Showing posts with label Jill Schoelen. Show all posts
Showing posts with label Jill Schoelen. Show all posts

Thursday, October 11, 2018

POPCORN (1991) (88 Films Blu-ray Review)

POPCORN (1991) 
Label: 88 Films
Region Code: Region-FREE
Rating: Cert. 15
Duration: 91 Minutes
Audio: English DTS-HD MA 7.1 Surround, Original DTS-HD MA 2.0 Stereo with Optional English Subtitles
Video: 1080p HD Widescreen (1.78:1) 
Director: Mark Herrier
Cast: Jill Schoelen, Dee Wallace, Ray Walston, Malcolm Danare, Tom Villard



Synopsis: Canada took the slasher movie to the next level when the country produced the trendsetting BLACK CHRISTMAS in 1974, at the height of what has become known as 'Canuxploitation'. Later shockers from the nation of moose, Mounties and maple syrup included the equally effective MY BLOODY VALENTINE (1981) and HAPPY BIRTHDAY TO ME (1981) but by the turn of the eighties the terror-trend was drying up... at least until the plasma-spilling shocks of POPCORN in 1991! This is Canadian slice and dice action par excellence - and returns to the good old days of splashed blood, high body counts and a mysterious killer as a young female screenwriter (played by the great Scream Queen Jill Schoelen from THE STEPFATHER and CUTTING CLASS) suffers nightmares of a strange figure who may well be breaking into the 'reel' world... Postmodern and provocative, and featuring a genre ensemble cast that includes Dee Wallace Stone (THE HOWLING) and Kelly Jo Minter (THE PEOPLE UNDER THE STAIRS), POPCORN has maintained a following of macabre movie fans for decades since its release! 



In the 90's humor infused slasher Popcorn (1991) we have a group of college students who belong to a film club, it is decided that they need to have an event to raise awareness about the club on campus, while brainstorming ideas student Toby D'Amato (Tom Villard, One Crazy Summer) pitches an all-nite horror-thon at the abandoned Dreamland movie theater. The pitch goes over well and the students and their teacher, Professor Davis (Tony Roberts, Amityville 3-D), give the dilapidated cinema a quick makeover with the help of Dr. M (Ray Walston, Fast Times at Ridgemont High), the eccentric owner of a local film memorabilia shop. It turns out that the cinema has a tragic past, years earlier it screened the film 'The Possessor' by avant-garde director Lanyard Gates, who was the leader of an acid-freak film cult. During the screening Lanyard performed the last act of the film live on stage, murdering his family in front of a live audience before sending the theater up in flames, apparently dying himself in the inferno.



Current day the film students plan to screen three movies, all of which are in the William Castle gimmick-driven vein of schlock cinema. We have 50's era atom-age monster movie 'The Mosquito' in Project-O-Vision, Tohoe-esque Asian import 'The Stench' in odor-riffic Aroma-Rama, and the sci-fi thriller 'The Amazing Electrified Man' in Shock-O-Scope! The gags for each film include a giant mosquito that will buzz the audience from above, pumping green stinky fog into the cinema and attaching electric-buzzers to he bottom of the theater seats - these are all plays on real-life William Castle gimmicks, the shock-seats are straight out of The Tingler (1959)!



While prepping the theater they find a short film reel containing Gate's film 'The Posessor', while watching it student Maggie Butler (Jill Schoelen, The Phantom of the Opera) realizes that the scenes from the film are straight out of her nightmares, becoming obsessed with finding out why she's dreaming about this murderer's movie. The night of the horror-thon the audience shows up in force in the best sort of midnight movie way, the moviegoers are rowdy and in full costume, but during the screening the film students are being killed off one by one by a mysterious face-changing stranger.



We have a fun cast of college teens, who for the most part are very likable and fun; we have horny stud Mark (Derek Rydall, Phantom of the Mall: Eric's Revenge), wheelchair bound Bud (Malcolm Danare, "Moochie" from John Carpenter's Christine), Cheryl (Kelly Jo Minter, The Lost Boys), the very cute Tina (Freddie Marie Simpson, A League of Their Own), goofball Leon (Elliott Hurst) and the sassy Joannie (Ivette Soler).



We are lead to believe that Lanyard Gates has returned, possibly from beyond the grave, and somehow Maggie and her mother Suzanne (Dee Wallace, The Howling) figure into proceedings. This is such a weird role for Wallace, a rather tiny and innocuous character, the poor woman has one of the worst short-cropped haircuts I've seen her in, it's made in the late 80s so their plenty of bad fashions on display, but her hair is the worst offender of the bunch. The killer is a chameleon of sorts with an arsenal of rubber faces he uses to impersonate the teens he has killed, his identity is a nice twist that I did not see coming, but when I watch a movie I rarely try to guess who it is, I just go along for the ride, and in this case it caught me off guard, and I liked it.


  
The movie channels a pair of earlier slasher films, we have touches of the The Initiation (1984), with some remembered dream-sequences and a fire, and the face-switching culprit reminded me a bit of Happy Birthday To Me (1981), it doesn't steal anything but there are some similarities there if you're looking. Something the movie lacks though is bloodshed, as with most late-80's/early-90's slashers the gore is far too often absent, but there are some nice set-ups and death sequences, but with no real gore-payoff, which is certainly a detraction. Making up for that is some good atmosphere and a cast of character you can actually like, plus the whole 50's schlock and 80's slasher mash-up is just good fun. 



The best take away for me were the three movies-within-a-movie segments directed by original director Alan Ormsby (Deranged), these are spot-on homages to the schlock of yesteryear, a scene of a giant mosquito sucking the brain out of a man's head is a particular highlight with his face caving in as the insect empties the brains from his skull with its over sized proboscis. If you loved "Mant" from Joe Dante's Matinee (1993) you should have a retro-blast with these. 



Aside from the lack of slasher gore there are a few other slightly  problematic areas, the movie has a bit of an identity crisis happening, while this is a straight-up slasher horror-comedy, but there are scenes with Dee Wallace that imply a Clarey supernatural overtone, which then go absolutely nowhere. Then there's a confusing body on an altar during the final scene that confounded me, and a death in the bathroom stall where apparently the kid is killed by one of the "stench" bombs, seemingly killed by the gas emitted, but also blown up by it!?! I'm assuming these are relics of having two directors on the film, as the film was begun by Bob Clark collaborator Alan Ormsby (Deranged), who directed all of the movie-within-a-movie stuff, but he was replaced a few weeks into it by Porky's actor Mark Herrier, so maybe in piecing it together something was lost in that edit, regardless I find the finished film to be a fun watch. 



Audio/Video: Popcorn (1991) arrives on UK Blu-ray from 88 Films, utilizing the 2K restoration performed by Synapse Films (there logo appears on the back of the slip and wrap), who spent years restoring it, so UK fans are in for a real treat. There's a nice layer of film grain evenly distributed throughout,  the movie is splashed with color and garish horror visuals, a variety of awful and awesome late-80's fashions, and it all looks wonderful in HD. The colors are vibrant, and the image has some modest depth and clarity, details look goo. Audio on the Blu-ray includes both English 2.0  DTS-HD MA and a 7.1 surround mix done by Synapse Films, with optional English subtitles. 

Onto the extra we begin with a new audio commentary with Director Mark Herrier, Stars Jill Schoelen, Malcolm Danare, and Special Makeup Effects Artist Mat Falls, moderated by Kristy Jett from Fangoria. A fun group commentary, everyone is having a blast recalling working with the cast and crew, their tie in Jamaica, pointing out specific scenes and how certain things were achieved onscreen. They also speak of the situation that ended with original director Alan Ormby being replaced by Mark Herrier, but apparently Clark was a very hand on producer, sort of like Stephen Spielberg and Tobe Hooper on Poltergeist, it's an interesting story, and the commentary, though a bit hectic at moments, is a good listen.



We also get nearly hour-long making of retrospective from Red Shirt Pictures with interviews from Director Mark Herrier, Stars Jill Schoelen, Derek Rydall, Dee Wallace, Malcolm Danare, Ivette Soler, and Elliott Hurst, Special Makeup Effects Artist Mat Falls, Composer Paul Zaza, and Distributor Executive Jonathan Wolf. Of special note to me was how they go into more detail about Ormsby being taken off the project, how he shot the very cool movie-within-a-movie segments, what a hands-on producer Bob Clark was, and what it was like to be an actor on a film that lost it's director and lead actress three weeks into the shoot. Also discussed is  Tom Villard's admission to director Herrier that he was HIV positive at the time, dying just four years later from AIDS related pneumonia



Additionally there's a six-minute interview with actor Bruce Glover (Chinatown) who appears in the "The Amazing Electrified Man" movie-within-a-movie segment. Apparently he was not a fan of Ormsby and his experience making it, but still enjoys his work on it. 
We also get a selection of trailers, TV spots, and a still gallery of images from the film. 

The single-disc Blu-ray release is part of 88 Films' Slasher Classics Collection (this being #39), coming in a snazzy red Blu-ray keepcase with a 2-sided sleeve of artwork, that being the original skeleton/mask artwork, the b-side featuring the same artwork minus the unsightly BBFC classification ratings logo or the numbered spine. If you ordered directly from 88 Films website the first 500 copies came with a matte finish slip with the same key art as the sleeve with a numbered spine. 


Special Features: 
- Website Exclusive Matte Finish Slipcase [Limited to the first 500 Customers]
- Synapse Films Supplied 2K Scan of a 35mm Interpositive Vault Element
- All-New Blu-ray 7.1 Surround Sound Mix Supervised by Synapse Films
(Original 2.0 Stereo Mix also Included)
- Audio Commentary with Director Mark Herrier, Stars Jill Schoelen, Malcolm Danare, and Special Makeup Effects Artist Mat Falls moderated by Kristy Jett from Horrorhound, FearNEt and Fangoria. 
- Midnight Madness: The Making of “Popcorn” featuring interviews with Director Mark Herrier, Stars Jill Schoelen, Derek Rydall, Dee Wallace, Malcolm Danare, Ivette Soler, and Elliott Hurst, Special Makeup Effects Artist Mat Falls, Composer Paul Zaza, and Distributor Executive Jonathan Wolf (57 min) HD 
- Electric Memories – An Interview with Actor Bruce Glover (7 min) HD 
- Original Theatrical Trailer (1 min) HD
- Television Trailer and TV Spots (6 min) 
- Still Gallery (7 min) HD 



88 Films region-free Blu-ray of Popcorn (1990) looks and sounds wonderful, it's the same exact edition as the U.S. release from Synapse Films so U.S. fans won't need to double-dip,but that's very good new for UK fans, this is an awesome presentation. For a 90's slasher Popcorn certainly has more of an mid-80's (Slaughter High-ish) vibe with some fun homages to the schlock of yesteryear framed in a fun slasher story, there's a lot here to love, recommended.

 

Saturday, September 30, 2017

POPCORN (1991) (Synapse Films Special Edition Blu-ray)

POPCORN (1991) 

Label: Synapse Films 
Release Date: October 3rd, 2017
Region Code: Region-FREE
Rating: R
Duration: 91 Minutes
Audio: English DTS-HD MA 7.1 Surround, Original DTS-HD MA 2.0 Stereo with Optional English Subtitles  Mix Included)
Video: 1080p HD Widescreen (1.78:1) 
Director: Mark Herrier
Cast: Jill Schoelen, Dee Wallace, Ray Walston, Malcolm Danare, Tom Villard

In Popcorn (1991) we have a group of college students who belong to a film club, it is decided that they need to have an event to raise awareness about the club on campus, while brainstorming ideas student Toby D'Amato (Tom Villard, One Crazy Summer) pitches an all-nite horror movie marathon at the abandoned Dreamland movie theater. The pitch goes over well and the students and their teacher,  Professor Davis (Tony Roberts, Amityville 3-D), give the dilapidated cinema a quick makeover with the help of Dr. M (Ray Walston, Fast Times at Ridgemont High), the eccentric owner of a local film memorabilia shop. Turns out theater has a tragic history, it was once the site of a screening of the movie 'The Possessor' by avant-garde director Lanyard Gates, the leader of some sort of acid-freak film cult, during the screening he performed the last act of the film live on stage, killing his family in front of a live audience before sending the theater up in flames, apparently dying in the ensuing inferno.

The plan is to screen three film, all of which are in the William Castle gimmick-driven schlock vein, we have 50's era atom-age monster movie 'The Mosquito' in Project-O-Vision, Tohoe-esque Asian import 'The Stench' in odoriffic Aroma-Rama, and the sci-fi thriller 'The Amazing Electrified Man' in Shock-O-Scope! The gags include a giant prop mosquito which will buzz the audience from above, pumping green stinky fog into the cinema and attaching electrical buzzers to he bottom of certain theater seats - thee are all plays on real-life William Castle gimmicks, the shock-seats are straight out of The Tingler (1959), which is awesome. 

While prepping the theater they find a short film reel containing Gate's film 'The Posessor', while watching it student Maggie Butler (Jill Schoelen, The Phantom of the Opera) realizes that the scenes from the film are straight out of her nightmares, becoming obsessed with finding out why she's dreaming about this murderer's movie. The night of the horror-thon the audience shows up in force in the best sort of midnight movie way, the moviegoers are rowdy and in full costume, but during the screening the film students are being killed off one by one by a mysterious face-changing stranger.


There's a fun cast college teens, who for the most part are very likable and fun; we have horny stud Mark (Derek Rydall, Phantom of the Mall: Eric's Revenge), wheelchair bound Bud (Malcolm Danare, "Moochie" from John Carpenter's Christine), Cheryl (Kelly Jo Minter, The Lost Boys), the very cute Tina (Freddie Marie Simpson, A League of Their Own), goofball Leon (Elliott Hurst) and the sassy Joannie(Ivette Soler).

We are lead to believe that Lanyard Gates has returned, possibly from beyond the grave, and somehow Maggie and her mother Suzanne (Dee Wallace, The Howling) figure into proceedings. This is such a weird role for Wallace, a rather tiny and innocuous character, the poor woman has one of the worst short-cropped haircuts I've seen her in, it's made in the late 80s so their plenty of bad fashions on display but her hair is the worst offender - I hope she didn't cut it just for this role. The killer is a chameleon of sorts with an arsenal of prosthetic faces he uses to impersonate the teens he has killed, his identity is a nice twist I did not see coming, but when I watch a movie I rarely try to guess who it is, I just go along for the ride, and in this case it caught me off guard, and I liked it.  

SPOILERS AHEAD! Turns out that Villard's character Toby is the culprit, and I won't go into all the motivations, but I will say that Villard is wonderful in the role, he's goofy and not at all scary, but he plays the role with such good camp, it's sort of a Freddy Kruger  wisecracking role, I love his delivery, it plays like Phantom of the Opera in a way, but over-the-top, his manic personality swinging wildly. I love it when while disguised as another character he goes to kill Joannie, but when she confesses her love for his his alter-ego he just cannot do it, he see he's conflicted about it, and he spares her, it's a fun little moment, it is out of the ordinary. END SPOILERS! 

The movie seems to be channeling some other earlier slasher films, two in particular were brought to mind, we have touches of the The Initiation (1984), with some remembered dream-sequences and a fire, and the face-switching culprit reminded me a bit of Happy Birthday To Me (1981), it doesn't steal anything but there are some similarities there if you're looking. Something the movie lacks though is bloodshed, as with most late-80's/early-90's slashers the gore it toned way down, but there are some nice set-ups and death sequences, but with no real gore-payoff, which is certainly a detraction. Making up for that is some good atmosphere and a cast of character you can actually like, plus the whole 50's schlock and 80's slasher mash-up is just good fun.  

The best take away for me were the three movies-within-a-movie segments directed by Alan Ormsby, spot-on homages to the schlock of yesteryear, a scene of a giant mosquito sucking the brain out of a man's head is a particular highlight with his face caving in as the insect empties his skull with its over sized proboscis. If you loved "Mant" from Joe Dante's Matinee (1993) you should have a retro-blast with these. 

Aside from the lack of slasher gore there are a few other problematic areas, the movie has a bit of an identity crisis happening, while this is a straight-up slasher horror-comedy, but there are scenes with Dee Wallace that imply clear supernatural overtones, which then go absolutely nowhere. Then there's a confusing body on an altar during the final scene that confounded me, and a death in the bathroom stall where apparently the kid is killed by one of the "stench" bombs, seemingly killed by the gas emitted, but also blown up by it!?! I'm assuming these are relics of having two directors on the film, as the film was begun by Bob Clark collaborator Alan Ormsby (Deranged), who directed all of the movie-within-a-movie stuff, but he was replaced a few weeks into it by Porky's actor Mark Herrier, so maybe piecing it together something was lost in that assembly, but regardless I find the finished film to be a fun watch. 

Audio/Video: Synapse Films, god bless 'em, spent years restoring 90's slasher Popcorn, and the wait and has been worth it. What we have a brand new 2K of an archival interpositive, painstakingly restored by Don May Jr. and the Synapse team, the early 90's film stock wasn't the best but they've worked some restoration magic for this release, the images looks quite nice. There's a nice layer of grain,  the movie is splashed with color and garish horror visuals, both awful and awesome late-80's fashions, and it look great in HD. The colors are vibrant, and the image has some modest depth and clarity, details look good, skin tones look accurate, I'm very happy with the presentation. Audio on the Blu-ray includes both English DTS-HD MA 2.0 Stereo and a newly created 7.1 surround mix done by Synapse Films, with optional English Subtitles. 

Onto the extra we begin with a new audio commentary with Director Mark Herrier, Stars Jill Schoelen, Malcolm Danare, and Special Makeup Effects Artist Mat Falls, moderated by Kristy Jett from Fangoria. A fun group commentary, everyone is having a blast recalling working with the cast and crew, their tie in Jamaica, pointing out specific scenes and how certain things were achieved onscreen. They also speak of the situation that ended with original director Alan Ormby being replaced by Mark Herrier, but apparently Clark was a very hand on producer, sort of like Stephen Spielberg and Tobe Hooper on Poltergeist, it's an interesting story, and the commentary, though a bit hectic at moments, is a good listen. 

We also get nearly hour-long making of retrospective from Red Shirt Pictures with interviews from Director Mark Herrier, Stars Jill Schoelen, Derek Rydall, Dee Wallace, Malcolm Danare, Ivette Soler, and Elliott Hurst, Special Makeup Effects Artist Mat Falls, Composer Paul Zaza, and Distributor Executive Jonathan Wolf. Of special note to me was how they go into more detail about Ormsby being taken off the project, how he shot the very cool movie-within-a-movie segments, what a hands-on producer Bob Clark was, and what it was like to be an actor on a film that lost it's director and lead actress three weeks into the shoot. Also discussed is  Tom Villard's admission to director Herrier that he was HIV positive at the time, dying just four years later from AIDS related pneumonia

Additionally there's a six-minute interview with actor Bruce Glover (Chinatown) who appears in the "The Amazing Electrified Man" movie-within-a-movie segment. Apparently he was not a fan of Ormsby and his experience making it, but still enjoys his work on it. 

We also get a selection of trailers, TV spots, and a still gallery of images from the film. Synapse Films also has a 2-disc limited edition steelbook version of this release, that as of writing this review is still available from the Synapse website, and features exclusive artwork by Justin Osbourn/Slasher Design, and a collectible booklet with Liner Notes from Michael Gingold. This standard edition Blu-ray release does not include the booklet, but it comes in a standard Blu-ray keepcase with a sleeve of reversible artwork, the a-side is the original skeleton/mask artwork, the b-side featuring an alternate artwork option by Chris MacGibbon. Notably elements from Justin Osbourn's Steelbook artwork can be found on the Blu-ray disc and the back cover of the Blu-ray sleeve. This release is also available as a DVD version. 

What I love about Synapse film, aside from their excellent audio/video presentations and commitment to the highest quality film preservation, is that they do these attractive Steelbooks version, but then come out with a more affordable standard Blu-ray editions for fans who might not be into collectible (and expensive) limited releases. I myself have had this damned film on a hand-written list of movies I keep in my wallet for over ten years, a list of films I haven't seen to want to own, but I've refused to buy the long out-of-print (expensive) Elite DVD version. When Synapse Films announced a few years back that they has acquired the right to it I was beyond excited. That said, I wasn't about to fork over fifty-dollars for the Steelbook version, not because it wasn't worth it the dough, but because I am sort of cheap, I'm not a Steelbook collector, and I have three kids and a mortgage ...you have to have priorities. Though I will say I did pre-order their forthcoming Steelbook version of Dario Argento's Suspiria (1977) immediately, because, well, you need to have priorities... sorry kids, no allowance this week.

Special Features: 
- All-New 2K Scan of an Archival 35mm Interpositive
- All-New Blu-ray 7.1 Surround Sound Mix Supervised by Synapse Films (Original 2.0 Stereo Mix Included)
- Audio Commentary with Director Mark Herrier, Stars Jill Schoelen, Malcolm Danare, and Special Makeup Effects Artist Mat Falls moderated by Kristy Jett from Horrorhound, FearNEt and Fangoria. 
- Midnight Madness: The Making of “Popcorn” featuring interviews with Director Mark Herrier, Stars Jill Schoelen, Derek Rydall, Dee Wallace, Malcolm Danare, Ivette Soler, and Elliott Hurst, Special Makeup Effects Artist Mat Falls, Composer Paul Zaza, and Distributor Executive Jonathan Wolf (57 min) HD 
- Electric Memories – An Interview with Actor Bruce Glover (7 min) HD 
- Original Theatrical Trailer (1 min) HD
- Television Trailer and TV Spots (6 min) 
- Still Gallery (7 min) HD 
- Blu-ray Reversible Cover Art by Chris MacGibbon

Synapse Films' Blu-ray of Popcorn (1990) looks and sounds wonderful, this 90's slasher certainly has more of an 80's vibe than it's release date would indicate, and while it has some issues I found it a fun homage to the schlock of yesteryear framed in a fun slasher story. It's well-directed, all things considered, and has a fun cast of characters, I love it a bunch. It's great to see this get such a terrific Blu-ray release, it went beyond my expectations, both as a comedic slasher film and as a special edition release.  

Tuesday, August 22, 2017

SYNAPSE FILMS BRINGS THE BELOVED 90s CULT HORROR COMEDY POPCORN TO BLU-RAY THIS OCTOBER!

POPCORN (1991) 

Label: Synapse Films
Region Code: Region-FREE
Rating: R
Duration: 91 Minutes 
Video: 1080p HD WIdescreen (1.78:1) 
Audio: English  DTS-HD MA English 7.1 Surround & English 2.0 Stereo with Optional English Subtitles for the Deaf and Hard of Hearing
Director: Mark Herrier
Cast:  Jill Schoelen, Derek Rydall, Dee Wallace, Malcolm Danare, Ivette Soler, and Elliott Hurst

"Highly recommended... now available on Blu-ray in the best possible presentation, and with informative and entertaining bonus material too." - The Digital Bits

In the history of Synapse Films few titles have generated as much excitement as POPCORN, director Mark Herrier’s 1991 cult favorite that’s been one of the most in-demand genre films of the Blu-ray era. Unavailable for over a decade, POPCORN now comes to HD in a deliciously butter-topped Special Edition Blu-ray and DVD release that will have fans craving for refills!

What could be scarier than an all-night “Horrorthon”? A group of film students finds out when they stage just such an event at an abandoned movie palace. In addition to the three features — MOSQUITO, THE ATTACK OF THE AMAZING ELECTRIFIED MAN and THE STENCH—they decide to screen a bizarre short called THE POSSESSOR, whose creator, Lanyard Gates, killed his family and set the theater on fire after its first showing. Maggie (Jill Schoelen, THE STEPFATHER) has been having frightening dreams that seem to be connected to THE POSSESSOR, and as the festival proceeds, the nightmare comes true for her and her friends as they are stalked and slain by a mysterious killer. Has Gates survived to continue THE POSSESSOR’s deadly legacy?

A loving homage to ’50s/’60s B-movies (the trio of flicks shown at the Horrorthon all have accompanying William Castle-style gimmicks), POPCORN is also an insanely fun horror/comedy in its own right. Pseudonymously written by Alan Ormsby (CAT PEOPLE, DEATHDREAM), who directed the films-within-the-film, it celebrates the joys of old-fashioned creature features and ’80s-style stalk-and-slay, with a great cast additionally including Dee Wallace Stone (THE HOWLING), Tony Roberts (AMITYVILLE 3-D), Ray Walston (THE STAND), Malcolm Danare (CHRISTINE) and Kelly Jo Minter (A NIGHTMARE ON ELM STREET 5). Pop some popcorn of your own and settle in to watch this new high-definition transfer, which comes with a box full of bonus features!

SHOCK-O-RIFIC SPECIAL FEATURES INCLUDE:
- All Region Encoded/Playable Worldwide!
- All-New 2K Scan of an Archival 35mm Interpositive
- All-New Blu-ray 7.1 Surround Sound Mix Supervised by Synapse Films (Original 2.0 Stereo Mix Included)
- All-New 5.1 Surround Mix for DVD
- Audio Commentary with Director Mark Herrier, Stars Jill Schoelen, Malcolm Danare, and Special Makeup Effects Artist Mat Falls
- Midnight Madness: The Making of “Popcorn” featuring interviews with Director Mark Herrier, Stars Jill Schoelen, Derek Rydall, Dee Wallace, Malcolm Danare, Ivette Soler, and Elliott Hurst, Special Makeup Effects Artist Mat Falls, Composer Paul Zaza, and Distributor Executive Jonathan Wolf (55 mins, HD)
- Electric Memories – An Interview with Actor Bruce Glover
- Original Theatrical Trailer, Television Trailer and TV Spots
- Still Gallery
- English Subtitles for the Deaf and Hard of Hearing
- Blu-ray reversible cover art by Chris MacGibbon

Tuesday, February 16, 2016

THE CURSE (1987) / CURSE II: THE BITE (1989) (Blu-ray Review)


THE CURSE (1987) / CURSE II: THE BITE (1989) 

THE CURSE (1987) 


Label: Scream Factory

Region Code: A
Duration: 90 Minutes
Rating: R
Audio: English DTS-HD MA Stereo 2.0 with Optional English Subtitles
Video: 1080p HD Widescreen (2.35:1)
Director: David Keith 
Cast: Wil Wheaton, Amy Wheaton, Claude Akins, Cooper Huckabee, John Schneider, Malcolm Danare


Synopsis: Life on the family dairy farm is difficult for young Zach Hayes (Wil Wheaton, Stand by Me): hard work, long hours and the normal family squabbles. But after an ice-blue meteor plunges through the midnight sky and lands on their property, it gets worse. Zach and the local doctor discover that something inside the meteor is infecting every living thing on the farm. Fruits, which look perfect on the outside are teeming with worms… and Zach's family is beginning to change… hideously! This shocker is directed by actor David Keith (Firestarter, White of the Eye) and co-stars Claude Akins (Tentacles), Malcolm Danare (Christine), Cooper Huckabee (The Funhouse) and John Schneider (Smallville).

The Curse (1987) is an '80s adaptation of H. P. Lovecraft's The Colour Out of Space directed by actor David Keith (White of the Eye), the movie takes place on a small farm in a rural area of Tennesee. When a white-hot meteor lands on a farm it melts away, leeching its cosmic properties into the ground water supply and causing all sorts of havoc for the residents of the small community.  Actor Claude Akins (Rio Bravo) plays farmer Nathan Crane, a strict religious-nut whose affection-starved wife Frances (Kathleen Jordon Gregory) is a horny adulterer. His oldest son Cyrus (Malcolm Danare) is a mean bully, and his youngest son Zack (Wil Wheaton) seems to be the only decent one among the bunch, and the subject of Cyrus's relentless bullying.


What we have here is an environmental horror movie, just replace the 80's standard culprit of toxic waste with the ill effects of a meteor from outer space and you have a pretty good idea what you might be ins tore for here. At first the contaminated ground water leads to a bumper crop of fruits and veggies for farmer Crane, which is good, as they're on the verge losing the farm to the bank. This unexpected crop would seem to indicate his financial woes have come to an end, but while the contaminated crops looking robust and tasty, they are flavorless and rotten on the inside, the delicious red apples from the orchard are loaded with meal worms. 

As the Crane's drink the contaminated water they are affected physically and mentally by it, with the father becoming more abusive, while mother Crane begins to lose her mind, with boils appearing on her face. Young Zach notices the water tastes funny early on and refuses to drink it, further upsetting his father who is already stressed with the future of the farm and his cheating wife on his mind. The animals in the area are also affected by the contaminated water, which gives the movie a nice when-animals-attack flavor at times. 



There's also a thread about a crooked realtor named Charlie Davidson (Steve Carlisle) who is in league with a local doctor named Alan Forbes (Cooper Huckabee), both are aware of a plan by the state to build a dam in the area, together they set about buying as much property as they can in the area to profit from the dam-building project, with one of the sole holdouts being Nathan Crane who steadfastly refuses to sell his farm. A representative from the Tennessee Valley Authority (TVA) is played by Tom Schenider of Smallville, who I did not recognize at first, those eye glasses really nerd him up a bit, it worked for Superman, too. He plays the hero of the movie, and is one of the first to recognize that something has contaminated the water supply, and to notice the ill effects on the community. 

The movie was directed by actor David Keith who you might remember from starring roles in Firestarter and white of the Eye, and this is the first of just three movies he directed. This is not a great movie, not straight-up awful but on the lower end of good. The movie was produced by a man who knew a thing or two about b-movies, Ovidio G. Assonitis directed Tentacles and The Exorcist rip-off Beyond the Door, according to legend Eurocult icon Lucio Fulci shot some second unit on the movie and may have created some of the optical effects in the movie, not sure of the validity of that info, but some of the special effects are pretty gross, rotting fruit and vegetables has always grossed me out. As a teen I worked in the produce department of a grocery store, one day I was restocking oranges when I put my finger through the rotten flesh of a green-blue molded orange, it was so gross. I'd rather handle the bloodied remains of fresh roadkill, but maybe I am just weird that way. Anyway, a scene of a maggot-spewing cow corpse feels like pure Lucio Fulci. 

The Curse was a decent watch, but not a great one, the story is overly convoluted and the pay-off is not spectacular. half the fun for me was spotting actors like a young Wil Wheaton from Star Trek: The Next Generation, Clause Akins from Rio Bravo, and John Schenider from The Dukes of Hazard - none of whom do great work in my opinion, but it was fun to see Akins play such a mean-spirited cuss. As adaptations of the source material go, I don't think we;ve seen a great one yet, but I do have a fondness for the technicolor horror of Die Monster Die (1969) starring Boris Karloff, which strays quite a bit from the source, but I love it. 


CURSE II: THE BITE (1989) 


Label: Scream Factory

Region Code: A
Duration: 97 Minutes
Rating: R
Audio: English DTS-HD MA Stereo 2.0 with Optional English Subtitles
Video: 1080p HD Widescreen (2.35:1) 
Director: Fred Goodwin 
Cast: Bo Svenson, Sydney Lassick, J. Eddie Peck, Jamie Farr, Jill Schoelen, Shiri Appleby, Savina Gersak


Synopsis: Two young lovers, Clark (J. Eddie Peck, Kyle XY) and Lisa (Jill Schoelen, The Stepfather), traveling through the desert unwittingly pass through an abandoned nuclear test site which has become a breeding ground for deadly mutant killer snakes. When Clark is bitten, he undergoes a grotesque transformation into a hideous snake monster! This chiller filled with slithering horror also stars Jamie Farr (M*A*S*H), Shiri Appleby (Roswell) and Bo Svenson (Walking Tall Part II).

The second half of this double-feature is Curse II: The Bite which came a few years later and has nothing at all to do with the original movie, this is a pure cash-in retitling. This one concerns a young couple driving across country to California, we have Clark (J. Eddie Peck) and his girlfriend Lisa (Jill Schoelen, The Stepfather), a nice '80s couple, and Schoelen is easy on the eyes. 


While crossing the desert the couple encounter a massive horde of snakes covering the road, the couple drive straight through it, but along along the way a mutated snake slithers into the back of their Jeep, where it later bites Clark on the hand. They seek treatment from a sketchy doctor at a nearby motel, the doctor is played by none other than Jamie Farr, Clinger from M.A.S.H.! They bandage up the hand and continue their journey West, but Clark begins to become more aggressive, and it turns out that what is happening is that the snake bite has caused his hand to tun into a snake, which sounds cheesy ...and it is, but it's not played for laughs, this is serious hand-snake stuff.


There's a surprising amount of decent gore in the movie, a lot of it done by scream Mad George, the diabolical make-up effects genius behind Brian Yuzna's Bride of Re-Animator and Society. First we have a mutated dog who has been bitten by a snake, which is grotesque, I was a bit upset that this scene was overly dark, it was hard to make it out. Later scenes of Clark's hand attacking people against his will are better resolved, the final sequences of him chasing Lisa trough a construction site are damn good, fans of icky body horror are in for quite a treat. 

There's also a fun cast of minor character that make this a fun watch, we have the aforementioned Jamie Farr, plus Sydney Lassick from The Unseen, I love that guy, always playing sightly fey weirdos. Bo Svenson also makes an appearance as the sheriff.  There's also a strange thread having to do with a cast of shady trucker characters, including the horny Big Flo played by Marianne Muellerleile. 



Audio/Video: The Curse and Curse II: The Bite arrive on Blu-ray from Scream Factory in their original scope aspect ratio (2.35:1) looking good with some nicely managed film grain. Colors are nicely robust, and the black levels are adequate for the most part. Scream Factory have indicated that the only source for the HD transfer fr Curse II was an actual film print, and while it does fall short in a few areas,all things considered the A/V presentation met my expectations. I wasn't expecting a collector's edition A/V presentation for either of these movie to be honest. Both films sport an English language DTS-HD MA Stereo 2.0 audio tracks with optional English subtitles. Not the most dynamic audio presentation for either, but they are clean, crisp and nicely balanced.  The only extras on the set is a 2-minute theatrical trailer for The Curse presented in standard definition. 

What we have here is another fun b-movie double-feature from the '80s that is sure to please fans of either movie, though I wish we could have had a few interviews or commentaries from any of the major participants. Some trivia for you, this is not the first of the Curse films to be released on Blu-ray from Scream Factory, Director David Schmoeller's Catacombs (1988) holds that distinction, when that film was released on home video in the '90s it was marketed as Curse IV: The Ultimate Sacrifice (1988), which like the other Curse entries have absolutely nothing to do with the original film.