Showing posts with label Psychological Thriller. Show all posts
Showing posts with label Psychological Thriller. Show all posts

Sunday, April 1, 2018

Psychological Mystery "Kaleidoscope" Makes Blu-ray and DVD Debut May 1st, 2018 from Scream Factory


KALEIDOSCOPE (2017) 

Label: Scream Factory/IFC Midnight

Region Code: A
Rating: Unrated
Duration: 99 Minutes 
Audio: English DTS-HD MA 
Video: 1080p HD Widescreen (1.85:1) 
Director: Rupert Jones
Cast: Toby Jones, Anne Reid, Sinead Matthews, Cecilia Noble, Karl Johnson

Synopsis: Kaleidoscope, the unsettling debut feature from Rupert Jones, is a provocative psychological mystery that asks: is it possible to escape our past? Making its Blu-ray and DVD debut May 1st, 2018 from Shout! Factory, in conjunction with IFC Midnight, Kaleidopscope also includes a number of bonus features, including the featurettes Making of Kaleidoscope, Working in the Studio, and Keeping Up With The Joneses. Fans can pre-order their copies now by visiting ShoutFactory.com

This intense, twisty thriller unfolds in the darkest corners of a man’s mind. Recently released from prison, mild-mannered Carl (Toby Jones, Captain America; The Winter Soldier) quietly attempts to move on with his life. Just as he embarks on his first date in 15 years, Carl’s fresh start is shattered by the sudden reappearance of his domineering mother (Anne Reid. Hot Fuzz), whose presence awakens within him a deep-seated trauma. What unfolds is a brain-warping puzzle as reality and illusion, past and present collide and explode in violence.

Special Features:
- The Making of Kaleidoscope featurette
- Working in the Studio featurette
- Keeping Up With The Joneses featurette
- Theatrical Trailer


Tuesday, August 13, 2013

DVD Review: LUCID. (2013)

LUCID. (2013) 

Label: Big Biting Pig Productions
Rating: Unrated
Duration: 87 Minutes
Audio: English Dolby Digital 5.1
Video: 16:9 Widescreen (1.78:1)
Director: PJ Woodside
Cast: Brittney Saylor, Bill Johnson, P.J. Woodside, Michael Coon, Steve Hudgins, Felicia Stewart, Scott Cummings, Megan Jones, Craig Angel, Jim Foreman, Janet Corum

Lucid. (2013) is director P.J. Woodside's third feature film and it's focus is a young woman named Monica (Brittany Saylor) who's nightly slumber is disturbed by repressed memories of a traumatic childhood and terrifying dreams of slaughtering her boyfriend. When awake she seems quite happy with but her subconscious is definitely working overtime thinking about his bloody demise. Fearing she might hurt her boyfriend she attempts to seek help from a noted sleep therapist named Dr. Aaron Night, but is refused. Shortly afterward her life spirals out of control as her dreams and reality start to mesh,  each day is a waking nightmare and her boyfriend's life may be in serious danger, but there's more to the story and there's something quite a bit more sinister than just nightmares at play here. 


P.J. Woodside's previous film The Creepy Doll (2011) was a decent chiller and Lucid. (2013) steps up with better visuals and some very nice performances, particularly from lead actress Brittney Saylor who's portrayal of a woman haunted by nightmares and struggling to come to grips with reality is quite good, I totally bought into it. Woodside herself makes an appearance as a sketchy dream therapist, there's some strong performances here and while some of it comes across as a bit amateurish it doesn't completely unhinge the film. Also making a notable appearance as Monica's father Paw Paw is none other than Bill Johnson who played Leatherface in Tobe Hooper's The Texas Chainsaw Massacre 2 (1986), and while it's not the greatest performance in my opinion it's unsettling and gives the film another layer of atmospheric creepiness.   

The film's subject matter goes into some pretty dark places, I was surprised just how elaborate and labyrinthine the story became as it plugged along, a real spider's web of psychological terror. Afterward it made me think quite a bit about the power of disturbing dreams and nightmares and their adverse affect on the psyche, it's an intriguing subject and it makes for a decent watch. Woodside keeps things chugging along at a decent clip with just a few slow moments, she's seems careful to keep things anchored within budget and not overstep the technical bounds of what they could achieve on film, not a perfect film but a decent watch. 

Special Features: 
- Blooper Reel (5:48)
- Deleted Scenes (1:12)
- Audio Commentary with director/screenwriter/actress P.J. Woodside and cinematographer/actor Steve Hudgins

Verdict: A decent low-budget psychological horror film from P.J. Woodside and the Big Biting Pig Productions crew, can't wait to see what's up next for 'em, this is low-budget movie making with a lot of heart. 2.5
 Outta 5 


Sunday, January 8, 2012

Michael Biehn's THE VICTIM gets distribution through Anchor Bay Films

There's news that actor Michael Biehn's directorial debut THE VICTIM (2011) has been picked up for distribution through Anchor Bat Films here in North America. The star of TERMINATOR and ALIENS also stars in this psychologival thriller, read all about it below and check out the trailer...

Anchor Bay Films Press Release:


ANCHOR BAY FILMS LOCKS IN NORTH AMERICAN RIGHTS FOR THE VICTIM

Written and Directed by Award-Winning Actor Michael Biehn 

BEVERLY HILLS, CA – Anchor Bay Films has locked in North American rights to the suspense thriller,  THE VICTIM, starring Michael Biehn (Terminator, Aliens), Jennifer Blanc (Badass, Dark Angel), Ryan Honey (Men of Honor, Hallowed Ground), Denny Kirkwood (Never Been Kissed), Tanya Newbould (Red Dragon, Rush Hour 2) and Danielle Harris (Halloween series).  The deal was made with Preferred Content.  The Victim was written by Michael Biehn and is his directorial debut.  Bill Clark, President of Anchor Bay Entertainment, made today’s announcement. 

“This is a great grindhouse film and audiences won’t be disappointed,” commented Kevin Kasha, Executive Vice President, Acquisitions and Co-Productions for Anchor Bay Films.  

“From the first day of shooting, I had hoped that Anchor Bay would be interested in THE VICTIM.  I’m very happy they will be working with us to distribute it,” added Michael Biehn.  “I loved making such a down and dirty film – true grindhouse.”  

Good time girls Annie (Jennifer Blanc) and Mary (Danielle Harris) find themselves in a life and death situation. Annie’s life is put in jeopardy when she is witness to a violent act at the hands of two Sheriff’s Deputies. Fleeing from attackers (Ryan Honey, Denny Kirkwood), she stumbles across Kyle (Michael Biehn), a recluse living in the middle of the woods.  The ruggedly handsome loner stays far from civilization – that is – until a single knock on his door throws his solitary life into chaos. Two worlds collide in this psychological thriller that will make you question your trust in mankind.  Who is the victim?

THE VICTIM was executive produced by Brock Morse, Morgan Johnson and Ryan Honey of The Mud Show and produced by Jennifer Blanc-Biehn, Lorna Paul and Travis Romero of Blanc/Biehn Productions in association with Pegasus Productions.  Stevan Mena and Vincent Butta of Crimson Films will be handling the theatrical release.  This is the third project between Crimson Films and Anchor Bay Films.  Additionally, Hogan Entertainment and Pegasus Productions will be handling the college tour of the film.  

The deal was brokered by Kevin Kasha on behalf of Anchor Bay Films with Preferred Content working on behalf of the filmmakers. 

To discover more about THE VICTIM, visit www.grindhousethevictim.com.

Monday, September 5, 2011

DVD Review: SALVAGE (2010)

SALVAGE (2010)
Label: Revolver Entertainment
Region Code: 1 NTSC
Rating: Unrated
Duration: 76 mins
Video: 16x9 Widescreen (1.78:1)

Audio: English Dolby Digital 5.1 Surround Sound
Director: Lawrence Hough
Cast: Neve McIntosh, Shaun Dooley, Linzey Cocker
Tagline: Fear Cannot Be Contained
 
In this British horror-thriller set in a quiet cul-de-sac it's Christmas Eve and a young girl named Jodie (Linzey Cocker) is rather unwilling dropped off at her estranged mother's doorstep by her father. It's not quite a happy homecoming scenario and it's made worse when Jodie lets herself into mum's place only to catch mom Beth (Neve McIntosh) amidst a rather steamy  one-night stand with Kieran (Shaun Dooley, EDEN LAKE) a man she met just the night before. A barely dressed Beth chases after her perturbed daughter into the streets where there's a brief confrontation ending in Jodie tossing her mother's house keys at her quite hard and fleeing to a neighbors home. 

Beth is definitely a flawed mother character, a lot of their issues stem from Beth abandoning her marriage and daughter to further her career, and the tension between the two is thick with animosity and regret. Beth returns home and dresses a bit more appropriately and attempts to recover her daughter from the neighbors only to have the door shut in her face. Standing in shock outside the door her attention is drawn towards a helicopter overhead just as a neighbor emerges from his home covered in blood and carrying a large knife. Just then Beth is tackled by a military soldier who commands her at gunpoint to return to her home as the neighbor is gunned down after refusing to comply. As the military infiltrate the cul-de-sac Beth is left inside her home with a man she's only just met, near strangers who must come together to deal with an unknown threat that has descended upon the usually quiet neighborhood.

The nature of the threat is unknown at first but the film plays up fears of terrorism, particularly Kieran who's obsessed with the notion that the gunned down neighbor must have been part of a terrorist cell. Adding to the mystery are reports of a shipping container washed ashore in the nearby river Thames that seems to be the epicenter of the carnage that's overtaken the neighborhood. Trapped in the house together the two argue, panic and give in to varying degrees of paranoia and anxiety, it's not over-the-top hysterics and plays quite realistically into what I would assume one would experience during such an event.

As gunshots ring out in the neighborhood the panic worsens as does Beth's concern for her daughter's well being. She sets out to rescue her only to find the neighbor's house in shambles, blood is everywhere but there are no signs of her daughter. Discovering an injured soldier outside the house they bring him inside and are able to piece together what's the military is there to contain and it's far worse than they could have imagined. At the 53 minute mark the tense paranoiac thriller turns into a mutated creature horror fest and while the pace picks up it perhaps loses a bit of it's punch but is still quite a fine film.

SALVAGE is a great case of economical low-budget horror filmmaking, it's tense, atmospheric and nail-bitingly good. The acting is fantastic from start to finish, particularly Dooley and McIntosh, and wisely the creatures are kept mostly in shadow and not over exposed. The film's a nice combination of THE CRAZIES violent infected and terrorist paranoia thriller RIGHT AT YOUR DOOR.

DVD:The disc from Revolver Entertainment presents the film in 16x9 enhanced 1.78:1 widescreen and looks very good with nice black levels and a generally subdued color tone. The DVD boasts an impressively immersive Dolby Digital 5.1 surround sound track that accents the tension quite well, very good sound design and a tense score. Dialogue sounds crisp and clear, no subtitles are included.

Special features include a commentary track with Director Lawrence Gough plus writer Colin O’Donell, associate producer Alan Pattison and star Shaun Dooley who discuss the genesis of the film from a short subject film to it's development as a feature length production. It's a decent listen if a bit dry at times. There's also nearly 45 minutes of cast and crew interviews and a behind-the-scenes making of featurette. Not too shabby, but don't talk about the short film and not feature it on the DVD, c'mon guys. It had better be on YouTube or the film's website, seriously.

Special Features:
- Behind the Scenes Making Of (10:08) 16:9
- Cast and Crew Interviews (44:34) 16:9
- Commentary from Director Lawrence Gough, writer Colin O’Donell, associate producer Alan Pattison and star Shaun Dooley

Verdict: Having just watched British film TONY (2009) and then straight away watching this it's hard not to reflect upon the great many number of kick ass British horror films in recent years, it's very promising indeed. I'm a bit pist that I somehow managed to miss this one which was actually released last summer on DVD, better late to the party than never right?  Not a hugely original film but very well executed, tense and bloody, well recommended.


Sunday, July 24, 2011

DVD Review: SCULPTURE (2009)

SCULPTURE (2009)
Rating: Unrated
Duration: 88 mins
Video: 1.77:1 Widescreen 16x9
Audio: English Dolby Digital Stereo 2.0, 5.1 Surround Sound
Director: Pete Jacelone
Cast: Raine Brown, Misty Mundae, Dustin Kerns, Susan Anderson, MArv Blauvelt
Tagline: Your Worst Nightmare is Her Greatest Work of Art

SCULPTURE centers around a struggling young artists named Ashley Steele (Raine Brown, PSYCHO HOLOCAUST) whom returns to her childhood home following the death of her father. It's a painful homecoming, her childhood is filled with violent memories of abuse, both physical and sexual, at the hands of her vicious bodybuilder father. She had hoped the homecoming would prove to be a fresh start for her but it is instead fraught with traumatic flashbacks and painful memories long buried but now brought to the surface. Her bastard of a father abused not only her but her artist mother Rose as well.

Her overprotective and pervy brother Adam (Dustin Kerns) is now running the family gym and Ashley takes a job there where she is warmly received by the vain and horny bodybuilders who frequent the gym. A local art dealer named William (Alan Rowe Kelly, I'LL BURY YOU TOMORROW) who once showcased her late mother's artwork also extends an invitation to her but Ashley's not quite sure what to create for the exhibit. She takes inspiration from her best friend Emily (Misty Mundae, THE LOST) who jokingly asks Ashley to sculpt her the perfect man, though I'm sure the end result is not quite what she had in mind. Ashley enlists the gym's beefy body-builders and sets about "sculpting" the ideal man for the exhibit. The artistic endeavor further exposes the deep seated psychological turmoil that Ashley has endured which now manifests itself in a bloody downward spiral of murder and dismemberment leading to the reveal of her finished "sculpture".

It was nice to see up and coming horror actress Raine Brown just after watching the brutal backwoods slasher PSYCHO HOLOCAUST, she is definitely one to watch and is making quite a name for herself in the indie-horror community. The supporting role from Misty Mundae as Ashley's trampy friend Emily is fun and brings with it the all important nude factor her throngs of fans have come to expect. A flaw with the film in my opinion is that Ashley's turn from troubled girl to psychotic killer is not well represented or conveyed throughout the film, it just sorta happens and escalates from there. It's not a deal breaker for me but I felt it needed more development. It's also pretty clear what happening from early on, as such the film's final reveal loses much of it's potency. As a psychological-thriller is loses points but the film's horror elements are pretty decent.

The film has quite a few grisly moments as Ashley seduces the bodybuilders one after the other and dismembers them working towards her ultimate goal, which winds up very similar to what we saw with Lucky McKee's MAY. Lots of stabbings, strangling, skin-peeling, eye-gouging and dismemberments. While I thought the psychological elements struggles to find a footing there are no such issue with the outright horror elements, very well done.

DVD: Camp Motion Pictures DVD of SCULPTURE is presented in anamorphic 1.77:1 widescreen with both English Dolby Digital 2.0 stereo and 5.1 surround sound options, no subtitles are included. The image looks very good if a bit soft at times. Colors look good and black levels are adequate. The disc has quite a few special features including the short film ROSE'S FANTASY which is an extension of the main feature of sorts and puts forth a revenge fantasy in which Ashley's mother Rose exacts revenge upon her abusive husband. There's also a selection of deleted scenes including a bizarre and prolonged masturbation fantasy with some panty sniffing hijinx that should not be missed plus an extended kill scene. Rounding out the DVD are featurettes with cast, crew and director interviews, and trailers.

Special Features:
- Theatrical Trailer (2:42)
- The Making of Sculpture (20:19)
- On the Set of Sculpture (6:10)
- Sculpture Premiere NYC (7:15)
- Body Builder's Video (5:01)
- Steele's Gym Promo (1:28)
- ROSE'S FANTASY Short Film (10:09)
- Deleted and Extended Scenes (20:01)
- Camp Motion Pictures Trailer:  ROT, BOOK OF LORE, SHOCK FESTIVAL
 
Verdict: While I feel the intended psychological elements of the film are underdeveloped the horror elements are well represented. It's a very bloody slasher with satisfying array of kills. That the reveal is telegraphed pretty early on and pulls the rug out from under the finale takes a few points off though and renders this flick a rental. 2 outta 5






Friday, July 22, 2011

Blu-ray Review: OBSESSION (1976)

OBSESSION (1976)
Label: Arrow Video
Region: ABC (Region FREE)
Rating: 15 Certificate
Duration: 98 mins
Video: 2.35:1 16x9 1080p
Audio: English LPCM Mono and 5.1 DTS-HD Master Audio
Director: Brian De Palma
Cast: Genevieve Bujold, Cliff Roberston, John Lithgow
Tagline: The Love Story That Will Scare The Life Out Of You



Brian De Palma gets unnecessarily hammered for his Hitchcock fetish but it's never irked me the way it does some, I actually relish it, much like I did JJ Abram's Spielberg nostalgia porn SUPER 8 - I ate it up with a spoon and asked for seconds, but it was not always so for me, no sir. Like many my introduction to the films of Brian De Palma came with viewings of the Stephen King adaptation CARRIE, but this came along prior to my interest in film as a bodies of work by specific directors, it was just another awesome scary movie at the time. Unfortunately my deeper awareness of De Palma's filmography came with THE BONFIRE OF THE VANITIES, SNAKE EYES and RAISING CAIN, a series of films that really put me off De Palma's work. I was in my late teens at the time, and walked outta the cinema scoffing RAISING CAIN, I thought it was simply horrendous stuff, though I will say that a recent viewing of it has much improved my opinion of that film, I was in my teens, what the shit did I know anyway? It was just this past year that a rewatch of CARRIE  spurred me to seek out a few of his earlier works, so I snatched up BODY DOUBLE and DRESSED TO KILL and what can I say? I was floored by how utterly captivating these films were, both wonderfully twisted Hitchockian thrillers with no small amount of deliciously pulpy subject matter. And after slapping myself for not doing so earlier so began a Brian De Palma journey of sorts. Apparently my rediscovering of De Palma's early works is well-timed for at this very moment I'm waiting for my Criterion Blu-ray of BLOW OUT to arrive and both DRESSED TO KILL and SCARFACE are coming to Blu-ray in September. I also continue my quest for both SISTERS and PHANTOM OF THE PARADISE, hopefully at a price that won't break the bank, such is the life of a poor blogger.


OBSESSION opens in 1959 New Orleans. Michael Courtland (Cliff Roberston, SPIDER-MAN) is a wealthy real estate broker celebrating his 10th anniversary with his lovely wife Elizabeth (Genevieve Bujold, DEAD RINGERS). It's a grand occasion with a large celebration at his Southern home attended by friends, associates and his business partner Robert La Salle (John Lithgow, BLOW OUT). After the festivities have ended and every one's departed for the evening the family are settling in for the night when the unthinkable happens, his wife and daughter are kidnapped. Michael discovers a ransom note demanding $500,000. He contacts the authorities who arrange a sting operation which spins wildly outta of control and the ensuing car chase results in the fiery deaths of both mother and child.


Now fifteen years later Michael is still deeply distraught over the deaths of his beloved family, he blames himself in part for going to the authorities. He regularly visits the enormous monument he's erected in their memory on a vast parcel of land which remains undeveloped, to the chagrin of his business partner. Robert convinces Michael to accompany him on a business trip to Florence, Italy where their firm is brokering a real estate deal with a group of wealthy Italian businessmen. While in Florence Robert attempts to distract Michael from his mourning with women and wine but it has little affect on him. As it turns out Michael met his late wife here at a church years earlier. He makes a day trip to the church and is quite startled to meet a young woman named Sandy (Bujold) who is the spitting image of his late wife, it's uncanny. Michael immediately begins courting the young woman, he's completely obsessed with her, at one point training her to walk like his late wife. If you've seen VERTIGO this will be very familiar territory, De Palma makes no efforts to disguise the film as anything other than a love letter to Hitchcock's film. It's a whirlwind romance and they fall deeply in love with each other. Michael whisks Sandy away to New Orleans with the intention of marrying her.


Once she settles into the house Sandy becomes more aware of the circumstances behinds his wife and daughter's death, and just how truly similar in appearance she is to his wife after viewing a portrait of the woman. At the same time his obsession is becoming worrisome to friends and business partner,and  they call in his psychiatrist whom it seems Michael have not seen in some time. The encounter it's deeply unsettling to him. It's pretty obvious that he is lost in a fantasy, angered by his partner's meddling he sells his share of the real estate business and severs ties with pretty much everyone. At the same time he is haunted by dreams of Elizabeth and Sandy merging into the same person, the dreams are blurring the lines between fantasy and reality, and his sanity is crumbling fast. At the height of this confusion Sandy is kidnapped and Michael discovers a ransom note demanding $500,000, history is repeating itself. At his sanity's end he is determined to not to make the same mistakes again, which lead to a truly twisted finale featuring Michael reliving the events from 15 years earlier culminating in a series of reveals that are disturbing on several different levels.


As the deeply troubled but sympathetic widow Cliff Robertson sells the film, sadly my only recollections of the actor outside of Uncle Ben from SPIDER-MAN is as the president from John Carpenter's ESCAPE FROM L.A.. The stunning Genevieve Bujold was only slightly more familiar to me having recognized her from the medical thriller COMA and David Cronenberg's DEAD RINGERS. These two fantastic performances anchor the films tragic love story with nuanced, subtle performances. In only his second film John Lithgow, who recently knocked it out of the park in season 4 of DEXTER, is pretty great as the deceitful business partner, though he's clearly too young to play the part convincingly in my opinion.


For a thriller with such a deeply fucked-up finale the film is steeped in pure romantic melodrama, at it's heart it's a tragic tale of romance gone wrong, which is immeasurably enhanced by Bernard Hermann's (PSYCHO, VERTIGO) sweeping score which accentuates the film's deeply romantic leanings. The film is lyrical in it's soft focus cinematography and the gorgeous gliding camera movements enhance the otherworldly qualities of the film, for this much credit must be given to cinematographer Vilmos Zsigmond (CLOSE ENCOUNTERS OF THE THIRD KIND). I found myself entranced with the film though I would say it does have a particularly deliberate pace which may threaten to throw off viewers looking for something more psycho-sexual or feverishly pulply from De Palma like DRESSED TO KILL and BODY DOUBLE but stay with it, it's a well-crafted thriller that's evocative of a bygone era with a dizzying twist that won't disappoint.

Blu-ray: Arrow has given OBSESSION a brand new 1080p HD transfer and the film's grain structure is left nicely intact. I saw no clear evidence of heavy DNR scrubbing in effect here, if it was used it was done so appropriately and respectfully. The film's preference for soft focus cinematography has a slightly gauzy effect that adds a dreamy quality to the proceedings but doesn't really allow for the razor sharp fine detail that some viewers may expect from Blu-ray but when compared to the alternately sourced clips from the featurette on the disc it's pretty obvious this is an improvement in every way. The color scheme feels  natural if a bit muted, though some of the reds do occasionally pop. The image does not appear to have been color boosted or artificially heightened, it's a very natural looking transfer that's sure to please.


Audio options include English LPCM mono and a DTS-HD Master 5.1 track with optional English subtitles. It's nice to have Bernard Herman's lush score in lossless surround sound, it's a powerfully dramatic score, almost overpowering at times. The 5.1 gives the film some breathing room but I had no issues with the original mono audio either. There were no snap, crackle or pops noted during playback, it's a very clean and dynamic audio presentation.

By Arrow standards the supplements are pretty slim but quite interesting. They begins with Laurent Bouzereau's 2001 documentary OBSESSION REVISITED which is ported over from the now out of print R1 Sony DVD. It's a great watch and features interviews with De Palma, writer Paul Schrader, actors Cliff Robertson and Genevieve Bujold, cinematographer Vilmos Zsigmond, editor Paul Hirsch and producer George Litto. De Palma right off the top tells of the fim's origins beginning with screenwriter Schrader and himself seeing Hitchcock's VERTIGO and immediately wanting to do something similar, he also speaks about the difference in opinion between the two about the film's ending which led to Schrader disowning the film. It's a great watch and the numerous film clips prove to be a great measuring stick by which to judge the Arrow transfer, it's quite impressive. Also included are two of Brian De Palma short films; WOTON'S WAKE (1962) and THE RESPONSIVE EYE (1966)  which are presented in their original fullframe aspect ratio in 1080p. The film's are in pretty rough shape and have pretentious film school leanings but should prove of value to De Palma fans. There's also the original theatrical trailer in 16x9 1080p. Like most of Arrow's releases the extras aren't merely limited to the AV presentation, there's a slipcase, 4 reversible art options, a collector's booklet containing an essay from author Brad Steven's plus Paul Schrader's screenplay, originally titled DEJA VU which includes unfilmed sequences. One thing I found slightly conspicuously absent was the non-inclusion of any supplements from High Rising Productions who are usually all over the Arrow titles. A quick tweet to Nick Frame from High Rising Production's garnered this response "all extras were brought in with the master - no need for anything from us this time - very nice extras though!". Well, there you have it, and I would agree, very nice extras indeed.

Special Features:
- Exclusive collector’s booklet featuring an essay on the film by critic and author Brad Stevens
- Paul Schrader’s original screenplay of the film in a perfect bound booklet. With the original title Déjà vu, Schrader’s original script includes unfilmed sequences and sees the tripartite structure deal with the past, present and future of Michael Courtland.
- Obsession Revisited: Interviews with director Brian De Palma, stars Cliff Robertson and Genevieve Bujold and more!
- Early Brian De Palma short films: WOTON'S WAKE (1962) and THE RESPONSIVE EYE (1966) 1080p
- Original Trailer (1:35) 1080p
- Original art by Tom 'The Dude Designs' Hodge


Verdict: OBSESSION is not as lurid or deliciously pulpy as either DRESSED TO KILL or BODY DOUBLE but it's still a dark melodramatic thriller that's up to it's elbows in Hitchcock devotion with a satisfyingly disturbed shock ending. It's early still in his career and he isn't quite the Brian De Palma of legend we know but the pieces are being set in place and coming to fruition, that's for sure. The film is definitely overshadowed by CARRIE, which was released that same year, but it deserves more attention and now that we have a great Blu-ray from Arrow Video I say have at it and enjoy.   

Thursday, March 3, 2011

DVD Review: Interview with a Serial Killer (1993)

INTERVIEW WITH A SERIAL KILLER (1993) DVD



Label: Echo Bridge Home Entertainment
Genre: Psychological Thriller
Director: Chris Jones
Cast: Peter Firth, Harriet Robinson, Don Henderson


Plot: When Ellen Carter a well-known crime novelist advertised a room for rent, she was looking for a female tenant. But when a polite, male dentist named Leslie Steckler turned up on her doorstep, she decided to make an exception. Now Carter has reason to believe that Steckler is the White Angel, a serial killer who has brutally murdered more than a dozen blonde, white-clad women. When Steckler discovers that Carter also has a murderous past, he uses his findings as leverage to convince her to write his biography. But Carter must make a choice—finish the story or kill off its main character…before he kills her.


Film: Interview with a Serial Killer (1993) also known as WHITE ANGEL is decent but modestly budgeted thriller that is greatly enhanced by the performances of it's two main protagonists; Ellen (Harriet Robinson) and Leslie (Peter Firth, Lifeforce). Set in the suburbs of London this thriller has crime novelist Ellen Carter taking on a new tenant in her flat. The new guy Leslie is a dentist and it's always great to have someone in the medical profession close by but Leslie also turns out to be a cross-dressing, serial killer who's known in the press an the White Angel killer. Leslie being a killer himself strongly suspects that Leslie may have murdered her abusive husband who's gone missing. After discovering Ellen's dark secret the two reach a tenuous agreement through blackmail by which Ellen is coerced into penning the killers memoirs,  but when Ellen suspects that Leslie may have offed her former flatmate she begins a campaign to rid herself of him, but things don't quite go according to plan. There are some nice story strands as Ellen is dogged by a  homicide investigator who's always suspected she offed her missing husband and then there's a hammer recovered at the latest White Angel murder scene which may have her fingerprints on it which leads to a deliciously twisted finale. The film is a bit claustrophobic as 90% of the film takes place in Ellen's home but the acting and some nice shots of the killer filming the murders prove intriguing.


DVD: The film is presented in 1.33:1 fullframe aspect ratio despite the being advertised as widescreen with a 2.0 stereo soundtrack. No subtitles or bonus features are included.


Verdict: A tense and well-acted thriller. I can't recommend you run out an buy it but if you run across it I think you'll be intrigued. A recommend for those who enjoy a good British psychological thriller and won't mind it's made-for-television aesthetic.
2.5 outta 5