From Executive Producers James Cullen Bressack and Jarret Cohen at Psykik Junky Pictures comes the newest horror anthology starring horror film icon Shawn C. Phillips and adult-film sensations Sophie Dee and Veronica Ricci: THEATRE OF THE DERANGED! (Theater of Derange)
Join Andy the Arsonist as he shares five of his favorite short horror films in all their demented glory. The collection features never-before seen films by popular indie horror writer/directors James Cullen Bressack, Shawn C. Phillips, Liz Gilbert, Brian Dorton, and Creep Creepersin.
The Film was Just Picked up for WORLD WIDE distribution by the company WORLD WIDE MULTI MEDIA and comes out on DVD in 2012.
Here is a little teaser trailer to keep you tided over until the release:
http://www.youtube.com/watch?v=T7sQMEuOBp0
Here is the IMDB:
http://www.imdb.com/title/tt2064980/
the crypt of cult, horror and exploitation cinema - establish 2010 - celebrating 15 years!
Showing posts with label Creep Creepersin. Show all posts
Showing posts with label Creep Creepersin. Show all posts
Tuesday, January 17, 2012
Friday, June 24, 2011
DVD Review: Ding Dong Dead (2010)
Label: MVD Visual
Region Code: Region 0 NTSC
Rating: Unrated
Duration: 70 mins
Video: Widescreen 16x9
Audio: Dolby Digital Stereo
Director: Creep Creepersin
Cast: Luke Y. Thompson, Julia Boyd, Nicole Sienna, Tara Strand, Julie Rose, Destiny Rodreguiez, Shannon Freyer, Dolce Death, Tara Cardinal, Vanessa Moreno, Megan Francis, Devanny Pinn, Chaile Wall, Elina Madison
Tagline: You Wanted a War? You Got One!
Doug (Luke Y. Thompson) is a recently unemployed schlub of a man, a bit of a loser in fact. A stocky little fellow whom refers to himself in the third person and obsesses over his sexy MILF neighbor Claudia (Elina Madison, SOMEONE'S KNOCKING AT THE DOOR, CORPORATE CUTTHROAT MASSACRE) while mumbling suggestive innuendos to himself like "you like it when I water my yard, do ya?" and then imagining her seductive response "I do, I like it when you water your lawn, I like it is so much. You know what it makes me wanna do to you?"until she overhears him and then he freezes up, like most of us would I guess.
Now unemployed Doug is left to wallow in his own crapulence and starts going a bit nutty left to his own devices without a menial job to keep him from entering the abyss of insanity. He sings songs to himself while cruising the internet for job listings, he talks back to the television set, y'know, the usual home alone stuff. He just seems like a sad little dude, this is something Creepersin seems to know quite a bit about and is touched upon in nearly all his films that I've seen.
After a late night run for a fast food Doug has a strange encounter with a mischievous girl gang known as the Ding Dong Ditchers, a group of gothy girls dressed in black who terrorize the neighborhood by ringing doorbells in the dark of night and running away leaving the homeowners dumbfounded, not exactly hardened criminals, yet. Doug calls the police over this annoyance and they intervene on his behalf. The triple D's are incensed by this and step-up their game from petty pranking to some low grade assault which quickly escalates to the point of no return.
| Reservoir Bitches |
The girls not realizing one of their own has been killed launch an all out suburban assault on Dougie's home in search of their friend but they are unaware that Doug is having a mental meltdown. When the killings begin they come fast and furious and in quick succession; a choke-out, suffocation, cleavings a shovel to the throat and some dismemberment. The special effects in the film are quite minimal, not bad, just not focused on. While it's not a gore-soaked bloodbath there's a body count here that would do either Jason Vorhees or Michael Meyers proud. Something that made me laugh was that at one point during the invasion one of the gals decides to take a dump and Doug catches her on the toilet, quite a vulnerable position, which leads to a lethal swirly. Nice. This was quite an entertaining watch, Luke Y. Thompson's comic portrayal of a suburban schlub's descent into madness whilst dealing out some revenge is a recommended watch.
| Dougie's got a gun - and a sweet VHS collection! |
Special Features:
- Behind-the-Scenes Featurette (8:55)
- Audio Commentary with Director Creep Creepersin
- Audio Commentary with Star Luke Y. Thompson and Creep Creepersin
Verdict: It's been an interesting journey following Creep Creepersin filmography and he's come quite a ways from FRANKENSTEIN. This is a very quirky comedy with some nice horror elements. Much like Creepersin's last film CORPORATE CUTTHROAT MASSACRE the comedy is the strong suit here, the violence is not particularly gruesome but it is fun stuff. I would love to see a straight comedy from Creepersin minus the horror, his comedy writing is pretty great. 3.5 outta 5
Labels:
2000's,
Creep Creepersin,
Elina Madison,
Horror Comedy,
Luke Y. Thompson
Friday, June 17, 2011
DVD Review: Corporate Cutthroat Massacre (2009)
Corporate Cutthroat Massacre (2009)
Label: MVD Visual
Region: Region 0 NTSC
Rating: Unrated
Duration: 70 mins
Video: 16x9 Widescreen
Audio: Dolby Digital Stereo
Director: Creep Creepersin
Cast: Alina Madison, Charlie Vaughn, Chandler Maness, Robyn Leigh, Tabitha Taylor, Derek Du Chesne, Sunny Doench, Stephanie Jacksonm, Dudley Beene
Tagline: It's The Office meets American Psycho
This is the third film I've reviewed from the prolific director Creep Creepersin whose previous films Creep Creepersin's Frankenstein (2009) and He (2009) weren't anything more than one and done DVD watches for me, I just don't think I would ever rewatch them to be honest. Each film had points of interest and some cool ideas but the artistry and craftsmanship weren't there to form a completely watchable film, they were rough watches that screamed amateur micro-budget filmmaking. Creepersin's latest film is a psychological thriller/slasher. As I understand it the origins of Corporate Cutthroat Massacre stem from actor/writer Elina Madison, the nightmarish killer snatch in Chad Ferrin's Someone's Knocking at the Door (2009), coming to Creep needing help editing her short film Late Shift. The two came together and fleshed out the story a bit and CCM was born from that short film, which is a special feature on this DVD.
The film revolves around a group of late-night office workers and their office manager Brandi (Elina Madison) who is quite the cold-hearted bitch, real uptight. This night she's even more stressed than usual when corporate sends down word that sales are poor and two employees need to get the axe by the end of the day. She calls a staff meeting mere minutes before the end of the shift and tells them that one, everyone is required to work late to assemble their sales figures, and two, that those with the lowest sales figures are gonna get the axe. Of course everyone is quite pissed about this and as the night wears on co-workers start falling victim to a killer who stalks the office corridors. Is there a nut on the loose, is one of the co-workers trying to up the odds in their favor by removing the competition?
Well, it's not a very original idea and not perfectly executed either but the cast are a fun bunch. There's the bitchy boss Brandi, the kiss-ass assistant Shelton (Dudley Beene), the lush Beth (Sunny Doenche), the man-whore Bryan (Chandler Maness), the office slut Kim (Robbyn Leigh), the dork Bernie (Charlie Vaughn), a young engaged couple John (Derek Du Chesne) and Pennie (Stephanie Jackson), plus the creepy new maintenance man Rusty (Frankie Ray), a recent parolee. This is by far the most talented cast of actors Creepersin's worked with that I've seen, solid performances all around, very charming and engaging people. Great chemistry between everyone, a good group dynamic that was quite entertaining. After seeing He I must say it's a relief that Creepersin sat this one out and stayed behind the camera.
Be forewarned that this is more a psychological-horror-comedy than an bloody slasher, there's precious little on-screen blood or gore, the violence is more implied than shown, which was a disappointment, some bloody kills would have kicked this up a notch for me. Also, I didn't care for the fact that no one seems to realize that coworkers are getting knocked off till the final 10 minutes of the film, just characters getting killed off and no one seems to notice anything, kinda lame - no stalk n' slash thrills. The film's psychological twist is mighty predictable and doesn't hold up to scrutiny, either. The office comedy is the strong suite here, the horror, psychological and otherwise, not so much.
DVD: The film is presented in the anamorphic 1.78:1 widescreen with Dolby Digital 2.0 Stereo audio. The films looks good, the best any Creepersin film I've seen thus far, but still definitely a micro-budgeted feature. The stereo audio handles the dialogue and goofy filmscore well. Special features include a couple of featurettes consisting of interviews with cast and crew. The Nightmare Job featurette features the cast and crew discussing their own nightmarish jobs ranging from shoveling horse shit, expressing anal glands at a pet grooming facility, various retail jobs including Blockbuster and a Mexican restaurant and Creepersin talks about a shady medical plan scam he worked for before it was exposed by Fox 11 news. There's also a director's commentary and Elina Madison's original 15 mins short film Late Shift which was the progenitor to Corporate Cutthroat Massacre.
Special; Features:
- Hostel Takeover Featurette (9:54) 16x9
- Nightmare Job Featurette (7:21) 16x9
- Late Shift Original Short (15:48) 16x9
- Director's Commentary
Verdict: Neither a wholly original or exceptionally well done film, but I'm pleased to say that Creepersin has grown as a director, there's some good production value, decent writing and it's a film that I would possibly watch again, that's saying something. A decently fun psych-slasher with some entertaining comedy layered throughout with a fun cast but it's too light on the horror. Not a high recommend but you shouldn't run screaming from it either. 2.5 outta 5
Labels:
Comedy,
Creep Creepersin,
Elina Madison,
Slasher
Monday, May 30, 2011
DVD Review: he (2009)
he (2009)
Label: MVD Visual
Region: Region 0 NTSCRating: Unrated
Duration: 70 mins
Video: 16x9 Widescreen
Audio: English Dolby Digital 2.0 Stereo
Director: Creep Creepersin
Cast: Creep Creepersin, Ariauna Albright, Matt Turek, Trent Haaga, Sean Cain, Jordan Lawson, Marlina Germanova, Destiny Jasmine Rodreguiez, Julie Rose
Tagline: he is misunderstood... and his wife wants him dead.
Film: The multi-talented writer/director/musician Creep Creepersin is back not only directing this time but starring in this no-budget psychological thriller as the titular "he" whom is married to "wife" (Ariuna Albright, Witchouse). He's a sad, unemployed guy who's coming unglued a bit more each day. He's quite the paranoiac and is convinced that someone is watching him. When his wife catches him staring out the window with binoculars in hand he tells her that he's watching the Watchers so they know they're being watched also. The guy definitely has a few screws loose but his wife ain't no picnic to be around either but then again living with an unemployed nut can't be easy, right? He is plagued by visions of a mysterious Russian speaking woman and another in a black burka as well as a hitman who may or may not have been hired by his wife. In one of the films most schizophrenic moments he encounters his own doppelganger who taunts and ridicules him, it's a very surreal David Lynchian dream logic moment and I think Creepersin's has done an admirable job capturing the surreal mental breakdown of someone slipping into psychosis. While not nearly on the level of Cronenberg's Spider (2002) or Adam Green's Spiral (2007) I think the film is dialing up a very similar number.
The main issue I have with the film is Creepersin himself who's not much of an actor and my advice to him would be to stay behind the camera. Technically we get some growth as far as film composition, narrative structure and dialogue when cm[pared to his previous film Frankenstein but this is still gonna be a difficult watch to anyone other than the most die hard of indie-film fans.
DVD: The film is presented in 16x9 widescreen with English Dolby Digital 2.0 stereo audio, no subtitles are offered. Much like Frankenstein before it the film appears to be shot on consumer grade digital video and looks like it. The shot composition is getting better but still not great, the lightning is still pretty rough but we can see the director and his crew making progress though there are several instances during the film when the video and audio fall out of sync. I wasn't sure if this was an effect to enhance the schizophrenic nature of the film or a technical error but I am going to assume it was technical in nature. The special features include a 13 minute behind the scenes featurette with some informative cast and crew interviews, way better than the rather wandering doc we saw with Frankenstein. There's also a director's commentary and several trailers for Creepersin's other films.
Special Features:
- Behind the Scenes Retrospective (13:46)
- Director's Commentary
- Trailers: The Cut Throat Corporate Massacre (1:16), Ding Dong Dead (1:02), Erection (2:11), Frankenstein (2:17), he (2:08), Peeping Blog (2:16)
Verdict: Creepersin is making progress as a filmmaker but this is still not a completely watchable film. At it's heart this film is about a sad man who's lost touch with reality and while I think Creepersin's ambitions may have overstretched his resources and capabilities the film comes through with some nicely done surreal flourishes that will have you scratching your head and muttering "what the...." if not rewatching it anytime soon.
2 outta 5
Saturday, May 28, 2011
DVD Review: Creep Creepersin's Frankenstein (2010)
Creep Creepersins' Frankenstein (2009)
Label: MVD VisualRegion: Region 0 NTSC
Rating: Unrated
Duration: 54 mins
Video: 16x9 Widescreen
Audio: Dolby Digital 2.0 Stereo
Director: Creep Creepersin
Cast: James Porter, Nicole Nemeth, Kelly Kingsbury, Mrs. Creep, Creep Creepersin
Tagline: Some Men Make Monsters, Victor Just Wanted A Friend
Film: Creep Creepersin's Frankestein is a character study of Victor (James Porter), a painfully awkward guy in his 40's who lives alone in a rural house where it would seem he spends nearly every waking hour watching one of those 100 pack Mill Creek classic horror collections for we only ever see him watch are films of the public domain variety. There he sits in the flickering glow of cathode tube with his only friend in all the world, a rat named Frankenstein. When he's not watching horror he's eating his preferred food of choice, scrambled eggs while looking at nudie magazine. I imagine this is how Harry Knowles started out in life. Knowles would be the exception to the rule though cuz not every weirdo with a stack of nudie mags and a Mill Creek boxset ends up creating Ain't It Cool News. Some just get weirder and weirder until one day they snap while watching Frankenstein and the next thing you know you're receiving transmissions from the TV and being haunted by your dead mother. Suddenly, not unlike Angela Bettis in Lucky McKee's May, your thinking "I'll just make a friend" and before you know it you're not an internet geek-king at all but a demented killer along the lines of Ed Gein with a woman's corpse on your couch covered in marker-drawn stitches. Sure, she's dead but you talk to her anyway cause you're fucked in the head but guess what, even she thinks you're a fucking loser, ain't that a bitch?
Okay, know going in this is a micro-budgeted slice of outsider cinema and the production values are pretty low. The shots aren't particularly well composed and the editing is mighty rough. On top of that even for a 54 minute film it's painfully slow at times, you're just hanging there waiting for something to happen and when it does your just confounded. Those public domain horror films I mentioned earlier are intercut throughout the film also. It's an effective way to create atmosphere but after a certain point it obvious the film clips we're being used to pad out the films running time when in fact I think the film would have been much better suited to a 40 minute short film. There's easily 15 minutes of footage here that could have been excised without altering the film's storyarc.
The acting like everything else about the film is amateur hour but James Porter as Victor does have a few moments that convey the deep seated psychological issue he's suffering but those are fleeting as the overacting takes the character towards the full retard end of the spectrum, and you never go full retard, am I right or am I right?
DVD: Creep Creepersin's Frankenstein is presented in 16x9 widescreen. This production looks exactly like the shot on consumer grade digital video in two days that it is. It looks pretty damn rough all around and it's not particularly well lit or shot either. It's a debut film from an inexperienced cast and crew, ain't no hiding that fact. Unless your a connoisseur of no-budget outsider cinema this is gonna be a tough watch no doubt about it. Supplemental material includes the sprawling 38 minute making of documentary 'A Test of Our Own Stupidity: The Making of Frankenstein' that looks even worse than the feature and three trailers for the film.
Special Features:
- A Test of Our Own Stupidity: The Making of Frankenstein (35:21)
- Teaser Trailer 1 (0:52)
- Teaser Trailer 2 (0:44)
- Trailer (2:17)
Verdict: Not exactly an auspicious debut for director Creep Creepersin to be sure but there are some interesting dark tidbits floating around here, it's an interesting take on Mary Shelley's Frankenstein but it's unfocused and jumbled and better done in the aforementioned May. Creepersin just doesn't have the resources or experience at this point in his career to pull it all together into a completely watchable film. You never know though, in twenty five years we could be looking back at this a classic of outsider cinema like Sledgehammer but it's doubtful. Creepersin's surreal psychological thriller He (2009) and the office slasher The Corporate Cut Throat Massacre (2010) are on deck here at the Mausoleum so we'll soon see if the director's grown any since his debut feature film. 1.5 outta 5
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