Showing posts with label Arrow Films. Show all posts
Showing posts with label Arrow Films. Show all posts

Monday, October 27, 2014

The Naked City On UK BD/DVD 10/27 from ARROW VIDEO

 

BD/DVD COMBO RELEASE – October 27th 2014

THERE ARE EIGHT MILLION STORIES IN THE NAKED CITY. THIS IS ONE OF THEM

Arrow Films’ Arrow Academy label is proud to announce the release of Jules Dassin’s classic film noir The Naked City, making its worldwide Blu-ray debut on 27th October. The Naked City is the latest Dassin title to join the Arrow Academy collection following Rififi and Brute Force.

The Naked City, shot partially in documentary style, was filmed on location on the streets of New York City and features landmarks such as the Williamsburg Bridge and the Whitehall Building. Winning two Academy Awards, one for cinematography and another for film editing, the film has more recently gone one to be selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
Its visual style was inspired by New York photographer Weegee, who published a book of photographs of New York life entitled Naked City (1945). Weegee was hired as a visual consultant on the film, and is credited with helping to craft its imagery.
Both Screenwriter Albert Maltz and Dassin were to subsequently fall foul of the notorious House Un-American Activities and Dassin, himself, was forced to leave the US. It’s ironic that having so clearly proved himself capable of telling us of the eight million stories of his American home, he was forced to leave that very place having only told one.
 This deluxe edition will include an all-new high definition transfer of the film, alongside a wealth of extras including New York and The Naked City a newly-filmed look at New York's relationship with the moving image by Amy Taubin, a 40-minute interview with Jules Dassin at LACMA with Bruce Goldstein in which the director discusses his career and The Hollywood Ten and also the 1950 documentary short on the ten filmmakers blacklisted from Hollywood for their refusal to name names before the House of Un-American Activities, including The Naked City’s screenwriter, Albert Maltz.

The disc will also feature the striking artwork by Vladimir Zimakov and an extensive booklet, including essays on the main feature by Alastair Phillips (co-author of the BFI Screen Guide, 100 Film Noirs), on Oscar-winning cinematographer by Barry Salt of the London Film School, and on the spin-off TV series by Sergio Angelini.

Synopsis
Jules Dassin followed up his explosive prison picture Brute Force with another slice of hard-boiled crime fiction. Within a decade he’d make Thieves’ Highway, Night and the City and Rififi, thus confirming Dassin’s position as one of the all-time-great film noir directors.

New York, the middle of summer. A blonde ex-model is murdered in her bathtub and detectives Muldoon (Barry Fitzgerald) and Halloran (Don Taylor) are assigned to the case. Their investigation will lead them through the entire city, from Park Avenue to the Lower East Side, culminating in a thrilling climax atop the Williamsburg Bridge.

Inspired by the work of the infamous tabloid photographer Weegee, The Naked City was the first major Hollywood production to be shot entirely on the streets of New York, making use of more than a hundred authentic locations. Both its editing and its cinematographer would earn Academy Awards, while the film itself would be recognised by the Library of Congress as one of American cinema’s most significant motion pictures.

This deluxe package will be full of special features and bonus material including:

·         New high definition digital transfer of the film
·         High Definition Blu-ray (1080p) and Standard Definition DVD presentation
·         Original mono 1.0 audio (uncompressed PCM on the Blu-ray)
·         Optional English subtitles for the deaf and hearing impaired
·         Audio commentary by screenwriter Malvin Wald
·         Jules Dassin at LACMA – a 40-minute interview with Bruce Goldstein in which the director discusses his career
·         The Hollywood Ten – a 1950 documentary short on the ten filmmakers blacklisted from Hollywood for their refusal to name names before the House of Un-American Activities, includingThe Naked City’s screenwriter, Albert Maltz
·         New York and The Naked City: A personalised history of NY on the big screen by critic Amy Taubin
·         Gallery of production stills by infamous photojournalist Weegee
·         Theatrical trailer
·         Reversible sleeve featuring the original poster and newly commissioned artwork by Vladimir Zimakov
·         Collector’s booklet containing new writing on the film by Alastair Phillips, Barry Salt and Sergio Angelini, illustrated with original production stills

SPECS:

Region: 
B/2
Rating: 
PG
Cat No: 
FCD1006
Duration: 
96 min
Language:
English SDH Subtitles
Subtitles: 
English
Aspect Ratio: 
1.33:1
Audio: 
1.0
Colour: 

Black & White
Arrow Video Official Channels

Tuesday, April 15, 2014

Blu-ray Review: THE KILLERS (1964)

THE KILLERS (1964) 
Label: Arrow Films
Region Code: B
Rating: 18 Certificate
Duration: 95 Minutes
Audio: English 2.0 LPCM Mono with Optional English  SDH Subtitles 
Video: 1080p  Fullscreen (1.33:1) and Widescreen (1.85:1)
Cast: Lee Marvin, Angie Dickinson, John Cassavetes, Clu Gulager, Claude Akins, Norman Fell, Ronald Reagan
Director: Don Siegel


A pair of hired guns walk into a school for the deaf and blind and rough-up the receptionist before walking into a classroom and gunning down the shop teacher Johnny North (John Cassavetes, Rosemary's Baby) in a spray of gunfire. Afterward the hitmen Charlie (Lee Marvin, The Big Red One) Lee (Clu Gulager, Vic) reflect on the lucrative job and begin to wonder about the peculiarities of the hit. Why did it pay so well and why did Johnny not even attempt to run - it just seems a bit odd.  The assassins decide there must be more to it and set about to uncover what turns out to be a twisted web deceit involving mob boss Jack Browning (Ronald Reagan) and his double-crossing dame Sheila (Angie Dickinson, Dressed To Kill) plus a million dollars in cold cash from a heist.

Directed by Don Siegel (Invasion of the Body Snatchers) The Killers is a gritty noir-styled thriller starring the bad-ass Lee Marvin as a stone-cold assassin joined by his younger partner played by b-movie legend Clu Gulager (Return of the Living Dead). Marvin is his usual tough as nails self while Gulager is fun as the health-obsessed scene stealer. They're a great duo and watching them it's not hard to image Quentin Tarantino watching this and dreaming up Vincent and Jules from Pulp Fiction. It was a blast to see ex-president Ronald Reagan as a women-slapping baddie here in his last onscreen role before entering politics and Angie Dickinson as his double-crossing dame is pretty cute. Add John Cassevetes to any production and he just classes it up, we get nothing less with race car driver Johnny North, a skilled driver who falls for the wrong girl and winds-up in an awful mess. 


Aside from the leads we have a few side characters along for the ride, there's Johnny's longtime mechanic (Claude Akins, Rio Bravo) and mobster Mickey Farmer played by character actor Norman Fell (Bullitt)  whom I mostly associate as Mr. Roper from TV sitcom Three's Company. Mickey is memorably interrogated by the pair of assassins while taking a sphitz at the health club. A great watch with a strong cast of characters and performers, hard to believe this was filmed as a TV movie, some of the violence is pretty shocking even today. 

Blu-ray: The Killers (1964) looks gorgeous in 1080 from Arrow Video with a new HD transfer courtesy of Universal Pictures. We have the option of viewing the film in it's original TV aspect ratio or the cinematic widescreen (1.85:1) option. The television version offers more image on both the top and bottom as it was cropped for projection in the theaters, originally filmed as the first-ever made-for-TV film it eventually ended up in cinema when it proved to be too violent for prime time. A nice layer of film grain with some fine texturing, the colors are strong and black levels are decent. We can see some very minor print damage but this is a very pleasant HD presentation. 



Audio chores are handled by an English 2.0 LPCM Mono track with Optional English  SDH Subtitles. The mono presentation is pretty flat but the very cool score provided by Henry Mancini and John Williams sounds just great, a wonderful brassy score with a lot of bongo drums. 

A nice selection of extras from Arrow including an interview with New York Times bestselling writer Marc Eliot, author of ‘Ronald Reagan: The Hollywood Years who  talks about Reagan the actor and his place in Hollywood and how the ex-President felt about playing a baddie in his last onscreen role. I thoroughly enjoyed the interview with Dwayne Epstein, author of ‘Lee Marvin: Point Blank’ who speaks about  Marvin's time on set and his place in Hollywood during the filming plus some great anecdotes about pranks he pulled and his consumption of vodka on set. The last of a trio of video extras is a vintage interview with the director from 1984 discussing his style of film making. Lastly we have a 40 pg. booklet, reversible artwork and a gallery of rare behind-the-scenes images. 

A nice set of interviews that give some interesting insights into the making of the film - surprised there wasn't an interview with co-star Clu Gulager or Angie Dickinson - would have greatly appreciated input from actors who are still alive and kicking.This is a region-B locked Blu-ray. 

Special Features:
- Reagan Kills: interview with New York Times bestselling writer Marc Eliot, author of ‘Ronald Reagan: The Hollywood Years’ (20:45)
- Screen Killer: interview with Dwayne Epstein, author of ‘Lee Marvin: Point Blank’ (30:45)
- Archive interview with Don Siegel (1984) from the French television series ‘Cinéma Cinémas’ (10:36)
- Gallery of rare behind-the-scenes images
- Reversible sleeve featuring the original poster and new artwork by Nathanael Marsh
- 40 pg. Booklet featuring new writing on the film by Mike Sutton, extracts from Don Siegel’s autobiography and contemporary reviews, illustrated with original lobby cards


Verdict: The Killers (1964) is a top notch noir-styled thriller with a great cast that moves along

swiftly with some hard-boiled crime elements, plenty of double-crossing and great shocker of an ending. Worth a watch and glad to finally get this one under my belt, an unexpected treat. 3.5 Outta 5