Showing posts with label Ronald Lewis. Show all posts
Showing posts with label Ronald Lewis. Show all posts

Wednesday, February 21, 2018

HAMMER FILMS DOUBLE FEATURE: NEVER TAKE CANDY FROM A STRANGER (1960) & SCREAM OF FEAR (1961) Mill Creek Entertainment Blu-ray Review


HAMMER FILMS DOUBLE FEATURE: 
NEVER TAKE CANDY FROM A STRANGER (1960) + SCREAM OF FEAR (1961) 

Label: Mill Creek Entertainment
Region Code: A
Rating: Unrated
Duration: 82 Minutes/81 Minutes 
Audio: English Uncompressed LPCM Stereo 2.0 with Optional English Subtitles 
Video: 1080p HD Widescreen (2.35:1), 1080p HD Widescreen (1.66:1) 
Director: Cyril Frankel / Seth Holt 
Cast: Gwen Watford, Niall MacGinnis, Patrick Allen, Gwen Watford, Felix Aylmer / Christopher Lee, Ronald Lewis, Ann Todd, Susan Strasberg 

NEVER TAKE CANDY FROM A STRANGER (1960)
As I've been digging into these early non-horror titles from the UK's Hammer Films a few have taken me by surprise, such is the case with the Never Take Candy From a Stranger, a black and white thriller that was years ahead of the game in regard to the taboo subject of pedophilia and the sexual abuse of children, even touching on child-murder! We have a British couple moving to a small Canadian village where the father Peter (Patrick Allen, Night Creatures), has been appointmented as principle of the local school. He is joined by his wife Sally (Gwen Watford, Taste the Blood of Dracula) and their freckled nine-year old young daughter Jean (Janina Faye, Horror of Dracula. One night when their daughter cannot sleep she makes an astonishing confession to her parents, that earlier that day she and her friend Lucille (Frances Green) visited the home of an old man named Clarence Olderberry (Felix Aylmer) who offered the girls candy to prance around naked in his home. 

As a parent just watching this I was gutted, it's like being hit with a sledge in the stomach, the parents are understandably shaken by the revelation, but when they approach the local police about it they get brushed off, no one wants to rile the feathers of the Olderberrys, a well-to-do family of some local repute who's roots go deep in the community, in fact the son of the old pervert seems to run everything in the town, from the high school to the asylum. However, the parents persist taking the case to court, what unfolds is a bit of a courtroom drama, the Olderberry's defense lawyer raking the newcomers to the community over the coals, grilling the young girl to the point of tear, and casting aspersion on the validity of the vile claims. 

The film is handled with some deftness, this is a topic that could easily have been more exploitative and unseemly than it already is, but it is captivating from the opening scenes of the perv watching the girls on a swing to the tragic final moments. I found the handling such a taboo topic in a small community who doesn't want to air their dirty laundry to be both fascinating and highly upsetting. The final act of the film takes place in a wooded area near a lake is a nail-biter, with two young girls in peril being chased through the woods by a silent but still menacing Olderberry, this sequence is particularly well shot by cinematographer 
Freddie Francis (The Elephant Man). This recent discovery from Hammer just  might be one of my favorite non-horror thrillers them, such a great thriller, it really made me uncomfortable, as it should. 

SCREAM OF FEAR! (1961)  
Scream of Fear or Taste of Fear as it was known in the UK is a surprise filled suspense film concerning young Penny Appleby (Susan Strasberg), a wheelchair bound young lady who returns home from boarding school after her best friend dies in a drowning accident, only to discover that her beloved father has gone missing, and her cold step mother Jane (Ann Todd) whom at first seems to be ever so nice might be up to no good. Penny begins to snoop around for answers with the aid of her chauffeur Bob (Ronald Lewis), and begins to see visions of her father's corpse around the house, particularly in the guest house. Meanwhile her mother's friend Doctor Gerrard (Christopher Lee, City of the Dead) visits nightly and suggests the visions are a product of  nervous disorder.

Scream of Fear! is loaded with some very fine suspense and twisty turns, a top notch black and white thriller that makes great use of Penny's wheelchair, a scary accident that plunges her into the mansion pool is a particularly effective scene, loved this one.

Audio/Video:  Mill Creek Entertainment bring both Never Take Candy From a Stranger (1960) and Scream of Fear! (1961) to single-disc Blu-ray as a double feature. Never Take Candy from a Stranger is framed in 1080p HD widescreen (2.35:1) and looks quite nice in HD, Freddie Francis's black and white cinematography is nice reproduced, the final shocking scenario looking rather fantastic. Scream of Fear! gets a widescreen (1.66:1) presentation, also featuring some wonderfully atmospheric black and white cinematography from cinematographer Douglas Slocombe (Raiders of the Lost Ark). Both films have uncompressed 
English LPCM 2.0 audio with optional English subtitles. There are no extras on the disc whatsoever, bare bones just like all the other Hammer Films double-feature releases so far

Another high recommend for fans of vintage Hammer horror, this double-feature has a fine looking HD transfer for both films and for the price (less than $9) it's hard to go wrong.
  

Thursday, September 15, 2016

HAMMER HORROR CLASSIC ON BLU-RAY FROM VIA VISION ENTERTAINMENT (AU)

Australia's Via Vision Entertainment have announced a pair of Hammer horror titles for release on Blu-ray October 5th 2016. We will see Terence Fisher's THE GORGON (1964) and Seth Holt's SCREAM OF FEAR (1961), both get the HD treatment. 

This marks the worldwide Blu-ray debut of Scream of Fear! 

THE GORGON (1964) 

Label: Via Vision
Duration: 83 Minutes 
Region Code:
Director: Terence Fisher 
Cast: Christopher Lee, Peter Cushing,  Barbara Shelley, Patrick Troughton

A PROFESSOR INVESTIGATING THE DEATH OF HIS SON ENTERS A FOREBODING BALKANS CASTLE

Synopsis: In a Balkan village, a professor investigates the suicide of his youngest son. No one is willing to help the professor, so he enters the ruins of a local castle where he encounters the legendary GORGON whose gaze turns men to stone. Before dying, the professor warns his eldest son who continues the investigation.


SCREAM OF FEAR (1961) 

Label: Via Vision Entertainment 

Duration: 81 Minutes
Director: Seth Holt 
Cast: Christopher Lee, Ronald Lewis, Ann Todd, Susan Strasberg 

WORLDWIDE BLU-RAY DEBUT!

Synopsis: Penny (Susan Strasberg, Picnic) is a wheelchair-bound girl set to visit her father in France for the first time in ten years. When she arrives, she learns that he is away on business. She is left with her stepmother, Jane (Ann Todd, The Paradine Case), and Dr. Gerrard (Christopher Lee, The Lord of the Rings series), a friend of Penny’s father who has come to visit. But when Penny continues to see her father’s corpse around the house, she enlists the help of the family chauffeur, Robert (Ronald Lewis, Mr. Sardonicus), to help solve the mystery.


Wednesday, June 19, 2013

Blu-ray Review: MR. SARDONICUS /THE BROTHERHOOD OF SATAN

MR. SARDONICUS THE BROTHERHOOD OF SATAN 
Blu-ray Double Feature 

Label: Mill Creek Entertainment

Region Code: A
Duration: 69/92 Minutes 
Rating: Unrated / PG
Audio: English DTS-HD Master Audio 2.0 with Optional SDH French and English Subtitles 
Video: 1080p Widescreen (1.85:1) (2.35:1) 
Director: William Castle, Bernard McEveety
Cast: Ronald Lewis, Audrey Dalton, Guy Rolfe, Strother Martin, L.Q. Jones, Oscar Homolka, Ahna Capri

Synopsis: This creepy horror classic is based on a novella by screenwriter Ray Russell (X: The Man with the X-Ray Eyes), and is brought to life by William Castle (13 Ghosts), master of terror! Desperate to retrieve a winning lottery ticket, a greedy baron unearths his father s corpse. An enormous jackpot is his reward, but not without a price his face is frozen permanently into a hideous grin. He enlists his fiendish one-eyed servant to help him lift this horrible curse, but their schemes fail. Finally, he turns to a noted neurosurgeon and his wife s former lover to cure him.



There's never a bad time to watch a William Castle production and tonight was definitely the time to watch Mr. Sardonicus (1961), it was hitting almost all of the right notes for me.  There's a great foggy London-set intro from William Castle himself, ever the showman he comes off as the schlocky Hitchcock, which is very appropriate. We're introduced to a London doctor named Sir Robert Cargrave (Ronald Lewis, Scream of Fear) whom receives a letter from an old flame, Maude (Audrey Dalton, The Monster That Challenged the World) imploring him to visit her, apparently it's a matter of life and death. Once he arrives it's quickly revealed she was coerced into summoning him by her husband Baron Sardonicus, a real bastard played to perfection by Puppet Master 3's Guy Rolfe. The Baron wishes for Cargrave to cure him of a horrible affliction  the Baron  after unearthing his own father's corpse from the grave to obtain a winning lottery ticket he was stricken with a permanently grotesque smile across his face, this aspect reminded me of The Man Who Smiles (1939), if the doctor should refuse or fail to succeed in devising a treatment Maude's life hangs in the balance.

It was a blast to see Guy Rolfe as a younger man, loved him from the few Puppet Master entries from Full Moon. Early on in the film the Baron's face is hidden, shrouded in mystery beneath as mask, which was pretty great. Once the hideous affliction is revealed it's a whole new level of weird, he's a creepy villain and he comes with a one-eyed man servant named Krull (Oskar Homolka, The Seven Year Itch) who threatens to steal most of the scenes he appears in, it's great stuff. As great as Homolka is it's Guy Rolfe who definitely steals the show with his maniacal charisma, not to diminish a strong performance from Ronald Lewis as our hero and Audrey Dalton who turns in a smaller performance but as a sympathetic heroin she's quite fine.  


A fun watch, it drags from time to time, your mileage may vary depending on your temperance for black and white, it's a William Castle production so you just know that there's a gimmick, this time out it's a choose-your-own-ending feature, sorta. Unfortunately we don't get zapped in our asses with an electric shock but this is still an entertaining watch in the tradition of a twisty Twilight Zone episode. 


Synopsis: Children are mysteriously disappearing, their parents are being violently murdered and strangely enough, no one has been able to leave! When their car stalls, Ben and his family are stranded and are forced to join the sheriff, a priest and the prominent Doc Duncan in trying to unravel this frightening web of events. Suddenly, KT disappears, triggering a frantic search that results in the startling discovery of a deadly coven, led by Doc Duncan himself! Ben and the others must make a desperate attempt to stop these witches from performing a satanic ritual that transports their malevolent spirits into the innocent children thus creating yet another generation of satanic worshipers!


While not a William Castle production Bernard McEveety's The Brotherhood of Satan (1971) certainly owes a debt to the William Castle produced and Roman Polanski directed Rosemary's Baby (1968), a sweet slice of Satanic paranoia from producer L.Q. Jones who acted in many films including Martin Scorsese's Casino (1995) as well as producing and directing a few of his own, most notable the post-apocalyptic A Boy and His Dog (1975) featuring a very young Don Johnson (Django) and his telepathic dog, which I highly recommend!

The film begins with a great scene which sorta blurs the lines of reality and fiction as a bratty kid playing with a toy tank crushes and entire family in a station wagon, it's pretty bloody, too. Next scene were onto a family outing in the desert with, there's the father Ben Holden (TV's Charles Bateman) and his annoying daughter K.T. (Geri Reisch, I Dismember Mama), also along for the ride is Ben's girlfriend Nicky (Ahna Capri, Enter the Dragon). They're on the road when they come across the bloody and twisted wreckage from the start of the film, they do what pretty much anyone would and drive into the nearest village to alert the authorities. However, when they arrive the entire town is in a state of pure panic and paranoia, even the town Sheriff (L.Q. Jones) treats the family pretty hostile, a man attacks Ben with an ax screaming "You took them from me!" and the trio jump back in the car just barely escape the mob with their skulls intact. Driving down the road a ways Ben swerves to avoid striking the apparition of a young girl and the car is kaput, stranded on the side of the road as the noon day sun beats down they have few choices other than to head back to the strange village. 


Once there things are a bit less hostile but just as weird and only get weirder, the Sheriff and his Deputy (Alvy Moore, A Boy and His Dog) along with the priest (Charles Robinson, The Cable Guy) and the town doc Mr. Duncan (Strother Martin, The Wild Bunch) set about sleuthing the heinous murders of adult-population and the mysterious disappearance of the town's children. The townsfolk are stressed, sleep deprived, paranoid and at their wits end. It turns out a Satanic Cult is committing the ritualistic murders and turning the town's tots into Satanic occultists in an attempt to gain unholy immortality, and guess what, it's the grandfatherly doc that's the cult leader! 


This is such a great watch, Martin is amazing as the feisty cult leader, maniacal and just chewing up the scenery while leading a group of satanic seniors bent on immortality in services the the Dark Lord. It's drenched in great 70's atmosphere and there's a ton of blood and dismemberment for a PG film, one victim is clawed to death like skinned rabbit tossed into a chicken pen, it's pretty grotesque for PG rating! This schlocky Satanic nightmare is peppered with murderous children, creepy killer dolls, and spooky woods oozing with fog, this was quite the ocult production with some great set pieces.


The finale is superb and unhinged in all the right ways as the cult gather in an underground tomb to perform their unholy ritual with diabolically over-the top incantations "Greetings Dear One, 'Tis We!", only Burgess Meredith could have outdone Martin's elderly satanic MC, this is a fantastic watch and the only thing that irked me was Geri Reisch, who was quite an annoying child actor!


Blu-ray: Over the years Mill Creek has acquired a decent reputation for some very nice public domain budget collections if not for exactly known for stunning transfers but lately we've seen some rather nice 1080p presentations from 'em and I am impressed with what we get here. Both films licensed from the Sony/Columbia Pictures catalog receive pleasing AVC encodes in their original aspect ratios. Mr. Sardonicus' black and white cinematography is crisp and finely detailed with a nice grayscale and decent contrast levels, the print is not pristine and we do get the occasional white speckle but overall this is a fantastic presentation. The Brotherhood of Satan is presented in wonderful color, it's not exactly stunning but there's some nice film grain intact and along with it a pleasing amount of fine detail, it's a very attractive presentation. 


The double feature disc sports English DTS-HD Master Audio 2.0 with Optional SDH French and English Subtitles for both films and while it's free of annoying hiss, crackle and pops it's flat and pretty narrow in it's range, it's  acceptable and Von Dexter's eerie score for Mr. Sardonicus comes through quite nicely. The disc is bare-bones affair and there are no special features included but a very nice transfer and acceptable audio are much appreciated. 


Verdict: After the fantastic Happy Birthday to Me/When a Stranger Calls double feature Blu-ray this is my favorite Mill Creek title to date, a great 1080p transfer for two fantastic tales of terror! The Brotherhood of Satan is the highlight here, a colorfully creepy slice of satanic cinema that would make a great double-feature with Race with the Devil (1975). This budget-minded release gets a high recommend, so dig in! 4 Outta 5