THE FOOD OF THE GODS (1976) / FROGS (1972) (Scream Factory Blu-ray Review)

THE FOOD OF THE GODS (1976) / FROGS (1972) 

SCREAM FACTORY DOUBLE FEATURE

Label: Scream Factory 
Release Date: May 26th 2015 
Region Code: A
Rating: PG
Duration: 88 Minutes, 91 Minutes 
Audio: English LPCM 2.0 
Video: 1080p Widescreen (1.85:1), (1.78:1)  
Director: Bert I. Gordon, George McCowan
Cast: Ida Lupino, Pamela Franklin, Marjoe Gortner, Belinda Balaski, Jon Cypher, Ralph Meeker,  Judy Pace, Ray Milland, Joan Van Ark, Adam Roarke, Sam Elliott, Lynn Borden

THE FOOD OF THE GODS (1976)

Pro footballer Morgan (Marjoe Gortner) and his pals are hunting on a remote island off British Columbia when one of them are attacked by enormous wasps the size of a small dog with wings. Morgan and the others don't witness the attack and are unaware of the oddity of the death, aside from the unusually swollen corpse. When the autopsy indicates he was injected with a near impossible amount of wasp venom Morgan and his friend Bryan (Jon Cypher) return to the island to find some answers. Once there they stumble upon a small farm house in the woods where Morgan is attacked by an 8 ft. tall rooster that's kept out in the barn, just narrowly avoiding having his eyes pecked out by the gigantic cock.

Mrs. Skinner (Ida Lupino), the elderly owner of the farm,  after some prodding reveals that she and her husband have found a substance bubbling up from the Earth, ome goo with the consistency of runny oatmeal which when eaten enables the animals to grow to an unnatural size, as evidenced by the 8ft rooster. Morgan puts two and two together and deduces that wasps must have eaten the substance and are loose in the area,  but Mrs. Skinner refuses to believe that their discovery could be something awful, what she doesn't know is that Mr. Skinner was torn apart by a horde of flesh-crazed rats who have also eaten the magic growth substance. 

Now we have Morgan and Bryan on the island in addition to a young couple expecting a child plus an unscrupulous owner of a dog food company who is bent on obtaining the substance for his own profit, alongside his somewhat adversarial bacteriologist assistant. Not completely sure why the owner of a dog food company needed a bacteriologist on staff but I do know that white-afro wearing Marjoe Gortner needed a love interest and she fit the bill. 

The idea of giant-sized animals and insects ingesting a strange substance who attack humans on a remote island might sound familiar to anyone who watched director Bert I. Gordon's Empire of the Ants (1971) just a few years earlier. The campy special affects are achieved through various means to varying degrees of success, a series of miniatures sets with real rodents that are hilarious, full size puppets, and a series of composite shot effects, which may not be the most impressive but are a lot of fun, particularly if you love bad movies or are nostalgic for these awesome creature-features from the '70s.

I love love love this film and always have and I always will, it's just a blast and hard not to enjoy for the cult-classic that it is, a movie loaded with giant-sized wasps, chickens, worms and a horde of deadly rodents who lay siege to the farmhouse. I just cannot get enough of this one and I am damn happy to see it get an HD release from Scream Factory with some new extras and improved A/V.   

The Food of the Gods shares space on a single-disc Blu-ray with the eco-terror Frogs, the HD transfer offers up improved clarity and detail over the standard-def DVD, which should be no surprise. Not the most impressive eye-popping 1080p on the market but for an almost 40 year old b-movie this one looked pretty solid. The English LPCM 2.0 audio is nicely balanced with no distortion, optional English subtitles are provided. 

Special features include a brand new Audio Commentary With Director Bert I. Gordon moderated by Kevin Sean Michaels, a fun interview with Actress Belinda Balaski whom recalls actress Ida Lupino informing the director she had written her own death scene and was leaving the set in a few hours, having to scramble to get the scene finished before she left. Additionally there are radio spots, a trailer, a photo gallery and trailers for Empire of the Ants and Jaws of Satan, also available as a double-feature from Scream Factory 

Special Features
- New Audio Commentary With Director Bert I. Gordon
- New Interview With Actress Belinda Balaski (12 Mins) 
- Radio Spot (1 Min) 
- Photo Gallery (4 Mins) 
- Theatrical Trailer (1 Min) 

FROGS (1972)

Frogs is one of those films I caught on TV quite a bit in the early '80s but could just never get into at the time, an environmental horror film starring Sam Elliot sans his signature mustache, which was weird. Elliot is wildlife photographer Pickett Smith who is canoeing around the bayou snapping pics of wildlife and pollution when his canoe is overturned by the wake of a careless speed boater. The speed boat circles back around and pulls him from the water, inside are Clint (Adam Roarke) and his sister Karen (Joan Van Ark), whom invite him back to their island estate for some celebratory fun, as they're celebrating not just the 4th of July but the birthday of their wheelchair bound grandfather Jason Rocket (Ray Milland), a stubborn southern man. 

Soon after the creatures of the bayou seemingly begin to rise up against humanity, beginning with a deadly snakebite in the swamp.  In very short order the birds, rattlesnakes, tarantulas, alligators, snapping turtles and frogs are hunting the humans. The movie is a classic example of '70s slow-burn cinema from start to finish, deliberately paced with some decent tension and creepiness punctuated by a few death scenes involving swampy critters with an attitude.  

Sam Elliot's Pickett Smith is the voice of reason among the humans, but for the most part his warnings to vacate the island fall on deaf ears, particularly the patriarch Jason Crockett who is one grade a stubborn son of a bitch. The kills sequences are fun with some cool shots of frogs gathering in great numbers outside the family mansion, which is sort of creepy but only to a point. There are venomous snakes hanging from trees, and a pretty cool scene of tarantulas descending from the mossy canopy onto a victim who has immobilized himself with a shotgun blast to the leg, while it's not quite up to par with that one scene in Lucio Fulci's The Beyond is is creepy. 

I just happen to enjoy a good slow-burn and creature features, but this one is pretty damn slow with most of the scenes of animals stalking their prey just clips of snakes or spiders spliced into a scene separate from the victim, which hurts it, but there's no denying the building sense of dread and creepiness of this one, but it never quite pans out in the end. While I didn't care for it much as a youth it has grown on me quite a bit, but I can see how many would rather watch paint dry, it's slow. 

The disc from Scream Factory looks good, a definite step up over the MGM DVD from a few years back with improved depth and clarity, skin tones are accurate, but some compression issues take away from the overall score, not too shabby, but not a stunner. The English LPCM 2.0 audio  is clean and well-balanced, again not a stunner, but probably true to the source material and free of distortion, optional English subtitles are provided. 

Special features include a 10-minute interview with star Joan Van Ark who is candid about the film, her love of the director and he obvious pleasure of working alongside Sam Elliot. Funnily she mentions that she is often mistaken for co star Lynn Borden, and is often presented photos of Borden to sign. Other extras include a trailer, a radio spot and a photo gallery. 

Special Features
- New Interview With Actress Joan Van Ark (10 Mins) 
- Radio Spot (1 Min) 
- Photo Gallery (3 Mins) 
- Theatrical Trailer (2 Mins) 

I am loving these Scream Factory double features which seem to be carrying on the b-movie tradition of the classic MGM Midnite Movies double-features, they're not all golden nuggets of cult-cinema but they are certainly entertaining slices of b-movie cinema and I am happy to see them being preserved in HD. The Food of the Gods is the clear winner of this double feature, director Bert I. Gordon mad quite a few entertaining movies and this is one of his best he made. Both films have decent PQ and we get some new interviews and an audio commentary on top of that, for the right price this is a fun double-feature of angry and over sized critters. *** 3/5

Blu-ray review: THE HOWLING (1981)

THE HOWLING (1981) 

Collector's Edition Blu-ray 

Label: Scream Factory

Region Code: A NTSC

Duration: 91 Minutes 

Rating: R

Audio: DTS-HD Master Audio 5.1. DTS-HD Master Audio 2.0 

Video: 1080p Widescreen (1.85:1) 

Cast: Patrick Macnee, Dennis Dugan, Christopher Stone, Belinda Balaski, Kevin McCarthy, John Carradine 

Director: Joe Dante 

THE HOWLING (1981) starts off with sleazy exploitation leanings as TV news anchor Karen White (Dee Wallace, E.T.) walks the seedy neon-lit streets of Los Angeles on her way to a adult video store for a fateful meet-up with Eddie Quist (Robert Picardo, INNERSPACE), a serial killer stalking the streets of LA whom has ironically adopted the cheerful yellow smiley-faced sticker as his calling card. Karen is wired for sound and working in cooperation with the LAPD to ensnare Quist who's known for shredding his victims. Of course, something goes wrong and White is left alone with the weirdo in a porno booth watching a rape film. Quist stands behind her in the darkened booth not allowing her to see his face, just as something weird begins to happen the cops arrive and blow the creep away. Physically unharmed White is traumatized by the encounter, she experiences partial amnesia, she's an emotional wreck unable to sexually satisfy her husband or appear onscreen at the TV station. 

Karen seeks treatment from therapists Dr. George Waggner (Patrick Macnee) who suggests she and husband Bill Neill (Christopher Stone, CUJO) visit his private resort-style resort spa located along the scenic northern California coast. Arriving at the resort they meet a rather interesting assortment of folk, particularly the seductive nympho Marcia Quist (Elisabeth Brooks) who lusts quite openly for Bill. There's a bunch of Joe Dante familiars, Kevin McCarthy (INVASION OF THE BODY SNATCHERS) as a TV newsroom manager, and it just wouldn't be a Dante film if we didn't see an appearance from Dick Miller (GREMLINS) as the fast-talking proprietor of an occult book shop. We also get fun cameos from Roger Corman and Forrest J. Ackerman of Famous Monsters of Filmland plus appearances from character actors David Carradine (BATMAN) as a scruffy suicidal weirdo, and Slim Pickens (1941) as the sheriff.

So, it's a fun cast but what the film is fondly remembered for are Rob Bottin's fantastic werewolf designs and practical transformation effects! Legend has it that Rick Baker began work on the film but left the production to work with John Landis on An American Werewolf in London, maybe not surprisingly the transformation effects are similar in nature, stretched latex and pulsating air bladders. Bottin's transformation seems more gruesome to my eyes, the other major difference being that  the werewolves walk upright. While some of the film's effects were state-of-the-art at the time not all were fantastic, the schlockiest moment comes by way of a strange animated werewolf sex scene, a victim of the film's budgetary constraint, but I cannot help myself, I love it. 

Of course there's some weird stuff happening at the Colony besides Dr. Waggner's primal scream-esque therapy treatment. On a hunting trip Bill is attacked by a wild animal and bitten, soon his personality begins to change. At night the woods come alive with strange animalistic howls and snarls and Quist's body disappears from the city morgue. All the oddness culminating in a frenzied confrontation with a barn full of werewolves, it's a great watch with a nice balance of subversive humor, some truly gruesome moments and fantastic special effects, very nicely done. 

The Howling has some effective location shots, the seedy porno shop and the preceding shots of Karen walking the dirty streets of LA past street urchins are gritty, it feels dirty. Later, once she arrive at The Colony the wooded areas are used quite well, the shadowy moonlit forests and creeping fog are quite spooky, it's a great setting for a werewolf movie and it feels like a traditional horror tale.

There's clearly a subtle tongue-in-cheek humor to the proceeding though it's a fairly serious take on the genre, particularly for a Joe Dante production. Keen observers will notice some fun wolf-themed nice gags throughout, Wolf brand chili anyone? While I love the film it's not quite perfect, there are some slow moments that bring it down a few pegs, it would have been nice to either have the humor elements or horror amped-up a bit, the tone of the film is pretty serious for the most part but it needed some oomph somewhere along the way, it's missing something.  It starts of interestingly enough but slow, however, once they arrive at the secluded spa stuff starts to happen pretty quickly from there on in. 

Surely no one saw this low-budget film spawning seven sequels, I have a soft spot for director Philippe Moira's oddity, HOWLING III: THE MARSUPIALS (1987), a schlocky ozploitation classic if you ask me, but it's Joe Dante's original that still elicits the most howls of pleasure, it's a true cult classic and a fantastic werewolf film. 

Blu-ray: The Shout! Factory Blu-ray presents THE HOWLING in widescreen (1.85:1) with a sweet 1080p AVC MPEG-4 encode and the difference between it and the previous MGM special edition in terms of visual quality is very pleasing. Shot on a shoe-string budget The Howling is a bit soft and hazy by design, there's a nice layer of film grain, colors are deep and robust and black levels are pretty decent. There's a nice amount of fine detail with some moderate depth and clarity to the image, The Howling as never looked better, a very attractive hi-def presentation. 

There are two DTS-HD Master Audio options, a 2.0 stereo mix and a 5.1 remix, I do enjoy a decent 5.1 remix and this one does open up the sound field a bit, creating a submersive surround experience. That said, there's absolutely nothing wrong with the 2.0 which has decent stereo separation during more active sequences and Pino Donaggio's orchestral score and the snarling transformation effects sounds fantastic, the Blu ray disc includes an optional English subtitle track, too. 

Onto the special features we get the full arsenal of bonus content from the previous MGM Special Edition,  some of which get a hi-def upgrade which makes it easy to trade-in the standard-def edition to make room for Scream Factory Blu-ray, though I did save the 4 pg. booklet DVD insert with The Howling trivia and synopsis. 

The first set of features are two audio commentaries  the carry-over of the commentary With Director Joe Dante And Actors Dee Wallace, Christopher Stone and Robert Picardo is appreciated, it's an energetic and informative group conversation with plenty of great anecdotes, the second commentary with author Gary Brander is moderated by Red Shirt Pictures' Michael Felsher is is more focused on Brandner's life and career than any scene specific observation or comparisons between the film and novel, though both subjects are touched upon lightly. I've read that Bradner has a pretty poor opinion of the film, which deviates quite a bit from the source material but he gives  few nods of approval here and there. 

Another carry-over from the DVD is the fantastic five-part documentary Unleashing the Beast: The Making Of The Howling Multi-part Documentary (48:33) with some great retrospective interviews with the cast and crew, including screenwriter John Sayles. We get some great behind-the-scenes special effects shots which are always my favorite.

Another great vintage featurette is the Making Of A Monster: Inside The Howling Documentary (8:01) with more cast and crew interviews with Joe Dante, Rob Bottin and actor Patrick Macnee. the latter of whom talks about the carnage he witnesses as a veteran of WWII while Dante discusses the history of comedy in horror and Bottin speaks to the difference in old school werewolf transformations in cinema versus what the visceral in-camera effects he was putting onscreen. The last of the MGM produced special features are a selection of Outtakes (7:03), a Photo Gallery and the Original Theatrical Trailer (1:28).

Now onto some brand-new Red Shirt Pictures produced special features made exclusively for Scream Factory's Collector's Edition Blu-ray beginning with the aforementioned author commentary, which was probably the least interesting of the bunch in my opinion. 

Howlings Eternal: New Interview with Executive Producer Steven A. Lane (18:49) is an quite interesting watch as he discusses obtaining the rights to the novel as a Hollywood outsider and taking the film to the studios. he then goes into each of the sequels right up the THE HOWLING: REBORN. he espouses both praise and detraction in equal measure though he definitely has a soft spot for the series, fondly recalling working with horror legend Christopher Lee on THE HOWLING 2: YOUR SISTER IS A WEREWOLF, director Philippe Moira on HOWLING III: THE MARSUPIALS, the S.African co-produced THE HOWLING IV and his favorite of the sequels, HOWLING V.

Not produced by red Shirt but culled from the ancient laser disc edition is a vintage interview with the late stop motion animator Dave Allen (8:48) is bittersweet as the Full Moon veteran speaks about his stop-motion animation that was never used in the final film except for a very brief excerpt at the end, luckily for us we get to see it here though it's easy to see why Dante chose not to use it. As it is we do get a weird animated sequence, this stop-motion segment would have been out of place.

Interview with co-writer Terence Winkless (12:32) is equally interesting as the original screenwriter of the film goes into getting the gig through a softball connection of all things and how finally getting an onscreen credit with THE HOWLING opened the doors for him in Hollywood. he goes into working with Dante whom he recalls had a lot of creative energy and input, it was Dante who named many of the characters in the film after directors of classic werewolf cinema, as well as discussing the adapting/writing process and Roger Corman's cameo in the film.  

A staple of many of the Scream Factory titles is the Horror's Hallowed Grounds (12:15) wherein host Sean Clark from Horror Hound magazine revisits classic locations from the film including a gift shop on Hollywood Blvd. that I've actually been to, I had no idea! They also revisit Marcia's shack from the film which looks nearly identical to what we see in the film to this day, Clark's got a great sense of humor and these location visits are always a howl. 

Cut to Shreds: Interview with Editor Mark Goldblat (11:20) features the horror nut speaking about his love of cinema from an early age, shooting 8mm films in his backyard and then working for Roger Corman's New World Pictures, which he describes as being beat to shit, a place where he met Joe Dante and got the gig editing Dante's feature length Debut PIRANHA ad subsequent projects. He praises Dante for his humorous subtext and delicate balance of fear and humor, his appreciation of how the director sees the irony of every situation. He also goes into the art of editing, lighting a film and the fantastic Rob Bottin effects on the film. 

Reversible Artwork Option 

Also on the disc are a selection of Deleted Scenes with Optional Audio Commentary from Director Joe Dante (11:28), not a lot of notable excised scenes aside from a Dee Wallace hot tub scene, it's nice to have 'em on the set. If your so inclined there's also a fun Easter Egg to be found featuring Joe Dante regular Dick Miller

Non Blu-ray disc special features include a sleeve of reversible artwork with a newly commissioned illustration by artist Nathan Thomas Milliner, the reverse-side features the  iconic theatrical artwork for purists. We also get a slipcase which features the Milliner artwork. This is a great edition, Scream Factory have once again stepped up to the plate dusted off a familiar horror classic and breathed new life into it with fantastic AV presentation and interesting bonus content that serve to enhance your enjoyment of the film, great stuff. 

Special Features: 

- Audio Commentary with Author Gary Brandner
- *Audio Commentary With Director Joe Dante And Actors Dee Wallace, Christopher Stone and Robert Picardo
- Howlings Eternal: New Interview with Executive Producer Steven A. Lane (18:49) 
- Interview with co-writer Terence Winkless (12:32) 
- Cut to Shreds: Interview with Editor Mark Goldblat (11:20) 
- Deleted Scenes with Optional Audio Commentary from Director Joe Dante (11:28)
- Horror's Hallowed Grounds: A look at the film's location (12:15)
- Interview with Stop-Motion Animator Dave Allen (8:48) 
- *Unleashing the Beast: The Making Of The Howling Multi-part Documentary (48:33)
- *Outtakes (7:03)
- *Making Of A Monster: Inside The Howling Documentary (8:01)
- *Photo Gallery
- *Theatrical Trailer (1:28) 
- Dick Miller Interview (Easter Egg) (3:28) 
*Extras carried over from prior DVD release

Verdict: There are two camps when the mention of werewolves in cinema are discussed among horror aficionado, inevitably the conversation comes down to  John Landis' AN AMERICAN WEREWOLF IN LONDON and Dante's THE HOWLING - which both came to cinemas in 1981. Which camp do I fall into you may wonder, honestly I love 'em both the same, depending on what day of the week it is I might prefer one over the other. I couldn't be happier that both films are now available in 1080p hi-def with some awesome special features, this is great stuff and essential to any horror lover's collection. 4.5 Outta 5