Showing posts with label Perry Pirkanen. Show all posts
Showing posts with label Perry Pirkanen. Show all posts

Thursday, June 25, 2015

CANNIBAL FEROX (1981) (Grindhouse Releasing Blu-ray Review)

CANNIBAL FEROX (1981) 
3 DISC DELUXE EDITION 

Label: Grindhouse Releasing
Region Code: Region FREE
Rating: Unrated
Duration: 93 Minutes
Audio: English DTS-HD MA 1.0 Mono, English DTS-HD MA 2.0 Stereo, Italian DTS-HD MA 1.0 Mono with Optional English Subtitles 
Video: 1080p HD Widescreen (1.85:1) 
Director: Umberto Lenzi. 
Cast: Giovanni Lomardo Radice, Lorraine De Selle,  Zora Kerova, Danilo Mattei, Perry Pirkanen, Robert Kerman

Synopsis:
 They were cold, sadistic killers who thought they could hide from justice. But now they must face the harsh law of the jungle.  Shot on location in the savage Amazon wilds of South America, Cannibal Ferox is one of the most violent and shocking films ever made. There are at least two dozen scenes of barbaric torture and sadistic cruelty graphically shown. If the presentation of disgusting and repulsive subject upsets you, please do not view this film. They must now pay for their crimes with blood and pain. For what they have done, Make Them Die Slowly. 



Cannibal Ferox is a very clear knock-off of Ruggero Deadato's superior effort Cannibal Holocaust (1980), have no doubt about that. While it's true that Umberto Lenzi kick-started the cannibal cycle with Man From Deep River in 1972 it was Deodato who put the definitive stamp on it with hos own controversial and putrid classic -- a film that really puts the spotlight on who the real savages are, and it's not the indigenous people of South America, no, it is without fail the Westerners who come into a pure place and pollute it with their corrupt morality and exploitation of the indigenous people, which again without fail, comes back upon them in the most horrific of ways, and deservedly so. 

Umberto Lenzi's film amps up the gore and shock-value with out any of the more redeemable underpinnings of the superior Cannibal Holocaust, but that doesn't mean you cannot enjoy this slice of cheap jungle exploitation that it is. We begin with a trio of anthropological students headed to the jungles of South America to prove Gloria's (Lorraine De Selle) theory that cannibalism is only a myth --  which already sounds like a recipe for disaster. Gloria is joined by her cameraman/brother Rudy (Danilo Mattei) and promiscuous friend Pat (Zora Kerova). After becoming stranded in the jungle without a vehicle jungle the trio encounter Mike (Giovanni Lombardo Radice) and his partner Joe (Walter Lloyd), two American on the run from the mob and the law in New York City. A parallel story involving Lt. Rizzo (Robert Kerman) investigating Mike's time back in the U.S. plays out during the film, but you have to wonder why. 


Back in the jungle our five Americans band together but it comes to light that Mike and his friend are a pair of coke fiends who have enslaved a local tribe whom they force to harvest cocoa for cocaine and emerald riches. After killing several of the indigenous people, including the tribal leader's daughter, the tables have turned and the five Americans are now hunted by the indigenous people who are out for revenge against the murderous coke-fiend Mike. 


The movie is aggressive and gruesome with plenty of shocking atrocities committed, we really get an eyeful of awfulness with this one, including genital mutilation and some fun brain-eating. The film is particularly notorious for a scene of a women being impaled by two large hooks through her breasts and then suspended from ropes till she bleeds to death, it might me cheap but this shot is very well executed. Additionally we have some brutal amputation a piranha attack and loads more awful stuff, a lot of wince-inducing violence with this one, but it lacks the resonance of Cannibal Holocaust. 


Unfortunately that most regrettable of the Italian cannibal movies trademarks is fully intact - the onscreen death of animals. Like some nightmare version of Animal Planet a pig is stabbed to death onscreen, a jaguar kills a monkey, and an anaconda crushes a large rodent as cameras roll in the most exploitative way possible, unfortunately there is not animal-cruelty free version as we saw with Grindhouse's Cannibal Holocaust Blu-ray, that would have been a good alternative viewing option, maybe it lacks the visceral gut-punch of the slaughtering of the turtle but any death of an animal for the sake of entertainment is not justifiable in my opinion and that viewing option would be warranted and appreciated. 


The basic storytelling process is similar to Cannibal Holocaust, in fact quite derivative of it on many levels,, but this movie is way more exploitative and cheap, and that's saying a lot. This is probably due to the fact that director Umbert Lenzi set out to top Deodato's repulsive film by amping up the gore and violence, but in doing so he loses any of the resonance and deeper meaning that Deodato managed to infuse his film with, it's a cheap and gruesome cash-in, but as cannibal films go it's pretty potent stuff.

Audio/Video: Cannibal Ferox arrives on Blu-ray from Grindhouse Releasing as a massive 3-disc Deluxe Edition with a brand new 2K transfer from the original camera negative and the result are pleasing. The repulsive film is looking pretty sharp in HD, sure there's a ton of grain but it is nicely managed with more fine detail and clarity than we've ever seen before, which is both a plus and a negative -- this is some truly grotesque stuff, and the HD presentation puts it right in your face, more than ever before.  Sure, the jungle canopy greens pop but so too does the stomach-churning scenes of animal cruelty -- that pig killing is still awful. 


There are three audio options to choose from  - we have the Italian DTS-HD MA 1.0 Mono, English DTS-HD 1.0 Mono and a newly created stereo English re-mix by academy Award winner Paul Otterson. Of the three I preferred the new stereo mix, which is nicely balanced and free of the hiss of the mono presentation. The score from Budy-Maglione sounds fantastic, a strange mix or funk, winds and string instrumentation, synth and electronic noise, highlighted by the easily recognizable eerie "Jungle Theme" and foot tapping funk of "NYC Main Title" themes. 



The amounts of gut-munching extras on this three-disc set is just crazy, beginning with a great commentary from director Umberto Lenzi and star Giovanni Lombardo Radice, the commentaries are recorded separately and stitched together. These two hate each other and having them in the same room to record a commentary might have ended in a fist-fight!

Then we have the feature-length documentary  Eaten Alive! The Rise and Fall of the Italian Cannibal Film produced by Arrow Video ex-patriot High Rising productions, featuring interviews with Umberto Lenzi, Luigi Cozzi, Me Me Lei, Kim Newman, Giovanni Lombardo Radice, Ruggero Deodato, Sergio Martino and Robert Kerman - a fantastic watch and a great Cannibal 101 introduction to the genre. The piece is moderated by author Shelagh Wowan-Legg.  Finishing up the extras o disc one we have a variety of trailers for the movie, and footage from the 1997 Hollywood premiere of the film, which looked like a blast.


Digging into disc two we have a collection of interviews from Umberto Lenzo, a particularly venomous Giovanni Lombardo Radice, Danillo Mattei, special effect legend Gino De Rossi, and starlet Zora Kerova. There's an exhaustive amount of production stills, behind the scenes images and other promotional materials including video artwork, press clippings.

As of this review I have found five Easter Eggs hidden away on the various menus of both Blu-ray discs. revealing additional interviews material with Gino De Rossi and Danillo Mattei. 

Packaging extras include a fantastic embossed slipcover  with vibrant orange/red/yellow color scheme that leaps off the box. Inside the Criterion-style clear case we have a 12-page booklet with Liner notes by legendary Times Square historian Bill Landis (SLEAZOID EXPRESS) and director Eli Roth with stills and behind-the-scenes photographs, plus the reverse side of the sleeve includes a extensive Umberto Lenzi filmography ranging from '58 through '92 with selected poster art inserted. Separate from the Blu-ray discs we have the original motion picture soundtrack by Budy-Maglione housed in a separate slipcase of it's own, just like we saw with the Grindhouse Releasing deluxe editions of Lucio Fulci's The Beyond and Ruggero deodato's Cannibal Holocaust, a very nice addition, and a fantastic soundtrack to boot. We have the original 20 track score plus an additional 28 tracks of bonus material and alternate takes, this is a fantastic supplement. 

Disc 1 Special Features (Blu-ray) 

- Original uncensored director’s cut
- Spectacular new 2K transfer - scanned from the original camera negative
- Candid and shocking audio commentary by director Umberto Lenzi and star John Morghen
- Shocking Deleted footage - Lost for Over 30 years! "Killing Pig (2 Mins), "Pirahna Scene"  (1 Mins) 
- Eaten Alive! The Rise and Fall of the Italian Cannibal Film (86 Mins) 
- International Trailer  (3 Mins) 
- German Trailer (3 Mins) 
- U.S. Trailer (4 Mins) 
- Mexican Trailer (4 Mins) 
- Hollywood Premiere - February 15th 1997 (5 Mins) 
- Easter Egg - Still Gallery (9 Mins) 


Disc 2 Special Features (Blu-ray) 
- Umberto Lenzi: Hooked on You (20 Mins) 

- The Many Lives and Deaths of Giovanni Lombardo Radice (51 Mins) 
- Zora in Cannibal Land - Interview with Zora Kerova (25 Mins) 
- Danillo Mattei's Amazon Adventure (21 Mins) 
- They Call Him Bombadore - Iterview with Gino De Rossie from May 2011 (25 Mins) 
- Umbert Lenzi Interview - May 1998 (8 Mins) 
- Production Stills (56 Images) 
- Behind the Scenes (35 Images) 
- Promotional Materials: Italy (13 Images), Germany (37 Images), France (15 Images), Spain (16 Images), US (26 Images), Various (9 Images) 
- Video Releases (41 Images) 
- Ferox Fever - Press Clippings (58 Images) 
- Grindhouse Releasing Previews (32 Mins) 
- Easter Egg - Gino De Rossi (3 Mins) 
- Easter Egg - Danillo Mattei (1 Mins) 
- Easter Egg  - Danillo Mattei (1 Mins) 
- Easter Egg - Gino De Rossi (1 Mins) 


Cannibal Ferox (1981) is a truly vile and repulsive cannibal entry, that on a surface level is on par with Cannibal Holocaust, though one I would be cautious to recommend to the average movie fan fr fear it might have the more casual horror fan spewing chunks. This is hands-down the definitive version of the infamous cannibal classic for what will be a very long time, I cannot imagine anyone topping this stunning three-disc set, a very high recommend to the strong stomached cannibal connoisseurs out there. 3/5 

Thursday, July 10, 2014

CANNIBAL HOLOCAUST (1980)

CANNIBAL HOLOCAUST (1980)  
3-Disc Special Edition Blu-ray + CD 

Label: Grindhouse Releasing

Region: Region-FREE
Duration: 95 Minutes
Rating: Unrated
Audio: DTS-HD Master Audio Mono, DTS-HD Master Audio 2.0 
Video: 1080p widescreen (1.78:1)
Director: Ruggero Deodato
Cast: Robert Kerman, Perry Pirkanen, Francesca Ciardi, Carl Gabriel Yorke, Luca Barbareschi

Ruggero Deodato's CANNIBAL HOLOCAUST lures us in with a TV documentary telling of four American documentary film makers who have set off to the Amazon jungles to observe the indigenous cannibal tribes. The documentary team consist of director Alan Yates (Carl Yorke, IDLE HANDS), his girlfriend Faye (Francesca Ciardi, THE TUNNEL) and cameramen Jack (Perry Pirkanen, CITY OF THE LIVING DEAD) and Tomasa (Luca Barbareschi. CUT AND RUN). The four have gone missing while documenting the indigenous tries of the Amazon and The news reports spur NYU anthropologist Harold Monroe (Robert Kerman, DEBBIE DOES DALLAS) to form an expedition to find out just what happened to the group. With the assistance of a jungle guide with a penchant for snorting cocaine named Chaco (Salvatore Basile, COBRA VERDE) and his assistant Miguel they arrive in the Green Inferno and set about finding the missing documentarians. 

Not long into their jungle journey the professor and the group discover the worm infested corpse of Felipe who it turns out was the guide of the missing documentary crew - a discouraging sign to say the least. The crew set-up camp on a muddy river bank where Miguel captures and stabs a muskrat which lets out a terrifying death scream as the knife is plunged into it. Mind you this isn't some effect -- this is an animal dying onscreen and it's the first of several questionable artistic decisions made by the filmmakers. Further on the crew observe a tribesman who binds his wife to a stake with rope and proceeds to rape her with a phallic stone implement before packing her womb with mud before ending her life with several blows to her skull. The guide informs the stunned Prof. Munroe that what they've seen is tribal punishment for the woman's apparent infidelity. They follow the murderous tribesman to a village where they negotiate with the villagers for information pertaining to the missing documentarians, whom they are told caused great unrest among the local tribes.

The following day Munroe, Chaco and Miguel knowing their on the right path head further into the  jungle when they come across a macabre scene of warring cannibalistic tribes savaging each other. The group intervene with gunfire turning the battle in favor of the Yanomamo which earns them an invite to dinner back at the village. What could be for dinner you ask, human flesh of course. After dinner the villagers lead Munroe to the grotesque skeletal remains of the documentarian crew.next to the corpses are the canisters of films they'd shot prior to their demise. Munroe trades a cassette recorder for the canisters of film and next thing we know were in New York City. 


Back in NYC Prof. Munroe strikes a deal with a TV channel who want him to host a documentary program and here is the genius twist of the film - this is two films in one and quite possible the first found footage film of it's kind which pre-dates THE BLAIR WITCH PROJECT and THE LAST BROADCAST by several decades.  Munroe and the TV execs  screen the documentary footage we are treated to a vile film within a film as the original documentary crew's journey from New York to Columbia in search of cannibalistic tribes and we discover the vile acts they committed which lead to their violent and unsavory deaths. 

I won't spoil any more of the film than what I've typed so far other than to say the images captured on film are unstintingly potent and grotesque - even for this seasoned gore hound.  Aldo Gasparri (MAD DOG KILLER) special effects work is astounding with grisly amputation, heads are chopped off, the expected cannibalism and sever graphic rape scenes plus the infamous impalement with a woman speared from anus to mouth - there's nothing decent about it. The effects work apparently so effective that after the film's premiere in Italy it was seized by the local magistrate and Deodato was arrested for obscenity and later charged with making a snuff film! Eventually Deodato produced the actors for the court and the charges were dropped but damn that's some potent stuff right there. 


The film is not so much infamous for the scenes of cannibalism and rape as it is for the actual killing of animals onscreen - even for an exploitation film this is pretty gruesome. Notable acts of cruelty perpetrated upon animals in the film include the death of a shrieking muskrat, a spider-monkey who's skull is chopped off and brains eaten while it's still alive and the brutal slaughtering of a love turtle which I found the most affecting, sickening stuff.  Layered on top of this are some painful stereotypes of the indigenous people portrayed int he film - this is a straight-up exploitation film at it's very worst.  It should be noted that many of the animals slaughtered were eaten by the indigenous cast of the film if that helps you sleep any better.


Very few slice of exploitation cinema are as notorious worldwide as CANNIBAL HOLOCAUST and with very good reason, there's no other film quite like it and very few go to the extremes this one dares go for better or worse. Taking off where the MONDO CANE films left off director Deodato infuses the film with an unnerving sense of realism. The found footage stuff is shot on 16mm  and is executed superbly -  you are complicit in the act unable to stop what's happening before you and it's gut-churning. CANNIBAL HOLOCAUST is a film that still has the effect of deeply troubling you and may have you questioning your taste in films at the end. .

The acting is top notch from a cast of inexperienced unknowns. Carl Yorke is particularly effective as the charismatic and cruel documentary filmmaker as is Francesa Ciardi who is quite possibly the only character you can align yourself with if I can dare say that about anyone in the nasty film. 


This edition from Grindhouse Releasing is a thing of cruel beauty arriving in a nice thick-papered embossed slip cover - inside are 2 Blu-rays Criterion-style clear case with a reversible sleeve of artwork. The alternate option is a nude variant of artist Rick Melton's cover illustration.  There's a nice thick 24 pg. booklet with writing on the film from director Eli Roth, legendary horror journalist Chas. Balun, Euro-music expert Gergely Hubai and Italian exploitation film authority Martin Beine plus it features a gruesome centerfold. 


Onto the disc we have the main feature presented in the original widescreen aspect ratio with a new hi-def restoration of the original director's cut which looks amazing. A definite upgrade from the previous release from Grindhouse and quite an improvement over the UK Blu-ray from Shameless Screen Entertainment which was a cut version as the BBFC will not pass the film uncut. We are given two options for viewing - the original theatrical version or for the squeamish amongst you an animal cruelty-free version. I haven't watched the animal cruelty free version yet but I think it's a great addition because it's nauseating stuff plus we still have the option to watch the uncut version so you can have it both ways. 

There are two audio commentaries with director Ruggero Deodato and star Robert Kerman,
plus a second track with stars Carl Yorke and Francesca Ciardi. Both are great commentaries but when watched in conjunction with the interviews there's a lot of the same ground covered. Other bonuses include an Alternate Version of Last Road to Hell plus a trailer gallery. 
Audio includes the choice of the original mono mix or a new DTS-HD Master Audio Stereo remix which sounds great with Riz Ortolani's genius score coming through like never before. This score is amazing, the juxtaposition of those gorgeous string arrangements and the violent imagery punctuated by gurgling electronics is still such a punch to the gut and it sounds great. Also included on this set is a CD in a separate slip cover that has been remastered from the original studio master tapes.

Onto disc two we have a massive set of extras including vintage interviews and extras carried over from the previous release though a few are hidden away as Easter eggs in the menu options - a total of nine are sprinkled throughout the discs! so far the eggs I've uncovered include script ages for a lost scene, the Canadian World Premier for the Re Release, a music video and the Search for Alan Yates plus more. 

There are nearly three hours new interviews  with Ruggero Deodato, Francesa Ciardi, assistant director Salvo Basile and cameraman Roberto Forges Davazat. There's some great commentary on the animal violence in the film and Ruggero's directing style onset from everyone. Robert Kerman is particularly haunted by the death of that muskrat is is not a fan of Deodato direction onset and insists during the interview that Grindhouse should remove the scenes of the animal cruelty.

Other extras include a Cinema Wasteland panel with Deadato who is joined onstage by David Hess, Francesa Ciardi and Carl Yorke among others plus extensive still galleries, video reunions of Deadato with Carl Yorke and Robert Kerman. There's so damn much on this set to pour through! - there are over 8 hours of bonus features to accompany this nauseating cult-classic. So much behind-the-scenes information and commentary on the making of this nasty little film. This release from Grindhouse will be the definitive document of CANNIBAL HOLOCAUST for quite some time.  

Coming soon from Grindhouse Releasing are Blu-rays of Lucio Fulci’s THE BEYOND, Duke Mitchell’s GONE WITH THE POPE, and S.F. Brownrigg’s SCUM OF THE EARTH.

Tuesday, September 20, 2011

Blu-ray Review: CANNIBAL HOLOCAUST (1980)

CANNIBAL HOLOCAUST (1980)

LABEL: Shameless Screen Entertainment
RELEASE DATE: September 26th 2011
REGION CODE: Region FREE
RATING: 18 Certificate
DURATION: 135 mins / 136 mins
VIDEO: 1080p MPEG-4 AVC Anamorphic Widescreen
AUDIO: English DTS-HD MSTR 2.0 Stereo, Dolby Digital 2.0 Stereo
DIRCETOR: Ruggero Deodato
CAST: Robert Kerman, Perry Pirkanen, Francesca Ciardi, Carl Gabriel Yorke, Luca Barbareschi
TAGLINE: The Most Controversial Film Ever Made

Ruggero Deodato's CANNIBAL HOLOCAUST lures us in with a TV documentary telling of four American documentary film makers who have set off to the Amazon jungles to observe the indigenous cannibal tribes. The documentary team consist of docu-director Alan Yates (Carl Gabriel Yorke, IDLE HANDS), his girlfriend and script girl Faye (Francesca Ciardi, THE TUNNEL) and cameramen Jack (Perry Pirkanen, CITY OF THE LIVING DEAD) and Tomasa (Luca Barbareschi. CUT AND RUN). The four have gone missing while documenting the Amazonian tribes. The news reports spur NYU anthropologist Harold Monroe (Robert Kerman, DEBBIE DOES DALLAS) to form an expedition to rescue the group with the help of a skilled jungle guide named Chaco with a penchant for snorting cocaine (Salvatore Basile, COBRA VERDE) and his assistant Miguel. They are also involuntarily joined my a member of the Yacumo tribe who we see rather brutally captured by the Colombian military just prior to Prof. Monroe's arrival as they decimate a small party of tribesman, completely blowing the face off one of the indigenous people at close range, it's the first of many atrocities visited upon the primitive people of the film.

Not long into their jungle trek they discover the worm infested corpse of Felipe, a jungle guide who accompanied the documentary crew they seek. It's a discouraging sign to say the least, setting up camp next to a river Miguel captures and slaughters a muskrat, it's death shrieks are grotesque. Further on they observe a tribesman who come ashore on a boat, his wife in tow. He binds her with rope to a stake on the muddy embankment and proceeds to vaginally rape her with a phallus-shaped stone implement. He then packs a mud ball with slivers of wood and seems to cram into her vaginal cavity, it's bloody and gut-churning, then killing her with several strong blows to the head then placing her corpse into the wooden canoe shoving it off into the river. Chaco tells a stunned Prof. Munroe that what they've seen is tribal punishment for the woman's infidelity. They follow the tribesman who's now  travelling on foot back to the Yacumo village where they use the captive tribesman (and apparently Miguel's mighty schlong) as leverage to negotiate with the villagers for information pertaining to the missing documentarians. They learn that the film crew were indeed in the area recently and caused great unrest among the tribes.

The following day Munroe, Chaco and Miguel knowing their on the right path head further into the "Green Inferno" when they come across a macabre scene of waring cannibalistic tribes savaging each other. The Yanomamos and the Shamatari are engaged in a brutal battle with the Yanomamos on the losing end until the group intervene with a flurry of gunfire, which earns them an invite to dinner back at the Yanomamo village. What's on the menu? Human flesh, of course! The group are treated with some suspicion until Dr. Munroe earns their respect by bathing naked in the river, these primitive cultures certainly do respect the sight of some schlong, just saying. With his wiener exposed and their trust gained a group of villagers take Munroe to the grotesque and obviously gnawed on skeletal remains of the documentarian crew, they're camera equipment hanging from their remains, including canisters of films they'd shot prior to their grisly deaths. Munroe plays a tape recording of tribal chanting for the villagers who are awestruck at his mighty power that enables him to steal their voices and he is able to strike a deal for the canisters of film in exchange for cassette recorder.

Reversible Artwork Option

Next thing we know were back in New York City and Prof. Munroe strikes a deal with a broadcast TV channel who want him to host a documentary of the recovered film but he wants to screen the "found footage" before he agrees to air it for all the world to see. Here is the genius twist of the film as Munroe and the TV execs screen the "found footage" we watch it with them and experience the true horrors caught in film as we catch glimpses of the crew's journey from New York to Columbia and into the Amazon jungles in search of cannibalistic tribes, a film within a film.

Without spoiling anymore than I already have let me just say that the images caught on film are grotesque, disturbing and unsettlingly potent. There's leg amputation, beheadings, cannibalism, several graphic rape scenes, a forced abortion, murderous arson and the quite infamous impalement from anus to mouth - these are truly soul-rendering acts of human indecency and the effects works from Aldo Gasparri (MAD DOG KILLER) is astounding real, so much so that after the film's premiere in Italy it was siezed by the local magistrate and Deodato was arrested for obscenity and still later charged with making a snuff film, that's right, they believed he murdered his actors. Goddamn that's some potent cinema right there. Eventually Deodato presented the actors on live TV thereby proving his innocence.

This release contains two versions of the film; one is the original version of the film minus 15 seconds of compulsory cuts for what the BBFC calls "unsimulated animal cruelty" aka the muskrat death scene. The second versions is Ruggero Deodato's newly created "re-edit" further removing the animal cruelty beyond the compulsory BBFC cuts. Most notably the gruesome death of a turtle is now obscured by natural looking print damage and the death of the aforementioned muskrat happens off screen though it's unnerving death shriek is still heard. Also, a few frames of the spider monkey deaths are trimmed but it's no less affecting. Be forewarned my animal loving friends there are still despicable acts of cruelty exploitively perpetrated upon a turtle, muskrat, pig, spider monkeys, and a tarantula, so don't go into this thinking what you are getting is a sanitized "clean" edit, it's still plenty repugnant and that's on top of the degradation, rape and murder of the painfully stereotyped indigenous people. Either version of Deodato's most notorious film found here are still full-on cannibal exploitation films. It should be noted that most if not all the animals killed were eaten by the indigenous cast of the film if that helps you sleep better at night.

Few films are as notorious as CANNIBAL HOLOCAUST and with good reason, there's no other film quite like this one, it's despicable but undeniably a cinematic masterpiece in my mind. Taking it's cue from the MONDO CANE films that came before it Deodato has infused the film with a disturbingly realistic aesthetic, the documentary footage shot on 16mm in cinema verite style puts you right there with 'em as they perpetrate impossibly heinous acts upon the indigenous people, you are complicit in the act unable to stop them from happening before your very eyes, it's a film that deeply troubles you and may have you questioning your taste in films.

The acting is top notch from a cast of inexperienced unknowns at the time (and mostly even still now) aside from Robert Kerman who was already the star if numerous adult pornos unbeknownst to Deodato. Yorke is particularly effective as the cruel documentarian, outside of the that I thought Francesa Ciardi was quite impressive and quite possibly the most relatable character if I could even dare say that about any character in the film.

BLU-RAY: Shameless Screen Entertainment's release marks this exploitation classics world debut on region FREE Blu-ray and is presented in an MPEG-4 AVC encode that's 1080p HD anamorphic widescreen (1.85:1).  Admittedly it's been a few years since I last sat down with my Grindhouse Releasing special edition DVD but I think it's quite safe to say that the film has never looked any better that what I see here. It's a gorgeous transfer from a very nice print, colors are vibrant and deep though a few instances of softness do appear throughout, as much of the film was shot on 16mm and blown-up to 35mm it's just to be expected. There's a fine layer of film grain present throughout  with some fine detail and the image is plenty sharp for a film of it's age. The two audio options are English DTS-HD MSTR 2.0 Stereo and Dolby Digital 2.0 Stereo. For the sake of the review I only listened to the DTS-HD track and it sounds fine, not overly dynamic though what would one expect from a "found footage" film realistically? Dialogue, effects and the wild sounds of the jungle canopy sound well balanced, scoring particularly well is Riz Ortoloni's fantastic score, a work of disturbing beauty from start to finish with a combination of sweet orchestral arrangements and disturbing electronics sounds. SPECIAL FEATURES:

Outside of a the very fine PQ Shameless have commissioned brand new features that are exclusive to this edition beginning with introductions to both the original version and the new re-edit from director Ruggero Deodato who in the latter explaining his reasining behind the re-edit. Film And Be Damned (40:28) is a new interview with Ruggero Deodato and actor Carl G. Yorke. The director speaks to the MONDO CANE inspiration, casting the actors, his surprise at finding out about Kerman's porn career considering his "average sized manhood", scouting locations, selling the film, creating the infamous impalement scene, the score, a deleted piranha scene and the film's reception, censoring and his trial for making a snuff film among other topics. Actor Carl Yorke discusses his experience on the film, including many difficult days on set and his interactions with the director, his co-stars and the difficulty filming the rape sxcene and choosing not to shoot the swine. The Long Road Back From Hell (40:20) is a specially commissioned documentary by Cine Excess featuring Kim Newman, Professor Julian Petley, Professor Mary Wood, Ruggero Deodato, Carl G. Yorke and actress Francesca Ciardi. It's a comprehensive examination of the film that's sure to please fans of the film.

It's definitely a sweet package and makes for a compelling argument for purchase despite being an edited version of the film, then again it's a director approved edit that he supervised himself, further stating in the press release and during the interview that the inclusion of animal slaughter in the film was at the insistence of the producers at the time and not his true vision. Here in the US we have the uncut Grindhouse Releasing special edition DVD, and we take for granted the availability of uncut films on DVD and Blu-ray to the point that unrated DVD editions are a bit of a marketing gimmick and thankfully we don't have the BBFC to contend with. This past week I've been a bit up in arms over not only George Lucas's revisionist editing but what I consider ruinous meddling with his STAR WARS films over the years, from the laserdisc edition to the new Blu-ray set and it got me to thinking about not just Deodato's "re-edit" but UK film censorship as a whole and I've come to the conclusion that THANK GOD I LIVE IN THE USA. For those in the UK this arbitrary censoring is a reality with no end in site but there is light at the far end of that slippery sloped tunnel with recent reclassification of other video nasties like ISLAND OF DEATH now finally released uncut after years of censorship. Praise should be given to UK distributors like Shameless and Arrow Video who regularly submit, re submit and take to task the BBFC in an ever vigilent struggle to give fans uncut versions of censored films.

What do you think of a Deodato's new director approved "re-edit" of CANNIBAL HOLOCAUST, think it's worth a purchase? I think so but I'd love to hear what you fiolks think wether you're from the UK or elsewhere.

SPECIAL FEATURES:
- Introduction to the original film by director Ruggero Deodato (:09) 16x9
- Introduction to the new Director’s Edit by Ruggero Deodato. (1:49) 16x9
- “Film And Be Damned”  (40:28) 16x9 - interview with Ruggero Deodato and actor Carl G. Yorke.
- “The Long Road Back From Hell” (40:20) 16x9 A specially commissioned documentary by Cine Excess featuring Kim Newman, Professor Julian Petley, Professor Mary Wood, Ruggero Deodato, Carl G. Yorke and actress Francesca Ciardi.
- Theatrical Trailer (2:54) 16x9
- Shameless Trailer Park: HOUSE ON THE EDGE OF THE PARK, DON'T TORTURE A DUCKLING, NEW YORK RIPPER all presented 16x9 widescreen.
- Easter Egg.

VERDICT: CANNIBAL HOLOCAUST remains a haunting and gut churning commentary on the depraved nature of civilized man and sensational journalism. It's a must-see film but it may well be a film you only watch once, that's enough for most folks I know. After all there's only so much depravity and nausea a person can take and even by hardened horror standards this is shockingly gruesome still do this day 31 years later. This was my entry into Shameless's catalog and I'm suitably impressed with the presentation and supplemental materials. I went in wary of this "re-edit" and am pleased to report it's not ruinous to the film in anyway and the newly created interview and documentary are top shelf from start to finish. It's CANNIBAL HOLOCAUST on region FREE Blu-ray and playable worldwide, what more do you need to know?