Showing posts with label Duncan Lamont. Show all posts
Showing posts with label Duncan Lamont. Show all posts

Thursday, May 30, 2019

FRANKENSTEIN CREATED WOMAN (1967) (Scream Factory Blu-ray review)

FRANKENSTEIN CREATED WOMAN (1967)

Label: Scream Factory
Region Code: A
Rating: Unrated

Duration: 92 Minutes 
Audio: English DTS-HD MA MA Mono with Optional English Subtitles
Video: 1080p HD Widescreen (1.66:1)
Director: Terrence Fisher 
Cast: Peter Cushing, Susan Denberg, Thorley, Robert Morris, Duncan Lamont, Peter Blythe, Barry Warren, Derek Fowlds, Alan MacNaughtan, Peter Madden


Frankenstein Created Woman (1967) opens with a pre-credit sequence of a drunken and belligerent man being lead to the guillotine on the charge of murder. The moment before his head is lopped-off by the blade his young son Hans stumbles upon the macabre scene and witnesses his fathers gruesome decapitation. Some years later the boy now a young man (Robert Morris, Quatermass and the Pit ) in the service of Baron Victor Frankenstein (Peter Cushing, Corruption) and his absent minded assistant Dr. Hertz (Thorley Walters, Vampire Circus). The Baron has been experimenting with a primitive form of cryogenics and the idea of trapping the soul after death and transferring it into to a new host body, a new metaphysical twist on the Frankenstein story, but also one that has very little to connect it to the previous film in the series, The Evil of Frankenstein (1964), where it seemed the Baron had perished in flames.


Hans has a lover by way of Christina (Susan Denberg), the daughter of a local barkeep, her face is terribly scarred, which is the cause of taunting from a trio of dandy young bloods lead by Anton (Peter Blythe) who ridicule her mercilessly. These taunts anger Hans who slices open Anton's face during an altercation at the bar, it's this sudden outburst of anger which makes him the prime suspect when Christina's father turns up murdered a short time later. A shockingly  short trial ends with Hans following in his father's footsteps - losing his head at the guillotine.


Christina unaware of her father's murder or Hans' presumed involvement stumbles upon the the scene at the guillotine, witnessing Hans' decapitation much the same way he witnessed his father's, distraught she throws herself from a bridge to her watery death. The corpses of both the young lovers end up at the home of Dr. Hertz where the Baron Frankenstein sets about extracting the soul of Hans and transferring it into the corpse of Christina. This bit of science fiction is glossed rather quickly with little explanation, but it somehow involves two large heat-lamp looking apparatuses and a glowing sphere, it's all rather very silly stuff, but it's also why we watch these Frankenstein films. Once Christina is revived the docs perform additional miraculous surgeries/treatments and her physical scarring is completely healed - and now she's a blonde with no memory... don't ask, just go with it folks!


It's at this point that those actually responsible for the death of Christina's father and the wrongful execution of Hans meet their demise in very quick succession, with the killer-lady carrying around Hans' decapitated head, occasionally taking on his voice, the film playing with the notion of a supernatural-driven revenge from beyond the grave or psychotic break on the part of the young lady. This aspect of the film had a strong flavor of Hammer's underrated Hands of the Ripper (1971) which came a few years later. Christina is now seemingly possessed and compelled to seek revenge, seducing and murdering the culprits.


In the past I've tended to derided this film a bit, but the film has grown on me these past few years the more I've watched it.  Hammer vet Terrence Fisher (Dracula: Prince of Darkness) imbues the film with a decent amount of atmosphere aided in no small part by a terrific score from James Bernard (Torture Garden) who worked on tons of Hammer horror. Always the consummate professional Peter Cushing turns in a steely performance, but the character is a bit more compassionate this time around than in previous turns. The remaining cast are solid including veteran actor Thorley Walters as the absent-minded doc and Blythe as the late-60's equivalent of an 80's highschool douche bag. Co-stars Robert Morris and Susan Denberg didn't do a lot for me here, though adequate they didn't have a lot of screen presence though Denberg is quite attractive, particularly after her transformation into a blond revenge-murderess.


At the end of the day this is a cool Hammer production with a strange metaphysical twist, the idea of putting the soul of a man into the body of a woman should have been explored to a larger degree in my opinion - this could have been a psycho-sexual Hammer masterpiece. As things are the way they wrap it up is not wholly satisfying, it just happens a bit too fast, it left me wanting more, but even still this is a film that gets a bit better with each subsequent watch, with a strong performance from Cushing, solid direction from Terrence Fisher, and a weird premise that is thought-provoking. 


Audio/Video: Frankenstein Created Woman (1967) is a film previously issued on Blu-ray in 2014 from the Millennium Entertainment, a solid release for the time but with room for improvement. Now Scream Factory have gone back to the original film elements for a new 2K scan that looks improves in all areas. There's a fine layer of film grain, colors are more vibrant and deeply saturated, and the image is sharper with improved clarity. Fine details are abundant with pleasing velvety textures and the blacks levels throughout, it's an excellent upgrade over the previous release. 


Scream also improve on the audio options, as where Millennium offered only a lossy audio option here we get a fuller-bodied DTS-HD MA Mono track, it's limited in fidelity and shows it's age but the wonderfully subtle score from composer James Bernard (Horror of Dracula) benefits greatly from the sonic upgrade, optional English subtitles are provided.  


Extras are plentiful, Scream Factory pack-in the extras here, carrying-over all the disc extras from the Millennium Entertainment release, beginning with the audio commentary with actors Derek Fowlds and Robert Morris moderated by Hammer expert Jonathan Rigby. Derek Fowlds played the leader of young bloods while Robert Morris portrayed Hans, both offer plenty of anecdotes about the making of the film and working with Terrence Fisher, Peter Cushing and Denberg. Rigby shows up on a lot of the releases from Indicator in the UK, and is always a treat when it comes to Hammer stuff, glad to see this on the Scream release. 


Also carried over is the 44-min Hammer Glamour featurette with interviews from Hammer's plunging neckline brigade, including Valerie Leon (Blood from the Mummy's Tomb), Caroline Munroe (Captain Kronos Vampire Hunter), Martine Beswicke (Dr. Jekyll and Sister Hyde), Vera Day and Madeline Smith (Taste the Blood of Dracula) and Jenny Hanley (Scars of Dracula). Madeline Smith is surprisingly chaste and talks about her regret of appearing nude in The Vampire Lovers, while remembering what a sweetie her co-star Ingrid Pitt was. Exotic beauty Martina Beswicke recalls working on the Bond films plus Roy Ward Baker on several movies and working with Raquel Welch plus she alludes to a swinging lifestyle - she seems like she was a wild one! Actress Jenny Hanley offers up a fun story about Peter Walker's sneaky attempt to get her nude on camera and Christopher Lee's seriousness on set, while Valerie Leon tells of how she felt that Blood from the Mummy's Tomb was a cursed production. This is a great extra that also mention other Hammer beauties like Dorian Dores, Hazel Cortze, Barbara Shelley, Susan Denberg, Susanna Lee and the Collinson twins, it's a fun introduction to the Ladies of Hammer r just a fun walk down mammary lane for the already uninitiated.


We also get a pair of episodes from the World of Hammer (1990) TV series narrated by legendary Brit Oliver Reed (Burnt Offerings) spotlighting the careers of Peter Cushing and Hammer's Frankenstein series running about 25-min each.


Scream Factory come through with a couple of new interviews, the first with actor Robert Morris who speaks about this being his first film role, working on a few stunts and fight scenes,and shooting the bedroom scene with Susan Denberg, and some strategic arm placement concealed her breasts during those scenes. Camera Assistant/Clapper Loader Eddie Collins And 2nd Assistant Director Joe Marks 
also show-up for about 12-min, describing what it was like working on Hammer production. 


There's also a new audio commentary With Author/Film Historian Steve Haberman And Filmmaker/Film Historian Constantine Nasr, a solid and info-packed track that is well-worth a listen for those intrigued by such things. The disc is buttoned-up with a selection of trailers including a double-bill with The Mummy's Shroud, plus black & white TV spots and a few radio spots. 


The single-disc releases comes housed in a standard Blu-ray keepcase with a reversible sleeve of artwork, the a-side being a new illustration from from artist Mark Maddox, and the b-side being the original one-sheet poster art. The first run includes a a slip with the new illustration, and the disc itself features an excerpt from the another original vintage movie poster of the film. 


Special Features: 

- NEW 2K Scan From The Original Film Elements
- NEW Audio Commentary With Author/Film Historian Steve Haberman And Filmmaker/Film Historian Constantine Nasr
- NEW Interview With Actor Robert Morris (11 min) 
- NEW Interview With Camera Assistant/Clapper Loader Eddie Collins And 2nd Assistant Director Joe Marks (12 min) 
- Audio Commentary By Actors Derek Fowlds, Robert Morris, And Film Historian Jonathan Rigby
- World Of Hammer Episode The Curse Of Frankenstein (25 min) 
- World Of Hammer Episode Hammer Stars: Peter Cushing (25 min) 
- Hammer Glamour Featurette (44 min) 
- Theatrical Trailers (4 min) 
- TV Spots (1 min) 
- Radio Spots (2 min) 
- Still Galleries – Movie Stills (6 min), Posters, And Lobby Cards (6 min)


Frankenstein Created Woman (1967) is not a film I've always loved, a Hammer entry that I probably would have described as middling just a few years ago, but it's really grown on me in recent years, and thankfully now we have the best looking and sounding version of the film yet on Blu-ray with some excellent extras to go along with it, terrific job on this one from Scream Factory, highly recommended, you can buy this one with confidence. 

Thursday, April 18, 2019

THE EPITAPH VOL.14 - THE WITCHES (1966) - THE BODY SNATCHER (1945) - SOMEONE TO WATCH OVER ME (1987) - WILLARD (2003) - WARNING SIGN (1985)

THE EPITAPH VOL.14 
SCREAM FACTORY EDITION!

THE WITCHES (1966) - THE BODY SNATCHER (1945) - SOMEONE TO WATCH OVER ME (1987) - WILLARD (2003) - WARNING SIGN (1985) 


THE WITCHES (1966)
Label: Scream Factory
Region Code: A
Rating: Unrated
Duration: 90 Minutes
Audio: English DTS-HD MA 2.0 with Optional English Subtitles
Video: 1080p HD Widescreen (1.66:1)
Director: Cyril Frankel
Cast: Joan Fontaine, Kay Walsh, Alec McCowe, Duncan Lamont, Gwen Ffrangcon Davies
 

A bit of lesser-appreciated slice of Hammer horror is The Witches (1966) which is better known here in the U.S. under the alternate title The Devil's Own, starring Joan Fontaine as a schoolteacher doing missionary work in Africa where she is terrorized by a witch doctor, causing her to have a nervous breakdown. We catch up with her some months later and she has been recovering from her breakdown, now accepting a teaching position job in a rural village in the English countryside. Funnily enough we come to find out there's some shady witchcraft happening there too! It a bit of a slow-burn after an initially strange beginning, but the over-the-top finale more than pays off the slow-burn build-up with a delirious dose of small town witchcraft. Scream Factory's release includes an audio commentary, Hammer Glamour featurette, trailer and still gallery plus a reversible sleeve of artwork with both U.K. The Witches and the U.S. The Devil's Own artworks!

Special Features:
- NEW Audio Commentary With Filmmaker/Historian Ted Newsom
- Hammer Glamour – A Featurette On The Women Of Hammer
- U.S. Trailer THE DEVIL’S OWN
- Double Feature Trailer PREHISTORIC WOMEN And THE DEVIL’S OWN
- Still Gallery


THE BODY SNATCHER (1945)
Label: Scream Factory
Rating: Unrated
Region Code: A
Duration: 77 Minutes
Audio: English DTS-HD MA Mono with Optional English Subtitles
Video: B&W 1080p HD Full Frame (1.33:1)
Director: Robert Wise
Cast: Boris Karloff, Bela Lugosi, Henry Daniell, Edith Atwater, Russell Wade, Sharyn Moffett

This Val Lewton produced adaptation of a short story by Robert Louis Stevenson, and finely directed by Robert Wise (The Haunting) has long been one of my favorite grave-robber thrillers. A vintage slice of the macabre, starring a devilishly delightful Boris Karloff as John Gray, a man who supplies corpses to a surgical school run by Dr. Wolfe "Toddy" MacFarlane (Henry Daniell, The Four Skulls of Jonathan Drake), a man who doesn't question where all these fresh corpses are coming from. The film is full of references to the Burke & Hare and includes an appearance from Bela Lugosi as one of the Dr.'s assistant, who unwisely attempts to blackmail Gray, his fate sort of sadly mirroring what had already happened to his real career, his horror crown having already been usurped by Karloff! This new 4K scan from the original camera negative performed by Warner Bros. is absolutely stunning, the black and white cinematography is crisp, well detailed and offering excellent contrast like this film has not seen before. Extras include the archival 53-min doc Shadows in the Dark: The Val Lewton Legacy with appearances from Guillermo del Toro, Robert Wise, George A. Romero, John Landis and others, narrated by James Cromwell. There's also a 12-min appreciation from author Gregory William Mank, an audio commentary with the director Robert Wise and film historian Steve Haberman, plus a selection of galleries.

Special Features:
- NEW 4K scan of the original camera negative
- NEW You’ll Never Get Rid of Me: Resurrecting THE BODY SNATCHER (12 min)
- Audio Commentary with director Robert Wise and writer/film historian Steve Haberman
- Documentary – Shadows in the Dark: The Val Lewton Legacy (53 min)
- Still Galleries (5 min)
- Posters, lobby cards, movie stills (4 min)



SOMEONE TO WATCH OVER ME (1987)
Label: Shout Select
Region Code: A
Rating: R
Duration: 106 Minutes
Audio: English DTS-HD MA 2.0 with Optional English Subtitles
Video: 1080p HD Widescreen (1.85:1)
Director: Ridley Scott
Cast: Tom Berenger, Mimi Rogers, Lorraine Bracco, Jerry Orbach

Romantic thrillers are not necessarily a genre of films I go out of my way to watch, but considering this one is directed by Ridley Scott (Alien) and my wife hates horror, I need to have a standby film that will work for both of us on those lucky nights when she wants to cuddle-up on the couch. Set in New York City the film has a great look, really capturing the sights of The Big Apple with attractive lensing. The story of a rough around the edges detective (Tom Berenger, Major League) who is tasked with playing body guard to a socialite (Mimi Rogers, Austin Powers: International Man of Mystery) who witnessed a murder. The cop and the socialite improbably start to fall for one another, straining the cop's home life with wifey played by Lorraine Bracco (Goodfellas). Not anywhere near the best of Ridley Scott's work in my opinion, but if you have a soft spot for romantic thrillers that are visually engaging you could do worse, plus you get an appearance from the late Jerry Orbach (TV's Law & Order) playing what else, a cop. The film arrives on Blu-ray from Scream Factory looking and sounding solid on Blu-ray, containing new interviews with both the director of photography and writer.

Special Features:
- New Interviews with Writer Howard Franklin (11 min) HD
- New Interview with Director of Photography Steven Poster (14 min) HD

WILLARD (2003)

Label: Scream Factory
Region Code: A
Rating: PG-13
Duration: 100 Minutes
Audio: English DTS-HD MA 5.1 with Optional English Subtitles
Video: 1080p HD Widescreen (2.35:1
Director: Glenn Morgan
Cast: Crispin Glover, R. Lee Ermey, Laura Elena Harring, Jackie Burroughs

This delightfully demented remake of Willard helmed by writer-director Glen Morgan (Black Xmas) hits all the right notes for me, a character study of a sad, awkward loner with no friends, other than some rats, who do his bidding, and much strangeness ensues. Crispin Hellion Glover was the absolutely the right choice to play the titular character who seeks revenge against his hard-nosed boss played by R. Lee Ermey (Texas Chainsaw Massacre) and others who have shit on him through the years. The art direction and dour tone of this one didn't exactly burn through cinemas back in '03, I recall watching it in a theater all by myself, but I think it's developed a nice cult following over the years. The new Blu-ray from Scream Factory is not branded as a Collector's Edition but is absolutely crawling with extras, porting over the ample supplements from the previous special edition DVD and adding two brand new commentaries, plus over two hours worth of new interviews, plus a new 2K scan of the film. Willard is a  rat-tastic slice of creepiness, anchored by a wonderfully weird turn from the wonderfully weird Crispin Hellion Glover, some excellent rat-acting/wrangling and oodles of skin-crawling atmosphere. 

Special Features:
- NEW 2K scan of the original film elements
- NEW Audio Commentary with writer/director Glen Morgan and director of photography Robert McLachlan
- NEW Audio Commentary with animal trainers Mark Harden and David Allsberry of Animals for Hollywood
- NEW The Road to Willard – an interview with writer/director Glen Morgan (80 min) HD
- NEW Destination Willard – an interview with director of photography Robert McLachlan (46 min) HD
- NEW The Rat Trainer’s Notebook – behind-the-scenes footage from Animals for Hollywood (12 min)
- Audio Commentary with writer/director Glen Morgan, producer James Wong, actors Crispin Glover and R. Lee Ermey
- The Year of the Rat – a documentary on the making of WILLARD (73 min)
- Rat People: Friends or Foes? – A Real Rat Documentary (19 min)
- Deleted/Alternate Scenes with optional commentary (26 min)
- Music Video BEN by Crispin Hellion Glover with optional commentary (3 min)
- Behind-the-Scenes Footage and interviews from the EPK (30 min)
- Theatrical Trailer (4 min)
- TV Spots (4 min)
WARNING SIGN (1985)
Label: Scream Factory
Region Code: A
Rating: R
Duration: 99 Minutes
Audio: English DTS-HD MA 2.0 with Optional English Subtitles
Video: 1080p HD Widecreen (1.85:1)
Cast: Sam Waterston, Kathleen Quinlan, Yaphet Kotto, Jeffrey DeMunn, Richard Dysart
Director: Hal Barwood

Eighties bio-terror film Warning Sign (1985) is a movie I hadn't even heard of until it was announced by Scream Factory, the story takes place in a secret government run research facility masquerading as an agriculture pesticide facility in rural Utah.  A biological weapon along the lines of the rage virus from 28 Days Later is accidentally released during a celebratory photo op in the lab, causing the facility to go into lock down. The local sheriff's (Sam Waterston, Serial Mom) wife (Kathleen Quinlan, Twilight Zone: The Movie) works as security for the lab and is trapped inside, trying to stay alive while the employees inside begin to succumb to the violence/paranoia inducing bio-weapon that's been unleashed. A shadowy government agent (Yaphet Kotto, Alien) shows up to contain the situation with lots of men in contamination suits, reassuring the local media with a steady stream of disinformation. Realizing that the agent is blowing smoke up his ass the sheriff reaches out to a rogue/discredited biologist (Jeffery DeMunn, The Blob) who once worked on the project. Rounding out the surprisingly stellar cast are Richard Dysart (The Thing) and G.W. Bailey (Police Academy) as researcher trapped inside the facility. The bio-thriller is surprisingly played straight, I was expecting something a bit sillier coming right smack dab in the middle of the 80's, but that's not to say that it isn't unintentionally humorous from time to time. There's something that cracked me up about the manic paranoia of Dysart once he began exhibiting signs of being infected, and the whole development and application of the cure also comes off rather goofy. That said, I had a blast with this film, the premise is semi-solid, while the execution and science seems less than perfect, but the cast is top-notch and really won the day for me. It's not great stuff, but absolutely entertaining junk food cinema. Scream Factory offer the film up in 1.85:1 widescreen with a losless stereo audio track, though the menu indicated mono, it's incorrect. Extras come by way of an archival commentary from the director, plus a pair of new interviews with the director and producer Jim Bloom, plus a trailer, TV spot and image gallery. The sleeve of artwork is reversible but both are generic looking.

Special Features:
- New interview with director/co-writer Hal Barwood (19 min) HD
- New interview with producer Jim Bloom (40 min)
- Audio commentary track with director/co-writer Hal Barwood
- TV Spot (1 min)
- Theatrical Trailer (1 min)
- Still Gallery (2 min)

Thursday, January 23, 2014

FRANKENSTEIN CREATED WOMAN (1967) Millennium Entertainment Blu-ray review

FRANKENSTEIN CREATED WOMAN (1967)

Label: Millennium Entertainment
Region: A
Rating: Unrated
Duration: 92 Minutes
Audio: English Dolby Digital 2.0 Stereo with Optional English Subtitles
Video: 1080p Widescreen (1.77:1)
Director: Terrence Fisher
Cast: Peter Cushing, Susan Denberg, Thorley Walters, Robert Morris, Duncan Lamont, Peter Blythe


Frankenstein Created Woman (1967) opens with a pre-credit sequence of a drunken and belligerent man being lead to the guillotine on the charge of murder. The moment before his head is lopped-off by the blade his young son Hans stumbles upon the scene witnessing the shocking decapitation. Some years later the boy now a young man (Robert Morris) is the service of Baron Victor Frankenstein (Peter Cushing, Corruption) and his absent minded assistant Dr Hertz (Thorley Walters, Vampire Circus). The Baron has been experimenting with a primitive form of cryogenics and the idea of trapping the soul after death and transferring it into to a new host body, a new metaphysical twist on the Frankenstein story. It's worth noting up front that this film has very little connective tissue to the previous film The Evil of Frankenstein (1964) where it seemed the Baron perished in flames.

Young Hans' lover Christina (Susan Denberg) is a barmaid and the daughter of a local barkeep, her face is hideously scarred on one side and the deformity is a cause for taunting from a trio of dandy young bloods lead by Anton (Peter Blythe) who ridicule her mercilessly. These taunts anger Hans who slices Anton across the face, it's this sudden outburst of anger which makes him the prime suspect when Christina's father is found murdered a short time later. A very short trial ends with Hans following in his father's footsteps - losing his head at the guillotine.


When Christina finds out only too late that Hans is dead she throws herself from a bridge to her water death. The corpses of the young lovers end up at the home of Dr. Hertz where the Baron sets about extracting the soul of Hans and transferring it into the corpse of Christina. This bit of science fiction is glossed over pretty damn quickly with very little explanation. It somehow involves two large heat-lamp looking apparatuses and a glowing sphere - that's pretty much it - very silly stuff. Once Christina is revived the docs perform additional miraculous surgeries/treatments and her physical scarring s completely healed - and now she's a blonde and has no memory... don't ask, just go with it.

It's at this point that those responsible for the death of Christina's father and the wrongful execution of Hans meet their demise in very quick succession - it's almost a montage. This aspect of the film had a strong flavor of Hammer  Hands of the Ripper (1971) which came a few years later. Christina is now possessed and compelled to seek revenge, seducing and murders the culprits.


The script is pretty sub par but Hammer veteran Terrence Fisher (Dracula: Prince of Darkness) does his best to keep the production together despite the shortcomings. He manages to creating a decent amount of atmosphere aided in no small part by a great score from Hammer in-house composer James Bernard. Always the consummate professional Peter Cushing turns in a solid performance. The remaining cast are pretty decent including veteran actor Thorley Walters as the absent-minded doc and Blythe as the 1960's equivalent of a 1980's douche bag. Robert Morris and Susan Denberg didn't do a lot for me here, they were adequate but not much presence onscreen, though she is quite attractive, particularly after her transformation into a blond revenge-murderess.

At the end of the day this is a decent Hammer production with a cool metaphysical twist that's just not fleshed out very well.  Also, the idea of putting the soul of a man into the body of a woman could have been explored way more - there's just so much potential there that goes absolutely nowhere - this could have been a psycho-sexual masterpiece. The resolution wasn't quite satisfying either - it just happens too damn fast. I didn't love it but I don't loathe it either, a decent Hammer thriller but not one that will merit a lot of repeat viewings.


Blu-ray: Frankenstein Created Woman (1967) makes it's North America debut with an MPEG4-AVC encode in widescreen (1.77:1), not scope (2.35:1) as indicated on the Blu-ray. The image features a pleasing grain structure without evidence of undo digital scrubbing. The print is very nice, suffering very little damage with the exception of some minor speckling. It's sort of a drab earth tone film. the colors are not exactly vivid but they are consistent. it's a rather flat presentation with only very modest depth but the fine detail is decent when resolving textured surfaces and facial expressions. When compared to the region 2 version found on The Hammer Collection 21-Disc Box Set this is a very nice upgrade and where that version is bare bones this is nicely stocked with extras.

As with the Dracula - Prince of Darkness Blu-ray Millennium Entertainment have opted to offer only English Dolby Digital 2.0 Stereo with optional English Subtitles - there is no lossless audio option. The track is nicely balanced and clear but the score from James Bernard quite good and would have benefited from a sonic upgrade.


Onto the extras we have a  nice selection of supplements beginning with an audio commentary from Hammer expert Jonathan Rogby and actors Derek Fowlds who was the leader of young bloods while Robert Morris portrayed Hans. It's a bit dry but does offer up some production info and anecdotal stories that are intriguing and oftentimes humorous.


There's a brand new documentary entitled Hammer Glamour with interviews from a few very memorable members of Hammer's plunging neckline brigade including Valerie Leon (Blood from the Mummy's Tomb), Caroline Munroe (Captain Kronos Vampire Hunter), Martine Beswicke (Dr. Jekyll and Sister Hyde), Vera Day and Madeline Smith (Taste the Blood of Dracula) and Jenny Hanley (Scars of Dracula). Madeline Smith is surprisingly chaste and talks the wrong sort of fans and her regret of appearing nude in The Vampire Lovers while remembering what a sweetie her co-star Ingrid Pitt was. Exotic beauty Martina Beswicke recalls working on the Bond films plus Roy Ward Baker on several movies and working with Raquel Welch plus she alludes to a swinging lifestyle - she seems like she was a wild one. Actress Jenny Hanley offers up a fun story about Peter Walker's sneaky attempt to get her nude on camera and Christopher Lee's seriousness on set while Valerie Leon tells of how she felt that Blood from the Mummy's Tomb was a cursed production. This is a great mini-doc that also mention other Hammer beauties like Dorian Dores, Hazel Cortze, Barbara Shelley, Susan Denberg, Susanna Lee and the Collinson twins,  a fun introduction to the Ladies of Hammer.

Also on the disc are two full episodes of the World of Hammer (1990) TV series narrated by legendary Brit Oliver Reed (Burnt Offerings) spotlighting the careers of Peter Cushing and Hammer's Frankenstein series. The extras on the disc are finished off with theatrical trailer, animated stills plus an envelope containing five collectible cards featuring poster art and promotional stillsfor the film. I may be lukewarm on the film but this is a solid  release from Millennium that I am pleased to put on the shelf next to other great Hammer Blu-ray titles from Synapse and Shout! Factory we've seen this past year - more please!


Special Features:
- Audio Commentary with Derek Fowlds, Robert Morris and Jonathan Rogby
- Brand New Documentary -  Hammer Glamour (44:07) HD
- Stills Gallery (7:07)
- World of Hammer Ep 4 'Hammer Stars: Peter Cushing' (24:54) 
- World of Hammer Ep 'The Curse of Frankenstein' (25:56)
- Frankenstein Created Woman Trailer (2:39)
- Envelope with 5 Exclusive Collectible Cards

Verdict: I was not as enamored with Frankenstein Created Woman (1967) as with many other Hammer Productions but it does have that certain Gothic charm and a solid performance from Peter Cushing plus a new metaphysical twist on the Frankenstein story. The disc sports a solid audio visual presentation and the over an hours worth of extras make this is a very attractive purchase. There's still more Hammer horror on the way with 1080p presentations of Quartermass and the Pit (1958), The Plague of the Zombies (1966) and The Devil Rides Out (1968) planed from Millennium Entertainment! 2.75 Outta 5