Tuesday, January 7, 2020

FAMINE (2011) (Unearthed Films Blu-ray Review)

FAMINE (2011)

Label: Unearthed Films
Region Code: A
Rating: Unrated
Duration: 77 Minutes
Audio: English DTS-HD MA 2.0 with Optional English Subtitles
Video: 1080p HD Widescreen (1.78:1) 
Director: Ryan Nicholson
Cast: Karyn Halpin, Nathan Durec, Glenn Hoffmann, Christopher Patrick Donoghue


Ryan Nicholson, who sadly passed away late in 2019, directed the slasher-comedy Famine (2011). He was a Vancouver-based make-up FX technician who worked on a lot of big-budget films, stuff like Deadpool 2 (2018) and The Predator (2018). He also had another gig, for years he directed low-budget exploitation and horror films, stuff like Collar (2014) and Gutterballs (2008), indie productions that were typically trashy, visceral and dripping with copious amounts blood and gore. 


I've only seen a handful of Nicholson's films and this was not one I'd watched previously, as it is a film that had never has a proper physical release here in the U.S.. Now it does thanks to the efforts of Unearthed Films who have picked-up several of Nicholson's Plotdigger Films catalog for distribution, with Famine (2011) being the first of the bunch.


Famine (2011) is a highschool slasher comedy, with the emphasis on Troma-esque humor, set at the Sloppy Secondary High School, a name which should immediately warn you what sort of sophomoric hijinks you're in for.The new smoking hot-teacher Ms. Vickers (Michelle Sabiene, Truth) has coordinated the 24-hour Famine, a charity event wherein students student lock themselves inside the school for a 24-hour period and deprive themselves of food for charity. It had been an annual event for years at the school until five years ago when teacher/organizer Philip Balszack (Nathan Durec, Star Vehicle) had a bottle of acid fall onto his head and melt away his face, after trying to seduce his painfully weird student Cathy (Beth Cantor, A Safe Place) in a classroom. Now Ms. Vickers has brought it back, much to the chagrin of the school's strangely German-centric Principle Nielson (Glenn Hoffman, Star Vehicle).


The turnout for the event is small, with only and handful of students participating, and they seemingly only showed up for the extra credit, and judging by the low IQ of everyone in attendance they sorely need all the extra credits they can get! The students are uniformly unlikable people, but that's not to say they're not fun in a trashy sort of way. Aside from creepy Cathy I found most of the young ladies, and teacher Ms. Vickers, to be very attractive, with Jenny (Christine Wallace) being a particular slice of sweet eye-candy, her character is the only half-way likable person in the film, sort of dim and clutzy, that's she's a leggy and a rather voluptuous hottie in a low-cut t-shirt didn't hurt either. 


As soon as the doors to the school are locked things begin to go sour for the highschoolers when someone disguised as the schools mascot, The Nailer, a demented Bob the Builder type carpenter with an inflatable hammer begins murdering teenagers in a myriad of bloody ways. The highlight of the film are the gory kills, we get a bloody throat slash, gut-spilling, a scalping, a knife to the skull, and eyes gouged out among others, with my favorite being a student who is scalded to death inside the industrial dish washing machine in the kitchen. Other memorable non-kill stuff include Jenny being sprayed with an errant spray of cum after interrupting a couple having toilet-sex, a kid seemingly having sex with a Little Debbie Swiss Roll, and a creepy janitor who is constantly fingering his vaginal looking facial scar.     


With the teens being murdered by the Nailer the survivors must come together, if they can stop fighting with each other long enough that is, to figure out who wants them all dead and why. A clue arrive when the teens realize that all the kids attending the event this year were also present at the ill-fated Famine five years earlier. 


Famine is a very goofy film, the scripted humor is bad, real bad, and the only real laughs to be had are at the expense of the actors and how annoying their characters are, with the most irritating of the bunch being Nick (Christopher Lomas), who has the sort of smug-ugly face you just want to punch over and over again, but the same can be said of nearly all the character's in the film, there's no good guy to pull for. The kills are the best part of the film, everything else is pretty tedious, making this 77-min campy slasher feel much longer than it is.


Audio/Video: Famine (2011) arrives on Blu-ray from Unearthed Films framed in 1.78:1 widescreen in 1080p HD. The digital shot film looks uniformly sharp and decently detailed throughout. Colors looks solid and the black levels are decent looking. Audio on the disc comes by way of English DTS-HD MA 2.0 stereo which handles both the awful dialogue and aggressive metal soundtrack (The Dillinger Escape Plan, Fake Shark - Real Zombie!) without any issues. 


Extras include a 2-min trailer for the film plus a handful of Unearthed Films trailers, plus a still image gallery. The single-disc release comes housed in a standard Blu-ray keepcase with a single-sided sleeve of artwork.    


Special Features:
- Still Gallery
- Unearthed Trailers: Famine (2 min), Nightwish (2 min), Collar (2 min), The Dark Side of the Moon (2 min), Song of Solomon (2 min), The Unnamabale (2 min)


I was not a big fan of Famine (2011), the comedy and the acting are bad, but at least the kills are pleasingly gory, and there's even a a bit of nudity, so it at least has that going for it. Of the Ryan Nicholson films I've seen this was my least favorite of the bunch, but it still has some low-brow, appeal for lover's of trashy indie slashers. While I was not a big fan of this film I am pleased to see it finally get a U.S. release on Blu-ray, and there's more Plotdigger releases on the way from Unearthed Films who have already announced they will be releasing Big Fucking Monsters, Gutterballs (2008), Gutterballs 2 (2015), Hanger (2009), Live Feed (2006), Star Vehicle (2010) and Torched (2004) at some point. 

Saturday, January 4, 2020

JOKER (2019) (4K UltraHD Review)

JOKER (2019) 

Label: Warner Bros.
Region Code: A
Rating: R
Duration: 122 Minutes
Audio: English Dolby Atmos TrueHD, Dolby Digital 5.1 with Optional English Subtitles 
Video: 2160p UltraHD, 1080P HD Widescreen (1.85:1) 
Director: Todd Phillips
Cast: Joaquin Phoenix, Robert De Niro, Zazie Beetz, Frances Conroy, Brett Cullen, Shea Whigham, Bill Camp, Glenn Fleshler, Leigh Gill, Josh Pais, Rocco Luna, Marc Maron, Sondra James, Murphy Guyer, Douglas Hodge


Todd Philips' Joker (2019) is an alternate reality retelling of the origin of DC comics villain the Joker, the setting is Gotham in the year 1981, with the city is very much styled in the image of late-70's New York City, the streets are lined with mountains of trash and super-sized rats stalk the alleyways, and crime in rampant and there's a swell of anti-wealth sentiment permeating the poorer parts of the city. 


Our protagonist/antagonist is the mentally ill loner Arthur Fleck (Joaquin Phoenix) who is employed as a party clown while living in a squalid apartment with his aging and demented mother Penny (Frances Conroy, Six Feet Under). Arthur suffers from a medical condition that causes him to laugh uncontrollably at inopportune moments, he has aspirations of becoming a stand-up comedian, inspired by his hero, the late-night talk show host Murray Franklin (Robert DeNiro, The Irishman), but as his mother so unkindly puts it, "don't you have to be funny to be a comedian?".



After an incident with a handgun while performing at a children's hospital Arthur is fired immediately from his job, and on the way home on the subway train that night he is attacked by a trio of drunken Wayne Enterprise employees, he shoots one in self defense and murders the others with the gun. In the aftermath the news reports that a masked clown committed the crimes, the act is condemned by Thomas Wayne, but the act further fuels Gotham's growing class divide, with citizens donning clown masks and rioting in the streets.




While all this is happening Arthur's mom falls ill, he discovers a letter his mother penned to Thomas Wayne claiming that Arthur is his illegitimate son, and increasingly obsessing over single mom (Zazie Beetz, Dead Pool 2) who lives in his apartment building with her young daughter. Furthermore he's cut off from his medication when social services funding is cut, things have always been bleak for Arthur but they're starting to boil over.


When a video tape of his stand-up routine winds up on Murray Franklin's late night program he earns an invite onto the show, but the cops are close to pinning the subway murders on him, and his appearance on the show is looking to usher in a new and violent era for the loner. 


I was not expecting this film to be as gritty a character study as it was, but I have to say I loved it. sure, the film borrows liberally from Martin Scorsese's Taxi Driver and The King of Comedy, even a bit of Stanley Kubrick's A Clockwork Orange to create it's seedy and violent world, but it worked for me, it's an interesting take on the character, if you're down for that sort of sad, pathetic Joker origin story this is an utterly fascinating and down-turned decent into madness sort of origin story.



Audio/Video: Joker (2019) arrives on 4K UltraHD+Blu-ray+Digital from Warner Bros. Entertainment framed in 1.85:1 widescreen in both 2160p UHD and 1080p HD formats. The film was shot using the ARRI Alexa 65 camera system with a fine grain filter giving it a filmic look, which translates gorgeously to 4K UltraHD. The color tone of the film is grim, re-visualizing early eighties New York City as the dingy Gotham. Things are varying shades of brown throughout, but the HDR color-grading gives yellows and oranges a nice boost. Fine detail is through the roof, the opening scene of Phoenix's Arthur Fleck painting his face white shows exquisite amounts of detail in the close-ups, and the dim-lit interiors and garbage strewn streets and alleys are repulsive in their 4K resolution, it's quite dynamic in it's dinginess. 


Audio comes by way of a precise Dolby Atmos track that carries the strained score from Hildur Guðnadóttir (HBO's Chernobyl) with a pleasing amount of low-end. There's a variety of atmospherics at play throughout, though this is not a particularly bombastic surround presentation, it keeps things appropriately subtle. Dialogue is delivered with exacting precision, the tones subtly change according the acoustics of the room the character's inhabit, it's wonderful stuff. 


There are no extras on the 4K UHD disc, all the bonus content lands on the accompanying Blu-ray, beginning with the 22-min Joker: Vision & Fury making of featurette, here we get talking heads director Todd Philip, producer Bradley Cooper, actors Joaquin Phoenix, Glenn Fleshler and Leigh Gill, plus costume designer Mark Bridges, visual effects supervisor Edwin Rivera, and production designer Mark Friedberg. At only 22-min it covers a lot of ground, from Phillips pitching the idea to Warner Bros., creating a fresh take on an iconic DC villain, capturing the gritty feel of vintage NYC, turning NYC into Gotham, the spontaneous nature of the shoot, and Joaquin's apple-a-day weight loss method, with plenty of behind-the-scenes footage, it's a solid making of featurette. 


The rest of the extras are more anemic, we get a 2-min 'Becoming Joker' which is really a series of costume tests, the 3-min 'Please Welcome... Joker!' which are alternate takes of Joker's intro on the Murray Franklin show, and the 3-min 'Joker: A Chronicle of Chaos' still gallery. 


The 2-disc 4K UHD/Blu-ray arrives in a black keepcase with a single-sided sleeve of artwork, housed inside of a slipcase with the same artwork. Opening up the case you will find a Movies Anywhere digital code for a 4K digital copy of the film.  


Special Features: 
- Joker: Vision & Fury (22 min) HD 
- Becoming Joker (2 min) HD 
- Please Welcome… Joker! (3 min)HD
- Joker: A Chronicle of Chaos (3 min) HD


At a time when we're getting origin stories for comic character every few weeks at the movies I found this dark alternate reality Joker story to be a breath of fresh air, intensely depressing though it may be, this is compelling stuff. I give top marks for this 4K UltraHD presentation, this is right up there with The Shining 4K UHD, and comes highly recommended.


Friday, January 3, 2020

MCBASTARD'S BEST OF 2019

MCBASTARD'S BEST OF 2019 

Another year has come and gone, and as we mourn the passing of 2019 let's look back at 
the good times. Here are my favorite films, re-issues, box sets and series from this past year, lots of great stuff yet again.

BEST OF 2019 - NEW RELEASES 
1. THE LIGHTHOUSE 
2. DR. SLEEP 
3. JOKER 
4. DARLIN' 
5. KNIVES OUT
6. CRAWL
7. HAUNT 
8. THE HEAD HUNTER 
9. DEAD DON'T DIE 
10.IT: CHAPTER 2

BEST OF TV & STREAMING SERIES 2019 
1. LEGION: SEASON 3 (FX)
2. PREACHER: SEASON 4 (AMC)
3. THE BOYS: SEASON 1 (Amazon)
4. WATCHMEN (HBO)
5. THE MANDALORIAN (Disney+)
6. CASTLE ROCK: SEASON 2 (Hulu)
7. STRANGER THINGS: SEASON 3 (Netflix)
8. CREEPSHOW (SHUDDER) 
9. WHAT WE DO IN THE SHADOWS (FX)
10. THE DARK CRYSTAL: AGE OF RESISTANCE (Netflix) 


BEST OF BOX SETS 2019
1. THE FLY COLLECTION (Scram Factory) 
2. WILLIAM CASTLE AT COLUMBIA VOL.2 (Indicator) 
3. HAMMER VOL. 4: FACES OF HORROR (Indicator) 
4. UNIVERSAL HORROR VOL.1 (Scream Factory)
5. GODZILLA: SHOW-ERA COLLECTION 1957-1975 (Criterion)
6. HEMISPHERE BOX OF HORRORS (Severin)
7. THE OMEN COLLECTION (Scream Factory) 
8. THE STREET FIGHTER COLLECTION (Scream Factory) 
9. AMERICAN HORROR PROJECT: VOL. 2 (Arrow)
10. BLOOD HUNGER: THE FILMS OF JOSE LARRAZ (Arrow)  


BEST OF RE-ISSUES 2019
1. SUSPIRIA 4K UHD (Synapse))
2. THE SHINING 4K UHD (Warner Bros.) 
3. CONQUEST (Code Red) 
4. RITUALS (Scorpion)
5. SPOOKIES (Vinegar Syndrome) 
6. THE PREY (Arrow) 
7. THE DEVIL'S NIGHTMARE (Mondo Macabro) 
8. RIDE WITH THE DEVIL (Scream Factory) 
9. NEW YORK RIPPER  (Blue Underground) 
10. THE PSYCHIC (Scorpion)