EVILS OF THE NIGHT (1985) (Vinegar Syndrome Blu-ray Review)

EVILS OF THE NIGHT (1985) 

Label: Vinegar Syndrome

Region Code: Region-FREE

Duration: 85 Minutes

Rating: Unrated

Audio: English DTS-HD MA 2.0 with Optional English SDH Subtitles

Video: 1080p HD Widescreen (1.85:1)

Director: Mardi Rustam

Cast: John Carradine, Tina Louise, Julie Newmar, Amber Lynn, Aldo Ray, Neville Brand, G.T. Taylor, David Hawk, Bridget Holloman, Keith Fisher, Karrie Emerson

Mardi Rustam's truly oddball Evils Of The Night (1985) begins with a UFO landing in the middle of Nowheresville USA. The blood-drinking space vampires arrive on Earth to siphon off some life extending blood from the local horny teens who inhabit this particular area. The movie starts off much like a standard 80s slasher movie wherein we some young couples fornicating in the woods at night. Mardi was an awful director but he knew damn well what the kids wanted to see at the drive-in, and that was cheap horror and A LOT of nude women and this low-rent sci-fi schlocker delivers both in ample amounts. 

As the horny couples get busy they are dispatched by the blood-drinking aliens, my favorite kill from the beginning was a young man backed-up against a tree while his horny girlfriend backs her sweet behind right up against her crotch, right in the middle of his young lust bliss the poor guy is strangled while his unaware lady finishes up just in time to notice something is not quite right, you get the impression that maybe he turned soft and she's not too happy about it. The scene is also funny because despite the softcore action the young man is still wearing his blue jeans which are clearly not unbuttoned or unzipped. 

Anyway, a trio of aging aliens set-up a cheeseball laboratory at a local hospital and have hired a couple of slow-minded auto-mechanics to abduct young kids for them so they can drain them of their blood in an effort to somehow prolong their own lives through some science-y mumbo jumbo. The aliens are Kozmar (John Carradine, House of Seven Corpses), Cora (Tina Louise, Ginger from TVs Gilligan's Island), and Zarma (Julie Newmar, Catwoman from the Adam West Batman TV Show), there is also a pair of women who look like 60s go-go dancers decked on is cheesy sci-fi outfits. The murderous auto-mechanics the aliens have hired are played by Aldo Ray (Psychic Killer) and Neville Brand (Eaten Alive). Ray and Brand come off as a pair of weirdos, who are not quite menacing but certainly are strange and none to bright, Brand manages to elicits a tiny bit of the crazy he channeled for Tobe Hooper on Eaten Alive, but this is a dopey movie and he acts accordingly, also playing well of Aldo Ray. 

After the initial opening which is stuffed with copious amounts of nude women we are more or less focused on a group of young folks on vacation at the nearby lake. We have the Heather (Bridget Holloman) and her fiancé Ron (Keith Fisher), Nancy (Karrie Emerson, Chopping Mall), Connie (G.T. Taylor) and Brian (David Hawk). Between them they have about six movie credits all told, aside from Emerson none went onto to much of any career in the movies and even she disappeared after appearing in the TV horror anthology Dead of Night (1989). The remainder of the movie is these five pretty much running around the woods attempting to escape from the clutches of both the aliens and the murderous grease monkeys until the aliens are scared off.

Evils of the Night is honestly a turd of a movie, one that makes sci-fi drive-in drivel like The Being (1983) and without warning (1980) look like science fiction masterpieces by comparison. 

The movie has some backwoods slasher elements but the sci-fi stuff comes across like something from Plan 9, really awful stuff. The odd mixture of aging Hollywood and TV has-beens, a couple of 80s b-movie actors and a handful  of 80s porno stars make for some interesting viewing though, including a big-haired 80s porn star Amber Lynn lights up the screen with her charms, but the plot such as it is makes no sense whatsoever and the pacing is slow and painfully uneven. 

Evils Of The Night is not a movie you watch for story, you watch this for the 80s cheese, the porn star nudity and to see Aldo Ray and Neville Brand threaten to hump a few girls in the process. Cheap, wonky and weird, if that's how you you love your schlock then Mardi Rustam made a movie you just might fall in love with. So get out the nachos and a cold beer, you're in for a shlocky treat tonight! 

Audio/Video: Evils Of The Night (1985) arrives on Blu-ray and DVD Combo from Vinegar Syndrome with a brand new 2K transfer straight from the original 35mm negative and the movie looks surprisingly good in HD! The film grain looks nice and healthy, while a few of the darker night scenes can be a bit grainy the colors are vibrant and the image is crisp with a wealth of fine detail. VinSyn have definitely brought this sci-fi clunker some new life with the new transfer. The English DTS-HD Mono 2.0 mix won't win any audio awards but it dialogue, score and sound effects comes through with decent depth and clarity, the synth score sounds wonderfully cheesy and dialogue is never hard to understand, though some of what they say will have you rolling your eyes into the back of your head. 

VinSyn have included some decent extras on the disc including a new video interview with director Mardi Rustam who talks about the production of the movie and how a few of the cast came to appear in it. A nicely shot interview, well-produced stuff with some good content. Vinegar Syndrome have also included the TV cut of the movie which also appeared on the MPI/Gorgon DVD from a few years back, presented in standard-def. This version actually runs longer than the theatrical cut and omits all of the Amber Lynn scenes, which is a drag. It also trims a lot of the violence and all of the sweet nudity. However, it also adds a few extra scenes including a few more with David Carradine. I'll stick with the original cut myself with all the violence and nudity, but this is a nifty bonus. 

Other extras on the disc include an isolated score track highlighting the synth-driven score of Robert O. Ragland (Grizzly, 10 To Midnight), about twenty-five minutes of outtake footage, a work-in-progress original theatrical trailer, and a TV spot. The sleeve art advertises a reversible sleeve but that is not the case, there is however an image of Karrie Emerson (Chopping Mall) holding an ax on the flipside. The release is a DVD/Combo Pack offering both the movie and supplemental material on Blu-ray and DVD. 

Special Features:

- Alien Blood Transfusion – Video Interview with director Mardi Rustam (9 Mins) HD
- Alternate Feature Length TV edit (93 Mins)
- Isolated score by Robert O. Ragland
- Extensive outtakes (24 Mins) HD
- Work-in-Progress Theatrical Trailer (2 Mins) HD
- TV Spot (32 Seconds) 

Yet another glorious sci-fi horror craptacular straight from the drive-in and onto Blu-ray from Vinegar Syndrome. A silly slice of weirdness with strange cast of Hollywood has-beens and loads of nudity, a tiny bit of gore and a whole lot of what-the-fuckery, if you love bad movies this is one worth celebrating on Blu-ray, another bang-up job from the VinSyn team. 

EATEN ALIVE (1977) (Arrow Video Blu-ray Review)

EATEN ALIVE (1977) 

Label: Arrow Video 

Release Date: September 21st 2015

Certificate: 18

Duration: 91 Minutes

Region Code: A/B/ 1/2

Video: 1080p HD Widescreen (1.85:1)

Audio: English Uncompressed PCM Mono 1.0 with Optional English SDH Subtitles

Director: Tobe Hooper

Cast: William Finley, Mel Ferrer, Marilyn Burns, Janus Blythe, Carolyn Jones, Neville Brand, Stuart Whitman, Roberta Collins, Kyle Richards, Robert Englund

Eaten Alive (1977) is a very strange movie all the way around, it was Tobe Hooper's follow-up to the seminal shocker The Texas Chainsaw Massacre and it centers around the run down Starlight Hotel located somewhere in the rural Louisiana bayou. An unattractive roadside hotel run by a Southern-fried weirdo named Judd (Neville Brand, Without Warning), a grizzled, middle-aged man with a wooden leg who deliriously alternates between a somewhat charming Southern nut and a a completely unhinged scythe-wielding, mumbling murdering menace. 

We have several disparate groups of patrons convening at the Starlight Hotel, beginning with a kind-hearted whore named Clara Wood (Roberta Collins, Caged Heat) who has just been fired from a brothel run by Miss Hattie (Carolyn Jones, from The Munsters!) when she won't give-up the backdoor to a local redneck named Buck. The horny backdoor man is played by future Freddy Kruger star Robert Englund. In the opening scene he's trying for some sweet backdoor action with the classic line, "My name's Buck, I'm raring to fuck", a line Tarantino famously paraphrased in Kill Bill Vol.1.  When she refuses to take in the behind Clara is thrown from the brothel by the madame and finds herself at the Starlight, but when the moralistic Judd realizes she one of the local whores he makes quick work of her with his pitchfork before feeding her to the hungry crocodile which he keeps in a swamp right next the hotel. 

Sometime later the Faye (Marilyn Burns) and her wildly disturbed husband Roy (William Finley, The Funhouse) arrive at the starlight with their young daughter Angie (Kyle Richards) and set-up for the night in a room, but not before the croc eats their pet dog in a frenzied scene. Around the same time Harvey Wood (Mel Ferrer, Nightmare City) and his daughter Libby (Crystin Sinclaire, Ruby) arrive on scene, looking for Harvey's runaway daughter Clara, who was the whore Judd just fed to his croc.  Then after a night of drinking and playing pool Buck (Englund) arrives back at the Starlight to Judd's dismay with his girlfriend Lynette (Janus Blythe, The Hills Have Eyes) and the bloody slaughter begins as the demented Judd sets about murdering damn near everyone and feeding them to his croc.

The set-up is simple and sleazy, and the tone of the movie is very surreal, having been shot completely on  a sound stage the movie is washed in an brain-searing red glow, as if a blood red neon-moon was ominously shining down from the sky, plus there's an impenetrable thick fog which enshrouds the area in an otherworldly blanket of fear. It establishes a claustrophobic vibe that seems inescapable, with a nerve shredding electronic score that gives the impression of a bad southern acid-trip. 

Neville Brand is in top-form here as the demented hotel proprietor, a nut who mumbles to himself in between murdering folks with his trusty scythe. He's not the only weirdo at the hotel this night either, William Finley's appearance as either a drugged-out, or clearly insane, Roy is right off the deep end of weirdness, the scene of him looking for his lost eyeball on the shag carpet of the hotel room is straight out of a David Lynch film. Marylin Burns stars as his suffering wife, she matches the ferocity of her final girl from Chainsaw here with ear-shredding screams of terror, as does her movie daughter Kyle Richards (The Car, Halloween), who spends most of the movie hiding beneath the crawlspace of the hotel trying to escape the grasp of the murderous Judd and his hungry croc.

The movie is oozing atmosphere from the first frame, a strange and surreal psychotronic terror film that at times feel almost post-apocalyptic with the neon-red lighting and relentless fog-drenched setting, unhinged and disturbing and maybe not an easy watch for some, a Southern-fried nightmare you cannot get away from. 

Speaking of nightmares, you just cannot get around how awful the ten foot animatronic croc looks on camera. The thing is straight-up dreadful but Hooper wisely keeps it in hidden-away for the most part, you definitely get the impression that his is the croc-version of Bruce the Shark from Spielberg's Jaws, on the numerous extras you can hear multiple testimonies from the cast and crew as to what a nightmare the water-logged croc prop was during the making of the movie. 

So we have a croc that's a croc-o-shit and some mild pacing issues in the mid-section of this Southern slice of surrealistic terror but I can look past the flaws, I love this strange movie and I believable it's an undervalued entry in the Hooper canon, one worth rediscovering on Blu-ray from Arrow Video. 

Audio/Video: Arrow Video have gone back to the original 35mm camera negative for a brand new 2K restoration of Hooper's  Eaten Alive in the original widescreen aspect ratio (1.85:1), and the results are stupendous. The movie has never looked better and far surpasses by Dark Sky Films DVD (2000) in all respects. The colors are rich and nicely saturated, looking more natural and reds not running so hot. There's a nice layer of natural looking film grain with a new depth, clarity and fine detail to the image we've not seen before on home video, it simply looks fantastic. 

Arrow keep the audio pure with an uncompressed PCM 1.0 Mono track with a psychotronic-electronic score from Wayne Bell and Tobe Hooper, it is a harsh listen and it perfectly compliments the images of surreal terror. Dialogue and sounds effects are nicely balanced and optional English SDH subtitles for the deaf and hard of hearing are included. 

Reversible Artwork 

Onto the wealth of extras we have all the bonus content from the Dark Sky DVD including the audio commentary with co-writer and producer Mardi Rustam, make-up artist Craig Reardon and stars Roberta Collins, William Finley and Kyle Richards. The commentary is a pastiche of separate commentaries stitched together and placed appropriately throughout the movie and works quite nicely. Also carried over are the featurettes 'My Name is Buck' with star Robert Englund discussing his early career and time on the film with the cast and Hooper. 

'The Butcher of Elmendorf: The Legend of Joe Ball' tells the story of the WWI vet turned bootlegger who is the inspiration for the character of Judd, who may or may not have fed his wife and lovers to the crocs he kept in a pit behind his bar. 

There's also the '5ive Minutes with Marilyn Burns' interview the original scream-queen, and star of Hooper's Texas Chainsaw Massacre, plus we get an alternate opening credit sequence. That's pretty much everything from the dark Sky edition, so feel safe to upgrade and enjoy the superior HD presentation. 

Onto the new stuff produced by Arrow Video we have three brand new interview coming in at about thirty-seven minutes in length with director Tobe Hooper, Special Effects Artists Craig Reardon and starlet Janus Blythe, and she seems like quite a character with loads of colorful stories as she recounts cruising the Hollywood studio lots in search of roles, her early career and she briefly mentioning turning down a role in what turned out to be Rob Zombie's Lords of Salem. Craig Reardon gives a somewhat scholarly recounting of history of the lot where the film was shot and his own insights into actor Neville Brand, who by all accounts was quite a weird guy and a decorated WWII soldier. Hooper recalls being pitched the film and how this was his first studio picture, re working the script, the true-life basis for Brand's character, and working on a sound stage and what he was trying to create.

Also included are thirteen-minutes of trailer for the movie under the myriad of alternate titles including Eaten Alive, Death Trap, Starlight Slaughter and Horror Hotel. There's also fifteen-minutes of TV and radio spots, and three galleries of behind-the-scenes and promotional images, including some hilarious comment cards from the test-screenings of the film. 

Away from the disc extras we have a sleeve of reversible artwork featuring newly commissioned artwork by Gary Pullin and the original poster art, plus a 24-page collector's booklet with new writing on the film from author Brad Stevens, illustrated with original archive stills and posters

Special Features

- Audio commentary with co-writer and producer Mardi Rustam, make-up artist Craig Reardon and stars Roberta Collins, William Finley and Kyle Richards

- New introduction to the film by director Tobe Hooper (1 Mins) HD

- Brand new interview with Hooper (14 Mins) HD 

- Brand New Interview with star Janus Blythe (12 Mins) HD 

- Brand New Interview with Special Effects Artist Craig Reardon (11 Mins) HD 

- My Name is Buck: Star Robert Englund discusses his acting career (15 Mins) SD 

- The Butcher of Elmendorf: The Legend of Joe Ball - The story of the South Texas bar owner on whom Eaten Alive is loosely based (23 Mins) SD

- 5ive Minutes with Marilyn Burns - The star of The Texas Chain Saw Massacre talks about working on Eaten Alive (5 Mins) SD

- The Gator Creator: archival interview with Hooper (14 Mins) SD 

- Original theatrical trailers for the film under its various titles Eaten Alive, Death Trap, Starlight Slaughter and Horror Hotel (13 Mins) HD 

- US TV and Radio Spots (15 Mins) HD 

- Alternate Credits Sequence (1 Mins) HD 

- Galleries: Behind The scene (8 Mins), Still and Promotional Material (64 Images), Comment Cards (34 Images) HD 

- Reversible sleeve featuring original and newly commissioned artwork by Gary Pullin

- 24 Pg. Collector's booklet featuring new writing on the film, illustrated with original archive stills and posters

Arrow Video have put together a pretty damn definitive HD version of Tobe Hooper's psychotronic terror-classic for fans of the movie, the HD presentation is fantastic and the wealth of extras are superb, very highly recommend. 

Screenshots from www.DVDBeaver.Com

WITHOUT WARNING (1980)

WITHOUT WARNING (1980)

Label: Scream Factory

Region Code: A

Rating: R

Duration: 96 Minutes

Audio: DTS-HD Master Audio Mono

Video: 1080p Widescreen (1.85:1)

Director: Greydon Clark

Cast: Jack Palance, Tarah Nutter. Christopher Nelson, Cameron Mitchell, Neville Brand, Sue Ane Langhorn, Ralph Meeker, Larry Stortch

Teenagers Tom (David Caruso, Session 9), Greg (Christopher T. Nelson), Beth and Sandy (Tarah Nutter) head to a rural lake for some fun in the sun. Tom and Beth are the your standard-issue horny teens while Greg and Sandy are more virginal and innocent and the four pile into a shag carpeted Chevy van and drive into the wilderness.

Also in the area are father (Cameron Mitchell) and his son on a hunting trip and a troop of Cub Scouts and they're leader Larry Storch (of TV's F Troop) earning a few merit badges in the great outdoors. The hunters and the scouts all encounter something strange and deadly lurking in the woods, strange flying jellyfish creatures which latch onto victims and dig into their flesh with tentacles and mouthful of teeth. These tiny suckers aren't the only threat in the woods however, these frightful frisbees of death are merely the weapon of choice for an alien creature with a human blood lust.

Our teens stop for gas and encounter scary proprietor Jack (Jack Palance) who warns the teens to stay away from the lake but they just laugh it off. Horny teens never listen to warnings of doom but if they did what fun would that be? They arrive at the scenic water hole and take a dip before the couples split up to pursue their own interests . Of course, it's the horny teens who disappear  without a trace and the virgins are left to sleuth Scooby-Doo style what happened to their companions. Assuming their friends are off fornicating out in the woods they are quite horrified when they find their gooey corpses in a small shack along with the bodies of the scout leader and the hunters. Freaked out they scurry into town and into a bar where they try to tell warn the locals but the drunken townies just are not buying the story. here we have some fun appearances from veteran actors like Neville Brand (Eaten Alive) and the aforementioned Jack Palance. Then there's Sarge, a nutty 'Nam vet (Martin Landau) who suffers from post-traumatic stress and alien paranoia, and who who just  happens to be the only one who believes the teen's wild story. 

Without Warning is the just the kind of drive-in science fiction drive-in I just love to death. Relics from a bygone era of cinema that don't follow logic and are wrought with bad decision making. The cast of characters is fantastic, we have our teens Greg and Sandy who are just the sweetest teens you could ever imagine, they're so nice and polite, it's sort of disgusting. Both of the young ladies in the film cut quite a figure, very easy on the eyes, and while the teens are supposedly the main characters it's  veterans Jack Palance and Martin Landau who both chew the scenery and steal the movie from right from under them whipper snappers. Landau is particularly fun as the bug-eyed lunatic who believes that the teens and pretty much everyone else have been replaced by aliens, just a lot of fun and ridiculous paranoia. 

The low-budget special effects are a lot of fun, those blood-sucking alien jellyfish pulsate and excrete a yellow liquid that was gooey and gross. There's a scene where they latch onto a windshield which offers a close-up and you can see the teeth gnashing away on the underside, most of the effects are pretty dated but I love these latex creatures designs, very enjoyable. The predatory creature design is a thing of schlocky beauty, an elongated grey alien with a massive cranium and long creepy fingers. Perhaps not the most articulated design but very effective and only glimpsed for brief snatches. The reveal of the alien is quite effective, it's a bit of a shame it's spoiled on the artwork for the Blu-ray. . 

Blu-ray: Without Warning arrives on Blu-ray from Scream Factory in the original widescreen aspect ratio (1.85:1) and appears quite nice. Shot on the cheap it manages to look pretty spiffy with a nice grain structure and some good color saturation. The HD upgrade doesn't give the fine detail a massive bump but a very pleasing image. The source material is in pretty great shape considering this cult item has been hard to come by for years.. The English DTS-HD Mono is clean and well balanced, plus Dan Wyman's creepy score sounds great - there are English subtitles provided. 

Onto the extras we have a 21-minute interview with stars Actors Christopher S. Nelson and Tarah Nutter . Nelson remembers the experience fondly and of working with veterans Jack Palance and Martin Landau, Nutter remembers being cold a lot on set and the struggle to stay warm and being cast in the role. Both speak fondly of each other and director Graydon Clark and what it was like working on a small budget film. Nutter tells of destroying the shack in the field with the sheer volume of her scream, sure.  My favorite story from Nelson is a David Caruso story involving Palance threatening to punch him when he laughed during a scene, now that I would love to see!

Cinematographer Dean Cundey chimes in for about fifteen minutes about working with Greydon on four previous low budget films (Black Shampoo, Satan's Cheerleaders, Hi-Riders, Angels Brigade) and the ambitious low-budget production of Without Warning.  He warmly recollects working on the film just after finishing Halloween with John Carpenter despite being warned to stay away from exploitation films for the sake of his career and what a great experience it was.

There's also a brief six-minute interview with Special Make-Up Effects Creator Greg Cannom who speaks about creating the low-budget effects for the film while Co-Writer/Co-Producer Daniel Grodnik speaks about his career producing films which includes slasher classic Terror Train and the comedy Star Hops. Extras are buttoned-up with trailers and still gallery plus a reversible sleeve of artwork.    

Special Features: 

-  Audio Commentary with Producer/Director Greydon Clark
-  INDEPENDENTS DAY: Interview with Cinematographer Dean Cundey (15 minutes) 

- PRODUCERS VS ALIENS: Interview with Co-Writer/Co-Producer Daniel Grodnik (11 minutes) 

- HUNTER'S BLOOD: Interview with Special Make-Up Effects Creator Greg Cannom

(6 minutes) 
- GREG AND SANDY'S ALIEN ADVENTURE: Interview with Actors Christopher S. Nelson and Tarah Nutter  (21 minutes) 

- Original Theatrical Trailer (2 minutes)
- Still Gallery (4 minutes) 
- Scream Factory Trailers (5 minutes) 

Verdict: I love it when Scream Factory unearth these cult classics and spiff them up for the fans to enjoy. A few months ago they unearthed The Final Terror to Blu-ray and this is right up their with that one in my opinion - these would make a great double-feature. I love this weird slice of science fiction drive-in cinema with it's cast of oddball characters and low-budget charms, this is a fiendishly good time for cult film fans. It might not be a genuinely scary movie but it's certainly a fun relic of a bygone era with some nice atmosphere and alien creepiness.