Showing posts with label Thriller. Show all posts
Showing posts with label Thriller. Show all posts

Thursday, April 3, 2014

Blu-ray Review: IN FEAR (2013)

IN FEAR (2013) 
Label: Anchor Bay Entertainment
Region Code: A
Rating:
Duration: 85 Minutes 
Audio: Dolby TrueHD  5.1with Optional Enflisg Subtitles 
Video: 1080p Widescreen (2.35:1) 
Cast: Iain De Caestecker, Alice Englert, Allen Leech 
Director: Jeremy Lovering

Tom (Iain De Caestecker) and Lucy (Alice Englert) are a young couple en route to a music festival via the back roads of the Irish countryside. They're a sweet young couple, they've not been together very long and are just starting to feel out the relationship and each other. On their way they briefly stop off at a pub for a pint and are each involved in a slight altercations with the locals but soon enough back on the road. 


They do encounter one small problem - they're become hopelessly lost in a labyrinthine maze of back roads deep in an overgrown forest. Following the road signs they seem to be going in circles. Frustrations start to manifest as they continually arrive back at the same fork in the road. What at first seemed like just poor navigation starts to seems as though someone is playing cat and mouse with them, toying with them. The who and why are a mystery, they speculate the encounter at the pub with the locals may have something to do with it but they're grasping at straws to make sense of the nightmarish scenario. As darkness descends the wooded roads turn black and the tension between the lovers builds as they become more emotional and paranoid as the gas gauge plunges towards empty. . 

Along the way they meet an injured stranger named Max with a nasty gash on his face, apparently a victim of the same person or group that are toying with Tom and Lucy. He's a local with a familiarity with the roads and together they attempt to navigate their way out of the maze. Max as played by Allen Leach is suspect from the get-go, a dark stranger with unclear motives but dripping with menace and a penchant for playing psychological games with the young lovers, I certainly detected a flavor The Hitcher (1986) once he was introduced. 

The film is shot mostly in and around the couple's car and you do feel the budgetary limitations from time to time but this is a very nicely executed thriller. The young cast is superb, you like this couple and when they argue it feels genuine. The slate-grey backdrop of a rainy weather and dark wooded area are a perfect setting. In Fear is an exercise is tension helped in no small part by an unnerving score and some excellent sound design - there's a lot of  creepy subtle stuff happening in the first half. The final act let me down just a tiny bit as it goes for more of a typical amped-up thriller and loses much of the suspense in addition to a sot quite satisfying conclusion. A few small issues aside first-time director Jeremy Lovering has crafted a gripping indie thriller that does quite a bit with a tiny budget and very familiar material. 2.5 Outta 5 

Saturday, January 4, 2014

Review: BIG BAD WOLVES (2013)

BIG BAD WOLVES (2013)


Distributor: Magnolia Releasing
Video: 16:9 Widescreen (2.35:1) 
Audio: Hebrew with English Subtitles 
Directors: Aharon Keshales, Navot Papushado
Cast: Lior Ashkenazi, Rotem Keinan, Tzahi Grad, Dov Glickman, Menashe Noy, Rami, Dvir Bebedek


BIG BAD WOLVES (2013) comes to us from demented duo of writer/directors Aharon Keshales and Navot Papushado who first popped up on my radar with RABIES (2010), a nasty slice of bloodbath cinema with a dark streak of humor. 
The duo's latest is a kidnapping thriller that touches on some pretty dark subject matter. A deranged sicko is abducting, raping and dismembering young girls, the staged bodies are discovered minus their heads and with the toenails removed, it's a stomach churning nightmare scenario for any parent to even contemplate. The prime suspect is a religious studies teacher named Dror (Rotem Keinan), but with no actual evidence against him other than suspicion a desperate detective (Lior Ashkenazi) attempts to illicit a confession with brute force but fails. The incident of police brutality is captured on video and posted on YouTube and in the aftermath rogue detective Mickey (Lior Ashkenazi) is relieved of his position and Dror loses his teaching job when parents protest the suspected child killer's employment. 

Enter a desperate father named Gidi (Tzahi Grad) who mourns for his daughter, a victim of the child killer. Gidi is out for revenge and  he and the vigilante detective uncomfortably join forces, kidnapping the suspected predator and strapping him to a chair in a basement in an effort to squeeze a confession through whatever means necessary, no matter how repulsive.

They really put the screws to Dror, the torture sequences had me squirming in my seat, it's pretty uncomfortable stuff. So it's pretty dark but then there are moments of dark humor, suddenly we're baking a cake and then Gridi's aged father shows up and take parts in the proceedings, the scent of burning flesh making him nostalgic for beef, there's definitely some very weird and dark humor peppered throughout the film. 

Honestly, as thrillers go there's not a lot new under the sun with BIG BAD WOLVES, it's just assembled with just the right amount of tension and precision and executed wonderfully, and that fantastic sense of dark humor sharpens the point of the more horrific elements, it definitely had a Coen Brothers sensibility about it. . 

The cast is superb, the cinematography is rather nice and the ominous score from Moshe Edery sounds fantastic, this is straight-up good stuff. Director/writers Aharon Keshales and Navot Papushado are ones to watch, this is without a doubt an early contender for best of 2014, a razor-sharp thriller with a throbbing vein of black comedy that will have you wondering if this guy did or not right up till the end, this is highly recommended. 
4 Outta 5 

BIG BAD WOLVES (2013) comes to theaters, On Demand and iTunes on January 17th.  Check out a screening at the following theaters, hopefully it's screening somewhere near you.



1/17/2014
Chicago, IL: Music Box
New York, NY: Cinema Village



1/23/2014
Miami, FL: O Cinema Wynwood

1/24/2014
Columbus, OH: Gateway Film Center 8
Scottsdale, AZ: Shea 14 Theatre



1/30/2014

Charlotte, NC: Movies @ CrownPoint 12

1/31/2014
Dallas, TX: Texas Theatre
North Kansas City, MO: Screenland Armour 2
Tucson, AZ: The Loft Cinema
Winston-Salem, NC: Aperture Cinema

2/14/2014
Salem, MA: Cinema Salem 3

3/8/2014
Ooltewah, TN: Barking Legs Theater


Friday, June 28, 2013

Blu-ray Review: 6 SOULS (2010)

6 SOULS (2010) 

Label: Anchor Bay Entertainment
Release Date: July 2nd 2013
Region Code: A
Duration: 112 Minutes
Rating: R
Audio: English DTS HD Master Audio 5.1 with Optional English and Spanish Subtitles
Video: 1080p Widescreen (2.35:1) 
Cast: Julianne Moore, Jonathan Rhys Meyers, Jeffrey DeMunn, Nate Corddry 
Director: Mårlind and Stein 

Ginger-haired fox Julianne Moore is the faith-challenged forensic psychologist named Dr. Cara Harding whom loves to dissect, dispute and disprove cases of so-called multiple personality disorder. When she's brought in on a case by her psychiatric father (Jeffrey DeMunn, The Walking Dead) she's introduced to a patient named Adam (Jonathan Rhys Meyers, Mission Impossible III)) whom is wheelchair bound and supposedly afflicted with multiple personalities. Strangely the personalities seem to be those of deceased people and not purely creations of his fractured psyche. When Adam's other personalities begins to manifest he convulses violently, his demeanor changes as does his accent, more shocking is that he regains the use of his legs, it's pretty weird and I gotta say that at this point I was sucked in, really thought this one was going somewhere interesting, and it does to a point.   

Seeking answers to case Dr. Harding ends up tracking down one of the family members of "David", one of Adam's personalities. She finds the mother (Frances Conroy, The Woods) in a rural part of the state and invites her to come see the patient to help disprove the diagnosis of multiple personality disorder, but the encounter is unnerving and would tend to lend credibility to it's legitimacy. Returning to the rural mountainous region Harding seeks a witchy persona knows as "Granny" and then things get weirder while the story quickly loses cohesion and what started as a promising psychological thriller devolves into a rather attractively-shot supernatural Lifetime Channel movie, but attractive though it may be it's still a Lifetime Channel movie, and despite what Mythbusters has taught me you just can't polish a turd, which may be why this feature film sat on shelf for three years before being dumped on Blu-ray without a theatrical release. 


Blu-ray: 6 Souls (2010) gets a very decent 1080p transfer on Blu-ray presented in the widescreen scope aspect ratio (2.35:1) from Anchor Bay Entertainment. It's an attractively shot film with some spooky atmosphere, it looks quite good in 1080p with strong colors and some decent fine detail, some crush artifacts do show up during the many low-light situations from time to time but overall this is a very solid hi-def presentation. 

The  5.1 DTS-HD Master Audio is very nice, the 5.1 exports creepy score and effects to the surrounds creating an enveloping audio experience. Dialogue is always clear and crisp and John Frizzell's stinger-laden score comes through with some nice depth and clarity. 

This straight-to-VOD release gets no bonus content whatsoever; no trailer, no commentary and no alternate ending, it gets the classic straight to video release from Anchor Bay. 

Verdict: There are some interesting ideas hatched onscreen here and  I was really holding on for something special but the script and execution are quite a mess. Props to Julianne Moore and Jonathan Rhys Meyers for strong performances but even their valid attempt to breath life into this is indecisive thriller can't resuscitate it. On the plus side, my wife, who sorta hates horror but loves generic thrillers,  found it quite entertaining. By no means am I suggesting this is a purchase but should you spy it on Netflix or Redbox and need something to watch with the wife that won't make you wanna gouge your eyes out, if not exactly satisfy you, just maybe... 2.5 Outta 5 

Tuesday, May 21, 2013

Blu-ray Review: DARK SKIES (2013)

DARK SKIES (2013) 

2-Disc DVD + Blu-ray + Ultraviolet 

Label: Starz/Anchor Bay Entertainment

Release Date: May 28th 2013 
Region Code: 1/A NTSC
Rating: PG-13
Duration: 97 Minutes 
Video: 1080p Widescreen (2.40:1) 
Audio: English DTS-HD Master Audio with Optional English Subtitles
Cast: Keri Russell, Josh Hamilton, Dakota Goyo, Kadan Rockett, J.K. Simmons 
Director: Scott Stewart


The Barret family is your typical suburban family, a caring father Daniel (Josh Hamilton), attentive Mom Lacy (Kerri Russell), teenage son Jesse (Dakota Goyo) and his adolescent sibling Sammy (Kadan Rockett). Daniel is unemployed and his wife is a struggling real estate agent, things at home are tense and worsening as overdue  mortgage notices pour in. Teenager Jesse's hormones are emerging as he dabbles with weed, porn and sexuality, he's a pretty typical teen struggling with issues of young love and self identity. The youngest son Sammy begins having strange late night encounters with his imaginary friend the Sandman who tells him to do things, he walks in his sleep, too. 

Things start to get a bit strange when mom wakes up from her slumber one night and ventures downstairs after hearing noises, she finds the fridge wide open with it's contents strewn across the floor, a trail of food leads out the backdoor. Daniel chalks it up to a stray animal entering the house through an open door but Lacy is not so convinced, the experience leaves her a bit frazzled and paranoid with worry for her family's safety  The following night she again wakes up with the feeling that something is off,  this time discovering canned food items stacked in a weird geometric pattern which projects a peculiar light pattern onto the ceiling. The suburban setting, weird encounters and stacked items, hmm, this sort of sounds familiar, definitely starting to detect the Spielbergian influence of Poltergeist and Close Encounters of the Third Kind, and I'm rather enjoying it.


The strange events continue to grow in frequency and severity, the authorities are called in but attribute the occurrences to pranks that are being perpetrated by the family's children, perhaps spurred on by the growing uneasiness in the household. Thing worsen as the home security system repeatedly malfunction, Sammy sleepwalking continues and various family members experience episodes of missing time they cannot account for and fits of catatonia, nosebleeds, and epileptic seizures. One night Lacey walks into Sammy's room after hearing him speaking to someone, opening the door she is unnerved by a weird shadowy figure, Sammy's Sandman, hovering over his bed she understandably freaks out, a parent can only take so much strain, it's an effective little startle when both the figure and Sammy disappear from the room.   


At their wit's end the father sets-up video surveillance throughout the home in an attempt to sleuth just what is happening to his family before they all completely unravel. At this point I feared the worst sort of turn, anticipating a detour straight into found footage purgatory but thankfully it doesn't quite go there, just dipping it's toe in t test the waters.  


The film excels at creating tension steadily from the first few scene, it's creepy stuff and the filmmaker does a decent job blurring the lines between fiction and reality, there's a lot of psychological weirdness going punctuated by surreal nightmare visions. The performances are quite strong, particularly mom and dad who do a great job of falling apart onscreen, unable to cope with the fantastical and unexplainable events happening to their family they unravel. There's a nice cameo from J.K. Simmons (Spider-Man) as a alien visitation specialist, it's underplayed and effective, you can feel his character's weariness and resignation, a picture of things to come for the family. 

There are moments when the film starts to drag, the character actions are questionable and the amped-up and weird ending doesn't quite live up to the promise of the film's set-up, but it's not awful either, there's nothing egregious here. Dark Skies is an effective suburban alien abduction nightmare, nicely executed with some decent atmosphere and surreal moments of unreality, a recommend for fans of Super 8, Close Encounters of the Third Kind, Poltergeist and Insidious.

Blu-ray: Somehow I missed this one in theaters, the shitty ad campaign which made the film out to be Paranormal Activity with aliens didn't help, so it was a treat to catch up to it on Blu-ray from Anchor Bay. The 1080p widescreen (2.40:1) image looks quite nice on Blu-ray, it's a new film and the image is finely detailed and crisp in high definition. The 5.1 DTS-HD Master Audio supports the film well with some effective use of the surrounds and the nerve-tingling score is creepy, very nice sound design, the film gets a nice AV presentation from Anchor Bay.


Special features on the set include an audio commentary with Writer/Director Scott Stewart, Producer Jason Blum, Executive Producer Brian Kavanaugh-Jones and Editor Peter Gvozdas plus a selection of Alternate and Deleted Scenes (14:22), none of which are particular notable aside from an inferior alternate ending we can be thankful they didn't go with. The 2-disc set includes a Blu-ray and standard def DVD with the same features plus an Ultraviolet digital copy to stream or download on your PC or mobile device. 

Special Features: 
- Alternate and Deleted Scenes (14:22) 
- Commentary With Writer/Director Scott Stewart, Producer Jason Blum, Executive Producer Brian Kavanaugh-Jones and Editor Peter Gvozdas

Verdict: I think your level of enjoyment here will be largely based on your expectations, just know going in that there's not a lot of actual scares here, it's genuinely creepy and atmospheric but there's no gore; for a PG-13 thriller Dark Skies is an effective sci-fi chiller, a bit shy of essential viewing but definitely worth a watch. 3.5 Outta 5 


Sunday, January 13, 2013

DVD Review: CHERRY. (2010)

CHERRY. (2010)

Label: MVD Visual

Region Code: 0 NTSC
Rating: Unrtated
Duration: 94 Minutes
Video: 16:9 widescreen
Audio: English Dolby Digtal 2.0 
Director: Quinn Saunders
Cast: Lili Bordan, Ray Valentin, David Crane

Brian Cherry (David Crane) is a real nice guy, too nice, one of those guys. Super decent, never makes the first move, the poor schmuck just has no game whatsoever when it comes to the ladies. Enter his best friend Sam Reyes (Rey Valentin) who is quite the opposite, self-assured and a chic magnet who one night while at the bar convinces a friendly vixen named Jules (Lili Bordan) to buy his nice guy friend a drink, thus setting in motion a budding relationship. Jules and Cherry ignite some real romance, there's a tenderness to their relationship but you can tell that Jules has a darker side and that her past must be quite a read on a cold night. Poor Cherry is a bit oblivious to this and he's just in seventh heaven with ignorant bliss, his friend Sam however can sense a kindred spirit in Jules, and as such doesn't trust her motivations. 

There's some sexual incompatibility between the two lovers and it seems that Jules needs something a bit more electric between the sheets than what nice guy Cherry has to offer and it's that urge for sexual gratification that brings her and Sam together creating a tense love triangle.

Eventually Sam and Jules realize they're falling in love with each other and she breaks  it off with Cherry who just falls apart at the seams, and at this point he doesn't even realize the betrayal that's been perpetrated upon him by those closest to him. After the break-up he goes about hibernating in his trash strewn apartment, he loses his job and just becomes even more of a pathetic wretch than he was before. It's not that he's unlikable it's just that he's so god damned pathetic, if he was your friend you would think this guy just needs to get laid, but obviously that's just not the case.   


When it is finally revealed to him what's really going on behind his back he goes off the deep end and the film goes further than I thought it ever would, it's pretty dark stuff. 

Special Features: 
- Trailer (1:53) 

Verdict: A  tightly knit film that really stays within the confines of reality, the relationship, the friendship, the fall out a out following the break-up and Cherry's descent from nice guy to something else all together. Some of the scripted dialogue was a bit off from time to time but the performances are strong from the get-go, this is a really well acted production. There's a lot of complex emotions at play here, you really feel for Cherry and what's happening to him up to a point, and you will know it when you get there. This is a slow-building low-budget thriller with some nice tension and it gets a recommend. 3 Outta 5 


http://mvdb2b.com/

Monday, September 24, 2012

DVD Review: IN THE DEVIL'S GARDEN (1971)


IN THE DEVIL'S GARDEN (1971)

aka: Assault; The Creepers; Satan's Playthings; or Tower of Terror  

Label: VCI Entertainment 
Region Code: 1 NTSC
Dration: 91 Minutes
Rating: R
Video: 16x9 Widescreen (1.85:1)
Audio: English Dolby Digital 2.0 and Enhanced 5.1 Surround 
Cast: Suzy Kendall, Frank Finlay, Freddie Jones, James Laurenson, Lesley-Anne Down, James Cosmo
Director: Sidney Hayers
Tagline: Don't Go Down in the Woods today...

Synopsis: In this slickly made thriller, a 16-year-old girl is brutally assaulted and raped in the woods near her London
school. Struck dumb by her experience, she remains so until a second girl is murdered. The school art teacher (Suzy Kendall) claims to have seen the killer -- who looks like Satan himself -- and she decides to set him a trap with herself as bait. A British flavored giallo, and a ripping good whodunit!


The Film: In the Devil's Playground (1971) begins at the end of a school day as the kids are dismissed for the day, a young teen in a white blouse and pink skirt with knee high stockings cuts through the forest nearby. Listening to her transistor radio she walks carefree along earthen path. What she does not realize is that she's being observed from off the path by someone stalking her every move.When the attacker makes himself known she flees in terror and we get a pretty decent chase scene. Near an electrical tower she is caught, partially stripped and raped - she's left in a semi-catatonic state unable to identify the perp who's face is never revealed. The attack is violent but the film does not hang over it, the film instead chooses a close-up of the young woman's muffled suffering. This is perhaps the first clue that what we're in for here is more aligned with a police procedural whodunit than a stylish and violent Giallo along the lines of Dario Argento's Deep Red (1975) or Lucio Fulci's Don't Torture a Duckling (1972), the sexualized violence is tame and the cinematography is very workmanlike, not dissimilar to a made-for-TV production. Likewise the score is obnoxiously 70's television oriented and took me right out of the moment, really ghastly stuff.

After the attack the young ladies of the academy are warned not to walk alone for fear of another attack but a girl named Susan unwisely cuts through the forest and pays for her ignorance when she is attacked and raped. When the school's art teacher Julia West (Suzi Kendall, Torso) realizes that young Susan is not among the group of girls she's driving home she is told that she went through the wood. Alarmed by the thought of harm coming to the girl she drives hurriedly down the forest path hoping to catch up with her but loses control of the car on a muddy stretch and spins out of control stopping askew in the road. Steadying herself and about to drive off she catches a glimpse of someone in the brake lights through the rear window illuminated by the red glow of her tail lights, someone whom looks strikingly like Old Scratch himself, Satan, it's a great effect and nicely framed. The figure quickly disappears from sight and she realizes that he was huddled over the body of young Susan who's been strangled to death.

As the typically incompetent authorities investigate they find it hard to swallow that Satan is the culprit and instead focus on more Earthbound suspects including an obnoxious crime scene reporter (Freddie Jones, Dune), Greg Lomax (James Laurenson, The Monster Club) a psychologist and the pervy husband of the school's strict head mistress - yup, there's a full arsenal of red herrings but it's not hard to figure out who the culprit is.


The Giallo elements are pretty weak, we get a unseen killer stalking young women adorned in the traditional black-leather gloves but none of the sexy style we get from an Argento, Fulci or Martino. When the killer's identity is revealed it's not a surprise, his identity having long been broadcast several times over thus the mystery of the whodunit is altogether lost. Slightly redeeming this entry is a snappy finale that starts with the use of an experimental drug called "Pentothal" meant to bring the first catatonic victim out of her dumb struck state, it's very solid and goes a long way toward redeeming the film with a "shocking" reveal followed by a close quarter struggle culminating at the scene of the original attack and ending with someone set afire in a crackle of high voltage electricity - it's fun stuff but not enough to fully redeem a film that starts in really fine fashion but labors to keep one's attention and in the end, despite a punchy finale, is an exercise in whodunit mediocrity.

The acting is pretty solid throughout, particularly Suzy Kendal who herself is no stranger to the Giallo having appeared in both Sergio Martino's Torso (1973) and Dario Argento's The Bird with the Crystal Plumage (1970) among many others. There's not a rotter in the bunch, but it's just dull in a dry, very stuffy British sorta way which might have had a lot to do with my lack of interest in the film. What I loved was pretty much anything shot in the forest which was well-shot, great atmosphere and creepy - particularly the numerous woodland chase scene with plenty of creepy POV shots.

DVD: VCI Entertainment presents In the Devil's Garden on DVD for the first time in the US with an anamorphic widescreen (1.85:1) transfer. It's sourced from a clean print but I wanna say this is a PAL to NTSC conversion with some of the tell-tale video jitters, the image is soft, murky and colors are muted. We get two audio options, a English Dolby Digital 2.0 stereo mix and enhanced 5.1 Surround Sound. The audio is a bit boxy with no depth to it and that awful score isn't helped by the poor fidelity either. The menu is a simple static menu and there are no bonus features on the disc.



Verdict: In the Devils Garden has some of the elements of a black-gloved Giallo but at it's heart is more of a straight whodunit and lacks the sleaze and style of an Argento, Martino or Fulci. As a thriller it's mildly successful but as a Giallo this is disappointing, maybe I am just a perv but I wanted a bit more sleaze with my blacked-gloved shenanigans, it almost went there but pulled back against it's darker nature much to my dismay. 2.5 Outta 5

Sunday, January 8, 2012

Trailer for The Asylum's air-disaster flick AIR COLLISION lands on the net

AIR COLLISION Delivers Terror in the Skies in this First Trailer.


The first trailer for The Asylum’s AIR COLLISION has been released. In the clip, characters struggle to stay alive as electronics fail on both Air Force One and a civilian airliner. A solar flare has tripped up their circuit boards and now the planes will intersect on a collision course. Can the president be saved?

AIR COLLISION continues The Asylum’s long list of disaster films. From 2012: Ice Age to Meteor Apocalypse, The Asylum has been bringing terror to home video formats for twenty plus years now. Air Collision is an original production from The Global Asylum and this film continues a pattern of bringing disaster to cinema.

In the first trailer for Air Collision, Reginald VelJohnson (DIE HARD) plays an aircraft controller in a worst-case scenario. Jordan Ladd (CABIN FEVER) is an optimistic stewardess, while Dave Vescio stars as Eli a man hell bent on destroying the passenger’s confidence. Eli sees their death at 30,000 feet: “we are all going to die!” Meanwhile, the President of the United States (Andy Clemence) will have to decide if others can be sacrificed to keep Air Force One flying. Gerald Webb (ZOMBIE APOCALYPSE) and Kevin Yarbrough also star.

Have a look at the first trailer for AIR COLLISION here courtesy of distributors Video Service Corp. Then, keep your eyes to the sky as the film gets set to sweep in on DVD store shelves March 27th. Future television airing dates will be announced soon.

TRAILER: http://www.youtube.com/watch?v=j0EFVClciSw
DIRECTOR: Liz Adams
PRODUCERS: David Michael Latt, David Rimawi, and Paul Bales.
CAST: Reginald VelJohnson, Jordan Ladd, Gerald Webb, Darin Cooper, Darren Anthony Thomas, Kevin Yarbrough and Dave Vescio.

Tuesday, October 18, 2011

DVD Review: iCrime (2011)

iCrime (2011)
LABEL: Vicious Circle Films
REGION CODE: 1 NTSC
RATING: Unrated
DURATION: 103 mins
AUDIO: English Dolby Digital Stereo
VIDEO: 16:9 Anamorphic (1.78:1)
DIRECTOR: Bears Fonté

CAST: Sarah Fletcher, Travis Brorsen, Leah McKendrick, Christie Burson
TAGLINE: The Truuth and Cyberspace Collide


Small town Midwestern girl Carrie Kevin (Sara Fletcher) moves to L.A. to watch over her super model cousin Stefy Sinclaire (Kelly Noonan) after learning that tabloid journalist Evelyn Echo (Katherine Randolph) is about to go public with a sex tape of her cousin which could damage her rising star. Carrie makes a deal to provide the tabloid journalist with an even bigger story, to prove that annoying internet vlogger sensation Jordan Rivers (Leah McKendrick) apparent kidnapping from her bedroom during a video broadcast is merely a hoax perpetrated for notoriety. After a chance encounter with wanna-be actor and part-time grocery cart return boy Zeffer (Travis Brorsen) the two set out to solve the mystery Scooby-Doo style.

The film starts off pretty dark with a seedy hotel encounter but then as it rolls on it becomes a darker version of Nickelodeon's tween TV sensation iCarly with annoying tween-appealing vlogging, blogging and texting superimposed on the screen, it's very Nickelodeon cum Mtv. Perhaps it's hypocritical that I find it so annoying since I am a blogger after all but I found it just annoying, on the other hand my tweens walked into the film midway and we're enraptured with it leading me to believe this could be a hit with a younger, and arguably more annoying demographic.


Anyway, as Carrie delves deeper into the seedy underbelly of LA celebrity she herself becomes something of an internet sensation. The dark, twisty ending is a good bit of fun though perhaps a bit too clever for it's own good. At 103 minutes the film could have used a judicious round of editing, there must be a good 15 minutes of Carrie looking moody and dragging on a cigarette, the film definitely needed some tightening up.
Fletcher and Brorsen offer some solid performances, the rest of the cast is a mixed bag but overall this is a pretty typical indie film in that respect. Obviously a film shot on the cheap with limited resources the film visually plays to it's strengths and is rooted in reality. Stylistically the film is a mixed bag for me. While at times quite attractive the gimmicky picture-in-picture vlogging and text superimposition grinded my nerves. Too many characters are introduced, many of which are extraneous to say the least, and the film lacks focus to it's own detriment because somewhere in here there's a pretty lean 88 minute thriller.
DVD: The DVD screener from Vicious Circle Films presents iCrime in 16:9 widescreen (1.78:1) with English language Dolby Digital stereo, with no subtitles. It's a bare bones disc and did not include any of the special features which include director's commentary and deleted scenes. As the burned screener is of lesser quality I would assume the final DVD to be much better in regard to picture quality and as such I'll refrain from critiquing the transfer of the film which certainly lacked in many respects.

VERDICT: Surely iCrime will appeal to a younger market, in my not-so-early 30's I found it annoying despite the fact that I'm on twitter, tumblr, facebook and blogging about a quarter of my waking day, so maybe it just hit too close to the bone for comfort - am I really that annoying? iCrime is the feature film debut from writer/director Bears Fonté, it really aims to be a sexy digital thriller and is only somewhat successful, in actuality it's more of a dark iCarly episode. Certainly not a terrible film but definitely lacking substance and it's a one and done for me. 2/5

Thursday, January 27, 2011

DVD REVIEW: Patrick (1978)

PATRICK (1978)
Pt. 1 of 6 reviews from the OZPLOITATION VOLUME 3 (6-Disc Set)


LABEL: Umbrella Entertainment
REGION: Region 0 PAL
DURATION: 108 Min.
RATING: M (R equivalent)
DIRECTOR: Richard Franklin
CAST: Susan Penhaligan, Robert Helpmann
TAGLINE: He's In a Coma... Yet He Can Kill


PLOT: In room 15 of the mysterious Roget clinic lies a young comatose murderer  named PATRICK. His doctor thinks he's nothing more than 170 pounds of limp meat hanging off a comatose brain, but a young nurse, Kathy (Susan Penhaligon from THE UNCANNY), knows very differently. Patrick has burgeoning psychic powers and a crush on Kathy - and his affection is about to turn into a deadly and bloody obsession!



FILM: PATRICK (1978) comes to us by way of Aussie director Richard Franklin whom is noted for several films; the slasher ROAD GAMES (1981) starring Jamie Lee Curtis and Stacey Keach, one of the more Hitchcockian Psycho sequels PSYCHO II (1983) and a film near and dear to my heart - CLOAK AND DAGGER (1984) starring Dabney Coleman which I caught a screening of at the Willard Psychiatric Center in Willard NY when I was 13 years of age. Before your imagination runs wild dear reader you should know that I wasn't committed to the institution but my father worked there and was privy to the fact that the institution screened 35mm prints of films for the patients once a month in a great old auditorium and somehow a few of us neighborhood kids were allowed inside to watch while seated quite literally next to the clinically insane. I saw a ton of great stuff there and a lot of it I wouldn't consider appropriate for the venue but whatever. On yet another aside the book 'The Lives They Left Behind: Suitcases from a State Hospital Attic' is a great read and tells the haunting stories of several patients whom lived and died at the Willard Psychiatric Center in Willard, New York. It's a poignant and slightly disturbing read about the perceptions and treatment of those who may or may not have been afflicted with mental illness. On a lighter note, the show Ghost Hunters also recorded an episode at the institution. Here's are a smattering of films I recall watching at the venue: GREYSTOKE THE LEGEND OF TARZAN (1984), FOUL PLAY (1978), SPIES LIKE US (1985), GANDHI (1982), 2001: A SPACE ODYSSEY (1968), GOONIES (1985), KING KONG LIVES (1986) and many others I seem to have forgotten. It's a matter of some debate but I swear I saw ONE FLEW OVER THE CUCKOOS NEST (1975) there but that can't be, can it? I would love to find out who programmed that theatre. What a weird venue for film but I can trace my love for cinema to that nutty place during a special time in my life. 


Well, the long and short of it is that it's appropriate that I discovered the films of Richard Franklin through a viewing of CLOAK AND DAGGER (1984) at a psychiatric center when the film PATRICK (1978)  takes place at the Roget Clinic which a bit of convalescent nut house. At the start of the film Patrick (Robert Thompson) is forced to endure the sounds of his mother and her lover as they have a bit of nasty fun in the tub. This is just too much for the disturbed young man to bare and he interrupts their frolicking by tossing a space heater into the tub which lands squarely on his mother's back searing her flesh like a steak on the grill, sizzle sizzle. While gruesome this was not the intended outcome. When her lover tosses the heater out of the tub Patrick throws it in again electrocuting both with nary any sign of emotion on his face. Now it's three years later Patrick is at the Roget Clinic in a vegetative state. It's not quite clear why but perhaps psychological trauma from the event. The clinic is staffed by the cantankerous physician Dr. Roget (Robert Helpmann) and the creepy Matron Cassiday (Julia Blake) who have just hired a new nurse named  Kathy  Jacqaurd (Susan Penhaligon) who's new in town and recently separated from her husband Ed (Rod Mullinar). She's been assigned to room 15 where the coma stricken Patrick  is  sustained by life support. Right away she is struck by the fact that Patrick's eyes are wide open, they stare intensely off into the distance and it's pretty unnerving stuff. He also reflexively spits on occasion (which I think Tarantino homages in KILL BILL VOL. 1). As she goes about her routine bathing and caring for him she comes to realize that he is somehow aware and quickly things get weird from there beginning with him being able to pass her alarming notes through the typewriter. Not only has Patrick developed a crush on the attentive nurse but when the hunky Dr. Wright (Bruce Berry) hits on her at a party he is nearly drowned by an invisible force, Patrick is using newly developed psychokinetic powers to ward off any would be suitors. Angered by her interactions with other men Patrick trashes her small apartment which she blames on her estranged husband. Eventually Kathy comes to realize that Patrick is somehow manipulating her and influencing those she cares for building to a final shocking psychokinesis fueled crescendo.

One of PATRICK's best qualities is the tense and atmospheric pace but I fear it may be too slow for younger or impatient audiences. The dialogue is well-written, the acting is great and there's no denying that director Richard  Franklin is a true Hitchcock devotee with some great homages throughout. Even the late composer Brain May's score recalls Bernard Herman's iconic themes. The film's special effects are pretty minimal to be sure,  there are only 3 moments of minimal grue throughout the film. It is a credit to the direction of Richard Franklin that PATRICK is an effective a shocker given the limiting nature of the film's comatose protagonist.

DVD: The film is presented in a 16x9 enhanced 1.85:1 aspect ratio transfer with English 2.0 Mono audio. No subtitle options are provided. There's a good amount of grain present stemming from inferior film stock from what I've read but not distractingly so. The image is soft and  lacks detail but looks quite good nonetheless. There's an interesting anecdotal commentary with Frankin filled with references to Hitchcock, an assortment of OZploitation trailers, a 1978 on-set interview with the late Franklin and a 2008 interview with producer Antony L. Ginnane who relates several colorful recollections of the film and Franklin. A PDF of the an unproduced sequel treatment is also included. A very fine disc indeed, and this is just one of 6 films on the OZploitation Vol. 3 set. Things I would have liked to seen on this disc are the making of featurette from the Patrick: Ultimate OZploitation Edition and I think the filmscore used in the Italian market by frequent Dario Argento collaborators Goblin would have made a fantastic alternate audio option. Legend tells of the original cut of the film being a whopping 140 minutes. Perhaps someday someone will find the missing 32 minutes of film and a truly special edition will emerge. That would truly be the METROPOLIS of OZploitation films.

SPECIAL FEATURES
- Brand new 16x9 transfer
- A Coffee Break with Antony I. Ginnane (15:55)
- Archival on-set interview with Richard Franklin (7:27)
- Audio commentary with Director Richard Franklin
- Excerpt from dubbed US version (3:29)
- The Man Who Wasn't There: Story outline for the unproduced PATRICK sequel (PDF)
- Original Australian Trailer (2:57)
- US trailer (1:38)
- Stills and poster gallery
- Antony I. Ginnane Trailer Reel: Snapshot (2:11) 16:9, Thirst (1:37), Harlequin (2:43) 16:9, The Survivor (2:50) , Turkey Shoot (2:40) 16:9, The Time Guardian (1:29)
- More Umbrella Ozploitation Trailers: Road Games (2:12) 16x9, Long Weekend (2:02) 16:9, Razorback (2:21) 16:9, The Chain Reaction 3:23) 16:9


VERDICT: Richard Franklin's PATRICK (1978) is a high recommend from me. This Aussie exploitation gem is deliberately paced, well-acted and truly wonderful. The concept sounds limiting but trust me on this it's a great watch. While this 6-disc set is an Australian exclusive it should be noted that the discs are region free and playable worldwide, so dig in! ***1/2 (3.5 out of 5 stars)

This is but one of six reviews forthcoming from UMBRELLA ENTERTAINMENT's  OZPLOITATION VOL. 3. It's chock full of Aussie Ozploitation goodness featuring some of the most madcap and erotic exploitation films from The Outback! Prepare yourself for reviews of the following films to come your way in short order. Listed below are the other five films on the set. Up next -for review: Dennis Hopper in MAD DOG MORGAN (1976).

You call that exploitation? Now this is exploitation!

AUSTRALIA AFTER DARK (1975) At Last! The Australia you've always wanted to see - but until now have never DARED! A kinky collection of 37 unusual and titillating stories


THE ABC OF LOVE AND SEX (1977) A witty look between the sheets at modern sex and love – 1978 style! Not only the ultimate guide to getting it up down under – it’s the holy grail of true-blue retro skinema!
 
BARRY McKENZIE HOLDS HIS OWN (1974) Excitement brews and Fosters flows as Bazza sets out to rescue the Dame-to-be in distress from the clutches of Erich Count Plasma (Donald Pleasence), the sinister head of the Transylvanian Tourist Commission. Can Bazza pull it off?

MAD DOG MORGAN (1976) Set in gold rush-era Victoria, and based on a true story, this violent, rollickingg portrayal of infamous Irish outlaw Dan Morgan (a bravura performance from an intense Dennis Hopper, Easy Rider, Apocalypse Now) is a classic of Australias 70s cinema renaissance.

LES PATTERSON SAVES THE WORLD (1987) The one-time Australian Minster for the 'Yarts', Sir Leslie Colin Patterson KBE (Barry Humphries), is a lecherous, drunken, chain-smoking slob and vaunted cultural attache. Now, Sir Les has received a promotion, as Australia's ambassador to the United Nations, and is sent to an oil-rich Gulf state to try to make peace after a UN blunder.

FELICITY (1978) Felicity (the gorgeous Glory Annen) is a sheltered teen who surrenders her blossoming body to a world of bold sexual adventure in this homegrown erotic sin-sation from sexy Ozploitation auteur John D. Lamond.

Saturday, January 1, 2011

DVD REVIEW: Let Me Die Quietly (2009)

LET ME DIE QUIETLY (2009)
Release Date: On DVD January 4th 2011


DISTRIBUTOR: Breaking Glass Pictures
RATED: Unrated
GENRE: Neo-Noir, Thriller
DURATION: 95 Min.
DIRECTOR: Mitchel Reichler, Brian Michael Finn
CAST: Charles Casillo (Milo), Dana Perry (Gabrielle), Ian Thomaschik (Dr. Avery), Paul Coughlan (Det. Devlin), Ian MacRae (Nick)
TAGLINE: What he sees can kill you.

PLOT: Mario is a haunted, broken-broken-down man who's been tortured by visions of violent murders all his life. Now, as his visions intensify he senses his own impending death. Mario sets out to save the life of the last victim in his final premonitions. Then, he has a chance encounter in an elevator with a beautiful woman, Gabrielle, who herself is psychic and seeing different aspects of the same murder. These two lost souls join forces in an attempt to stop a serial killer, but, in their quest, they may end up leading each other down a path of self-destruction.
 
FILM: Let Me Die Quietly (2009) is the indie neo-noir thriller from directors Mitchell Reichler and Brian Michael Finn and penned by writer/actor Charles Casillo who stars in the film as Mario. His story is revealed in flashbacks as he confesses to a priest. The tale he weaves begins as he recounts his sexual proclivities, his visions of death that have haunted him from youth and the chance encounter with a gorgeous woman named Gabrielle (Dana Perry) who leads him down the destructive path that leads to the film's suspenseful final moments. 
 

The New York City depicted in Let Me Die Quietly feels small and claustrophobic, more a neighborhood and a sprawling metropolis. Mario is a man at his ropes end, his sanity frayed and unraveling quickly. It's a powerful performance from Charles Casillo who recalls a younger Brian Benben (HBO's DREAM ON series), it's a nuanced performance steeped in noir tradition, good stuff and a definite high point of the film. After years of haunting visions and an increased sense of his own mortality he chooses to intervene on behalf of the victim in his current vision which leads him to the chance encounter with Gabrielle (Dana Perry) another psychic who shares his visions, though from a different perspective. She's a mysterious and alluring character, but this is a noir so you know an attractive woman is not to be trusted. Mario also confides his visions to his therapist - Dr. Avery (Ian Tomaschik), but the guy just seems sinister from the get-go (this is a noir after all) who plays heavily into the layered storyline. Also figuring into the story is Det. Devlin who Mario approaches with his visions which make him a suspect right away when he reveals crime scene evidence not made public. Great interplay between the character and when the double crossing begins it only get better.  




The film is heavy on noir atmosphere, no small feat considering the film's surely tiny budget. The overall effect is greatly enhanced by Isaac Rodrigonzalez's haunting score which accentuated the films sleepy noir pace. Be forewarned though, the film is a slow burn. I started the film twice before settling in to it's relaxed and deliberate pace - but when the film starts to unfold and reveal its twisty self it's truly captivating stuff. One aspect of the film that felt untrue to me is a characters change in sexual orientation. Perhaps I missed something but I felt it was too convenient, I think a re-watch is on order here. Anyway, in the grand scheme of things it didn't ruin the film for me.  


DVD: Let Me Die Quietly is presented in a 16x9 aspect ratio with stereo audio and looks  decent. Definitely shot digitally and on a micro-budget but its stylish in a way that suits the neo-noir thriller atmosphere.  This was a screener of the film from Breaking Glass Pictures and the image was a bit flawed owing more to the fact that it was a ripped screener than anything else. My copy included none of the special features but should you buy the DVD here's what you get.
 
SPECIAL FEATURES:
- Interview with writer/actor Charles Casillo on the Making Of LET ME DIE QUIETLY
- Video of the Los Angeles Premiere
- Theatrical Trailer




VERDICT:  A solid and suspenseful  indie entry into the neo-noir genre. Good performances all around, Casillo and Perry particularly, with a script that weaves a tangled web of deceit and betrayal leading to a twisty and satisfying finale. If you are fan of  noir thrillers and don't  mind some sexual exploration which may step outside your comfort level this is a recommend. Keep in mind this is an elaborate thriller not a horror film, as such gorehounds may be sorely disappointed if expecting otherwise. So, keep an open-mind and don't expect a ton of bloodshed and I think you'll find there's a lot to enjoy here.
*** (3 out of 5 stars)
-McBASTARD