Showing posts with label Daphne Zuniga. Show all posts
Showing posts with label Daphne Zuniga. Show all posts

Thursday, March 9, 2017

THE FLY ULTIMATE COLLECTION (Via Vision Blu-ray Review)

THE FLY ULTIMATE COLLECTION BLU-RAY (5-Disc set) 

Label: Via Vision Entertainment
Region Code: A, B
Duration: 478 Minutes
Rating: Unrated, R
Video: 1080p HD Widescreen (2.35:1), 1080p HD Widescreen (1.85:1) 
Audio: Dolby Digital, DTS-HD MA, Dolby true HD 

Synopsis: Pushing the boundaries of horror from the outset, The Fly franchise successfully combines spine tingling shocks with heart warming romance. It has produced some of the most frightening yet memorable films of all time. Presented in a limited edition boxed set this DVD collection finally brings together the classic ’80s blockbusters with the original films that inspired them in.
This fantastic collectible boxed set includes The Fly (1958), Return Of The Fly (1959), Curse Of The Fly (1965), The Fly – 30th Anniversary Special Edition (1986) and The Fly II – Special Edition (1989).
THE FLY(1958)
Rating: Unrated
Duration: 94 Minutes 
Audio: English DTS-HD Master Audio 4.0 with Optional English Subtitles 
Video: 1080p HD Widescreen (2.35:1) 
Director: Kurt Neumann 
Cast: David Hedison, Vincent Price, Patricia Owens, Herbert Marshall, Kathleen Freeman, Betty Lou Gerson 

The Fly (1958)is a classic slice of science fiction, and it opens with a vivid and grotesque scene of surprising carnage, with scientist Andre Delambre (David Hedison) being found dead, his head and hand crushed beneath a hydraulic press. His loving wife Helene (Patricia Owens) confesses to the murder and the movie plays out from an earlier point, leading up to the the horrible death. 


Andre had been working on a new technology, a transporter device called the disintegrator-integrator, which could transport matter from one place to another. Things are coming along swimmingly, however, when he tests the device on himself he's unaware that a fly has flown into the teleporter chamber with him, when he reappears on the other side of the room in the other teleport, he has become a hideous half-man/half-fly guy with the head of a fly and an insectoid hand/claw. Andre covers his head in a black cloth to hide his awful visage from his wife, hiding his deformed hand in his jacket pocket, pleading with her to find a white-headed fly, apparently his alternate half, so he can restore himself to normal. She never does find the fly, but when he accidentally reveals his hideous fly head to his wife it is a thing of 50s fright, Patricia Owens's terrified screams are wonderful, enhanced by the fly-eye view of her, I love this sort of gimmicky stuff in these old sci-fi movies.


The design of the clawed hand and fly-face are great, this is the only one of the original three fly films to be in color, and it looks great with the big buy eyes and proboscis, it's a great creature design for time, I still love it. I also love that they keep Andre's fly-face and hand hidden away for more than an hour, it really does build up the suspense, and when it is revealed it is a shocker.  


Neither Francois nor police Inspector Charas (Herbert Marshall) can kind-hearted Helen's story about Andre accidentally turning himself into a human fly, it is not until the very end of the movie, when both witness a human-headed fly with a human arm stuck in a spider's web screaming "Help Me! Help Me!" that they both come around to the horrific truth of the matter.  


The is a movie that creeped me out s a kid watching it on TV, watching it now the movie has a bit more depth than just being creepy, what strikes me is the loving relationship between Andre and his wife, his struggle to hang onto his humanity, it's powerful stuff as he struggles to maintain his sanity, all the while worried he might do harm to his beloved wife. The movie is still campy though, the 50s sci-fi was never too deep, but this one has a bit more than your average 50's atom-aged monster stuff. 


Vincent Price (The Comedy of Terrors) appears as Andre's brother Francois who has to piece together the mystery of what's happened to his ill-fated brother, he does good work here, as does most everyone, this is a top-notch cast and a rather good story, if a bit slow to unfold, but it pays off in spades and holds up really well in my opinion. 4/5


Audio/Video: The Fly (1958) arrives on Blu-ray from Via Vision looking very nice in the original cinemascope (2.35:1) aspect ratio, colors are impressive for a movie of this period. This looks like the same transfer Fox used for their US Blu-ray. Audio is captured with an English DTS-HD Master Audio 4.0 with Optional English Subtitles. Everything is nicely crisp and clean, the  Paul Sawtell score sounds terrific and the screams and sci-fi sounds are fantastic. 


Extras include a fun commentary with Actor David Hedison and historian David Del Valle, I so love Del Valle's commentaries, he adores old school Hollywood and Hedison has some cool recollections of making the movie. Additionally we get a 12-min look back at the original Fly trilogy, an episode of Biography about Price, a brief Fox Movietone News bit about the premiere of the movie and a trailer. 


Special Features:

- Audio Commentary with Actor David Hedison and historian David Del Valle 
- Biography: Vincent Price (44 min) 
- Fly Trap: Catching A Classic (12 min) 
- Fox Movietone News (1 min) 
- Theatrical Trailer (2 min) 



RETURN OF THE FLY (1959)

Rating: Unrated
Duration: 80 Minutes 
Audio: English Dolby Digital 2.0 
Video: 1080p HD Widescreen (2.35:1) 
Director: Edward Bernds
Cast: Vincent Price, Brett Halsey, David Frankham, John Sutton, Dan Seymour, Danielle De Metz 

In the sequel which takes place twenty years after the original, but shot only a year later in reality, we have Andre's now adult son Philippe (Brett Halsey, Fulci's Touch of Death) taking up the experiments of his father with equally disastrous results.  Vincent Price returns as Uncle Francois, who when informed of his nephew's wish to continue the work of his father on the disintegrator-integrator device in the same basement laboratory, tweaking it a bit to be able to "store" objects and animals in some 50s version of the iCloud. 

Philippe partners with a man named Alan Hines (David Frankham) to work with but the guys turns out to be a scumbag looking to steal the device for his own profit, and who uses the device to dispose f bodies, sort of. When a British Agents shows up out of nowhere to confront the industrial spy he knocks him out and throws him in the device, the last thing sent through the transporter was a hamster, and the man comes through the other side with hamster-hands! It is ridiculous stuff, likewise the hamster comes through the other side with human hands, which Hoines crushes with his shoe, wiping up a tiny pool of blood from the floor afterward!  


Eventually Philippe catches on to the wily ways of Hines and confronts him, there's a struggle and Hines knocks him out and places him in the transporter, deliberately placing a fly in there with him, which is just fucking evil, and then we have a very similar scenario playing out as the original film, without the suspense. 


Unlike the original film this was shot in black and white, but also in cinemascope, and it lacks the emotion of the original. What I do love/hate about it at the same time is that it is way more campy. They really go for the gusto with bringing the bulbous fly-headed monster to the big screen in all it's laughable badness, they show it way too much, the original kept you in suspense, this one keeps you in stitches at certain points, the head looks so damn big I wondered if there were outtakes of the actor falling over onset.   


The bleak ending of the original is replaced by something happier, but not nearly as effective. A solidly entertaining sequel of much lesser quality, with the bonus of Vincent Price having a more expanded role over the first. If you love goofy 50s sci-fi this one fits the bill, but it lacks compared to what came before it. 2.5/5 

Audio/Video: The black and white cinemascope (2.35:1) cinematography looks very nice in 1080p HD, grain is nicely managed, a nice sharp image all the way around. Audio on the disc is relegated to a lossy English Dolby Digital 2.0, there are no subtitles. 


There are no extras on this disc, it's a shame they could not get the Audio Commentary with Actor Brett Halsey and Film Historian David Del Valle that appeared on The Vincent Price Collection II from Scream Factory. It's also worth noting that the Region A locked Scream Factory set includes a DTS-HD MA 2.0 audio track.

  Special Features:
- None 



CURSE OF THE FLY (1965) 

Rating: Unrated 
Duration: 86 Minutes 
Audio: English Dolby TrueHD 5.1 
Video:1080p HD Widescreen (2.35:1) 
Director: Don Sharp 
Cast: Brian Donlevy, George Baker, Carole Gray, Yvette Rees, Burt Kwouk, Michael Graham 

Curse of the Fly (1965) was directed by cult filmmaker Don Sharp who directed the undead biker cult-classic Psychomania (1973), it opens with a surreal slow-motion breaking glass image, as young woman named Patricia Stanley (Carole Gray, Devils of Darkness) escapes from the loony bin in only her underwear. In the dead of night she is almost run over by Martin Delambre (George Baker), who whisks here away and marries her, as you do. 

This entry takes place a few years after the second sequel but somehow we're dealing with two different generations of Delambre, a father Henri (Brian Donlevy, The Quatermass Xperiment) and his two son are developing their own transporter device, which they've had some success with, but with a few side effects.

Henri and his son Albert (Michael Graham)are in London, while Martin resides in Quebec, Canada. They each have teleportation pods from which they can transmit matter, Henri transported himself to London from Quebec but was burned badly, meanwhile Martin suffers from a weird skin disorder and is prone spells premature aging which are only prevented by a serum he injects, his affliction is supposedly a caused by inheriting his grandfather's (Philippe, from Curse of the Fly) recessive human-fly DNA. 

Henri returns to Quebec and tries to run off his son's new bride, but she's not going anywhere, but then she discovers that Martin keeps deformed mutants locked away in a barn, victims of early attempts at teleporting people, including his former wife! 

This one falls far from the original films, more of a weird mad scientist melodrama with some really awful make-up effects for the mutants, who look like the actors have had lumps of clay slapped onto their faces with a stocking pulled over it. It's not all awful though in terms of make-up effects, there is a scene wherein Henri and Martin transport two of the mutants together to London through the teleporter and they arrive on the other side as one writhing mass of flesh, looking like something from The Thing in the process of mid-transformation. 


There are a lot of good ideas floating around here, including some nice atmospheric touches from director Don Sharp, but the execution and story are awful. Worse than even perhaps the mutant make-up is that of the the housemaid Wan (Yvette Rees) a white woman playing an Asian with some seriously bad eye make-up. I found the third and final film on the original trilogy to be pretty bad, my favorite part was the nightmarish opening title sequence with Patricia escaping the loony bin, it promised me something strange and different, well, it was different, it was strange, but it was not good. The movie doesn't feel like a Fly entry, sure we have the transporter device stuff, but at no point do we get any fly-action! 2/5

Audio/Video: The black and white cinemascope cinematography looks very nice in 1080p HD, grain is nicely managed, a nice sharp image all the way around with good contrast. The disc includes a English Dolby TrueHD 5.1 audio track, there are no subtitles. 

Special Features: 

- None 


THE FLY (1986)

Rating: R
Duration: 95 Minutes 
Audio: English DTS-HD 5.1, Dolby Digital 5.1, Dolby Digital 2.0  with Optional English Subtitles 
Video: 1080p HD Widescreen (1.85:1) 
Director: David Cronenberg 
Cast: Jeff Goldblum, Geena Davis, John Getz, Joy Boushel, Les Carlson, David Cronenberg 

Nearly 30 years after the original film director David Cronenberg (Shivers) brought us a remake of the source material, in a decade ripe with cool remakes that surpassed the originals, these include The Blob (1988) and The Thing (1982). Here we have Jeff Goldblum (from another great remake, Invasion of the Body Snatchers) starring as Seth Brundle, an aloof but genius scientist who meets science journalist Veronica Quaife (Geena Davis, Beetlejuice) at an industry party hosted by his financiers Bartok Industries. He invites her back to his lab/apartment where he shows her what he calls his "telepods", the now familiar device that transports matter from one pod to another. The two strike up a romance and Veronica begins to document his progress working on the groundbreaking device, which is not yet perfected. 

The telepods can only transport inanimate objects, when he attempts to transport a live animal, a baboon, it goes awry, the animal is literally turned inside out in grisly fashion. He continues to work, and inspired by a steak dinner he perfects it, and successfully transports another baboon from one pod to the other without incident. However, when seth becomes jealous that Veronica might be rekindling a romance with her editor and former boyfriend Stathis (John Getz, Blood Simple) he gets drunk and sends himself through the telepod, unaware that a fly has made it's way inside the telepod with him, and when he is disintegrated and reintegrated the telepod computer includes the fly's DNA into the matrix.

What ensues is a period of increased physical prowess, Seth feels renewed, invigorated and unstoppable, attributing it to the telepod experience, not yet realizing that there is now fly DNA inside his body, slowly transforming him into a human-fly hybrid. 

Goldblum is at his best here, hands down this is finest performance to date, coming before he became the neurotic science guy we came to know him for in the movies Jurassic Park and Independence Day, a nuanced performance, one that really expounds on the struggle between one's humanity and monster he's becoming, which is what I loved so about the original film. Geena Davis as the love interest is also fantastic, at the time the two actors were a real-life couple, and it shows in the on-screen chemistry. 

Cronenberg was already known for his love of body-horror, even before this, and for a few years after still, his love for clinical weirdness is perfectly suited for the science fiction horror material, helped in large part from the creative special effects work from Chris Walas (Gremlins), who really brings home the transformation process here. which was like nothing we'd ever seen before in a Fly film, the gooey ickiness of it is fantastic, we get gooey fingernail-trauma, a nightmare maggot-birthing scene, corrosive fly-vomit, bones breaking through skin, teeth falling out... there's plenty here to make you squirm.  One of the the things I have always loved about the film was the iconic design of the telepods, which avid motorcyclist Cronenberg modeled after Ducati motorcycle cylinder heads - they just look so damn cool.

The film did big business at the box office, and with good reason, it has some fantastic human drama, a love story that didn't suck the life out of it, Brundle losing his humanity, the grotesque body horror stuff - and it all comes together so wonderfully onscreen. 5/5

Audio/Video: This looks like the same HD master we saw from 20th Century Fox years ago, the same issues apply, it's a bit soft, a lack of depth and clarity, but not bad, just not awesome. This is a movie overdue for a new 4K transfer. Audio on the disc includes choice of English DTS-HD 5.1, Dolby Digital 5.1, and Dolby Digital 2.0  with Optional English Subtitles. The surrounds don't get a whole lot of action on this one, some of the telepod action and the Howard shore score bleed into them, but this is a primarily front centric experience.   

Via Vision carry-over all the extras from the 20th Century Fox Blu-ray, which wa stacked, so we get the 103-min making of doc, 12-min with special effects makeup designer Chris Walas, 21-min of cool deleted scenes and extended scenes, some early film tests, TV spots and a 6-min vintage EPK featurette,  

Special Features: 

- Fear The Flesh: The Making of the Fly (103 min) 
- The Brundle Museum of Natural History” (12 min) 
- Trivia Pop-Ups 
- 4 Deleted Scenes (11 min) 
- 2 Extended Scenes (you can use the optional “red box” around the parts that were excised): (6 min) 
- Film Tests (Visual Effects) (8 min) 
- TV Spots (10 min) 
- EPK (6 min) 



THE FLY II (1989)

Rating: R
Duration: 105 Minutes
Audio: English Dolby TrueHD 5.1  
Video: 1080p HD Widescreen (1.85:1) 
Director: Chris Walas 
Cast: Eric Stoltz, Daphne Zuniga, John Getz, Lee Richardson, Frank C. Turner, Ann Marie Lee 

Of course, with the success of Cronenberg's The Fly (1986) there would have to be a sequel, but we had to wait for three years to get, was it worth the wait? Cronenberg wanted nothing to do with a sequel, so special makeup effects creator Chris Walas was tasked with helming the sequel, which opens on a scene featuring the only returning cast member from the previous movie, John Getz (Blood Simple) Stathis, at the Bartok research facility. You might remember that Bartok was the company financing Brundle's research in the last film, it was only mentioned, but in this movie Bartok is a major evil entity. Stathis is there witnessing the birth of Veronica and Seth's baby, she having chosen to carry it to term, and apparently to have it delivered at the Bartok labs. The scene is a nice call back to the maggot-birth nightmare from the first film. Veronica dies during childbirth and the mutant is born in a disgusting chrysalis which hatches, inside is a seemingly normal human child, just a nicely gooey birthing scene. 

Due to chromosomal anomalies the child, Martin (Eric Stoltz, Pulp Fiction), grows and ages at an accelerated rate, maturing into a twenty-something young man in just two years time, with a genius level intellect, thus far showing no signs of mutating into a human fly, but you know that will change soon enough. 

Stolz' character lives at the research center as a sort of live-in experiment, there he befriends a young woman named Beth (Daphne Zuniga, The Dorm That Dripped Blood), and a romance develops between the two, however, Martin becomes suspicious of the researchers when he discovers a pet dog from his childhood, which was supposedly killed in a telepod experiment,  is actually alive, a deformed freak, kept hidden away in the basement. Martin discovers the true fate of his father, which he was lied to about, and that Bartok intends to use the telepods to create an army of human-fly soldier hybrids. Feeling betrayed he breaks out of the facility with Beth, but soon after begins to mutate like his father, his body seemingly disaster grating while in the process of evolving into the fly. 

Together the two track down Stathis Borans who fills them in on the details about the fate of Martin's mother and father, and soon after begins to form a chrysalis, readying himself for the step in his evolution, into MartinFly, which is when the real carnage begins!

The movie has very little of the heart and soul of the Cronenberg film, but I don't think this sequel is as awful as it is said to be. Sure, it's a silly 80s sequel, but it's a fun science fiction horror flick with some wonderfully gooey gore and violence, including a Martin fly-vomiting on the face of a security officer, screaming in pain he peels of his face, good stuff. Just on a purely practical gore and creature design level this is fun stuff with plenty of action, and stupidity aplenty. Zuniga and Stoltz do just fine, both are likable, the characters don't call for a load of range but they get the job done. The two main baddies this time around are corporate baddie Antoc Bartok (Lee Richardson, Exorcist III) and mean-spirited security guard Scorby (prolific TV actor Garry Chalk, who always seems to play cops and military guys), both get their proper comeuppance, with Scorby being bent over backwards and Bartok becoming one of the disgusting telepod victims, all good stuff.  

So, yeah it's a steep step down in quality from the first movie, it lacks the soul that Goldblum and Davis brought to it, but just watched as a cheesy and icky special effects driven film this is not too bad at all. 

Audio/Video: The Fly II looks good in 1080p HD, I think it is crisper ans more detailed that the transfer for the Fly (1986) with some modest depth to the image. Grain can be a bit chunky, but overall this is a nice HD upgrade. Audio on the disc  comes by way of a full-sounding English Dolby TrueHD 5.1 track, the surround has some good atmospheric use of the surrounds. 

Via Vision carry-over all the extras from the Collector's Edition Blu-ray beginning with the Audio Commentary by director Chris Walas and film historian Bob Burns. We also get the 58-minute The Fly Papers: The Buzz on Hollywood’s Scariest Insect doc, narrated by the late Leonard Nimoy, a 48-min making of doc specific to The Fly II, deleted scene and alternate ending, production journal, interview with composer Christopher Young, storyboard comparison, and photo galleries. 

Special Features: 
- Audio commentary by director Chris Walas and film historian/archivist Bob Burns
- Deleted scene (1 min)
- Alternate “houseboat” ending (1 min)
- Theatrical Trailers (2 min) 
- The Fly Papers: The Buzz on Hollywood’s Scariest Insect” documentary of all “The Fly” films (58 min)
- “Transformations: Looking Back at The Fly II” (48 min) 
- “CWI Video Production Journal” (18 min)
- “Composer’s Master Class: Christopher Young” (13 min)
- “Original Theatrical EPK” (5 min)
“Storyboard to Film” -comparisons of 3 scenes (with optional audio commentary by director Chris Walas)(7 min) 
- Still Photo Galleries: Art Gallery (3 min), Production Gallery (3 min), Storyboards (2 min) 

The five-disc set from Via Vision collects all five of the Fly films in one nice set, all the films arrive on their own discs, housed in a 5-disc blue keepcase. The release comes with a slipcover featuring the same cover art as the keepcase, the back of which lists some of the special features, but not all. Advertised as Region B locked I can confirm that the discs are Region A enabled and played without issue on  both my Region A and region-free Blu-ray players, so buy with confidence if you're a North American buyer. I love having all five of the Fly films on one inclusive set with loads of extras. To my knowledge this is the only release to gather all five Fly movies on one Blu-ray set, if you're a fan of The Fly series this is essential stuff. 4/5  

Friday, October 28, 2016

THE INITIATION (1984) (Arrow Video Blu-ray Review)

THE INITIATION (1984) 

Label: Arrow Video 

Release Date: November 7th 2016 
Rating: R
Duration: 97 Minutes 
Region Code: A/B
Audio: English LPCM Mono with Optional English Subtitles
Video:  1080P HD Widescreen (1.85:1) 
Director: Larry Stewart
Cast:  Daphne Zuniga, Vera Miles, Clu Gulager, James Read, Marilyn Kagan, Robert Dowdell, Patti Heider, Frances Peterson, Christopher Bradley, Joy Jones


The Initiation (1984) is a fun and nostalgic 80s slasher trip that doesn't stray too very far from the classic slasher themes with a wink and a nod to John Carpenter's Halloween (1978) and an inspired bit sort of borrowed from Happy Birthday to Me (1981). It stars Daphne Zuniga (The Dorm That Dripped Blood) as a troubled college-teen named Kelly Fairchild who is plagued by recurring nightmares stemming from a traumatic childhood experience and a long buried family secret. Throw in a sorority prank gone awry with some teen sex, an asylum, and a fun mall setting with a shocker of an ending and you have yourself a real slice of 80s slasher fun and an enjoyable 80's whodunit.

I love the surreal nightmares and how they pay off, plus we have the added benefit of a few rather sweet kills, a few using garden tools which set-up a rather obvious red-herring early on, you have to love those red-herrings in these 80's slashers. The cast is a parade of 80's familiars, beginning with fresh-faced Daphne Zuniga who is a total knock-out as the final girl with a twist. Add to that the awesome Clu Gulager (The Return of the Living Dead) as Kelly's father, who is not the worst guy in the world but definitely a bit of a scumbag. Then you have Vera Miles from Alfred Hitchcock's Psycho (1960) slumming it as the mom who would rather keep her past buried even if it means risking her poor daughter's sanity in the process. I also love that the writer and director give the movie a decent amount of character development before the blood begins to flow. It starts off a bit slow but once the pranksters arrive at the mall things amp up and you really feel for a few of the character when the bite it. There's a good variety to the kills with a fair amount of the red stuff, too. Outside of the main characters mentioned we have the usual array of sorority bitches, 80s goofballs and a virginal cutie. My favorite aside from Zuniga would be the nerdy teacher's aide Heide played by actress Joy Jones, she was a blast. 

The film leans a bit towards the surreal with the nightmares and repressed childhood memories which turn out to be key to the mystery at hand, which is a real humdinger of a zinger. The dream sequences are neat, particularly one where she catches her mom screwing a man whom she sets a man on fire! The mall setting is a slice of early 80s awesomeness which brought to mind Chopping Mall (1986) minus the murderous robots - though Chopping Mall came years after this one.  The movie is a fun watch, with plenty of gratuitous nudity, sweet kills and some cool 80s atmosphere, with a finale that is a bit of crazed awesomeness. 



Audio/Video: The new HD restoration from Arrow Video looks impressive, a nice upgrade from their region 2 locked DVD. There is a lot of soft focus cinematography on screen and the poor quality 80's film stock doesn't help, but the new 2K transfer is a nice advancement over anything we've seen before on home video with a tighter grain structure and improved clarity with more depth to the image. The 80s colors are more vibrant and nicely saturated, and skin tones look more natural. The lossless mono audio does what is required with the dialogue and band synth score nicely balanced, overall unremarkable but fine. Optional English SDH subtitles are included. 

Extras on the disc begin with a new audio commentary from The Hysteria Lives podcast crew, who might be an acquired taste. I do love the podcast and they're commentary, chock full of slashery goodness and fun background on the movie cast and crew. The guys are not of the scholarly sort and this track is not lacking any of the casual charm of the podcast, complete with snarky in-jokes and references to English 80s pop sensation Toya.

Arrow Video and Red Shirt Pictures have also brought us some new bonus content, including brand new interviews with writer Christopher Pratt Jr. (22 Mins), actress Joy Jones (14 Mins) and actor Christopher Bradley (19 Mins). The disc comes in the standard Criterion-style Arrow clear keepcase with a sleeve of reversible with the original and newly commissioned artwork by Justin Osbourn, which is fantastic, plus a collector's booklet with new writing by movie critic James Oliver. 


Special Features: 

- Brand new restoration from original film elements
- High Definition Blu-ray (1080p) presentation
- Original Uncompressed Mono PCM audio
- Optional English subtitles for the deaf and hard of hearing
- Brand new audio commentary by The Hysteria Continues
- Sorority Saga: Brand new interview with Writer Christopher Pratt Jr. (22 Mins) HD 
- Pledge Night: Brand new interview with actor Christopher Bradley (19 Mins) HD 
- Dream Job: Brand new interview with actress Joy Jones (14 Mins) HD 
- Original Theatrical Trailer
- Reversible sleeve featuring original and newly commissioned artwork by Justin Osbourn
-  Collector’s booklet featuring new writing on the film by critic James Oliver (First Pressing Only) 

I love The Initiation, about eighty-percent of it is standard slasher tropes but the twist is a ton of fun and Daphne Zuniga is awesome. It is the rare slasher movie that cares to create actual fun characters with any sort of depth to them, in top of that the kills are good, the nudity is nice and the new transfer from Arrow looks and sounds great, and at long last we have an edition of the movie with some decent extras. 


Friday, March 27, 2015

THE SURE THING (1985) (30th Anniversary Edition)

THE SURE THING (1985) 
Label: Shout! Factory
Region Code: A
Rating: PG-13
Duration: 95 Minutes
Audio: English DTS-HD MA 5.1 
Video: 1080p Widescreen (1.85:1)
Director: Rob Reiner 
Cast: Anthony Edwards, Tim Robbins, John Cusack, Nicollette Sheridan, Daphne Zuniga, Boyd Gaines

In this Rob Reiner (The Princess Bride) directed comedy from the '80s we have the myth, the legend John Cusack as college freshman Walter 'Gib' Gibson. A freshman at some small New England university where he is completely bombing with the ladies on campus. Meanwhile his high school best friend Lance (Anthony Edwards, Revenge of the Nerds) is out in Los Angeles partying it up '80s So Cal style and apparently doing quite well for himself, Lance assures his pal Gib that if he can make it to L.A. over Christmas break he has a sure thing (Nicolette Sheridan) waiting for him. That's right, Gil is willing to travel thousands of miles just to score with a babe he doesn't even know. It might seem a bit desperate and far fetched but probably not too far from reality, after all guys do a lot of crazy stuff  in the name of getting laid, not that I would know anything about that. 

Searching one of the college ride share boards Gib finds a ride out to L.A. with annoyingly young republican type couple named Gary (a very young Tim Robbins) and Mary Ann (Lisa Jane Persky). Also along for the ride out the L.A. is Alison (Daphne Zuniga), a young woman from college that Gib has a bit of a crush on. Alison's previous interactions with Gib at college make for an uncomfortable ride share, he's a bit of a wild spirit and she's a buttoned-down prep and their differences sort of rub each other the wrong way. A particularly heated backseat argument ends with Alison baring her breasts to passerbys and with Gary being fines by the police, which puts him over the edge, dropping he two off on the side of the road, left to thumb their way to California. Forced to spend time alone  they do some bonding over shotgunning beers and such, fighting off a blossoming attraction for each other, more so Alison, who is on her way to Los Angeles to see her boyfriend, who it turns out is the same boring sort of straight-laced prep she is, but after spending so much time with the spontaneous Gib she starts to feel differently 


The story is a pretty simple and not a very original 80s offering. It's part teen pic, part romantic comedy and part road film, sort of like a teen-romance version of Planes, Trains and Automobiles (1987), only instead of trying to get home for the Thanksgiving, one of them is trying to get laid over Christmas Break, and it's fun stuff. 


Sign me up for anything from the '80s with John Cusack,it's safe to say that I may have had a man-crush on him since way back in the day, so damn likable all the way around, even if he played pretty much the same character through the '80s. Then there's Daphne Zuniga who is an uptight character but as cute as a button, and once the icy exterior begins to melt away her character is quite lovable. Horror fans will recognize her from the teen-shocker The Initiation (1984) and The Dorm that Dripped Blood (1981), and of course as Princess Vespa from Mel Brooks' Space Balls (1987). 


Sure, there's not a lot of depth to this one and that's just fine, it's a fun opposite attract film wrapped up in a road film and the casting it perfect, these two have some great chemistry and by the end of the film I was in love with stuffy Alison myself. Of course Nicolette Sheridan as the titular sure thing is pure '80s sexiness from head to toe, dripping with lust and smoking hot, the dream sequences of her are a lot of male egocentric fun. 


The disc from Shout! Factory looks good overall. While it does suffer from some of the '80s film stock softness and there's evidence of some too aggressive digital manipulation the colors are vibrant and offers a pleasing amount of depth, clarity and fine detail. 


Viewers have the option to watch the film accompanied by the original mono presentation via the DTS-HD MA 2.0 or a slightly more immersive DTS-HD MA 5.1 surround mix. The front-centric presentation exports score and discreet audio effects to the surrounds which definitely sweetens the '80's soundtrack featuring Huey Lewis and the News, The Cars and Wang-Chunk among others. 


Advertised as the 30th Anniversary Edition I was a little bit disappointed we do not get any new content other than what was on the previous release, totalling about 46 minutes worth of interviews with director Rob Reiner, writers Steven L. Bloom and Jonathan Roberts, producer Roger Burnbaum., production designer  Lilly Kilvert, casting directors Jane Jenkins and Janet Hirshenson and stars John Cusack and Daphne Zuniga which are split up among four featurettes. There's also an audio commentary with Reiner who only seems to pop-up from scene to scene with long pauses. Additionally there is a trailer. A decent array of extras but it is my belief that if you advertise a release as an anniversary edition it should contain something new to commemorate the occasion. 


Special Features
- Commentary With Director Rob Reiner
- Road To The Sure Thing (26 Mins)
- Casting The Sure Thing (7 Mins)
- Reading The Sure Thing (3 Mins)
- Dressing The Sure Thing (9 Mins)
- Theatrical Trailer (3 Mins) 


It doesn't take much to convince me to watch vintage '80s comedies, to be honest there just aren't many I don't enjoy, and this one has John Cusack! A lot of which has to do with the fact that it was the era during which I came of age, and I could sorta of relate to Cusack's character at the time, and even this sweetly romantic comedy comes loaded with nostalgia. I don't think this one gets all the love it deserves, sure it's not one of the top tier '80s comedies but it's worth a watch and John Cusack and Daphne Zuniga are a great pairing.



Monday, August 19, 2013

DVD Review: THE INITIATION (1984)

THE INITIATION (1984) 
Label: ArrowDrome
Rating: 18 Certificate 
Duration: 93 Minutes 
Region Code: Region 2 PAL
Audio: English Dolby Digital 2.0 Mono
Video: 16:9 Widescreen 
Cast: Vera Miles, Clu Gulager, Daphne Zuniga
Director: Larry Stewart
Tagline: Here’s to being young… staying young… and dying young.

Arrow Video budget-imprint ArrowDrome have brought Larry Stewart's by-the-numbers slasher The Initiation (1984) to PAL-format DVD in the UK. The film is a nostalgic slasher trip that doesn't stray very far from familiar slasher themes with more than a nod to John Carpenter's Halloween (1978) and even a bit of Happy Birthday to Me (1981). It stars 80's cutie Daphne Zuniga (The Dorm That Dripped Blood, Spaceballs) as a college-teen suffering from nightmares stemming from a traumatic past and a buried family secret. Throw a sorority prank gone awry, an asylum, some teen sex (of course), a fun mall setting and shocker of a twist ending and you have yourself a real slice of slasher nirvana, it's not original by any means but it is a rather enjoyable 80's whodunit.

I love the nightmare aspect of the story and how it pays off, plus we get some rather sweet kills using garden tools which set-up a rather obvious red-herring early on, gotta love the red-herrings in these 80's slashers. There's a fun cast of 80's familiars,  first we have Daphne Zuniga who is a total cutie as the final girl, she's great in a role that has some duality to it, fun stuff. On top of that you get Clu Gulager of The Return of the Living Dead (1986) as Kelly's father, a bit of a low-life but not horribly so, as the matriarch of the family we have Vera Miles from Alfred Hitchcock's Psycho (1960) who would rather keep her secretes buried even if it means risking her own daughter's sanity. There's a decent amount of character development before the blood begins to flow, once the pranksters hit the local mall things really amp up after a somewhat slow start-up. There's a good variety to the deaths and a fair amount of the red stuff, too. Outside of the main characters we have the usual array of bitches, goofball doofuses and a virginal cutie, all are meat for the grinder though, no surprises there. 

The film gets a bit surreal as it deals quite a bit with Monica's nightmares and repressed memories, the dream sequences are pretty neat, particularly when she catches her mom boning away and she sets a man on fire, weird stuff and a great opening that starts of a bit askew. The mall setting is fantastic and it expectantly brought to mind Chopping Mall (1986) minus the murderous robots, as I've said, it's not an original film, but it definitely riffs on a few better films and chugs along at a great pace with some decent kills and some nice atmosphere, I was never bored for even a minute,  this is a damn decent slasher.

The standard-def transfer is on par with what we saw from the Region 1 Anchor Bay and Image Entertainment editions, there's a lot of soft focus and Vaseline on the lens cinematography and the 80's film stock is notoriously shit, but it's decent enough. The mono audio can be a bit tinny and the mix was low, had to crank it up a bit on the surround. There's not much in the way of special features unfortunately, just a theatrical trailer and that's it. My screener was just the disc only but apparently the retail version includes a booklet with writing's on the film by High Rising Productions' Calum Waddell. UK fans of slashers should definitely pick this budget-minded edition up, readers in the US need not upgrade. 3 Outta 5 





Saturday, April 23, 2011

Blu-ray Review: The Dorm That Dripped Blood (1981)


THE DORM THAT DRIPPED BLOOD (1981)
Uncensored Director's Cut  / Blu-ray + DVD Combo Pack
Release Date: April 26th 2011


Label: Synapse Films
Rating: Unrated
Region Code: All
Aspect Ratio: 1.66:1 16:9 Enhanced
Audio: DTS-HD English 2.0 Mono, Dolby Digital 2.0 Mono
Duration: 88 mins
Director: Jeffrey Obrow, Stephen Carpenter
Cast: Daphne Zuniga, Laurie Lapinski, Stephen Sachs, David Snow, Pamela Holland
Tagline: A Crash Course In Terror


SYNOPSIS: On the eve of Christmas vacation, a college dormitory stands condemned… the dark halls now vacant, and unsafe. Student Joanne Murray and her close friends volunteer to help close down the building, unaware a psychopathic lunatic is hiding in the shadows. As the students disappear one by one, Joanne discovers the horrifying reality that if she is to survive, she alone will have to find a way to slay the brutal murderer.


This print of the film carries the original title DEATH DORM.
FILM: After seeing HALLOWEEN (1978) and FRIDAY THE 13th (1980) film school graduate students Jeffrey Obrow and Stephen Carpenter figured they could probably do something similar and crafted a low-budget dorm slasher called THE DORM THAT DRIPPED BLOOD (1981)  (aka PRANKS aka DEATH DORM). The setting is a college campus during Christmas break and after 75 years the Morgan Meadows Hall is being decommissioned for remodeling. Senior Joanne Murray (Laurie Lipinski) and four others have volunteered to inventory and remove furniture and equipment from the dorm in preparation of it's renovation. What the Hell is wrong with these kids, it's Christmas Break for Christ's sake! They have nothing better to do? Whatever, the four other victims, err.... volunteers are Brian (David Snow), Patti (Pamela Holland), Craig (Stephen Sachs) and Debbie played by the very cute Daphne Zuniga whom you will likely recognize from THE SURE THING (1985), SPACEBALLS (1987) and THE FLY II (1989) and the shitty prime-time soap opera MELROSE PLACE. Early on Debbie informs Joanne that she won't  be  staying cuz her grandmother has fallen ill but volunteers to assist until her parents arrive. No sooner have her parents pulled-up to the dorm when Dad takes a spiked-bat to the head in the stairway. Next, the stealthy killer sneaks in through the backseat of the family car and strangles mom with wire. Moments later Debbie stumbles upon her parents bodies and faints. The killer then positions her underneath the car's tires, throws it in reverse and crushes her. That's three kills in just a few minutes and it's all pretty good if a bit typical for the genre.

Also typical of the genre is the introduction of plausible red herrings. There's Bill (Jake Jones) the maintenance man who works strangely late hours, local businessman Bobby Lee (Dennis Ely) who comes to pick-up furniture and comes off rather sleazy and then there's John Hemmit (Woody Roll) a creepy vagrant who lurks around campus giving the group the willies. There are also the obligatory ineffective campus police. So, yeah, this is a pretty standard stalk n' slash formula as students are picked-off one. The kills are gruesome, we've got someone being boiled alive (my favorite), a grisly drill to the back of the skull with fragments of skull and brain splattered all about and a truly twisted ending that involves an unconscious body being thrown in a fiery incinerator. Don't be put off by the fact that this is a by the numbers slasher or that the acting is undeniably amateur hour. Our final girl and the lunatic antagonist both offer up some acting chops, everyone else is slasher fodder - who cares. Sure, there are some sequences that drag and I don't think the film is particularly well-shot but as a low rent slasher I think the film is mostly effective and decently entertaining with some great gore, a smidgen of nudity and a good and twisty ending that will reward a drunken viewing with friends.


BLU-RAY: The story goes that Synapse received a 35mm print of the film in preparation of this release when they realized that what they had in their possession was a cut of the film previously unseen for thirty years. Definitely read the Synapse Films blog post detailing the discovery, restoration and manufacturing difficulties of the release HERE. That's pretty neat but do the cuts scenes amp up the gore to a degree that transforms the film from a second tier stalk n' slash to seminal 80's slasher? Nah. Remember a few years back when the special edition of MY BLOODY VALENTINE (1981) was released and we were treated to previously unseen gore delights? Here we get a few bits and pieces but not enough to transform it to such a a degree. I don't think every 80's slasher screams out for a deluxe Blu-ray release and that's why I love Synapse Films. They're giving these obscure gems super-sweet definitive editions with ideal presentation and newly created bonus content. THE DORM THAT DRIPPED BLOOD comes to blu-ray in a 1080p 1.66:1 aspect ratio transfer with a MPEG-4 AVC video encode and  DTS-HD Master 2.0 mono audio. The print is grainy and a bit grimy and definitely looks every bit like the 16mm blown-up to 35mm that it is but the colors are vibrant and the black levels are strong.

Supplemental features include a commentary with directors Jeffrey Obrow and Stephen Carpenter who are in fine form and obviously enjoy talking about the film in-depth. MY FIRST SCORE (8:11) is an interview with composer Christopher Young who would go onto compose scores for INVADERS FROM MARS (1986) to DRAG ME TO HELL (2009). He went onto enjoy a prolific career though he seems a bit embarrassed by this score, perhaps because it sounds like he nicked a few bits of Harry Manfredini's iconic FRIDAY THE 13th (1980) score as well as the shrieking string stingers from Bernard Hermann's PSYCHO (1960). If you gotta steal, steal from the best, right? Be sure to check the isolated music track in DTS-HD Master, it's a strong score and enhances the film. MY FIRST SLASHER (9:28)  is an interview with the make-up FX creator Mathew Mungle who would also enjoy a  prolific career creating make-up FX for the backwoods slasher JUST BEFORE DAWN (1981), A NIGHTMARE ON ELM STREET 3: DREAM WARRIORS (1987) and Christopher Nolan's INCEPTION (2010). He makes a reference to a never-seen dismemberment scene that does not appear in the film ...and the legend grows. Rounding out the special features are two trailers for the film; the original theatrical trailer and another under the alternate title PRANKS plus a reversible cover with the alternate PRANKS artwork. Not a film that screams for the deluxe Blu-ray treatment but damn I love Synapse Films for giving it to us.

SPECIAL FEATURES:
- Reversible cover with alternate PRANKS artwork.
- Audio commentary featuring directors Jeffrey Obrow and Stephen Carpenter
- MY FIRST SCORE (8:11) - interview with composer Christopher Young
- MY FIRST SLASHER (9:28) - interview with Make-Up FX Creator Mathew Mungle 
- THE DORM THAT DRIPPED BLOOD Trailer (1:26)
- PRANKS Alternate Title Trailer (1:53)
- Isolated Music Track
- DVD of the film that carries over the special features

Reversible cover  featuring alternate PRANKS artwork.
VERDICT: By all accounts 1981 was a pretty fantastic year for slashers and the popularity of these bloody-soaked splatterfests was at an all time high. That year alone theatre goers were treated to some true classics of the genre: THE BURNING, FRIDAY THE 13th Pt. 2, HALLOWEEN II, THE PROWLER and MY BLOODY VALENTINE. While THE DORM THAT DRIPPED BLOOD is definitely not in the same league as those titles it runs circles around either FINAL EXAM or GRADUATION DAY and will sit proudly on my DVD shelf alongside BLOODY BIRTHDAY, JUST BEFORE DAWN and HAPPY BIRTHDAY TO ME as an obscure slice of slasher cinema that's well worth a watch. A recommend to fans of obscure slasher cinema.  2.75 outta 5