Showing posts with label Jorge Rigaud. Show all posts
Showing posts with label Jorge Rigaud. Show all posts

Friday, January 25, 2019

PERVERSION STORY (1969) (Mondo Macabro Blu-ray Review)

PERVERSION STORY (1969) 

Label: Mondo Macabro
Duration: 108 minutes
Region: Region-FREE
Video: 1080P HD Widescreen (1.85:1)
Audio: English & Italian DTS-HD MA with Optional English Subtitles
Director: Lucio Fulci
Cast: Jean Sorel, Marisa Mell, Elsa Martinelli, Alberto de Mendoza, John Ireland, Riccardo Cucciolla, Jorge Rigaud, Jean Sobieski


Lucio Fulci came into my cinema-life as the the Italian "Godfather of Gore" with horror classic like The Beyond (1981) and Zombie (1979), it was his macabre and grotesque gore film that drew me in like a moth to a flame. It wasn't until the aughts that like many I suppose, we were given the opportunity to watch his earlier works, among them stylish giallos, a violent spaghetti western, and thrillers that while not the nightmare fuel of his later works, we well-crafted genre films. 


Which brings us to Perversion Story (a.k.a. One On Top Of The Other), a film I did not have opportunity to see until Severin Films released it on DVD in 2007. Watching it the first time I didn't really care for it a whole bunch, but subsequent viewings gave me a deeper appreciation for the erotically charged thriller, one that is often aligned with the stylish Italian whodunit series of giallo movies, but I consider it more of an sensual crime thriller than an actual giallo. It lacks the traditional black-gloved killer element, but it is stylish, and set in an urban metropolis, and at it's heart it is a multi-layered whodunit murder mystery with lots of intrigue, so I can see why it's considered a giallo.
 

Th film concerns handsome, young Dr. George Dumurrier (Jean Sorel, A Lizard In A Woman's Skin) who operates a struggling medical clinic in San Francisco. He's in a loveless marriage with wife Susan (Marisa Mell, Seven Blood-Stained Orchids) who is cold to him, he's carrying on an affair with pixie-ish fashion photographer Jane (Elsa Martinelli, (The 10th Victim). While away in Vegas with his lady friend he receives a call from his brother and business partner Henry (Alberto De Mendoza, Horror Express) informing him that his Susan has died suddenly, the victim of a severe asthma attack, a condition she was known to have. 


George is surprised to find out that he's set to inherit a 2-million dollar life insurance policy claim, which make the authorities think he might have had something to do with his wife's death, and some of his actions as seen earlier come back to haunt him, setting in motion a series of events that could land George in the gas chamber at San Quentin prison! 


Things become more complicated when George encounters a stripper named Monica Weston (Martinelli in a dual role) who bares an uncanny resemblance to his late wife, with him becoming increasingly obsessed with her, and he's not the only one. The authorities catch on to this lookalike, drawing their own suspicions of how she figures into the story, theorizing that perhaps Susan faked her own death to cash-in on the insurance policy, or perhaps this woman may have had something to do with George's plot to murder the wife. 


The film is fun, stylish thriller with plenty of mystery and intrigue, not to mention copious amounts of nudity, so it has a lot going for it. The way it resolves is both fun, thrilling and preposterous, with a healthy dose of karmic comeuppance right there at the the end that I found very satisfying. Fucli was known to have a dark sense of humor, and I love the way a spurned lover comes back to set things right in this film. 

The film is a bit of oddity as it's an American-set giallo shot in San Francisco, Fulci wisely makes full use of the scenic locations with gorgeous opening shots of the Golden Gate Bridge and Alactraz Prison in the San FRancisco Bay, lots of stylish cinematography from Alejandro Ulloa (The Devil's Honey) and a brassy, seductive score from Riz Ortoloni (Cannibal Holocaust). The film has touches of psychedelia, including a wonderful shot of a lovemaking scene from the POV of the bed their laying on through red satin sheets, and some fun use of split screen. 

Audio/Video: Perversion Story (1969) arrives on region-free Blu-ray from Mondo Macabro - cult-film lovers specializing in the wild side of world cinema. The film is presented in 1080p HD widescreen and framed in 1.85:1 widescreen, being from a scan from the original camera negative This is the longer 108-min extended European cut of the film, marketed as the long version available. It looks rock solid with a natural looking layer of grain, a few scenes looks thicker with grain than others, but overall it looks excellent and is free of unecassary digital tinkering. Colors are nicely saturated, those sixties fashions look terrific, and the textures and fine detail are at times modestly impressive. 

Audio comes by way of English and Italian 1.0 Mono with optional English subtitles, being an Italian production from this era all the dialogue is post-dubbed, so there are the usual dubbing, sync issues you would associate with it, but nothing alarming. The sultry, jazz-inflected score from Riz Ortolani (Cannibal Holocaust) sounds amazing in the mix, I would have loved an isolated music track on this release, for those keeping track the 2007 DVD release from Severin included a bonus soundtrack CD.

Onto the extras we get a 38-minute appreciation from noted genre film author Stephen Thrower who discusses the film in context of the director's body of work, the shooting locations, and defending the perfromance from star Jean Sorel. Thrower is always a solid listen, whenever I see him listed on extras for a release it certainly pushes me towards a purchase, even when that purchase might me a double or triple-dip!
 

We also get a new 24-min interview with star Jean Sorel and a 10-min interview with actress Elsa Martinelli, both of these are in Italian with English subtitles. Sorel speaks about the politics of Italian cinema in the 60's and 70s while Martinelli speaks about workibg with Fulci, describing him as eccentric. Sorel's interview is in French while Martinellis is in Italian, bth have English subtitles. 


The disc is buttoned-up with a 4-min trailer for the film and a swelection of Mondo Macabro trailers. 
 
Special Features:
- Interview w. star Jean Sorel (30 min)
- Interview w. star Elsa Martinelli (10 min)
- Interview w. writer Stephen Thrower (38 min)
- Original Artwork by Justin Coffee.
- Original Trailer (4 min)
- Mondo Macabro Previews (11 min) 

I really dig rediscovering these earlier films from Fulci when they come to Blu-ray, Mondo Macabro have given this erotic-thriller a spiffy looking HD upgrade with a nice array of extras, highly recommended for fans of stylish whodunits and fans of Fulci who are intrigued by his earlier pre-gore filmography.

  

Thursday, August 2, 2018

THE COLOSSUS OF RHODES (1961) (Warner Archive Blu-ray Review)

THE COLOSSUS OF RHODES (1961) 

Label: Warner Archive
Region: Region-FREE
Rating: Unrated
Duration: 128 Minutes
Audio: Enlgish DTS HD-Master Audio 2.0 Mono with Optional English Subtitles 
Video: 1080p HD Widescreen (2.35:1) 
Direector: Sergio Leone
Cast: Rory Calhoun, Lea Massari, Georges Marchal, Conrado San Martin, Conrado San M�rtin, Jorge Rigaud, Angel Aranda, Mabel Karr



Set in 280 BC The Colossus of Rhodes (1961) stars veteran cowboy actor Rory Calhoun as a Greek soldier named Darios who comes to the island of Rhodes to visit his beloved uncle Lissipu (George Rigaud, A Lizard in a Woman's Skin), where the tyrannical king Serse (Roberto Camardiel, Django Kill... If You Live, Shoot!) has just erected a 300-foot tall statue of the sun god Apollo to protect the city's harbor from invading forces, a wise move considering we discover not one, but two, secretive plots to overthrow the king's  reign, with evil-forces within his own court conspiring against him. 



Darios becomes infatuated with local beauty Diala (Lea Massari, L'avventura), the daughter of the statue's architect Carete (Félix Fernández), and also becomes privy to the various treacheries planned against the king, finding himself unwittingly entangled in the overthrow-shenanigans and imprisoned as a suspected spy. The sword and sandal story is full of melodrama and treachery with some good action towards the end, but it's overly long and Calhoun, whom I most remember from demented 80s slasher Motel Hell (1980), doesn't really suit the period, he's a bit too wry and self aware, which I didn't outright hate but it does draw attention to itself. 


That doesn't mean I didn't enjoy this one though, there are some cool set pieces and the locations and sets are elaborate and awesome, visually the film is very sumptuous as these films tend to be. The titular colossus is about three times the size of the actual statue of history, which is believed to have sat not over the entrance of the harbor as depicted, but on a hill overlooking it if memory serves. The film has it being constructed hollow like the Statue of liberty, a defensive weapon that is able to drop fire and burning oil on invading ships and and launch molten metal at it's enemies from a head that opens up like a blooming flower, it may not be factual but it's pretty damn cool looking on film, I love seeing Calhoun climb out it's ear and onto it's arms where he sword battles soldiers before diving into the harbor! Later earthquakes shake the city as a torrential storm beats down upon the it, the city is falling down around it's people while the overthrow transpires, the final leg of the film delivering the action-packed goods, but there's been way too much melodrama and filler in the preceding two hours to make this one of the better sword and sandal pics. Maybe not helping is that I also prefer my sword and sandal flicks with a bit more supernatural elements or some direct appearance from the Gods themselves. 



The Colossus of Rhodes (1961) was the first fully credited directorial debut from Sergio Leone (The Good, The Bad, and the Ugly), he had co-directed a few before but this scale sword and sandal epic was his first official film as a director, which is mighty impressive for a first-timer. The sets and location are epic and the action is damn decent when we finally get around to it. The film even has some of the framing devices Leone would be come to known for with his later (and better) western films, but this thing runs about a half-hour too long at 128-minutes, I know there's an even longer European cut, but for once I'm thankful for the a shorter version! 



Audio/Video: The Colossus of Rhodes (1961) arrives on Blu-ray from Warner Archive in the 128-min U.S. cut of the film, sourced from a 2018 HD master and framed in 2.35:1 widescreen. The source looks good, the grain is a bit course throughout but colors look good and the black levels are decent. There's a good amount of detail that showcases the intricate craftsmanship of the elaborate sets and the enormous titular statue protecting the harbor of the city, this is an impressive HD upgrade that should please fans.



The lone audio option is a DTS-HD MA Mono track, it's clean and well-balanced, the Angelo Francesco Lavagnino (Gorgo) has some nice presence throughout, as does the destruction of the city towards the end, optional English subtitles are provided. 



The only extra on the disc is an audio commentary by  Sergio Leone biographer and film historian Christopher Frayling, it's loaded with content, the man knows his Leone films, but it is a bit professorially dry at times, but it's a good commentary, the delivery is just a bit on the dry side.  




Special Features: 
- Commentary by Film Historian Christopher Frayling

The Colossus of Rhodes (1961) is an entertaining, sun-bronzed sword and sandal entry, more notable for what the first time director went on to do than the actual film, but if you're a fan of these sort of films and can get beyond the startling site of Rory Calhoun in a short toga there's some fun to be had with it. This Blu-ray debut from Warner Archive is impressive with an upgraded A/V presentation that is sure to please the sword and sandal fans and the Sergio Leone completest out there.