding Skull, having previously been issued as a limited edition VHS release from Bleeding Skull/Mondo a few years back. The gory lo-fi nightmare was originally shot on 16mm film but transferred to and then edited on 1" videotape, as the original 16mm elements are no longer in existence the film was transferred from the original 1" master tapes for this release. It has a bit of that lo-fi shot-on-video sheen, but considering the source the colors look fairly good and the details are relatively, well, not crisp, but decent enough you know? The image looks a bit soft and the darker scenes can be a bit murky murky but this is pretty impressive looking all things considered, it certainly looks better than the average SOV oddity, but you still get some video scan lines showing up from time to time. 

Audio comes by way of an English Dolby Digital mono, it's on par with the visuals and maybe a bit worse with poorly recorded natural audio, strangely overpowering overdubbing, and startling loud music cues in place of where some dialogue should be. There's also a wonderfully cheesy 80's synth score, there are no subtitles are included on this release. 




Onto the extras we get an audio commentary from director Bishop who is very forthcoming about the quality of the film, it's equal parts praise and a realistic awareness of how bad it is, it's a good listen detailing what it was like making this splatterific cheapie with friends and family in Long Island in '85. 

Also included is a shorter 62-minute director's cut of the film which trims a lot of the slower parts - which were only added at the insistence of the distributor who demanded a longer cut, but for the record I prefer the longer cut as it has a strange otherworldly quality about it, it's hypnotic in a stoner watching a bad horror movie sort of way. 



The disc also include 12-min of behind-the-scenes footage shot on a camcorder during filming, it's fun peak behind the curtain of the film, it made me wish me and my like-minded friends would have made a movie back in the 80's.  There are also trailers for The Soultangler and Bishow's previous film Dead of Night Town, a music video for Long Island rockers Hypnolovewheel's "Wow" directed by Bishow, plus a 12-page Blu-ray sized booklet with liner notes/conversation with Bishow penned by Bleeding Skull's Zack Carlson. The single-disc release comes housed in a clear DVD case with a sleeve of reversible artwork, the a-side featuring a gore-a-dellic illustration from Matt “Putrid” Carr, the b-side looking like a VHS-style image, it very well could have been the original artwork for the movie, not sure but I prefer the a-side 

Special Features:
- Transferred from the original 1” master tapes!
- Unseen 62 minute alternate director’s cut!
- Commentary track with director Pat Bishow!
- Behind the scenes footage!(12 min) 
- THE SOULTANGLER Trailer (1 min)
- DEAD OF NIGHT TOWN! Trailer (1 min) 
- Music video for “Wow” by Hypnolovewheel! (3 min) 
- Liner notes by Bleeding Skull’s Zack Carlson!
- Reversible cover art!


Fans of homegrown horror and lo-fi gore need The Soultangler (1987) in their lives, while it's not a shot-on-video film it certainly fits right in with the strange 80's backyard productions you'd associate with SOV, plus we gets loads of gooey and gross special effects which are totally fun. You can tell the director was in love with the film Re-Animator, it doesn't rip it off but he's definitely riffing on the whole madman with a strange serum idea, and I had a blast with it, but at the same time I could see more mainstream horror fans thinking this was one of the worst movies they've ever seen, they're not wrong, they're just not demented enough to love it the way I do. 












 SCREENSHOTS IN THIS REVIEW WERE 

SOURCED BY ME FROM THE AGFA DVD

Tuesday, February 20, 2018

Alamo Drafthouse's American Genre Film Archive (AGFA) and Bleeding Skull! announce 'THE SOULTANGLER' (1987) Coming to DVD on March 13th


THE SOULTANGLER (1987)

Label: AGFA/Bleeding Skull
Release Date: March 13th 2018 
Rating: Unrated 
Region Code: Region FREE
Audio: English Dolby Digital 
Video: Fullframe (1.33:1)
Director: Pat Bishow
Cast:  Bill Bernhard, Jennifer Brown, Tom Ciorciari |

Alamo Drafthouse's American Genre Film Archive, the largest non-profit genre film archive in the world, and Bleeding Skull!, the site and series of books dedicated to celebrating ultra-obscure genre movies, are excited to announce a March 13, 2018 release date for THE SOULTANGLER on DVD. After a successful run of limited edition releases with Mondo, the art boutique of the Alamo Drafthouse Cinema, Bleeding Skull! has teamed up with AGFA to share wild horror and exploitation movies from the 1980s and 1990s with the world. THE SOULTANGLER is the first release in this ongoing partnership.

If RE-ANIMATOR was shot on Long Island for the price of a used car, THE SOULTANGLER would be the result. Insane genius Dr. Anton Lupesky has developed a drug that allows users to inhabit corpses and transform into rabid maniacs! Can reporter Kim Castle stop the carnage and save our species from annihilation?! This epic of outsider filmmaking is a dream-like wasteland that's punctuated with severed heads, evil beasties, and hooded slashers. Filmed in basements and garages, director Pat Bishow's earnest devotion to storytelling in the spirit of H.P. Lovecraft elevates THE SOULTANGLER beyond kitsch and into heavenly territory.

NOTICE: THE SOULTANGLER was shot on 16mm film, but edited on video. This transfer is taken from the original 1" master video tapes.


"Before now, THE SOULTANGLER was only ever released on VHS," said AGFA director Joe Ziemba. "We're so excited to bring this mind-bending movie to a wider audience, and it's a perfect title to kick off the new collaboration between AGFA and Bleeding Skull."

Special features:
- Transferred from the original 1" master tapes!
- Unseen 62 minute alternate director's cut!
- Commentary track with director Pat Bishow!
- Behind the scenes footage!
- Trailers for THE SOULTANGLER and DEAD OF NIGHT TOWN!
- Music video for "Wow" by Hypnolovewheel!
- Liner notes by Bleeding Skull's Zack Carlson!
- Reversible cover art!

Pre-order THE SOULTANGLER here.

About AGFA
The American Genre Film Archive (AGFA) is a 501(c)(3) non-profit located in Austin, Texas. AGFA exists to preserve the legacy of genre movies through collection, conservation, and distribution. Formed in 2009, AGFA focuses on outlaw exploitation movies that were produced from the 1960s through the 2000s. From manic hicksploitation epics to bloodthirsty shoestring goreblasts, each title in AGFA's collection is a celebration of culture that should never be forgotten. Housing over six thousand 35mm film prints and trailers, our non-profit archive counts among its board members and advisors Alamo Drafthouse founders Tim and Karrie League, filmmakers Paul Thomas Anderson, Anna Biller, Frank Henenlotter, and Nicolas Winding Refn, musician RZA, exploitation film savior Lisa Petrucci, and genre film superheroes Zack Carlson, Kier-La Janisse, and Lars Nilsen.