Showing posts with label Brian Yuzna. Show all posts
Showing posts with label Brian Yuzna. Show all posts

Tuesday, July 17, 2018

BEYOND RE-ANIMATOR (2003) (Vestron Blu-ray Review)

BEYOND RE-ANIMATOR (2003) 

Label: Lionsgate/Vestron Video Collector's Series 
Region: Region-Free
Rating: R (but actually the unrated cut) 
Duration: 96 Minutes 
Audio: English DTS-HD MA Surround 5.1 with Optional English Subtitles 
Video: 1080p HD Widescreen (1.78:1)
Director: Brian Yuzna
Cast: Jeffrey Combs, Jason Barry, Elsa Pataky, Santiago Segura, Simon Andreau 



After causing the Miskatonic University Massacre, Dr. Herbert West has been serving a prison sentence for the past 14 years. When Howard, a new young doctor, comes to work as the prison MD and requests Dr. West’s assistance, Dr. West discovers that Howard has something he left behind 14 years ago...



Beyond Re-Animator opens up with a wonderful pre-credit sequence of a pair of kids having an old fashioned  sleepover in their backyard, they're telling scary stories to each other in a tent and then take a break to go back inside the house to give one of the boy's sister a hard time.  Inside the trio are attacked by one of Herbert Wests re-animated corpses, apparently having wandered in from across the street, it's a stunning looking corpse that is missing it's lower jaw with its tongue hanging out in a sickening way. It kills the teen girl and then begins drinking milk straight from the carton before a cop shows up and blows it away. The traumatized kid watches as the cops arrest Dr. West (Jeffrey Combs, From Beyond) and put him in the back of a police cruiser, then finding a syringe full of the glowing green re-agent and the opening credits begin to roll, it's a start to the film.



Thirteen years later we catch-up with West now in prison, still working away on his unnatural quest to defy death, but in the time passed he's begun working on a new key component of the re-animation process, something he calls "Nano-Plasmic Energy", an energy that can be extracted from the brain and stored in a glass capsule/fuse that can then be transferred into the body of another re-animated corpse, which when used along with re-agent can theoretically restore the re-animated to a more natural state, and not one of the mindless psycho zombie-types usually associated with the serum. As he's in prison his experiments have been rudimentary and relegated to the rat population, up to this point he has had no re-agent serum to further test his theories, but all that's about to change with the arrival of a new prison doc. 



A new doctor arrived at the prison and he requests that Dr. West be assigned as his assistant, it turns out that new doc Howard Phillips (Jason Barry, Titanic) was the very same kid whose sister was murdered by one of West's creations thirteen years earlier. He's been obsessed with the Dr.'s work ever since and the two begin immediately working on a new batch of re-agent. The doc has also brought with him that syringe of re-agent he kept all those years ago, it's degraded some but the results are as problematic as you might expect, re-agent has never been without its share of unintended repercussions and it's no different this time. 



Tonally the movie is a bit of a departure from the previous entries, gone is Bruce Abbott as Dan Cain, West's former partner having turned state's evidence against him, and he's missed.  Also being set in a prison gives it a different feel and dynamic, as does  being shot in Spain but set in America. The tone and locations may be different, but Jeffrey Combs is still the quirky over-serious doc we've loved for years, and Howard Phillips makes for a good stand-in for the Dan Cain-type character for West. The new doc even has a tragic love-interest by way of an attractive local reporter named Laura (Elsa Pataky, Romasanta: The Werewolf Hunt) who arrives at the prison to do a story about it's sadistic Warden Brando (Simón Andreu, The Blood Spattered Bride), who turns his pervy eyes onto Laura, which ends with her violent death after she refuses his come-ons and he learns of the unflattering true nature of her story. Of course this leads to Phillips ill-advisedly using the re-agent on his doomed lover, which only further damns everyone involved with the expected results when the prison breaks out into a riot, with the re-agent being spread around in liberal doses causing all sorts of freaky weirdness.




The special effects in this one are realized by Screamin’ Mad George (Society) and look very good, we get a handful of re-agent zombies, including a rat-like variant of the prison warden, a man cut in half, the jawless zombie from the beginning of the film, tit-munching and some digital effects that aren't too shabby for the time period, but the digital stuff is mostly relegated to small touches, but it looks like all the gore is practical, so that's good news, n the gore department this one is tops. 



Audio/Video: The unrated cut of Beyond Re-Animator (2003) arrives on region-free Blu-ray from the Lionsgate's Vestron Video Collector's Series in 1080p HD framed in 1.78:1 widescreen, it has a healthy veneer of film grain, and is easily superior to the recent region-B locked release from Umbrella Entertainment which had some DNR baked into the master they used, that release is reviewed HERE. The Vestron image is brighter and not de-grained, fine detail offering more of Herbert West's signature facial wrinkles and furrowed brow, skin tones look warmer and the image has better clarity and depth. Black levels are good looking, and while there's some minor noise evident throughout this is a very good looking presentation, easily the better of the two versions available on Blu-ray right now. Check out the screenshot comparison of the two releases below, while I prefer the Vestron release notice how blown out the whites are in the first comparison shot of the re-animated guy drinking milk compared to the Umbrella release, it looks a bit too hot, losing some detail, but that's really the only shot that looks iffy in the comparison, the increase in detail is rather noticeable in the close-ups.

Audio comes by way of an English DTS-HD MA Surround 5.1 that sounds very good, there are no issues with distortion or hiss, and the Xavier Capellas score which heavily references Richard Band's score for the first two films gets some nice depth. This is front heavy mix but the score and some directional audio get some play in the surrounds, everything sounds clean and well-balanced, optional English subtitles are provided.

Onto the extras we gets loads of new stuff beginning with an isolated score and audio interview with Composer Xavier Capellas moderated by Michael Felsher of Red Shirt Pictures. Director Brian Yuzna shows up for a new nineteen minute interview speaking about setting it in a prison, what it was like shooting in Spain with a Spanish crew who weren't aware of the previous films, trying to recapture the tone of the series with only himself and Jeffrey Combs returning from the previous film. He also discusses the idea of nano-plasmic energy and the special effects used in the film. 
Jeffrey Combs shows up for a new 20-minute interview, he discusses the series, speaking of the space in between the series, shooting in Spain with Brian Yuzna, and the hurdles they had to overcome like the sometimes thick Spanish accents, which were overcome with  editing and voice over. He also describes the script as having potential but being a bit clunky, a work in progress, but thinking the kernel at the heart of the story was strong.

S. T. Joshi, author of I Am Providence: The Life and Times of H.P. Lovecraft, who also appears on Vestron Dagon Blu-ray release,  shows up for a 16-minute interview discussing H.P. Lovecraft, his early career, the writing of Herbert West: Re-Animator, and how the the films compare to the source material, saying that the first film is actually quite faithful, capturing the wild grisliness of the source, and stating the original film is his preference of the series. 

The disc is buttoned-up with the original Brian Yuzna audio commentary that appears on previous home video versions, a five-minute gallery of production artwork by illustrator Richard Raaphorst with score from the film. I  am not sure what movie he was sketching for but I want to see that surreal nightmare movie he thought he was sketching these for, some great imagery in there. We also get the original 17-min EPK with vintage interviews from Director Brian Yuzna, and the cast including Jeffrey Combs, Jason Barry, Elsa Pataky, Santiago Segura, and Simon Andreau. There's also a 17-min still gallery, the theatrical trailer, the international trailer, and of course that awful Dr. Reanimator "Move Your Dead Bones” music video that seems to be on all the releases of the film, and spoiler alert, it hasn't got better with age. 

The single-disc release comes housed in a standard Blu-ray keepcase with a one-sided sleeve of artwork, the wrap, slipcover and disc all feature the same key artwork, the slip is branded with the Vestron Collector's Series, and both the spine of the wrap and slipcover are numbered, this being number fifteen, and it looks great on the shelf with my handful of other Vestron titles. Notably, this release is branded with the R-rating, but it looks to be the unrated cut, which includes about eight seconds of additional gore by way of the junkie's guts bursting and some additional eye-trauma, and Laura's throat being slashed. 


 SCREENSHOT COMPARISON
TOP: VESTRON VIDEO 2018 BLU-RAY (REGION-FREE)
BOTTOM: UMBRELLA ENTERTAINMENT (REGION B)














Special Features: 
- Audio Commentary with Director Brian Yuzna
- NEW – Isolated Score Selections and Audio Interview with Composer Xavier Capellas
- NEW – “Beyond and Back” – An Interview with Director Brian Yuzna (19 min) 
- NEW – “Death Row Sideshow” – An Interview with Actor Jeffrey Combs  (20 min) 
- NEW – “Six Shots By Midnight” – An Interview with S. T. Joshi, author of I Am Providence: The Life and Times of H.P. Lovecraft (16 min) 
-  NEW – Production Art Gallery by Illustrator Richard Raaphorst (5 min) 
- Still Gallery (17 min) 
- Vintage EPK Featurette (18 min) 
- “Dr. Reanimator – Move Your Dead Bones” Music Video (4 min) 
- Theatrical Trailer (1 min) 
- International Trailer (2 min)

Beyond Re-Animator (2003) is third in the series and is last in terms of quality, while the story is an interesting examination of the evolution of the re-animation process and there's some keen practical effects the acting is uneven and the tone is inconsistent. Jeffrey Combs is still great as Herbert West, I just wish the movie around his performance was a bit better. but I will say that this one gets slightly better with each watch, but it's still a let-down compared to the previous entries. That being said this is easily the best looking version of the film on Blu-ray and the only one with new extras, making this the one to own when it comes down to it.

Friday, July 6, 2018

BRIDE OF RE-ANIMATOR (1989) / BEYOND RE-ANIMATOR (2003) (Umbrella Blu-ray Review)

BRIDE OF RE-ANIMATOR (1989) / BEYOND RE-ANIMATOR (2003) 
2-Disc Collector Edition 
Beyond Genres: Worlds on Films Vol. 2 

Label: Umbrella Entertainment 
Region: Region B
Rating: MA
Duration: 97 Minutes (Bride)/ 96 Minutes (Beyond) 
Audio: English DTS-HD MA 2.0 Stereo (Bride), English DTS-HD MA Surround 5.1 (Beyond) with Optional English Subtitles 
Video: 1080p HD Widescreen (1.85:1) (Bride), 1080p HD Widescreen (1.77:1) (Beyond) 
Director: Brian Yuzna
Cast: Jeffrey Cobs, Bruce Abbot, Claude Earl Jones, David Gale, Fabiana Udenio, Mel Stewart (Bride) / Jeffrey Combs, Jason Barry, Elsa Pataky, Santiago Segura, Simon Andreau (Beyond)



BRIDE OF RE-ANIMATOR (1989) 
The events of Brian Yuzna's lunatic sequel to Re-animator begin eight months after the events of the first movie with both Dr. Herbert West (Jeffrey Combs, From Beyond) and Dr. Dan Cain (Bruce Abbott, Bad Dreams) working as medics in Peru where a bloody civil war is raging around them. The steady stream fresh corpses proves ideal for West and his continued experiments in reviving the dead with his green-glowing re-agent serum. When the medical camp is overrun by enemy soldiers the duo are forced to abandon their South American endeavor and return to Arkham, Massachusetts where they resume their former careers as doctors at Miskatonic University Hospital, where Dan seems content in making terminal patients comfortable during their finals days, while West just sort of wrings his hands with delight waiting for them to pass, at which point he can use their fresh corpses as test subjects for his coveted re-agent serum.   



Both Dan and Herbert West live together in a house on the property of the local cemetery which seems appropriate, though the two once again make for combative housemates, not exactly seeing eye to eye on all things. West is conveniently able to pilfer body parts from the Miskatonic University morgue, which is where he finds Dr. Hill's severed head and Meg's heart among other medical artifacts saved from the Miskatonic Massacre, Meg being Dan's former love interest from the first movie. West steals the heart and uses it to coerce Dan into helping him create a body from human parts, which when finished they will give life to by using the re-agent serum. This experimentation takes place in the basement of the home, a space that shares a wall with a cemetery crypt next door, which is where West conveniently disposes of his failed creations, which will come back to haunt him during the final moments of the movie.



Meanwhile, back at Miskatonic University the aptly named Dr. Graves (Mel Stuart, Dead Heat) has himself become obsessed with the work of the late Dr. Hill (David Gale, Ritual), and while using some of the re-agent serum found at the crime scene from the first movie is able to re-animate Hill's head, who then sets about exacting revenge on West, beginning by using his diabolical hypnotic powers to force Grave to sew a pair of bat wings to the sides of his severed head, which enables him to fly around! This has always brought to mind the winged skull mascot of the thrash band Overkill, and if the notion of a bat-winged severed head flying around seems a bit on the silly side that is because it certainly is, and it doesn't look much better than it might sound either. While the first movie was darkly comedic this one amps the comedy up quite a bit and goes right off the deep end of demented.



Also figuring into the story is police officer Lt. Leslie Chapham (Claude Earl Jones, Evilspeak) who harasses both Dan and Herbert whom he holds responsible for the re-animation of his dead wife nine months earlier. As Dan and West were the only survivors of the Miskatonic Massacre he knows that deep down they had something to do with it. His quest for deranged justice results in him becoming one of Dr. Hill's re-animated minions, joining the ranks of the formerly undead. This time around Dan has a new love interest, another doctor named Francesca Danelli played by Fabiana Udenio (Alotta Fagina from Austin Powers: International Man of Mystery (1997)), her inclusion seems a bit jammed-in here but it's not ruinous.



The movie comes to a head with the completion of their Bride, a corpse stitched together from various cadavers, with the heart of Dan's beloved Meg within it, they inject it with re-agent and the re-animated bride arises, just as the winged head of Dr. Hill and his re-animated minions lay siege to the house, leading up to a fevered finale with a cat fight between the Bride and Francesca, but when Dan rejects the affections of the creature she rips out her own heart and begins to fall apart quite literally. There's some very cool Screaming Mad George created freaky looking creatures that have been kept hidden away in the crypt which come after West he and the others take refuge from Dr. Hill's mind-controlled minions in the crypt, which brings this weird and gory sequel to a proper close. This sequel solid, maybe a bit on the absurd side, with more comedic and slapstick moments than the Stuart Gordon original, but a worthy and gory entry with a nicely deranged performance from Jeffrey Combs as the beloved Dr. Herbert West, a sweet slice of '80s gore cinema loaded with humor and nicely shot. 



Audio/Video: Bride of Re-animator (1989) arrives on region B locked Blu-ray from Umbrella Entertainment, containing both the R-rated and unrated versions - and looking to be from the same existing source as used by Arrow Video for their Region A release, framed in 1.85:1 widescreen. The image has a healthy looking grain field with good color saturation and nice looking blacks. Audio comes by way of English DTS-HD MA Stereo 2.0 audio, a well-balanced track with good separation, with Richard Band's score coming through with some nice depth and fidelity, optional English subtitles are provided. 



Extras fro Bride begin with three audio commentaries for the unrated cut of the film, the first with director Brian Yuzna moderated by David Gregory of Severin Films, the director right from the start reveals the influence of schlock-master William Castle on the movie with the floating head of Dr. Hill. I have not listened to the commentary with Yuzna, Combs and the special effects team yet, but the commentary with Combs and Abbott is a great listen, the two have a great chemistry onscreen and on the commentary, coming across as humorous, the two are always questioning the why and how of the absurd sequel.  

The disc also has two Severin Films produced featurettes, beginning with the 10-minute 'Brian Yuzna Remembers Bride of Re-animator' with the director remembering the origins of the sequel, unused story idea,making Society before getting to the sequel, the hurried start to the movie and selling the movie to Troma for distribution under the banner of 52nd Street Films, in addition to the critical and fan reception to the movie. 



The 15-minute 'Splatter Masters: The Special Effects Artists of Bride of Re-animator' features interviews with the many talented special effects creators who worked on the movie including Robert Kurtzman of KNB, Screaming Mad George, Tony Doublin, John Buechler and Brian Yuzna, these are great, I always love hearing about the creation of these '80s practical effects, it begins with Yuzna recalling the work on Stuart Gordon's Dolls, and is peppered with loads of behind-the-scenes footage.  

Other extras on the set included an archival making of featurette offering some great behind-he-scenes footage of the movie being made along with the set-up of the great gore gags, eight minutes of deleted scenes, a theatrical trailer, and a 12-minute radio play of the H.P Lovecraft source material. 



Bride of Re-Animator Special Features:
- Audio commentary with Brian Yuzna (Unrated Cut) 
- Audio Commentary with Brian Yuzna, star Jeffrey Combs, visual effects supervisor Tom (Unrated Cut) 
Rainone and the effects team including John Buechler, Mike Deak, Bob Kurtzman, Howard Berger and Screaming Mad George
- Audio Commentary with stars Jeffrey Combs and Bruce Abbott (Unrated Cut) 
- Brian Yuzna Remembers Bride of Re-animator – brand new featurette in which the director looks back at the making of the first Re-animator sequel (10 Mins) HD
- Splatter Masters: The Special Effects Artists of Bride of Re-animator – Brand new FX featurette with a wealth of behind-the-scenes footage and interviews with Robert Kurtzman of KNB, Screaming Mad George, Tony Doublin and John Buechler (15 Mins) HD
- Getting Ahead in Horror – archive making-of featurette (24 Mins) HD
- Deleted Scenes (10 Mins) HD 
- Theatrical Trailer (2 Mins) HD 
- Behind the Scenes: Special Effects Artists (15 Mins)  
- Dark Adventure Radio Presents: Herbert West: Re-Animator (12 min) 


BEYOND RE-ANIMATOR (2003) 
Beyond Re-Animator opens up with a wonderful pre-credit sequence with a pair of kids having a sleepover in their backyard telling scary stories to each other in a tent, they go back inside the house to give one of the boy's sister a hard time when the trio are attacked by one of Herbert Wests re-animated corpses, apparently having wandered in from across the street. It's a stunning looking corpse that is missing it's lower jaw with it's tongue hanging out. It kills the teen girl and then begins drinking milk straight from the carton before a cop shows up and blows it away. The traumatized kid watches as the cops arrest Dr. West (Jeffrey Combs, From Beyond) and put him in the back of a police cruiser, then finding a syringe full of the glowing green re-agent and the opening credits begin to roll. 



Thirteen years later we catch-up with West in prison, still working away on his unnatural quest to defy death, but in the time passed he's begun working on a new key component of the re-animation process, something he calls "Nano-Plasmic Energy", an energy that can be extracted from the brain and stored in a glass capsule/fuse that can then be transferred into the body of another re-animated corpse, which when used along with re-agent can theoretically restore the re-animated to a more natural state, and not one of the near mindless zombie-types usually associated with the serum. As he's in prison his experiments have been rudimentary and relegated to the rat population, and he has no re-agent serum to further test his theories further, but all that's about to change. 


A new prison doctor arrives and requests that Dr. West be assigned to the sick ward as his assistant, it turns out that the new doc Howard Phillips (Jason Barry, Titanic) was the kid whose sister was murdered by one of West's creations thirteen year's earlier, He's been obsessed with the Dr.'s work ever since and the two begin almost immediately working on a new batch of re-agent, while also trying out that syringe of re-agent the kids kept all those years ago, it's degraded some but the results are as problematic as you might expect. 



This movie is a bit of a departure from the previous entries, gone is Bruce Abbott as Dan Cain, West's former partner turning state's evidence against him, and it's set in a prison so it has a different feel about it, also being shot in Spain but set in America. The tone may be different, but Jeffrey Combs is still the quirky over-serious doc we've loved for years, and Howard Phillips makes for a good stand-in for the Dan Cain-type character for West. The new doc even has a tragic love-interest by way of gorgeous local reporter named Laura (Elsa Pataky, Romasanta: The Werewolf Hunt) who arrives at the prison to do a story about the prison and it's sadistic Warden Brando (Simón Andreu, The Blood Spattered Bride), who turns his eye onto Laura, which ends with her violent death when she refuses his come-ons. Of course this leads to Phillips ill-advisedly using the re-agent on his doomed lover, which only further damns everyone involved with the expected results when the prison breaks out into a riot, with the re-agent being spread around in liberal doses.


    
The special effects in this one are realized by Screamin’ Mad George (Society) and look very good, we get a handful of re-agent zombies, including a rat-like  variant, a man cut in half, the jawless zombie from the beginning of the film, tit-munching and some digital effects that aren't too shabby for the time period, mostly relegated top small touches, but it looks like all the gore is practical, so that's cool. 



The movie is third in the series and is last in terms of quality for the franchise, the story is an interesting examination of the evolution of the re-animation process and there's some keen practical effects but the acting is a bit uneven and the tone is inconsistent, but I will say this gets better with each consecutive watch. 



Audio/Video: Beyond Re-Animator (2003) makes it's worldwide HD debut from Umbrella Entertainment on a region B locked Blu-ray in 1080p HD framed in 1.77:1 widescreen. The image on this one is problematic in that it's been heavily DNR'd, looking overly smooth with the fine detail being lost, with facial detail appearing slightly waxy. Colors look decent but there's an overall softness and lack of depth combined with the grainless image that just makes for a lackluster HD presentation. Audio comes by way of an English DTS-HD MA Surround 5.1 that sounds very good, there are no issues with distortion or hiss, and the Xavier Capellas score heavily references Richard Band's scores for the first two films and gets some nice depth to it, optional English subtitles are provided. 



Onto the extras we get that have appeared on previous home video versions from Lionsgate in the U.S. and Arrow Video in the U.K., these include an insightful commentary from director Brian Yuzna, an 18-minute making of featurette with interviews from the cast and Yuzna, plus 18-minutes of interviews from Brian Yuzna, Jeffrey Combs, Jason Barry, Elsa Pataky, Santiago Segura, Simon Andreau, a lot of which was incorporated into the making of featurette. There's also a music video, 18-minutes of behind-the-scenes footage and a trailer for the film. 



This is the second release from Umbrella's Beyond Genres: World's On Film imprint following the wonderful release of Re-Animator, the 2-disc release comes housed in an over-sized Blu-ray keepcase with a sleeve of reversible artwork with four panels of artwork, though there's no text/logo on any of the artwork options, but the spine is logo-ed, and it comes with a handsome slipcase which which like the branded with the Beyond Genres design, the spine is numbered, this being volume 2. The discs themselves features excerpts of the artwork from the four-panel sleeve.    

Beyond Re-Animator Special Features: 
- Audio Commentary with Director Brian Yuzna 
- The Making of Beyond Re-Animator  (18 min) 
- Dr. Re-Animator: Move Your Dead Bones (4 min) 
- Interviews with Brian Yuzna, Jeffrey Combs, Jason Barry, Elsa Pataky, Santiago Segura, Simon Andreau (18 min) 
- Behind The Scenes (12 min) 
- Trailer (2 min)



Umbrella's Blu-ray release of Bride of Re-Animator/Beyond Re-Animator is a fun double-feature, Bride looks fantastic in HD, while Beyond is marred by a dated HD master and some excessive DNR, but it's great to have both on Blu-ray in HD with loads of extras. I do wish that the Beyond had been afforded a new restoration for it's  worldwide HD debut, but I give kudos to Umbrella for the presentation of Bride and the sweet-looking packaging on this one. Both of these sequels sequels continue to age with a gory grace I wouldn't have guessed when I first watched them years ago, more so for Bride, but Beyond is still growing on me.