Showing posts with label Frank Finlay. Show all posts
Showing posts with label Frank Finlay. Show all posts

Wednesday, June 26, 2019

SHAFT IN AFRICA (1973) (Warner Archive Blu-ray Review)

SHAFT IN AFRICA (1973)

Label: Warner Archive 
Region Code: Region-FREE
Rating: R
Duration: 112 Minutes 
Audio: English DTS HD-MA 2.0 with Optional English Subtitles 
Video: 1080p HD Widescreen (2.40:1)
Director: John Guillermin
Cast: Richard Roundtree, Frank Finlay, Neda Arnerić, Vonetta McGee, Frank McRae


Shaft in Africa (1973) is the third film in the original trilogy about bad-ass private investigator John Shaft (Richard Roundtree, Earthquake). Directed by John Guillermin (King Kong) the film removes the titular character from his familiar urban setting, broadening the scope of the series with Shaft headed to Africa to investigate an Africa-to-Europe slavery cartel headed-up by Euro-bag-guy Amafi (Frank Finlay, Lifeforce).


At the start of the film Shaft is beaten, drugged and abducted from his Manhattan apartment by a pair of African strongmen working for African diplomat Emir Ramila (Cy Grant). He's then unwillingly put through a series of grueling trials designed to judge his African-worthiness, including being locked in a room with a sand-covered floor under a series of searing heat-lamps meant to simulate the African desert, and forced to stick-fight a towering opponent in the nude, complete with a peek at Shaft's lil' shaft, which is something I never noticed while watching this on DVD .



Passing the unorthodox trials he is contracted by Ramilia after some convincing to travel to Africa and infiltrate a slavery operation posing as an African man looking for work abroad. Along the way there's neck-snapping, biting and torture by electrocution, plus he manages to romances the diplomats very attractive daughter, who serves as his dialect coach, (Vinetta McGee, Blacula), and beds Amafi's nympho lady friend (Neda Arneric) who serve her boss's sexual desires. She's introduced to us while she's slobbing his bone in the backseat of his luxury car, later being sent to Africa to eliminate Shaft when all else fails. She's instructed to seduce him, record the sexual encounter on audio tape, and then kill him.  She's a very sexy lady, and in a very Bond-type way falls victim to a knife meant for Shaft.    


I like that the film removes Shaft from the familiar New York City environs, losing his signature leather jacket for a simpler  traditional African wardrobe and a nguni fighting stick. The undercover aspect of it and the globetrotting locations certainly give the film a very 007 feel, but we still get plenty of bloody action, resulting in a violent blaxploitation spin on the spy-action thrillers. 


Audio/Video: Shaft In Africa (1973) arrives on Blu-ray from Warner Archive with a brand new 2019 2K scan framed in 2.40:1 widescreen, with the 1080p HD image looking sharp and nicely detailed throughout. Though the colors here lean heavily towards brown and beige earth tones occasionally the reds and blues will get a nice pop. The foreign locations looks phenomenal, especially the sun-drenched African landscapes, and you can see the sweat seeping from Shaft's pores like never before, feeling the sun-baked heat radiating right off the screen, this is a very solid looking transfer on Blu-ray.


Audio comes by way of an English DTS-HD MA 2.0 that is clean and free of distortion. Dialogue is crisp throughout with the Johnny Pate score (Dr. Black, Mr. Hyde) sounding great in the mix. While it's not as good as Isaac Hayes score from the first film it's a bit better than what we got in Shaft's Big Score from director Gordon Parks, plus we get a solid theme song from The Four Tops. Optional English ALL CAPS subtitles are included. 


The only extra on the disc is a widescreen HD trailer for the film. The single-disc release comes housed in a standard Blu-ray keepcase with a one-sided sleeve of artwork featuring the very cool and quite phallic original movie poster artwork, which is also featured on the Blu-ray disc inside. 


Shaft In Africa (1973) is a wildly entertaining ending to the trilogy of films, expanding upon the gritty original with globetrotting adventures and spy-thriller action. The film looks great on Blu-ray, and is available as part of a triple-feature Blu-ray release with all three of the original films or single-disc Blu-ray from the Warner Archive, this comes highly recommended for fans of gritty 70's action. 

MORE BLU-RAY SCREENSHOTS 


Saturday, June 8, 2013

Blu-ray Review: LIFEFORCE (1985)

LIFEFORCE (1985)
2-Disc Collector's Edition 
Region Code: 1/A
Rating: R
Duration: 101 Minutes / 116 Minutes 
Audio: English DTS-HD Master Audio 2.0, 5.1 and Dolby Digital 2.0, 5.1 
Video: 1080p Widescreen (2.35:1) 
Cast: Mathilda May, Steve Railsback, Peter Firth, Frank Finlay, Patrick Stewart, Michael Gothard
Director: Tobe Hooper

Synopsis: A mission to investigate Halley's Comet discovers an even stranger phenomenon: an alien spacecraft! Following a deadly confrontation, the aliens arrive on Earth, where their seductive leader begins a terrifying campaign to drain the life force of everyone she encounters. Her victims, in turn, continue the cycle, and soon the entire planet is in mortal danger. And when the mission's sole survivor (Steve Railsback – The Stunt Man) sets out to destroy her, he comes face to face with the most charming - and horrifying – being he's ever known. Will he be able to destroy the lovely vampiress...or will he become yet another victim of her fatal charm?


It must have been '86 during a sleepover at my friend Barry's house that I tuned into a late night showing of Lifeforce on HBO or Showtime, one of the premium pay cable channels. I slept over at Barry's house every chance I could, he was a shit-ton of fun and a very great friend, plus he had cable television - not that I slept over just to watch cable TV... he had an Atari 2600, too! During these sleepovers it seemed I would always the last one awake  and inevitably left to my own devices I would scan the cable channels for something scary to watch. It was during these dark hours of the night I first came upon George A. Romero's Day of the Dead (1985), Larry Cohen's Q (1982), Wes Craven's A Nightmare on Elm Street (1984), J. Lee Thompson's Happy Birthday to Me (1981) and Stanley Kubrick's The Shining (1980) while chowing down on a bottomless bowl of Golden Grahams, which was my preferred cereal at the time and Barry's mom always had it in abundance. To this day there's few things I enjoy more than a late-night viewing of a 80's slasher and a bowl of cereal, it's till the shit. 

Settling into Lifeforce I was hooked right from the very start,  the international spaceship Churchill, commanded by the American Colonel, Tom Carlsen (Steve Railsback), is on a scientific mission to investigate Haley's Comet when they happen upon a massive 150-mile long alien craft hidden in the comet's tail. In reality Haley's Comet was due to return to our sector of the solar system that same year plus I was a NASA space nut like most kids my age, it was a perfect melding of my love of horror, teenage lust and space exploration. When the film revealed the stunning French actress Mathilda May as the main vampiress completely nude in a state of suspended animation let me just tell you that the sight of her perfect breasts were almost too much for my young mind to comprehend, it was a sublime sight.  I distinctly remember becoming flushed at the sight of her voluptuous figure and guiltily peering around the living room to be sure Barry's parents wouldn't  spy me watching what I considered to be space-porn! Star Wars (1977) and 2001: A Space Odyssey (1968) were pretty great sci-fi fantasy films but they weren't exactly brimming with breasts, this was a new sci-fi experience for me and I liked it, A LOT!

The crew return to the Churchill with the trio of humanoid aliens to the ship and make preparations to return to Earth. A few weeks later all radio communication is lost with the Churchill and the listless spaceship arrives in Earth's orbit but space command is unable to make any contact with the crew. They launch another shuttle to intercept the ship and they discover the ship has been gutted by an intense fire, the bodies of the crew are burned beyond recognition but the trio of aliens encased in the strange sarcophagus are untouched. The sarcophagus are brought to London where they are studied at European Space Research Center under the direction of Dr. Leonard Bukovski (Gothard) and Dr. Hans Fallada (Frank Finlay) but as preparations are being made for an autopsy the female alien (Mathilda May) awakens and seduces a guard sucking the life force right outta him, the draining process turning him into a shriveled corpse. The vampiress escapes the guarded research facility and before you know we find out that the aliens are actually shape-shifting space vampires who drain the life force from their victims, whom in turn re-animate a few hours later as life force craving zombie-vampires, it's a vicious cycle and in quick succession London is overrun with life force-sucking zombies.

Unexpectedly Col. Carlesen (Railsback) returns to earth in an escape pod landing somewhere in Texas, he's brought to London where he relays a version of what happened to the crew of the ill-fated Churchill. Carlsen joins forces with a British military officer Col. Caine (Peter Firth, Tess) and psychiatrist Dr. Armstrong (Patrick Stewart) and set out to put an end the the vamp virus that plaguing London before it becomes worldwide epidemic. Complicating the matter is the discovery that the space-vamps can transfer their consciousness into victim's bodies which makes it difficult to track their whereabouts, we also find out that for some reason Carlsen has a psychic-link with the vampiress.

What an epic and strange sci-fo horror film, it's adapted from Colin Wilson's 1976 novel Space Vampires by Dan O'Bannon (Alien) it definitely has a few head scratching moments but I am completely willing to forgive and ignore these imperfections because I just love this film,  it's chock-full of wonderful gore and gross-out special effects with a British cast of genre familiars who fully embrace the bizarre goings-on, director Tobe Hooper says he set out to make a 70mm Hammer horror film and the cast are giving it their all to make it happen. British familiar Aubrey Morris appears as Sir Percy Hoseltine whom bares witness to the horrors unfolding in the latter half of the film, he's pretty great but I can only ever see him as Alex's creepy probation officer from A Clockwork Orange (1971), such a perv! Star Trek: The Next Generation's Patrick Stewart is quite memorable in an unhinged performance ending in a disgusting torrent of blood pouring from every orifice in his face, it's good stuff for the gore hounds.  The word unhinged doesn't quite do justice to the performance of star Steve Railsback's who takes it just a bit too far during a few scenes, but it's quite an entertaining, there's no denying that.

The special effects are front and center for the duration of Lifeforce, the narrative and plotting may leave a bit to be desired from time to time but the effects, while somewhat dated today, are fantastic from start to finish, this is a fantastic special effects extravaganza. From the early space scenes to the burning of London and the numerous zombie-vamps and optical effects this is a glorious spectacle of 80's sci-fi horror, the practical in-camera effects and animatronic shriveled corpses of the undead are among the best on film bar none in my opinion, a dazzling spectacle.

Honestly, this is one of those films so laced with 80's teenage nostalgia it's nearly impossible for me to judge it by the merits of the film alone, that said, for what it's worth, this is my favorite vampire film, my favorite Tobe Hooper film, and one of my favorite sci-fi horror films all rolled-up into one.  

Blu-ray: Tobe Hooper's Lifeforce (1985) is presented on Blu-ray from Shout! factory imprint Scream Factory with an AVC  MPEG-4 encode in it's original widescreen scope aspect ratio (2:35:1) and it's truly a stunner of a presentation. This  restored, high def transfer was overseen by director Tobe Hooper himself with a brand-new color-timing and it's noticeable from frame one, this looks fantastic. The newly color-times images are deep and rich plus the night scenes benefit greatly from improved contrast. There's not much if any evidence of video tampering either, there's a nice robust layer of natural film grain intact. The 1080p upgrade brings with it a healthy amount of fine detail and sharpness which was missing from the previous lackluster DVD edition, Lifeforce is quite a sight on Blu-ray!

Audio options include an English language DTS HD Master Audio 2.0 and 5.1 mixes with optional English subtitles. The 5.1 is quite immersive and Henry Mancini's score and fantastic title theme sound outstanding  Dialogue, effects and score sounds great. everything is well balanced, nothing overpowering - it all comes together quite nicely. 

Onto the special features, we begin two full length audio commentaries, the first commentary comes by way of director Tobe Hooper moderated by Tim Sullivan. They start off right away discussing the fantastic director-approved film transfer and Hooper's new color-timing. It's a nice commentary and Hooper recalls quite a bit about the film and it's production. Sullivan is a spirited moderator and burns up quite a bit it's duration himself with fanboy-esque enthusiasm and  appreciations, I enjoyed it.  The second commentary is with special effects designer Nick Maley moderated by Red Shirt Pictures' Michael Felsher. It's another insightful look back at the film through the eyes of the special effects man, who considers the film his best work, if not his best remembered.

Onto the retrospective featurettes produced by Red Shirt Pictures we begin with Space Vampires from London with Tobe Hooper (9:57) who speaks about the genesis of the what he refers to as a 70mm Hammer Film, it's cheesy original title of Space Vampires and working with Canon Films. Speaking fondly of writer Dan O'Bannon and Production designer John Graysmark who also worked on Kubrick's 2001: A Space Odyssey, as did much of the production crew. It's a great video interview peppered with scenes from the film and behind-the-scenes video.

Carlsen's Curse with Steve Railsback (7:07) features the actor reflecting on his post Helter Skelter (1976) career in Hollywood, fondly recalling his work with Tobe Hooper on Lifeforce plus the effects work of John Dykstra and Director of Photography Alan Hume. We get a fun Patrick Stewart anecdote and Railsback looking back on the wire work for the space walks, Mathilda May and the film's cult status.

Dangerous Beauty with Mathilda May (15:15) has the stunning actress openly discussing the subject of her ample nudity, her unlikely turn as an actress following a career in the ballet, working with director Tobe Hooper and actors Steve Railsback and Frank Finlay and what sounds like a traumatic eight hour session in make-up for one particularly elaborate special effect shot.

Vintage "Making-Of LIFEFORCE" Featurette (21:16) a vintage feaurette from '85 which is pretty great, revealing behind-the-scenes videos of numerous special effects shots and on-set  interviews with Tobe Hooper, Steve Railsback, Peter Firth, Frank Finlay and special effects masters Nick Maley and John Dykstra. The special effects behind-the-scenes stuff is awesome, revealing how many of the optical tricks, miniatures and animatronics were used in the films and how the finished scene looked, loved it.

The entertaining selection special features are rounded out by a Still Gallery featuring 70 behind-the-scenes shots, stills and theatrical artwork for the film plus two Theatrical Trailers (3:30) and a TV Spot (:30). Scream Factory's 2-disc Collector's Edition also includes a standard-def DVD of the longer, and superior, international cut of the film with the same special features as the Blu-ray disc. It also includes a sleeve of reversible artwork featuring the original theatrical art and brand new artwork from artist Justin Osborne  which is also featured on the slipcase cover.


Special Features: 
- The original theatrical version in HD (on the Blu-ray Disc only)
- Audio Commentary with Director Tobe Hooper, moderated by Fillmmaker Tim Sullivan
- Audio Commentary with Special Make-up Effects Designer Nick Maley
- Space Vampires from London with Tobe Hooper (9:57) 

- Carlsen's Curse with Steve Railsback (7:07) 
- Dangerous Beauty with Mathilda May (15:15)
- Original “The Making of Lifeforce” Featurette (21:16)
- Still Gallery
- 2 Theatrical Trailers (3:30)
- TV Spot (:30)


Verdict: Okay, I admit that the film is a bit of a mess and goes off the rails a bit, it's overly convoluted but at the end of the day I just love this damn film so freaking much, a special-effects driven space-vamp masterpiece of sexed-up science fiction horror, a very enthusiastic recommend from me and high marks to Scream Factory for the fantastic 2-disc edition loaded with brand-new special features. 4.5 Outta 5 

Monday, September 24, 2012

DVD Review: IN THE DEVIL'S GARDEN (1971)


IN THE DEVIL'S GARDEN (1971)

aka: Assault; The Creepers; Satan's Playthings; or Tower of Terror  

Label: VCI Entertainment 
Region Code: 1 NTSC
Dration: 91 Minutes
Rating: R
Video: 16x9 Widescreen (1.85:1)
Audio: English Dolby Digital 2.0 and Enhanced 5.1 Surround 
Cast: Suzy Kendall, Frank Finlay, Freddie Jones, James Laurenson, Lesley-Anne Down, James Cosmo
Director: Sidney Hayers
Tagline: Don't Go Down in the Woods today...

Synopsis: In this slickly made thriller, a 16-year-old girl is brutally assaulted and raped in the woods near her London
school. Struck dumb by her experience, she remains so until a second girl is murdered. The school art teacher (Suzy Kendall) claims to have seen the killer -- who looks like Satan himself -- and she decides to set him a trap with herself as bait. A British flavored giallo, and a ripping good whodunit!


The Film: In the Devil's Playground (1971) begins at the end of a school day as the kids are dismissed for the day, a young teen in a white blouse and pink skirt with knee high stockings cuts through the forest nearby. Listening to her transistor radio she walks carefree along earthen path. What she does not realize is that she's being observed from off the path by someone stalking her every move.When the attacker makes himself known she flees in terror and we get a pretty decent chase scene. Near an electrical tower she is caught, partially stripped and raped - she's left in a semi-catatonic state unable to identify the perp who's face is never revealed. The attack is violent but the film does not hang over it, the film instead chooses a close-up of the young woman's muffled suffering. This is perhaps the first clue that what we're in for here is more aligned with a police procedural whodunit than a stylish and violent Giallo along the lines of Dario Argento's Deep Red (1975) or Lucio Fulci's Don't Torture a Duckling (1972), the sexualized violence is tame and the cinematography is very workmanlike, not dissimilar to a made-for-TV production. Likewise the score is obnoxiously 70's television oriented and took me right out of the moment, really ghastly stuff.

After the attack the young ladies of the academy are warned not to walk alone for fear of another attack but a girl named Susan unwisely cuts through the forest and pays for her ignorance when she is attacked and raped. When the school's art teacher Julia West (Suzi Kendall, Torso) realizes that young Susan is not among the group of girls she's driving home she is told that she went through the wood. Alarmed by the thought of harm coming to the girl she drives hurriedly down the forest path hoping to catch up with her but loses control of the car on a muddy stretch and spins out of control stopping askew in the road. Steadying herself and about to drive off she catches a glimpse of someone in the brake lights through the rear window illuminated by the red glow of her tail lights, someone whom looks strikingly like Old Scratch himself, Satan, it's a great effect and nicely framed. The figure quickly disappears from sight and she realizes that he was huddled over the body of young Susan who's been strangled to death.

As the typically incompetent authorities investigate they find it hard to swallow that Satan is the culprit and instead focus on more Earthbound suspects including an obnoxious crime scene reporter (Freddie Jones, Dune), Greg Lomax (James Laurenson, The Monster Club) a psychologist and the pervy husband of the school's strict head mistress - yup, there's a full arsenal of red herrings but it's not hard to figure out who the culprit is.


The Giallo elements are pretty weak, we get a unseen killer stalking young women adorned in the traditional black-leather gloves but none of the sexy style we get from an Argento, Fulci or Martino. When the killer's identity is revealed it's not a surprise, his identity having long been broadcast several times over thus the mystery of the whodunit is altogether lost. Slightly redeeming this entry is a snappy finale that starts with the use of an experimental drug called "Pentothal" meant to bring the first catatonic victim out of her dumb struck state, it's very solid and goes a long way toward redeeming the film with a "shocking" reveal followed by a close quarter struggle culminating at the scene of the original attack and ending with someone set afire in a crackle of high voltage electricity - it's fun stuff but not enough to fully redeem a film that starts in really fine fashion but labors to keep one's attention and in the end, despite a punchy finale, is an exercise in whodunit mediocrity.

The acting is pretty solid throughout, particularly Suzy Kendal who herself is no stranger to the Giallo having appeared in both Sergio Martino's Torso (1973) and Dario Argento's The Bird with the Crystal Plumage (1970) among many others. There's not a rotter in the bunch, but it's just dull in a dry, very stuffy British sorta way which might have had a lot to do with my lack of interest in the film. What I loved was pretty much anything shot in the forest which was well-shot, great atmosphere and creepy - particularly the numerous woodland chase scene with plenty of creepy POV shots.

DVD: VCI Entertainment presents In the Devil's Garden on DVD for the first time in the US with an anamorphic widescreen (1.85:1) transfer. It's sourced from a clean print but I wanna say this is a PAL to NTSC conversion with some of the tell-tale video jitters, the image is soft, murky and colors are muted. We get two audio options, a English Dolby Digital 2.0 stereo mix and enhanced 5.1 Surround Sound. The audio is a bit boxy with no depth to it and that awful score isn't helped by the poor fidelity either. The menu is a simple static menu and there are no bonus features on the disc.



Verdict: In the Devils Garden has some of the elements of a black-gloved Giallo but at it's heart is more of a straight whodunit and lacks the sleaze and style of an Argento, Martino or Fulci. As a thriller it's mildly successful but as a Giallo this is disappointing, maybe I am just a perv but I wanted a bit more sleaze with my blacked-gloved shenanigans, it almost went there but pulled back against it's darker nature much to my dismay. 2.5 Outta 5