Showing posts with label Ed Begley. Show all posts
Showing posts with label Ed Begley. Show all posts

Sunday, June 21, 2020

SORRY, WRONG NUMBER (1948) (Imprint Films Blu-ray Review)

SORRY, WRONG NUMBER (1948)

Label: Imprint Films

Region Code: Region-Free
Rating: PG

Duration: 89 Minutes
Audio: English PCM 2.0 with Optional English Subtitles
Video: 1080p HD Full Frame (1.33:1)
Director: Anatole Litvak
Cast: Barbara Stanwyck, Burt Lancaster, Ann Richards, Wendell Corey, Ed Begley 



Sorry, Wrong Number (1948) is a noir-thriller directed by Anatole Litvak and starring Barbara Stanwyck and Burt Lancaster, adapted from a 1943 radio play by Lucille Fletcher. In it Stanwyck (The Thorn Birds) plays Leona Stevenson the ailing bedridden daughter of self-made pharmaceutical tycoon James Cotterell (Ed Begley, The Dunwhich Horror), whom is home alone awaiting her husband Henry J. Stevenson (Burt Lancaster, The Swimmer) to return from work. When he's running later she attempts to call him but the operator connects her to what seems to be the wrong telephone line, during which she overhears men plotting to murder a woman in cold blood that same night. Shaken by the experience she reports this to the operator and then to the authorities, but as she has no detailed information to offer it proves un-useful to them and they do not act on it. 




As the movie moves along we learn more details through flashback, with the bedridden Leona communicating via her only connection to the outside world, the telephone, with the phone operator, the authorities, her husband, and even her husbands ex-gal Susan (Ann Richards, Breakdown), the latter of whom explains to her that there's more to Henry than she is aware of. We learn that Henry and Leona come from very different backgrounds, she a pampered daughter of privilege while he was a working class stiff who lucked into the good life after meeting Leona, but he's not comfortable with his high-earning though title-only job at her father's company, which set in motion him doing some shady stuff with shady guys, with his invalid wife coming to realize that perhaps that cross-connected phone call hits closer to home than she may have realized.  




Sorry, Wrong Number is a tight, fast-paced thriller, bathed in noir atmosphere and a roaming camera that feels appropriately 

voyeuristic, with Stanwyck giving an Oscar-nominated performance as the bedridden woman in a frightful spot, she's fantastic.  At times the oft-used device of the telephone began to wear on me, there are more phone conversations in this film than there are request to "close the door!" in The Thing from Another World (1951), but as it's based on a radio play centered around a woman on a telephone that can hardly be helped, and you might have to explain to the younger kids what the hell a telephone is anyway.



It does start to get a bit convoluted with all the phone calls and flashbacks - sometimes we get a flashback within flashbacks - but it all comes together so deliciously clever at the end. It still gets my pulse racing when I watch it, the final few moments are as suspenseful as anything I have ever seen, making this a memorable and thrilling slice of noir cinema.   




Audio/Video: Sorry, Wrong Number (1948) makes it worldwide Blu-ray debut from Imprint Films, an arm of Via Vision Entertainment, licensed from Paramount Pictures. We get a 1080p HD presentation framed in the original full frame 1.33:1 aspect ratio. It looks to have come from a older HD master with some baked in issues, we get some funky looking grain and some inconsistent softness throughout, which negatively affects clarity and fine detail. At times the image has pleasing clarity and contrast, but quality tends to wax and wane throughout, the lack of consistency that a new scan of the elements would have provided is unfortunate. While it's still an upgrade over my nearly 20-year old Paramount DVD, it also fails to impress. 




Audio comes by way of English LPCM Dual-Mono 2.0 with optional English subtitles. Dialogue is delivered with pleasing directness overall, though a few bits of dialogue were a bit undefined, but that was rare, and the dramatic score from Franz Waxman (Bride of Frankenstein) sounds terrific. 




Extras begin with a new and exclusive audio commentary from noir expert Alan K. Rode, plus a previously unseen 2-min intro from Eddie Muller, and an also previously unseen 30-min 'Hold The Phone: The Making Of “Sorry Wrong Number”', which was fantastic. Nifty bonuses also come by way of the 60-min 1950 Lux Radio Theater radio play with both Stanwyck and Lancaster, plus a filmed 2009 radio play, you can see them voice acting the entire radio play on stage, which was pretty cool. None of these extras were present on the 2002 Paramount DVD, so they were all new to me, and they all added a lot to my re-watch of the film. 




The disc is buttoned-up with a 2-min trailer, a 2-min gallery and a brief Imprint Films promo advertising their first five releases. The single-disc release comes housed in a clear Criterion-style keepcase with a sleeve of artwork with what looks to be a new design based on a promotional image for the film, on the reverse side is a sepia-tone image of a scene from the film. This release comes with a limited edition (of 1500) slipbox with a glossy finish featuring the original illustrated theatrical poster, the disc itself features an excerpt of the same key art. The spine of both the wrap and the slip features the year the film was released and is numbered, this being release number two from Imprint. As with the other releases I have reviewed from the first wave of Imprint releases this has great packaging and it looks great on the shelf.



Special Features:

- NEW Audio commentary by Noir Expert/Film Noir Foundation board member Alan K. Rode
- Eddie Muller Introduction (Previously Unreleased)(2 min) 
- Hold The Phone: The Making Of “Sorry Wrong Number” (Previously Unreleased) (31 min) 
- 2009 “Sorry Wrong Number” A Radio Play by Lucille Fletcher Radio Play - Filmed Performance at Shadowland Theater Ellenville USA (Recorded March 14th 2009) (29 min)
- “Sorry Wrong Number” Lux Radio Theater with Barbara Stanwyck and Burt Lancaster (Broadcast January 5th 1950) (60 min) 
- Theatrical Trailer (3 min)
- Gallery (3 min) 
- Limited Edition slipcase on the first 1500 copies



Sorry, Wrong Number (1945) still ratchets up the tension with the best of the noir-thrillers, with a wonderful performance from Stanwyck as the privileged woman in peril, that the simplistic story still holds sway is a testament to Lucille Fletcher's original story, and to the skill of director Anatole Litvak. I am pleased to see this finally get a Blu-ray, though I wish it's been afforded a new scan and restoration to spit-shine it for it's worldwide debut on the format, it definitely deserves it. That said, it's a handsomely packaged release and the extras are plentiful, adding some heft to this releases desirability.





More Screenshots from the Blu-ray:

Extras: 
  

Saturday, March 19, 2016

MURDERS IN THE RUE MORGUE (1971) / THE DUNWICH HORROR (1970) (Blu-ray Review)

MURDERS IN THE RUE MORGUE (1971) / THE DUNWICH HORROR (1970) 


MURDERS IN THE RUE MORGUE (1971) 


Label: Scream Factory
Region Code: A
Rating: R
Duration: 99 Minutes
Audio: English DTS-HD MA 1.0 with Optional English Subtitles
Video: 1080p HD Widescreen (1.78:1) 
Director: Gordon Hessler 
Cast: Christine Kaufmann, Herbert Lom, Jason Robards, Lilli Palmer, Maria Perschy, Michael Dunn, Adolfo Celi


Synopsis: Your first frightening film is 1971's Murders in the Rue Morgue. In early 20th-century Paris, a theatrical company with a specialty in Grand Guignol undertakes their most gruesome production yet. But when a madman with an axe to grind arrives on the scene, the stage is set for real mayhem and murder most foul. Will the backstage bloodshed be quelled – or is it curtains for the cast? Jason Robards and Herbert Lom star in this marvelously macabre mystery.

To say that this adaptation is loosely based on Edgar Allen Poe's Murders in the Rue Morgue is a bit like saying that Donnie Darko is loosely based on The Evil Dead because the movie appears within it. The movie takes place during the Victorian era in Paris where members of a theatre troupe lead by director Cesar Charron (Jason Robards, Something Wicked This Way Comes) begin to die off in a series of acid murders. The crimes would seem to indicate the culprit is a dead man, stage actor Rene Marot (Herbert Lom, Mark of the Devil) who died years earlier after being disfigured during a production of Edgar Allen Poe's Murders in the Rue Morgue after being doused with sulfuric acid. 


At the same time Charron's wife Madeline (Christine Kaufmann) is plagued by nightmares of an axe-murderer, in reality her own mother was killed by an ax murder, a death which has been attributed to Marot, who returns as a disfigured ghost of vengeance throughout the movie, which seems to owe more to The Phantom of the Opera than to Edgar Allen Poe's original short story, which is only featured in the fringes of the movie, though those scenes are some of my favorites. 

This one has always proven very hard for me to make it through, which I attribute to the underplayed performance from Jason Robards, a fine actor but just not right for the role of Charron, the man has no chemistry with his love interest whatsoever. Originally Vincent Price was slated in the role and I can only imagine that Price would have more suited to the role in my opinion, there wasn't much that Price couldn't make better. In my opinion the best parts of this movie are the Grand Guignol stage performances of Murders in the Rue Morgue, and Madeline's surreal ax-murderer nightmares, but this one is still a bit of a snoozer. 



Murders in the Rue Morgue arrives on Blu-ray courtesy of Scream Factory, the sub par movie benefits from the HD bump with nicely managed grain, transferred from a good source with only the most minor of film flaws. The DTS-HD MA Mono 1.0 audio sounds good, with everything nicely balanced and clean. Scream have brought over the Stage Tricks and Screen Frights Featurette with director Gordon Hesseler and trailer from the MGM disc plus added an informative commentary from  author and film historian Steve Haberman.

Special Features: 

- NEW Audio Commentary With Author And Film Historian Steve Haberman
- Stage Tricks and Screen Frights Featurette (12 Mins) 
- Theatrical Trailer (3 Mins) 

THE DUNWICH HORROR (1970) 


Label: Scream Factory

Region Code: A
Rating: R
Duration: 88 Minutes
Audio: English DTS-HD MA 1.0 with Optional English Subtitles
Video: 1080p HD Widescreen (1.78:1) 
Director: Daniel Haller 
Cast: Dean Stockwell, Ed Begley, Lloyd Bochner, Sam Jaffe, Sandra Dee, Talia Shire


Synopsis: From the City of Lights (and frights), our tour of terror moves on to a small New England town in 1970's The Dunwich Horror. When a beautiful student named Nancy catches the eye of the weird Wilbur Whateley, it's up to her professor, the good doctor and occult expert Dr. Henry Armitage, to warn her that no good will come of it. But as Armitage digs deeper into the Whateley family history, he uncovers a buried secret – and a plot intended to call forth an evil beyond imagination. A cult favorite that proves that The Old Ones are good ones, The Dunwich Horror stars Dean Stockwell, Ed Begley, and Sandra Dee.

The Dunwich Horror stars a very young Dean Stockwell (Blue Velvet) as the odd Wilbur Whateley, the descendant of a man who once tried to summon The Old Ones into this world. The elder Whateley was accused of sacrificing a young local girl during a pagan ritual at the time and was hanged afterward during an act of vigilante justice by local villagers. 



We meet Wilbur while he is attending a lecture at Miskatonic University in Arkham, Massachusetts where Dr. Henry Armitage (Ed Begley) has spoken about some weird local history, including the Whateley family. In his possession is the ancient book of the dead, the infamous Necronomicon, which after the lecture he gives to his student Nancy Wagner (Sandra Dee) to return to the school museum. Wilbur follows Nancy to the museum and introduces himself, asking to have a closer look at the ancient book, which she reluctantly obliges. He is interrupted by Dr. Armitage who puts the book away, afterward Wilbur and Nancy get to chatting with Nancy offering to give weirdo Wilbur a ride home to his home in Dunwich. 

Nancy and Wilbur strike up a friendly flirtation and he convinces her to stay the weekend at the Whateley home, the two become close, but Dr. Armitage begins to worry about her safety and drives out to the country to check on her, despite his warning to stay away from Wilbur she stays on. Of course Wilbur is up to no good, he has been drugging Nancy's tea, and it seems that he has plans to continue his grandfather's pagan rituals, to bring forth The Old Ones, through a ceremony that calls for human sacrifice, which is where young naive Nancy comes into play. 



The story strays quite a bit from the source material with numerous changes in character and story, but the main arc of it remains intact. Dean Stockwell is super creepy with his corduroy jacket, moustache and tight perm, plus he has the crazy eyes, as if he is a magician attempting to hypnotize you - which is equal parts funny and eerie. Sandra Dee is decent as the naive Nancy who falls under the spell of Wilbur, only to be put on the altar of sacrifice during the final moments, raped by  some creature kept in the closet for the duration of the movie, which is a thing of b-movie nuttiness. Sandra also experiences some hallucinogenic nightmares which are fun stuff, AIP were definitely gong for a bit of a drug-movie with this one I think, forgoing the usual acid trips for weird Lovecraftian nightmares achieved through cheap optical effects. .

The Dunwich Horror arrives on Blu-ray from Scream Factory looking appropriately grainy, maybe a bit thick at times but a definite improvement over the MGM Midnite Movies disc, offering the usual advancement in fine detail, sharpness and clarity. The source material does have some minor white speckling but that is about all I can complain about. The English DTS-HD MA Mono 1.0 audio does the job quite nicely, the dialogue is clean and clear, the awesome Les Baxter score comes through quite nicely, this is one Baxter's AIP scores I would love to own. Extras on the disc include a new commentary from author and film Historian Steve Haberman, plus a theatrical trailer, not a lot of bonus material but the commentary is top notch. 

Special Features: 

- NEW Audio Commentary With Author And Film Historian Steve Haberman
- Theatrical Trailer

Scream Factory have once again raided the MGM vaults to plunder more of these American International Pictures  b-movie goodies from the seventies, this time emerging with a double fisted helping of H.P. Lovecraft and Edgar Allen Poe, the results are varied but this double-feature is worth a watch for fans of '70 horror who don't mind scraping near and around the bottom of the cinema barrel, for semi-tasty morsels of cinema fromage . 3/5