THE CURSE (1987) / CURSE II: THE BITE (1989) (Blu-ray Review)

THE CURSE (1987) / CURSE II: THE BITE (1989) 

THE CURSE (1987) 

Label: Scream Factory
Region Code: A
Duration: 90 Minutes
Rating: R
Audio: English DTS-HD MA Stereo 2.0 with Optional English Subtitles
Video: 1080p HD Widescreen (2.35:1)
Director: David Keith 
Cast: Wil Wheaton, Amy Wheaton, Claude Akins, Cooper Huckabee, John Schneider, Malcolm Danare

Synopsis: Life on the family dairy farm is difficult for young Zach Hayes (Wil Wheaton, Stand by Me): hard work, long hours and the normal family squabbles. But after an ice-blue meteor plunges through the midnight sky and lands on their property, it gets worse. Zach and the local doctor discover that something inside the meteor is infecting every living thing on the farm. Fruits, which look perfect on the outside are teeming with worms… and Zach's family is beginning to change… hideously! This shocker is directed by actor David Keith (Firestarter, White of the Eye) and co-stars Claude Akins (Tentacles), Malcolm Danare (Christine), Cooper Huckabee (The Funhouse) and John Schneider (Smallville).

The Curse (1987) is an '80s adaptation of H. P. Lovecraft's The Colour Out of Space directed by actor David Keith (White of the Eye), the movie takes place on a small farm in a rural area of Tennesee. When a white-hot meteor lands on a farm it melts away, leeching its cosmic properties into the ground water supply and causing all sorts of havoc for the residents of the small community.  Actor Claude Akins (Rio Bravo) plays farmer Nathan Crane, a strict religious-nut whose affection-starved wife Frances (Kathleen Jordon Gregory) is a horny adulterer. His oldest son Cyrus (Malcolm Danare) is a mean bully, and his youngest son Zack (Wil Wheaton) seems to be the only decent one among the bunch, and the subject of Cyrus's relentless bullying.

What we have here is an environmental horror movie, just replace the 80's standard culprit of toxic waste with the ill effects of a meteor from outer space and you have a pretty good idea what you might be ins tore for here. At first the contaminated ground water leads to a bumper crop of fruits and veggies for farmer Crane, which is good, as they're on the verge losing the farm to the bank. This unexpected crop would seem to indicate his financial woes have come to an end, but while the contaminated crops looking robust and tasty, they are flavorless and rotten on the inside, the delicious red apples from the orchard are loaded with meal worms. 

As the Crane's drink the contaminated water they are affected physically and mentally by it, with the father becoming more abusive, while mother Crane begins to lose her mind, with boils appearing on her face. Young Zach notices the water tastes funny early on and refuses to drink it, further upsetting his father who is already stressed with the future of the farm and his cheating wife on his mind. The animals in the area are also affected by the contaminated water, which gives the movie a nice when-animals-attack flavor at times. 

There's also a thread about a crooked realtor named Charlie Davidson (Steve Carlisle) who is in league with a local doctor named Alan Forbes (Cooper Huckabee), both are aware of a plan by the state to build a dam in the area, together they set about buying as much property as they can in the area to profit from the dam-building project, with one of the sole holdouts being Nathan Crane who steadfastly refuses to sell his farm. A representative from the Tennessee Valley Authority (TVA) is played by Tom Schenider of Smallville, who I did not recognize at first, those eye glasses really nerd him up a bit, it worked for Superman, too. He plays the hero of the movie, and is one of the first to recognize that something has contaminated the water supply, and to notice the ill effects on the community. 

The movie was directed by actor David Keith who you might remember from starring roles in Firestarter and white of the Eye, and this is the first of just three movies he directed. This is not a great movie, not straight-up awful but on the lower end of good. The movie was produced by a man who knew a thing or two about b-movies, Ovidio G. Assonitis directed Tentacles and The Exorcist rip-off Beyond the Door, according to legend Eurocult icon Lucio Fulci shot some second unit on the movie and may have created some of the optical effects in the movie, not sure of the validity of that info, but some of the special effects are pretty gross, rotting fruit and vegetables has always grossed me out. As a teen I worked in the produce department of a grocery store, one day I was restocking oranges when I put my finger through the rotten flesh of a green-blue molded orange, it was so gross. I'd rather handle the bloodied remains of fresh roadkill, but maybe I am just weird that way. Anyway, a scene of a maggot-spewing cow corpse feels like pure Lucio Fulci. 

The Curse was a decent watch, but not a great one, the story is overly convoluted and the pay-off is not spectacular. half the fun for me was spotting actors like a young Wil Wheaton from Star Trek: The Next Generation, Clause Akins from Rio Bravo, and John Schenider from The Dukes of Hazard - none of whom do great work in my opinion, but it was fun to see Akins play such a mean-spirited cuss. As adaptations of the source material go, I don't think we;ve seen a great one yet, but I do have a fondness for the technicolor horror of Die Monster Die (1969) starring Boris Karloff, which strays quite a bit from the source, but I love it. 

CURSE II: THE BITE (1989) 

Label: Scream Factory
Region Code: A
Duration: 97 Minutes
Rating: R
Audio: English DTS-HD MA Stereo 2.0 with Optional English Subtitles
Video: 1080p HD Widescreen (2.35:1) 
Director: Fred Goodwin 
Cast: Bo Svenson, Sydney Lassick, J. Eddie Peck, Jamie Farr, Jill Schoelen, Shiri Appleby, Savina Gersak

Synopsis: Two young lovers, Clark (J. Eddie Peck, Kyle XY) and Lisa (Jill Schoelen, The Stepfather), traveling through the desert unwittingly pass through an abandoned nuclear test site which has become a breeding ground for deadly mutant killer snakes. When Clark is bitten, he undergoes a grotesque transformation into a hideous snake monster! This chiller filled with slithering horror also stars Jamie Farr (M*A*S*H), Shiri Appleby (Roswell) and Bo Svenson (Walking Tall Part II).

The second half of this double-feature is Curse II: The Bite which came a few years later and has nothing at all to do with the original movie, this is a pure cash-in retitling. This one concerns a young couple driving across country to California, we have Clark (J. Eddie Peck) and his girlfriend Lisa (Jill Schoelen, The Stepfather), a nice '80s couple, and Schoelen is easy on the eyes. 

While crossing the desert the couple encounter a massive horde of snakes covering the road, the couple drive straight through it, but along along the way a mutated snake slithers into the back of their Jeep, where it later bites Clark on the hand. They seek treatment from a sketchy doctor at a nearby motel, the doctor is played by none other than Jamie Farr, Clinger from M.A.S.H.! They bandage up the hand and continue their journey West, but Clark begins to become more aggressive, and it turns out that what is happening is that the snake bite has caused his hand to tun into a snake, which sounds cheesy ...and it is, but it's not played for laughs, this is serious hand-snake stuff.

There's a surprising amount of decent gore in the movie, a lot of it done by scream Mad George, the diabolical make-up effects genius behind Brian Yuzna's Bride of Re-Animator and Society. First we have a mutated dog who has been bitten by a snake, which is grotesque, I was a bit upset that this scene was overly dark, it was hard to make it out. Later scenes of Clark's hand attacking people against his will are better resolved, the final sequences of him chasing Lisa trough a construction site are damn good, fans of icky body horror are in for quite a treat. 

There's also a fun cast of minor character that make this a fun watch, we have the aforementioned Jamie Farr, plus Sydney Lassick from The Unseen, I love that guy, always playing sightly fey weirdos. Bo Svenson also makes an appearance as the sheriff.  There's also a strange thread having to do with a cast of shady trucker characters, including the horny Big Flo played by Marianne Muellerleile. 

Audio/Video: The Curse and Curse II: The Bite arrive on Blu-ray from Scream Factory in their original scope aspect ratio (2.35:1) looking good with some nicely managed film grain. Colors are nicely robust, and the black levels are adequate for the most part. Scream Factory have indicated that the only source for the HD transfer fr Curse II was an actual film print, and while it does fall short in a few areas,all things considered the A/V presentation met my expectations. I wasn't expecting a collector's edition A/V presentation for either of these movie to be honest. Both films sport an English language DTS-HD MA Stereo 2.0 audio tracks with optional English subtitles. Not the most dynamic audio presentation for either, but they are clean, crisp and nicely balanced.  The only extras on the set is a 2-minute theatrical trailer for The Curse presented in standard definition. 

What we have here is another fun b-movie double-feature from the '80s that is sure to please fans of either movie, though I wish we could have had a few interviews or commentaries from any of the major participants. Some trivia for you, this is not the first of the Curse films to be released on Blu-ray from Scream Factory, Director David Schmoeller's Catacombs (1988) holds that distinction, when that film was released on home video in the '90s it was marketed as Curse IV: The Ultimate Sacrifice (1988), which like the other Curse entries have absolutely nothing to do with the original film. 

 

TENTACLES / REPTILICUS DOUBLE FEATURE

TENTACLES / REPTILICUS DOUBLE FEATURE 

Label: Scream Factory
Rating: PG
Audio: English DTS-HD MA Stereo, English DTS-HD MA Mono
Video: 1080p HD Widescreen (2.35:1), 1080p HD Widescreen (1.66:1)
Director: Ovidio G. Assonitis, Sidney W. Pink
Cast: John Huston, Claude Akins, Henry Fonda, Bo Hopkins, Shelley Winters, Delia Boccardo, Ann Smyrner, Bent Mejding, Asbjørn Andersen, Carl Ottosen, Mimi Heinrich, Povl Wøldike

TENTACLES (1976)

The first half of this schlock double feature is a Jaws rip-off from Italian director Ovidio G. Assonitis who also brought us the Exorcist knock-off Beyond the Door just a few years earlier in addition to writing the truly insane movie The Visitor (1979). We have a giant tentacled threat - an octopus - threatening a oceanfront resort community, the terror begins with the snatching a baby right out of a stroller by the creature, who comes right up to the shoreline and reaches at least ten-foot out of the water to snatch that kid. It's a great start, I am not sure why but I love it when horror films kill the kids, maybe I am demented. I just love the way it says to the viewer that anything could happen after this, we just killed a kid! 

As Jaw rip-offs go this one doesn't really ape the original all that much to be honest, but is clearly inspired by the summer film to end all summer films without a doubt, and what a cast! We have John Huston, Shelley Winters, Bo Hopkins, and Henry Fonda rounding out the cast, but Huston, Fonda and Winters are just barely in the movie, they're pretty wasted. Fonda is a millionaire building tunnel under the water, while Huston is a reporter investigating the construction and rash of deaths that seem to be related, and Bo Hopkins -- who gets plenty of screen time -- appears as a marine expert with a pair of trained killer whales at his disposal. 

Unfortunately this one does not go for a bunch of cheap thrills and is pretty restrained for the most part, the attacks by the octopus are pretty tame and mostly happen just off screen, my favorite being a tourist who is snatched by the octopus while swimming in a cove, his carcass carried off by the octopus with the feet comically protruding above the surface of the water while his wife screams in horror, unfortunately we don't get more goofiness of this nature but there are still plenty of cheap effects to enjoy, complete with stock footage, poor practical effects and the prerequisite use of miniature boats, which never looks good.  

Bo Hopkins is some sort of killer whale-whisperer who talks the marine mammals into battling the murderous octopus at the end of the film, but not before the octopus interrupts a catamaran race endangering the youth to the horror of parents who can only stand on the beach and scream helplessly. 

It's not a great movie but it is an entertaining creature feature with all the ecological warnings you might expect from a film of this type, but unfortunately it never goes full schlock and is a bit overlong at 100 minutes. Lovers of creature features will most likely enjoy this one though, with a strangely star-studded cast, a weird and wonderful score, and a pair of killer whales fighting a giant octopus are the highlights of this one.  

REPTILICUS (1957) 

The b-side to this b-movie double-feature is a very schlocky creature movie that is straight-up awful -- even by bad movie standards -- but it might be sort of entertaining to you if you watched a lot of the monster movie matinees on the weekends as a kid, which I did and even then I found this to be a bit of a slog to get through at first, and then I just embraced how awful it was and went with it. 

The simple premise goes that copper miners have unearthed a strange chunk of flesh from deep beneath the surface of the earth after it got caught up on a drill bit. The chunk of meat is brought to a museum for study but once it thaws it begins to regenerate, eventually evolving into a 40 foot monster which sets off on a rampage destroying the surrounding area and spewing a strange green substance from it's toothsome mouth.

I love a cheap monster movie but this one is REALLY CHEAP, chock full of awful puppetry, forced perspective and bad miniature models of cities and vehicles being destroyed by the truly goofy looking creature. On top of the cheap special effects you will have to endure some awful acting and eye-rolling dialogue which is further enhanced by the English-dubbing, this is a Danish movie that's been dubbed, for that added level of bad movie magic. 

Tentacles is a pretty decent watch and a lot of fun, such a strange (and wasted) cast, a weird score and some Orca on Octopus violence that you won't son forget. The b-side to this c-grade double feature is Reptilicus, a truly awful monster movie, and while some might find some enjoyment in just how inept it can be I think you would have to be a hardcore bad movie connoisseur to suffer through it. 2/5

Blu-ray Review: THE KILLERS (1964)

THE KILLERS (1964) 

Label: Arrow Films

Region Code: B
Rating: 18 Certificate
Duration: 95 Minutes
Audio: English 2.0 LPCM Mono with Optional English  SDH Subtitles 
Video: 1080p  Fullscreen (1.33:1) and Widescreen (1.85:1)
Cast: Lee Marvin, Angie Dickinson, John Cassavetes, Clu Gulager, Claude Akins, Norman Fell, Ronald Reagan
Director: Don Siegel

A pair of hired guns walk into a school for the deaf and blind and rough-up the receptionist before walking into a classroom and gunning down the shop teacher Johnny North (John Cassavetes, Rosemary's Baby) in a spray of gunfire. Afterward the hitmen Charlie (Lee Marvin, The Big Red One) Lee (Clu Gulager, Vic) reflect on the lucrative job and begin to wonder about the peculiarities of the hit. Why did it pay so well and why did Johnny not even attempt to run - it just seems a bit odd.  The assassins decide there must be more to it and set about to uncover what turns out to be a twisted web deceit involving mob boss Jack Browning (Ronald Reagan) and his double-crossing dame Sheila (Angie Dickinson, Dressed To Kill) plus a million dollars in cold cash from a heist.

Directed by Don Siegel (Invasion of the Body Snatchers) The Killers is a gritty noir-styled thriller starring the bad-ass Lee Marvin as a stone-cold assassin joined by his younger partner played by b-movie legend Clu Gulager (Return of the Living Dead). Marvin is his usual tough as nails self while Gulager is fun as the health-obsessed scene stealer. They're a great duo and watching them it's not hard to image Quentin Tarantino watching this and dreaming up Vincent and Jules from Pulp Fiction. It was a blast to see ex-president Ronald Reagan as a women-slapping baddie here in his last onscreen role before entering politics and Angie Dickinson as his double-crossing dame is pretty cute. Add John Cassevetes to any production and he just classes it up, we get nothing less with race car driver Johnny North, a skilled driver who falls for the wrong girl and winds-up in an awful mess. 

Aside from the leads we have a few side characters along for the ride, there's Johnny's longtime mechanic (Claude Akins, Rio Bravo) and mobster Mickey Farmer played by character actor Norman Fell (Bullitt)  whom I mostly associate as Mr. Roper from TV sitcom Three's Company. Mickey is memorably interrogated by the pair of assassins while taking a sphitz at the health club. A great watch with a strong cast of characters and performers, hard to believe this was filmed as a TV movie, some of the violence is pretty shocking even today. 

Blu-ray: The Killers (1964) looks gorgeous in 1080 from Arrow Video with a new HD transfer courtesy of Universal Pictures. We have the option of viewing the film in it's original TV aspect ratio or the cinematic widescreen (1.85:1) option. The television version offers more image on both the top and bottom as it was cropped for projection in the theaters, originally filmed as the first-ever made-for-TV film it eventually ended up in cinema when it proved to be too violent for prime time. A nice layer of film grain with some fine texturing, the colors are strong and black levels are decent. We can see some very minor print damage but this is a very pleasant HD presentation. 

Audio chores are handled by an English 2.0 LPCM Mono track with Optional English  SDH Subtitles. The mono presentation is pretty flat but the very cool score provided by Henry Mancini and John Williams sounds just great, a wonderful brassy score with a lot of bongo drums. 

A nice selection of extras from Arrow including an interview with New York Times bestselling writer Marc Eliot, author of ‘Ronald Reagan: The Hollywood Years who  talks about Reagan the actor and his place in Hollywood and how the ex-President felt about playing a baddie in his last onscreen role. I thoroughly enjoyed the interview with Dwayne Epstein, author of ‘Lee Marvin: Point Blank’ who speaks about  Marvin's time on set and his place in Hollywood during the filming plus some great anecdotes about pranks he pulled and his consumption of vodka on set. The last of a trio of video extras is a vintage interview with the director from 1984 discussing his style of film making. Lastly we have a 40 pg. booklet, reversible artwork and a gallery of rare behind-the-scenes images. 

A nice set of interviews that give some interesting insights into the making of the film - surprised there wasn't an interview with co-star Clu Gulager or Angie Dickinson - would have greatly appreciated input from actors who are still alive and kicking.This is a region-B locked Blu-ray. 

Special Features:
- Reagan Kills: interview with New York Times bestselling writer Marc Eliot, author of ‘Ronald Reagan: The Hollywood Years’ (20:45)
- Screen Killer: interview with Dwayne Epstein, author of ‘Lee Marvin: Point Blank’ (30:45)
- Archive interview with Don Siegel (1984) from the French television series ‘Cinéma Cinémas’ (10:36)
- Gallery of rare behind-the-scenes images
- Reversible sleeve featuring the original poster and new artwork by Nathanael Marsh
- 40 pg. Booklet featuring new writing on the film by Mike Sutton, extracts from Don Siegel’s autobiography and contemporary reviews, illustrated with original lobby cards

Verdict: The Killers (1964) is a top notch noir-styled thriller with a great cast that moves along

swiftly with some hard-boiled crime elements, plenty of double-crossing and great shocker of an ending. Worth a watch and glad to finally get this one under my belt, an unexpected treat. 3.5 Outta 5