CUJO (1983) (Eureka Limited Edition Blu-ray Review)

CUJO (1983)

 Limited Edition Box Set (4000 Units)

Label: Eureka Entertainment
Region Code: B
Rating: Cert. 18
Duration: 93 Minutes 
Audio: English LPCM Mono, DTS-HD MA 5.1 with Optional English Subtitles 
Video: 1080p HD Widescreen (1.85:1) 
Director: Lewis Teague
Cast: Dee Wallace, Daniel Hugh-Kelly, Danny Pinatauro, Christopher Stone, Ed Lauter 

I do not remember loving Cujo (1983) when I first saw it on a TV-edit broadcast presentation sometime in the 80's, but the story of an adulterous but loving mother and her young son trapped in a Ford Pinto whilst under attack from a rabid St. Bernard dog is solid stuff. The problem for me then was that there was so much slow-burning melodrama leading up to the frothy finale, but watching it now many years later the film has aged very well, my opinion is a bit kinder. Now older, but certainly none the wiser, I can appreciate the domestic turmoil of ad-exec Vic (Daniel Hugh-Kelly), and his adulterous wife Donna (Dee Wallace, E.T. the Extra-Terrestrial), but then there's a subplot about a kids cereal account that the ad-exec husband is working on that goes nowhere and drags what could have been a slow-burn down to a sad-crawl. 

Though I will say that the idea of a kids cereal that due to a red-dye ingredient makes kids shit bright red stool is rather funny when you think about it, especially when coupled with an an equally unfortunate bit of ad campaign verbage. There's another subplot about an abused wife of a local mechanic winning the lottery and fleeing town, an arc with no payoff really, other than to reinforce the notion that there's no one to help this mother and child later on. 

The titular dog here starts off as a very family friendly sort of beast who one day while chasing a rabbit through the woods is bitten on the nose by a rabid bat, with the canine succumbing to the illness, driven mad  and killing his owner, who is the local mechanic in town, the one whose wife won the lottery and ran off earlier. 

Which brings us to the cheating mom's failing Ford Pinto with it's dashboard lit-up like a Christmas tree with red-warning lights, pulling up to the mechanics shop where the car conks out completely just as the rabid dog lays siege to the mother and child inside. This stuff is the saving grace of the film, somewhat erasing the slow threads of the first two-thirds of the film with the snarling, foaming-at-the-mouth dog attacking the car with a mighty fervor, trying to get in there and tear this mother and son up with it's gnashing teeth. Trapped in the car over the course of two days in the sweltering heat, the young boy and mother begin succumbing to heat exhaustion, with the increasingly desperate mom trying to fight back, ultimately having to face-off against the snot-eyed, rabid beast with a baseball bat in a last ditch effort to save her son who is on death's door.

The film is certainty flawed with random threads that go nowhere, slowing this things down to a crawl at times, but Dee Wallace turns in an electrifying performance as the terrorized mother who will do anything to save her young son, the same cannot be said for her affair with an ex played by her then husband Christopher Stone (The Howling), for a real-life couple they had zero chemistry together. The practical make-up effects used to give the dog it's bloodied, snot-eyed, and foamed-mouth rabid looks are still terrific looking, plus the animal trainers did great work bringing the usually lumbering St. Bernard breed into the realm of terror with a combination of trained dogs, a man in a suit, prosthetics and even a different breed of dog in a St. Bernard suit, to make this normally docile dog into a growling image terror.

Audio/Video: Cujo (1983) arrives on 2-disc region-B locked Blu-ray from Eureka Entertainment in 108op HD widescreen (1.85:1) looking good, though comparing it to the 2009 Liosngate Blu-ray release it does look to be the same transfer, this is not a new 2K scan of the elements. That said, the grain is well-managed for the most part, and colors are solid, but the film's dingy brown color range that doesn't really shine, but overall I still found it to be a pleasing watch in HD, it's just not dazzling the way a new scan would have allowed. Audio comes by way of of English LPCM Mono and DTS-HD MA 5.1 with optional English subtitles, dialogue is crisp and clear, with the wonderful score from Charles Bernstein (A Nightmare on Elm Street) springing to life in the mix. 

While the A/V presentation doesn't look to be a fresh scan Eureka really hot a home run with the extras here, packing in over seven hours worth of goodies to paw your way through, beginning with a brand new audio commentary from  super-fan Lee Gambin, author of 'Nope, Nothing Wrong Here: The Making of Cujo', a thorough and well-rounded exploration of the film and it's source novel. Notably Eureka do not carry-over the previous audio commentary with director Lewis Teague, so maybe hang onto those Blu-rays from Olive Films and Lionsgate for that specific extra. 

We also get a wealth of interviews, beginning with star Dee Wallace who shows up for a 40-min interview beginning with getting Cujo following the blockbuster success E.T., loving the role of a strong woman. Stating she did not read the novel and was not a fan of the original end for the young boy.  There's some conversation about the original director Peter Medak (The Changeling), and what it was like working with his replacement Lewis Teague (Cat's Eye), and also with her husband on the film. The star also speaks of how much of a toll the role was for her physically and emotionally. Wallace also speaks on the wardrobe and make-up FX, plus working with the trained dogs.

Composer Charles Bernstein gives a 35-min interview discussing his process creating the score, speaking of individual themes, describing the film as a "delicious film to score", and ending the interview by playing some of the Cujo theme at on piano at his home studio. 
   

Stuntman Gary Morgan speaks for 25-min about being a stuntman in the dog suit, he having appeared in quite a few films as an animal. Speaking about what it was like to be working in a suit, how it got old and smelly real fast, so much so that it had it's own room as no one wanted to store it in theirs. He speaks about how laid back the trained dogs were and what a challenge it was to get them appear to be viscous, using a "critter cage" to excite them, and how the rabid dog foam was actually egg whites, which the dogs would eat, and sharing some of his favorite memories from the shoot. 

Stunt woman Jean Coulter (Jaws 2) speaks about getting the role, working with director Lewis Teague and star Dee Wallace. Going into working with the dogs, saying they mostly worked with one main dog, and how one was particularly mean. The most horrific story is of how playing with the dog nearly resulted in her losing her nose, which was left hanging by a thread of skin, and how doctor's were able to reattach it! She gives a lot of credit to stuntman Gary Morgan who was working in the dog suit, and talking about some other film gigs where director's had crazy demands for her.   

Casting director Marcia Ross speaks about her early career working on a pair of Walter Hill (Hard Times) films, going into the auditions for Cujo, including how Billy Jacoby (Bloody Birthday) auditioned for the role of the main kid, but being a bit too old for the part. 

Special effects designer Robert Clark talks for 13-min about working with Karl Lewis Miller to fit the dogs costume, including a Labrador that wore a St. Bernard costume! He also discusses creating prosthetic special effects, including the jaws of the dog and casting the head, and making a reference to his work on the dachshunds in rat costumes, killer rat film Deadly Eyes (1982)! 

Dog trainer Teresa Miller shows up for a 28-min interview recalling Cujo, which her father worked on when she was 17. Describing her father training the four dogs for months before filming, and how strange having been around them felt afterward when she saw the film and how viscous they were made to act. She also discusses her father suggesting the producers use Doberman's instead of low-energy St. Bernards in the film, finally resorting to putting a Labrador in a St. Bernard suit to achieve some of the on-screen action.     

Extras on disc one are buttoned-up with Laurent Bouzereau's 43-min making-of doc 'Dog Days: The Making of Cujo' (2007), which is still a terrific watch, featuring interviews with some people not interviewed on the new extras, including director Lewis Teague, cinematographer Jan de Bont (Butcher, Baker, Nightmare Maker) actor Danny Pintauro, late Producer Robert Singer and Editor Neil Travis. We also get a trailer and TV spots for the film. 

Exclusive to the limited edition release is a bonus Blu-ray disc containing a Q&A with star Dee Wallace moderated by Lee Gambin, this was filmed at Cinemaniacs & Monster Fest 2015. Wallace fields questions about her career. Also on the bonus disc is a 28-min interview with critic and author Kim Newman seated on that familiar looking couch in his mother's basement discussing the numerous Stephen King film adaptations. I'm a fan of Newman's writings and film musings, so hearing him ramble on here about King adaptations and the career of director Lewis Teague was a pleasure. 

This limited edition set also includes a 60-page booklet with new writing on the film by Lee Gambin, author Scott Harrison, and Craig Ian Mann; illustrated with archival imagery from the film’s production. Plus you will get a cool-looking hardbound slipcover with artwork by Graham Humphreys and a reversible art option from illustrator Justin Osbourn. 

The extras assembled for this are terrific, the only thing missing here would be a definitive new 4K scan of the film which would have made this already definitive release even more definitive. 
  

Special Features: 
- New and exclusive feature length audio commentary by Lee Gambin, author of Nope, Nothing Wrong Here: The Making of Cujo
- New interview with Dee Wallace (40 mins)HD
- New interview with composer Charles Bernstein (35 mins)HD
- New interview with stuntman Gary Morgan (25 mins)HD
- New interview with stuntwoman Jean Coulter (21 mins)
- New interview with casting director Marcia Ross (20 mins) HD
- New interview with visual effects artist Kathie Lawrence (13 mins) HD
- New interview with special effects designer Robert Clark (12 mins)HD
- New interview with dog trainer Teresa Miller (28 mins) HD
- Dog Days: The Making of Cujo – archival documentary on the film’s production (43 mins) 
- Original Trailer(2 min) HD 
- TV Spot #1 (1 min) HD 
- TV Spot #2 (1 min) HD 

Disc Two - Limited Edition Only
- Q&A with Dee Wallace from “Cinemaniacs & Monster Fest 2015”, moderated by Lee Gambin (101 mins)HD 
- New interview with critic and author Kim Newman (28 mins) HD

Cujo is a film that has gotten better with age for me, the melodrama and loose story elements still sap it of it's thunder to a degree, but the final leg of the film with the formerly docile dog succumbing to it's rabid ways and the harrowing survival story of the mothers and son is still powerful stuff. The new 2-disc limited edition Blu-ray is stacked with hours of extras that are sure to please fans of the film. 

Blu-ray review: THE HOWLING (1981)

THE HOWLING (1981) 

Collector's Edition Blu-ray 

Label: Scream Factory

Region Code: A NTSC

Duration: 91 Minutes 

Rating: R

Audio: DTS-HD Master Audio 5.1. DTS-HD Master Audio 2.0 

Video: 1080p Widescreen (1.85:1) 

Cast: Patrick Macnee, Dennis Dugan, Christopher Stone, Belinda Balaski, Kevin McCarthy, John Carradine 

Director: Joe Dante 

THE HOWLING (1981) starts off with sleazy exploitation leanings as TV news anchor Karen White (Dee Wallace, E.T.) walks the seedy neon-lit streets of Los Angeles on her way to a adult video store for a fateful meet-up with Eddie Quist (Robert Picardo, INNERSPACE), a serial killer stalking the streets of LA whom has ironically adopted the cheerful yellow smiley-faced sticker as his calling card. Karen is wired for sound and working in cooperation with the LAPD to ensnare Quist who's known for shredding his victims. Of course, something goes wrong and White is left alone with the weirdo in a porno booth watching a rape film. Quist stands behind her in the darkened booth not allowing her to see his face, just as something weird begins to happen the cops arrive and blow the creep away. Physically unharmed White is traumatized by the encounter, she experiences partial amnesia, she's an emotional wreck unable to sexually satisfy her husband or appear onscreen at the TV station. 

Karen seeks treatment from therapists Dr. George Waggner (Patrick Macnee) who suggests she and husband Bill Neill (Christopher Stone, CUJO) visit his private resort-style resort spa located along the scenic northern California coast. Arriving at the resort they meet a rather interesting assortment of folk, particularly the seductive nympho Marcia Quist (Elisabeth Brooks) who lusts quite openly for Bill. There's a bunch of Joe Dante familiars, Kevin McCarthy (INVASION OF THE BODY SNATCHERS) as a TV newsroom manager, and it just wouldn't be a Dante film if we didn't see an appearance from Dick Miller (GREMLINS) as the fast-talking proprietor of an occult book shop. We also get fun cameos from Roger Corman and Forrest J. Ackerman of Famous Monsters of Filmland plus appearances from character actors David Carradine (BATMAN) as a scruffy suicidal weirdo, and Slim Pickens (1941) as the sheriff.

So, it's a fun cast but what the film is fondly remembered for are Rob Bottin's fantastic werewolf designs and practical transformation effects! Legend has it that Rick Baker began work on the film but left the production to work with John Landis on An American Werewolf in London, maybe not surprisingly the transformation effects are similar in nature, stretched latex and pulsating air bladders. Bottin's transformation seems more gruesome to my eyes, the other major difference being that  the werewolves walk upright. While some of the film's effects were state-of-the-art at the time not all were fantastic, the schlockiest moment comes by way of a strange animated werewolf sex scene, a victim of the film's budgetary constraint, but I cannot help myself, I love it. 

Of course there's some weird stuff happening at the Colony besides Dr. Waggner's primal scream-esque therapy treatment. On a hunting trip Bill is attacked by a wild animal and bitten, soon his personality begins to change. At night the woods come alive with strange animalistic howls and snarls and Quist's body disappears from the city morgue. All the oddness culminating in a frenzied confrontation with a barn full of werewolves, it's a great watch with a nice balance of subversive humor, some truly gruesome moments and fantastic special effects, very nicely done. 

The Howling has some effective location shots, the seedy porno shop and the preceding shots of Karen walking the dirty streets of LA past street urchins are gritty, it feels dirty. Later, once she arrive at The Colony the wooded areas are used quite well, the shadowy moonlit forests and creeping fog are quite spooky, it's a great setting for a werewolf movie and it feels like a traditional horror tale.

There's clearly a subtle tongue-in-cheek humor to the proceeding though it's a fairly serious take on the genre, particularly for a Joe Dante production. Keen observers will notice some fun wolf-themed nice gags throughout, Wolf brand chili anyone? While I love the film it's not quite perfect, there are some slow moments that bring it down a few pegs, it would have been nice to either have the humor elements or horror amped-up a bit, the tone of the film is pretty serious for the most part but it needed some oomph somewhere along the way, it's missing something.  It starts of interestingly enough but slow, however, once they arrive at the secluded spa stuff starts to happen pretty quickly from there on in. 

Surely no one saw this low-budget film spawning seven sequels, I have a soft spot for director Philippe Moira's oddity, HOWLING III: THE MARSUPIALS (1987), a schlocky ozploitation classic if you ask me, but it's Joe Dante's original that still elicits the most howls of pleasure, it's a true cult classic and a fantastic werewolf film. 

Blu-ray: The Shout! Factory Blu-ray presents THE HOWLING in widescreen (1.85:1) with a sweet 1080p AVC MPEG-4 encode and the difference between it and the previous MGM special edition in terms of visual quality is very pleasing. Shot on a shoe-string budget The Howling is a bit soft and hazy by design, there's a nice layer of film grain, colors are deep and robust and black levels are pretty decent. There's a nice amount of fine detail with some moderate depth and clarity to the image, The Howling as never looked better, a very attractive hi-def presentation. 

There are two DTS-HD Master Audio options, a 2.0 stereo mix and a 5.1 remix, I do enjoy a decent 5.1 remix and this one does open up the sound field a bit, creating a submersive surround experience. That said, there's absolutely nothing wrong with the 2.0 which has decent stereo separation during more active sequences and Pino Donaggio's orchestral score and the snarling transformation effects sounds fantastic, the Blu ray disc includes an optional English subtitle track, too. 

Onto the special features we get the full arsenal of bonus content from the previous MGM Special Edition,  some of which get a hi-def upgrade which makes it easy to trade-in the standard-def edition to make room for Scream Factory Blu-ray, though I did save the 4 pg. booklet DVD insert with The Howling trivia and synopsis. 

The first set of features are two audio commentaries  the carry-over of the commentary With Director Joe Dante And Actors Dee Wallace, Christopher Stone and Robert Picardo is appreciated, it's an energetic and informative group conversation with plenty of great anecdotes, the second commentary with author Gary Brander is moderated by Red Shirt Pictures' Michael Felsher is is more focused on Brandner's life and career than any scene specific observation or comparisons between the film and novel, though both subjects are touched upon lightly. I've read that Bradner has a pretty poor opinion of the film, which deviates quite a bit from the source material but he gives  few nods of approval here and there. 

Another carry-over from the DVD is the fantastic five-part documentary Unleashing the Beast: The Making Of The Howling Multi-part Documentary (48:33) with some great retrospective interviews with the cast and crew, including screenwriter John Sayles. We get some great behind-the-scenes special effects shots which are always my favorite.

Another great vintage featurette is the Making Of A Monster: Inside The Howling Documentary (8:01) with more cast and crew interviews with Joe Dante, Rob Bottin and actor Patrick Macnee. the latter of whom talks about the carnage he witnesses as a veteran of WWII while Dante discusses the history of comedy in horror and Bottin speaks to the difference in old school werewolf transformations in cinema versus what the visceral in-camera effects he was putting onscreen. The last of the MGM produced special features are a selection of Outtakes (7:03), a Photo Gallery and the Original Theatrical Trailer (1:28).

Now onto some brand-new Red Shirt Pictures produced special features made exclusively for Scream Factory's Collector's Edition Blu-ray beginning with the aforementioned author commentary, which was probably the least interesting of the bunch in my opinion. 

Howlings Eternal: New Interview with Executive Producer Steven A. Lane (18:49) is an quite interesting watch as he discusses obtaining the rights to the novel as a Hollywood outsider and taking the film to the studios. he then goes into each of the sequels right up the THE HOWLING: REBORN. he espouses both praise and detraction in equal measure though he definitely has a soft spot for the series, fondly recalling working with horror legend Christopher Lee on THE HOWLING 2: YOUR SISTER IS A WEREWOLF, director Philippe Moira on HOWLING III: THE MARSUPIALS, the S.African co-produced THE HOWLING IV and his favorite of the sequels, HOWLING V.

Not produced by red Shirt but culled from the ancient laser disc edition is a vintage interview with the late stop motion animator Dave Allen (8:48) is bittersweet as the Full Moon veteran speaks about his stop-motion animation that was never used in the final film except for a very brief excerpt at the end, luckily for us we get to see it here though it's easy to see why Dante chose not to use it. As it is we do get a weird animated sequence, this stop-motion segment would have been out of place.

Interview with co-writer Terence Winkless (12:32) is equally interesting as the original screenwriter of the film goes into getting the gig through a softball connection of all things and how finally getting an onscreen credit with THE HOWLING opened the doors for him in Hollywood. he goes into working with Dante whom he recalls had a lot of creative energy and input, it was Dante who named many of the characters in the film after directors of classic werewolf cinema, as well as discussing the adapting/writing process and Roger Corman's cameo in the film.  

A staple of many of the Scream Factory titles is the Horror's Hallowed Grounds (12:15) wherein host Sean Clark from Horror Hound magazine revisits classic locations from the film including a gift shop on Hollywood Blvd. that I've actually been to, I had no idea! They also revisit Marcia's shack from the film which looks nearly identical to what we see in the film to this day, Clark's got a great sense of humor and these location visits are always a howl. 

Cut to Shreds: Interview with Editor Mark Goldblat (11:20) features the horror nut speaking about his love of cinema from an early age, shooting 8mm films in his backyard and then working for Roger Corman's New World Pictures, which he describes as being beat to shit, a place where he met Joe Dante and got the gig editing Dante's feature length Debut PIRANHA ad subsequent projects. He praises Dante for his humorous subtext and delicate balance of fear and humor, his appreciation of how the director sees the irony of every situation. He also goes into the art of editing, lighting a film and the fantastic Rob Bottin effects on the film. 

Reversible Artwork Option 

Also on the disc are a selection of Deleted Scenes with Optional Audio Commentary from Director Joe Dante (11:28), not a lot of notable excised scenes aside from a Dee Wallace hot tub scene, it's nice to have 'em on the set. If your so inclined there's also a fun Easter Egg to be found featuring Joe Dante regular Dick Miller

Non Blu-ray disc special features include a sleeve of reversible artwork with a newly commissioned illustration by artist Nathan Thomas Milliner, the reverse-side features the  iconic theatrical artwork for purists. We also get a slipcase which features the Milliner artwork. This is a great edition, Scream Factory have once again stepped up to the plate dusted off a familiar horror classic and breathed new life into it with fantastic AV presentation and interesting bonus content that serve to enhance your enjoyment of the film, great stuff. 

Special Features: 

- Audio Commentary with Author Gary Brandner
- *Audio Commentary With Director Joe Dante And Actors Dee Wallace, Christopher Stone and Robert Picardo
- Howlings Eternal: New Interview with Executive Producer Steven A. Lane (18:49) 
- Interview with co-writer Terence Winkless (12:32) 
- Cut to Shreds: Interview with Editor Mark Goldblat (11:20) 
- Deleted Scenes with Optional Audio Commentary from Director Joe Dante (11:28)
- Horror's Hallowed Grounds: A look at the film's location (12:15)
- Interview with Stop-Motion Animator Dave Allen (8:48) 
- *Unleashing the Beast: The Making Of The Howling Multi-part Documentary (48:33)
- *Outtakes (7:03)
- *Making Of A Monster: Inside The Howling Documentary (8:01)
- *Photo Gallery
- *Theatrical Trailer (1:28) 
- Dick Miller Interview (Easter Egg) (3:28) 
*Extras carried over from prior DVD release

Verdict: There are two camps when the mention of werewolves in cinema are discussed among horror aficionado, inevitably the conversation comes down to  John Landis' AN AMERICAN WEREWOLF IN LONDON and Dante's THE HOWLING - which both came to cinemas in 1981. Which camp do I fall into you may wonder, honestly I love 'em both the same, depending on what day of the week it is I might prefer one over the other. I couldn't be happier that both films are now available in 1080p hi-def with some awesome special features, this is great stuff and essential to any horror lover's collection. 4.5 Outta 5