Showing posts with label Vincent Price. Show all posts
Showing posts with label Vincent Price. Show all posts

Thursday, September 13, 2018

THE TINGLER (1959) (Scream Factory Blu-ray Review)


THE TINGLER (1959)

Label: Scream Factory

Region Code: A
Rating: Unrated
Duration: A82 Minutesz
Audio: English DTS-HD MA with Optional English Subtitles
Video: 1080p HD Widescreen (1.85:1) 
Director: William Castle
Cast: Vincent Price, Judith Evelyn, Darryl Hickman, Patricia Cutts, Pamela Lincoln, Philip Coolidge


Following the success of The House On Haunted Hill (1959) Columbia Pictures and director William Castle re-teamed for the spine-chiller The Tingler (1959) again featuring horror-star Vincent Price (Witchfinfder General) - this time as a pathologist Dr. Warren Chapin who through his experience performing autopsies on the recently deceased discovers a curious thing, that the spines of those who experienced extreme fear before their death have been crushed from the inside, theorizing that some sort of parasitic fear-creature to be the culprit, something he comes to refer as "the tingler". 


The doc's wife could care less about his work in his lab, she's too busy running around town with other men, but the doc is assisted by his acquaintance David (Darryl Hickman, Network), who is engaged to Isabel's younger sister sister, Lucy (Pamela Lincoln, Anatomy of a Psycho). Chapin continues his research looking for real evidence of this parasite, and after feigning his intent to murder his cheating wife over her dalliances with other men is able to take an x-ray of her while she's knocked-out, long enough to get some actual x-rays of the creature. 


Along the way he befriends the co-owner of a silent movie theater Oliver Higgins (Phillip Coolidge, North by Northwest) who runs the theater with his deaf-mute wife  Martha (Judith Evelyn, Rear Window), the wife has a fear of blood and cannot scream in fright, her only release is to faint when the doc cuts himself in front of her, planting a devious seed. A short time later she dies of fright in a turn of foul play, scared to death by an elaborate fear-inducing set-up by her murderous hubby, who seemed like such a nice guy, I found it really hard to dislike him, even though he murdered his wife. 


Earlier in the film Price's character established a theory that when you suffer an extreme case of fear the parasitic creatures begins to grow at the base of the spine, but a well-placed scream can kill the creature before it can crush your spine, it's a fun conceit and credit to the screenwriter Robb White (The House on Haunted Hill) for the delightfully schlocky premise, it's good stuff and comes off fantastically in this black and white slice of schlock & shock cinema.


As the mute wife cannot scream she dies in fright, with her husband bringing the body to Dr. Chapin who performs an autopsy upon her immediately, managing to extract the the still living parasite from her corpse, and then the real fun begins. A trip back to the the couples apartment above the cinema they run allows the creature - which looks like a rubbery lobster/centipede - escapes into the cinema. It runs amok in the darkened theater causing Price's character to issue a warning to the audience, that to save their lives they each must scream like never before, tying into the gimmick William Castle devised for this film - one of his best - he called it "Percepto", and it was basically a electric buzzer placed under random seats throughout the theater, which I am sure must have caused quite a stir when they started going off on cue during the movie-within-a-movie premise, it's wonderfully fun stuff. 


Aside from the great premise the film has a few other standout scenes, like when Price's character in an attempt to study fear doses himself with lab-grade LSD (a cinema first!) and the hallucinatory fright-scene that scares the deaf-mute woman to death has a short color-tinted sequence depicting blood pouring from a faucet and filling a bathtub as well as some hokey monster special effects, lots of good stuff crammed into this goofy screamer, it's definitely spine-tingling fun of the highest order.


The ending has a fun EC Comics-esque comeuppance that I just love with Price's character giving a final warning about the Tingler to audience before coming to a proper close with a delightful wink and a nod to the movie goers. This is probably Vincent Price at his most overwrought, the scene of him in the lab tripping on acid is amazing, screaming about the walls closing in on him, it's real square version of a bad trip, love it. 


Audio/Video: The Tingler (1959) arrives on Blu-ray from Scream Factory in 1080p HD framed in 1.85:1 widescreen. The source looks near flawless, it's in excellent shape and the grain is finely managed. Black and white contrast looks good with deep black and a good looking grayscale throughout. It probably looks a bit too good to be honest, you can see the string pulling the rubbery tingler along in some scenes! The film is black and white but is punctuated by a few scenes of color with blood pouring out of faucets, very cool. Audio comes by way of an English DTS-HD MA Mono track that's clean and solid, there's a lot of a shrieking throughout and it handles it without breaking-up into distortion, optional English subtitles are provided.


Extras begin with an audio commentary from Author/Historian Steve Haberman who is always a wealth of knowledge, his commentary is crammed with info, a real William Castle/Vincent Price lecture worthy endeavor. We also get an interview with Pamela Lincoln who says she wasn't a fan of horror but as this was her first movie was happy to land the gig, getting a dozen roses on her first day on set from William Castle, laughing at the site of the Tingler used in the film, but how serious Price took his scenes with it. 


Publicist Barry Lorie shows up for a brief interview discussing his job on behalf of the studios to talk-up new films to critics and exhibitors in addition to installing the "percepto" buzzers at first run theaters during the film's original, theatrical showings and how successful the gimmick was. 



Scream Factory also carry-over the vintage featurette Scream For Your Lives! with actor Darryl Hickman, Bob Burns, author Lucy Chase Williams, film historian David Skal. This is a great extra with Bob Burns speaking about presenting Castle a "skeleton key to the city" in San Antonio and Hickman recalling Castle's schlocky ways, calling him the P.T. Barnum of cinema, and he's not wrong. Williams speaks about the unique facets of the film, like how it was the first film to feature LSD in the cinema.  


Extras are finished up with a theatrical trailer William Castle's Drive-In Scream audio which is an alternate drive-in version of him imploring the audience to scream,  plus the original scream audio from the theatrical; experience with Vincent Price, speaking of whom, also included is a fun theatre Lobby Recording of Price warning movie goers to stay away from The Tingler along with a pretty nifty jingle about the parasitic fear monster. We also get a gallery containing various movie posters, colorized lobby cards, promotional still and behind-the-scenes images.


The single-disc release comes housed in a standard Blu-ray keepcase with a 2-sided sleeve of artwork, the front cover is a vintage movie poster of the film and the reverse side features a promotional image for the film, the disc itself featuring a shot of Vincent Price dosing himself with LSD!  


Special Features: 
- NEW Audio Commentary By Author/Historian Steve Haberman
- NEW I Survived The Tingler – An Interview With Pamela Lincoln (4 min) 
- NEW Unleashing "Percepto" – An Interview With Publicist Barry Lorie (3 min) 
- Scream For Your Lives! William Castle And "The Tingler" – Vintage Featurette (15 min) 
- William Castle's Drive-In "Scream!" Audio (1 min) 
- Original "Scream" Scene (1 min) 
- The Original 1959 Theatre Lobby Recording (3 min) 
- Theatrical Trailer (2 min) 
- Still Gallery

It's always a treat to get another William Castle shlock and shocker on Blu-ray, like their release of Strait-Jacket (1964) Scream Factory knock it out of the park with a solid A/V presentation and some nifty extras, top-notch. 

Tuesday, April 25, 2017

Severin/Intervision Bring Back Two Home Video Oddities (One of them starring the late, great Vincent Price!)


DARK HARVEST (1992)/ ESCAPES (1986)

Two Bizarre, Underseen Oddities Return From the Home Video Grave

On May 30th, Intervision Picture Corp. is ripping through the fabric of time to bring back two haunted relics of the analog past. This double feature is bursting at the seams with everything members of the video store generation crave - Bold fashions, mysterious videotapes, slasher hysteria, goofball teens, and some late career slumming by genre deity Vincent Price.

DARK HARVEST (1992): It’s stranded tourists vs. killer scarecrows in this early 90s SOV rarity. They planned on a relaxing horseback ride through the desert… They didn’t plan on engine trouble, long-winded campfire stories, deranged hillbillies with a shotgun, and a dangerous trek over cursed terrain. But the real terror begins when they discover that the creepy scarecrow overlooking their campsite has mysteriously disappeared from his cross.

ESCAPES (1986): Matthew Wilson didn’t order ESCAPES, but when a mysterious mail carrier delivers a VHS to his door, he pops it in his top-loader, not knowing what real life danger lurks inside the magnetic tape. Concluding his run of portmanteau chillers (TALES OF TERROR, TWICE TOLD TALES, THE MONSTER CLUB, FROM A WHISPER TO A SCREAM), horror legend Vincent Price presents these six bizarre tales of the uncanny. This new edition features the full Director’s Cut version!


Special Features:
- Actress Patti Negri Remembers Dark Harvest
- Actor Dan Weiss Remembers Dark Harvest Via Video Skype
- Distributor Tom Naygrow on Escapes Writer/Director David Steensland

Thursday, March 9, 2017

THE FLY ULTIMATE COLLECTION (Via Vision Blu-ray Review)

THE FLY ULTIMATE COLLECTION BLU-RAY (5-Disc set) 

Label: Via Vision Entertainment
Region Code: A, B
Duration: 478 Minutes
Rating: Unrated, R
Video: 1080p HD Widescreen (2.35:1), 1080p HD Widescreen (1.85:1) 
Audio: Dolby Digital, DTS-HD MA, Dolby true HD 

Synopsis: Pushing the boundaries of horror from the outset, The Fly franchise successfully combines spine tingling shocks with heart warming romance. It has produced some of the most frightening yet memorable films of all time. Presented in a limited edition boxed set this DVD collection finally brings together the classic ’80s blockbusters with the original films that inspired them in.
This fantastic collectible boxed set includes The Fly (1958), Return Of The Fly (1959), Curse Of The Fly (1965), The Fly – 30th Anniversary Special Edition (1986) and The Fly II – Special Edition (1989).
THE FLY(1958)
Rating: Unrated
Duration: 94 Minutes 
Audio: English DTS-HD Master Audio 4.0 with Optional English Subtitles 
Video: 1080p HD Widescreen (2.35:1) 
Director: Kurt Neumann 
Cast: David Hedison, Vincent Price, Patricia Owens, Herbert Marshall, Kathleen Freeman, Betty Lou Gerson 

The Fly (1958)is a classic slice of science fiction, and it opens with a vivid and grotesque scene of surprising carnage, with scientist Andre Delambre (David Hedison) being found dead, his head and hand crushed beneath a hydraulic press. His loving wife Helene (Patricia Owens) confesses to the murder and the movie plays out from an earlier point, leading up to the the horrible death. 


Andre had been working on a new technology, a transporter device called the disintegrator-integrator, which could transport matter from one place to another. Things are coming along swimmingly, however, when he tests the device on himself he's unaware that a fly has flown into the teleporter chamber with him, when he reappears on the other side of the room in the other teleport, he has become a hideous half-man/half-fly guy with the head of a fly and an insectoid hand/claw. Andre covers his head in a black cloth to hide his awful visage from his wife, hiding his deformed hand in his jacket pocket, pleading with her to find a white-headed fly, apparently his alternate half, so he can restore himself to normal. She never does find the fly, but when he accidentally reveals his hideous fly head to his wife it is a thing of 50s fright, Patricia Owens's terrified screams are wonderful, enhanced by the fly-eye view of her, I love this sort of gimmicky stuff in these old sci-fi movies.


The design of the clawed hand and fly-face are great, this is the only one of the original three fly films to be in color, and it looks great with the big buy eyes and proboscis, it's a great creature design for time, I still love it. I also love that they keep Andre's fly-face and hand hidden away for more than an hour, it really does build up the suspense, and when it is revealed it is a shocker.  


Neither Francois nor police Inspector Charas (Herbert Marshall) can kind-hearted Helen's story about Andre accidentally turning himself into a human fly, it is not until the very end of the movie, when both witness a human-headed fly with a human arm stuck in a spider's web screaming "Help Me! Help Me!" that they both come around to the horrific truth of the matter.  


The is a movie that creeped me out s a kid watching it on TV, watching it now the movie has a bit more depth than just being creepy, what strikes me is the loving relationship between Andre and his wife, his struggle to hang onto his humanity, it's powerful stuff as he struggles to maintain his sanity, all the while worried he might do harm to his beloved wife. The movie is still campy though, the 50s sci-fi was never too deep, but this one has a bit more than your average 50's atom-aged monster stuff. 


Vincent Price (The Comedy of Terrors) appears as Andre's brother Francois who has to piece together the mystery of what's happened to his ill-fated brother, he does good work here, as does most everyone, this is a top-notch cast and a rather good story, if a bit slow to unfold, but it pays off in spades and holds up really well in my opinion. 4/5


Audio/Video: The Fly (1958) arrives on Blu-ray from Via Vision looking very nice in the original cinemascope (2.35:1) aspect ratio, colors are impressive for a movie of this period. This looks like the same transfer Fox used for their US Blu-ray. Audio is captured with an English DTS-HD Master Audio 4.0 with Optional English Subtitles. Everything is nicely crisp and clean, the  Paul Sawtell score sounds terrific and the screams and sci-fi sounds are fantastic. 


Extras include a fun commentary with Actor David Hedison and historian David Del Valle, I so love Del Valle's commentaries, he adores old school Hollywood and Hedison has some cool recollections of making the movie. Additionally we get a 12-min look back at the original Fly trilogy, an episode of Biography about Price, a brief Fox Movietone News bit about the premiere of the movie and a trailer. 


Special Features:

- Audio Commentary with Actor David Hedison and historian David Del Valle 
- Biography: Vincent Price (44 min) 
- Fly Trap: Catching A Classic (12 min) 
- Fox Movietone News (1 min) 
- Theatrical Trailer (2 min) 



RETURN OF THE FLY (1959)

Rating: Unrated
Duration: 80 Minutes 
Audio: English Dolby Digital 2.0 
Video: 1080p HD Widescreen (2.35:1) 
Director: Edward Bernds
Cast: Vincent Price, Brett Halsey, David Frankham, John Sutton, Dan Seymour, Danielle De Metz 

In the sequel which takes place twenty years after the original, but shot only a year later in reality, we have Andre's now adult son Philippe (Brett Halsey, Fulci's Touch of Death) taking up the experiments of his father with equally disastrous results.  Vincent Price returns as Uncle Francois, who when informed of his nephew's wish to continue the work of his father on the disintegrator-integrator device in the same basement laboratory, tweaking it a bit to be able to "store" objects and animals in some 50s version of the iCloud. 

Philippe partners with a man named Alan Hines (David Frankham) to work with but the guys turns out to be a scumbag looking to steal the device for his own profit, and who uses the device to dispose f bodies, sort of. When a British Agents shows up out of nowhere to confront the industrial spy he knocks him out and throws him in the device, the last thing sent through the transporter was a hamster, and the man comes through the other side with hamster-hands! It is ridiculous stuff, likewise the hamster comes through the other side with human hands, which Hoines crushes with his shoe, wiping up a tiny pool of blood from the floor afterward!  


Eventually Philippe catches on to the wily ways of Hines and confronts him, there's a struggle and Hines knocks him out and places him in the transporter, deliberately placing a fly in there with him, which is just fucking evil, and then we have a very similar scenario playing out as the original film, without the suspense. 


Unlike the original film this was shot in black and white, but also in cinemascope, and it lacks the emotion of the original. What I do love/hate about it at the same time is that it is way more campy. They really go for the gusto with bringing the bulbous fly-headed monster to the big screen in all it's laughable badness, they show it way too much, the original kept you in suspense, this one keeps you in stitches at certain points, the head looks so damn big I wondered if there were outtakes of the actor falling over onset.   


The bleak ending of the original is replaced by something happier, but not nearly as effective. A solidly entertaining sequel of much lesser quality, with the bonus of Vincent Price having a more expanded role over the first. If you love goofy 50s sci-fi this one fits the bill, but it lacks compared to what came before it. 2.5/5 

Audio/Video: The black and white cinemascope (2.35:1) cinematography looks very nice in 1080p HD, grain is nicely managed, a nice sharp image all the way around. Audio on the disc is relegated to a lossy English Dolby Digital 2.0, there are no subtitles. 


There are no extras on this disc, it's a shame they could not get the Audio Commentary with Actor Brett Halsey and Film Historian David Del Valle that appeared on The Vincent Price Collection II from Scream Factory. It's also worth noting that the Region A locked Scream Factory set includes a DTS-HD MA 2.0 audio track.

  Special Features:
- None 



CURSE OF THE FLY (1965) 

Rating: Unrated 
Duration: 86 Minutes 
Audio: English Dolby TrueHD 5.1 
Video:1080p HD Widescreen (2.35:1) 
Director: Don Sharp 
Cast: Brian Donlevy, George Baker, Carole Gray, Yvette Rees, Burt Kwouk, Michael Graham 

Curse of the Fly (1965) was directed by cult filmmaker Don Sharp who directed the undead biker cult-classic Psychomania (1973), it opens with a surreal slow-motion breaking glass image, as young woman named Patricia Stanley (Carole Gray, Devils of Darkness) escapes from the loony bin in only her underwear. In the dead of night she is almost run over by Martin Delambre (George Baker), who whisks here away and marries her, as you do. 

This entry takes place a few years after the second sequel but somehow we're dealing with two different generations of Delambre, a father Henri (Brian Donlevy, The Quatermass Xperiment) and his two son are developing their own transporter device, which they've had some success with, but with a few side effects.

Henri and his son Albert (Michael Graham)are in London, while Martin resides in Quebec, Canada. They each have teleportation pods from which they can transmit matter, Henri transported himself to London from Quebec but was burned badly, meanwhile Martin suffers from a weird skin disorder and is prone spells premature aging which are only prevented by a serum he injects, his affliction is supposedly a caused by inheriting his grandfather's (Philippe, from Curse of the Fly) recessive human-fly DNA. 

Henri returns to Quebec and tries to run off his son's new bride, but she's not going anywhere, but then she discovers that Martin keeps deformed mutants locked away in a barn, victims of early attempts at teleporting people, including his former wife! 

This one falls far from the original films, more of a weird mad scientist melodrama with some really awful make-up effects for the mutants, who look like the actors have had lumps of clay slapped onto their faces with a stocking pulled over it. It's not all awful though in terms of make-up effects, there is a scene wherein Henri and Martin transport two of the mutants together to London through the teleporter and they arrive on the other side as one writhing mass of flesh, looking like something from The Thing in the process of mid-transformation. 


There are a lot of good ideas floating around here, including some nice atmospheric touches from director Don Sharp, but the execution and story are awful. Worse than even perhaps the mutant make-up is that of the the housemaid Wan (Yvette Rees) a white woman playing an Asian with some seriously bad eye make-up. I found the third and final film on the original trilogy to be pretty bad, my favorite part was the nightmarish opening title sequence with Patricia escaping the loony bin, it promised me something strange and different, well, it was different, it was strange, but it was not good. The movie doesn't feel like a Fly entry, sure we have the transporter device stuff, but at no point do we get any fly-action! 2/5

Audio/Video: The black and white cinemascope cinematography looks very nice in 1080p HD, grain is nicely managed, a nice sharp image all the way around with good contrast. The disc includes a English Dolby TrueHD 5.1 audio track, there are no subtitles. 

Special Features: 

- None 


THE FLY (1986)

Rating: R
Duration: 95 Minutes 
Audio: English DTS-HD 5.1, Dolby Digital 5.1, Dolby Digital 2.0  with Optional English Subtitles 
Video: 1080p HD Widescreen (1.85:1) 
Director: David Cronenberg 
Cast: Jeff Goldblum, Geena Davis, John Getz, Joy Boushel, Les Carlson, David Cronenberg 

Nearly 30 years after the original film director David Cronenberg (Shivers) brought us a remake of the source material, in a decade ripe with cool remakes that surpassed the originals, these include The Blob (1988) and The Thing (1982). Here we have Jeff Goldblum (from another great remake, Invasion of the Body Snatchers) starring as Seth Brundle, an aloof but genius scientist who meets science journalist Veronica Quaife (Geena Davis, Beetlejuice) at an industry party hosted by his financiers Bartok Industries. He invites her back to his lab/apartment where he shows her what he calls his "telepods", the now familiar device that transports matter from one pod to another. The two strike up a romance and Veronica begins to document his progress working on the groundbreaking device, which is not yet perfected. 

The telepods can only transport inanimate objects, when he attempts to transport a live animal, a baboon, it goes awry, the animal is literally turned inside out in grisly fashion. He continues to work, and inspired by a steak dinner he perfects it, and successfully transports another baboon from one pod to the other without incident. However, when seth becomes jealous that Veronica might be rekindling a romance with her editor and former boyfriend Stathis (John Getz, Blood Simple) he gets drunk and sends himself through the telepod, unaware that a fly has made it's way inside the telepod with him, and when he is disintegrated and reintegrated the telepod computer includes the fly's DNA into the matrix.

What ensues is a period of increased physical prowess, Seth feels renewed, invigorated and unstoppable, attributing it to the telepod experience, not yet realizing that there is now fly DNA inside his body, slowly transforming him into a human-fly hybrid. 

Goldblum is at his best here, hands down this is finest performance to date, coming before he became the neurotic science guy we came to know him for in the movies Jurassic Park and Independence Day, a nuanced performance, one that really expounds on the struggle between one's humanity and monster he's becoming, which is what I loved so about the original film. Geena Davis as the love interest is also fantastic, at the time the two actors were a real-life couple, and it shows in the on-screen chemistry. 

Cronenberg was already known for his love of body-horror, even before this, and for a few years after still, his love for clinical weirdness is perfectly suited for the science fiction horror material, helped in large part from the creative special effects work from Chris Walas (Gremlins), who really brings home the transformation process here. which was like nothing we'd ever seen before in a Fly film, the gooey ickiness of it is fantastic, we get gooey fingernail-trauma, a nightmare maggot-birthing scene, corrosive fly-vomit, bones breaking through skin, teeth falling out... there's plenty here to make you squirm.  One of the the things I have always loved about the film was the iconic design of the telepods, which avid motorcyclist Cronenberg modeled after Ducati motorcycle cylinder heads - they just look so damn cool.

The film did big business at the box office, and with good reason, it has some fantastic human drama, a love story that didn't suck the life out of it, Brundle losing his humanity, the grotesque body horror stuff - and it all comes together so wonderfully onscreen. 5/5

Audio/Video: This looks like the same HD master we saw from 20th Century Fox years ago, the same issues apply, it's a bit soft, a lack of depth and clarity, but not bad, just not awesome. This is a movie overdue for a new 4K transfer. Audio on the disc includes choice of English DTS-HD 5.1, Dolby Digital 5.1, and Dolby Digital 2.0  with Optional English Subtitles. The surrounds don't get a whole lot of action on this one, some of the telepod action and the Howard shore score bleed into them, but this is a primarily front centric experience.   

Via Vision carry-over all the extras from the 20th Century Fox Blu-ray, which wa stacked, so we get the 103-min making of doc, 12-min with special effects makeup designer Chris Walas, 21-min of cool deleted scenes and extended scenes, some early film tests, TV spots and a 6-min vintage EPK featurette,  

Special Features: 

- Fear The Flesh: The Making of the Fly (103 min) 
- The Brundle Museum of Natural History” (12 min) 
- Trivia Pop-Ups 
- 4 Deleted Scenes (11 min) 
- 2 Extended Scenes (you can use the optional “red box” around the parts that were excised): (6 min) 
- Film Tests (Visual Effects) (8 min) 
- TV Spots (10 min) 
- EPK (6 min) 



THE FLY II (1989)

Rating: R
Duration: 105 Minutes
Audio: English Dolby TrueHD 5.1  
Video: 1080p HD Widescreen (1.85:1) 
Director: Chris Walas 
Cast: Eric Stoltz, Daphne Zuniga, John Getz, Lee Richardson, Frank C. Turner, Ann Marie Lee 

Of course, with the success of Cronenberg's The Fly (1986) there would have to be a sequel, but we had to wait for three years to get, was it worth the wait? Cronenberg wanted nothing to do with a sequel, so special makeup effects creator Chris Walas was tasked with helming the sequel, which opens on a scene featuring the only returning cast member from the previous movie, John Getz (Blood Simple) Stathis, at the Bartok research facility. You might remember that Bartok was the company financing Brundle's research in the last film, it was only mentioned, but in this movie Bartok is a major evil entity. Stathis is there witnessing the birth of Veronica and Seth's baby, she having chosen to carry it to term, and apparently to have it delivered at the Bartok labs. The scene is a nice call back to the maggot-birth nightmare from the first film. Veronica dies during childbirth and the mutant is born in a disgusting chrysalis which hatches, inside is a seemingly normal human child, just a nicely gooey birthing scene. 

Due to chromosomal anomalies the child, Martin (Eric Stoltz, Pulp Fiction), grows and ages at an accelerated rate, maturing into a twenty-something young man in just two years time, with a genius level intellect, thus far showing no signs of mutating into a human fly, but you know that will change soon enough. 

Stolz' character lives at the research center as a sort of live-in experiment, there he befriends a young woman named Beth (Daphne Zuniga, The Dorm That Dripped Blood), and a romance develops between the two, however, Martin becomes suspicious of the researchers when he discovers a pet dog from his childhood, which was supposedly killed in a telepod experiment,  is actually alive, a deformed freak, kept hidden away in the basement. Martin discovers the true fate of his father, which he was lied to about, and that Bartok intends to use the telepods to create an army of human-fly soldier hybrids. Feeling betrayed he breaks out of the facility with Beth, but soon after begins to mutate like his father, his body seemingly disaster grating while in the process of evolving into the fly. 

Together the two track down Stathis Borans who fills them in on the details about the fate of Martin's mother and father, and soon after begins to form a chrysalis, readying himself for the step in his evolution, into MartinFly, which is when the real carnage begins!

The movie has very little of the heart and soul of the Cronenberg film, but I don't think this sequel is as awful as it is said to be. Sure, it's a silly 80s sequel, but it's a fun science fiction horror flick with some wonderfully gooey gore and violence, including a Martin fly-vomiting on the face of a security officer, screaming in pain he peels of his face, good stuff. Just on a purely practical gore and creature design level this is fun stuff with plenty of action, and stupidity aplenty. Zuniga and Stoltz do just fine, both are likable, the characters don't call for a load of range but they get the job done. The two main baddies this time around are corporate baddie Antoc Bartok (Lee Richardson, Exorcist III) and mean-spirited security guard Scorby (prolific TV actor Garry Chalk, who always seems to play cops and military guys), both get their proper comeuppance, with Scorby being bent over backwards and Bartok becoming one of the disgusting telepod victims, all good stuff.  

So, yeah it's a steep step down in quality from the first movie, it lacks the soul that Goldblum and Davis brought to it, but just watched as a cheesy and icky special effects driven film this is not too bad at all. 

Audio/Video: The Fly II looks good in 1080p HD, I think it is crisper ans more detailed that the transfer for the Fly (1986) with some modest depth to the image. Grain can be a bit chunky, but overall this is a nice HD upgrade. Audio on the disc  comes by way of a full-sounding English Dolby TrueHD 5.1 track, the surround has some good atmospheric use of the surrounds. 

Via Vision carry-over all the extras from the Collector's Edition Blu-ray beginning with the Audio Commentary by director Chris Walas and film historian Bob Burns. We also get the 58-minute The Fly Papers: The Buzz on Hollywood’s Scariest Insect doc, narrated by the late Leonard Nimoy, a 48-min making of doc specific to The Fly II, deleted scene and alternate ending, production journal, interview with composer Christopher Young, storyboard comparison, and photo galleries. 

Special Features: 
- Audio commentary by director Chris Walas and film historian/archivist Bob Burns
- Deleted scene (1 min)
- Alternate “houseboat” ending (1 min)
- Theatrical Trailers (2 min) 
- The Fly Papers: The Buzz on Hollywood’s Scariest Insect” documentary of all “The Fly” films (58 min)
- “Transformations: Looking Back at The Fly II” (48 min) 
- “CWI Video Production Journal” (18 min)
- “Composer’s Master Class: Christopher Young” (13 min)
- “Original Theatrical EPK” (5 min)
“Storyboard to Film” -comparisons of 3 scenes (with optional audio commentary by director Chris Walas)(7 min) 
- Still Photo Galleries: Art Gallery (3 min), Production Gallery (3 min), Storyboards (2 min) 

The five-disc set from Via Vision collects all five of the Fly films in one nice set, all the films arrive on their own discs, housed in a 5-disc blue keepcase. The release comes with a slipcover featuring the same cover art as the keepcase, the back of which lists some of the special features, but not all. Advertised as Region B locked I can confirm that the discs are Region A enabled and played without issue on  both my Region A and region-free Blu-ray players, so buy with confidence if you're a North American buyer. I love having all five of the Fly films on one inclusive set with loads of extras. To my knowledge this is the only release to gather all five Fly movies on one Blu-ray set, if you're a fan of The Fly series this is essential stuff. 4/5  

Wednesday, March 2, 2016

THE VINCENT PRICE COLLECTION III (1961-1970)

    THE VINCENT PRICE COLLECTION III (1961-1970) 
Label: Scream Factory
Region Code: A
Rating: Unrated, R
Audio: English DTS-HD with optional English Subtitles 
Video: 1080p HD Widescreen, Standard Definition Full Screen 
Director: William Witney, Roger Corman,  Reginald Le Borg, Ken Johnson, George Hessler
Cast: Henry Hull, David Frankham, Vincent Price, Mary Webster, Charles Bronson, Elaine Devry, Chris Warfield, Ian Wolfe, Nancy Kovack,  Elizabeth Bergner, Hugh Griffith, Essy Persson, Patrick Mower

Scream Factory have come through with a third volume of The Vincent Price Collection, once again spotlighting the iconic talents of horror chameleon Vincent Price. Now that we're three volumes into his repertoire I am seeing all of the films on this set for the very first time, which is awesome. As with the three previous volumes Scream Factory have gone above and beyond to present each of the movies with a brand new high-definition transfers, offering up some great bonus content, including audio commentaries on four of the five movies, numerous interviews with cast and crew, and two versions of Cry of the Banshee, the American International Pictures cut and the longer director's cut. 

MASTER OF THE WORLD (1961)

Duration:  102 Minutes 

Audio: English DTS-HD MA Mono 1.0, English DTS-HD Master Audio Stereo 2.0 with Optional English Subtitles
Video: 1080p HD Widescreen (1.85:1)
Director: William Witney 
Cast: Henry Hull, David Frankham, Vincent Price, Mary Webster, Charles Bronson, Joan Freeman, Michael Pate, Robert Brown

This Jules Verne adaptation penned by science-fiction legend Richard Matheson stars Vincent Price as sky captain Robur who pilots an enormous flying machine, Robur  is on one-man crusade to disarm the world before it destroys itself. The story bares more than a passing resemblance to Vernes own classic 20,000 Leagues Under the Sea, as does protagonist Robur to Captain Nemo, who takes aboard his flying ship a group of   adventurers who were exploring a volcanic crater in their own low-tech flying machine. Among them we have pro-war arms manufacturer Prudent (Henry Hull), his lovely daughter Dorothy (Mary Webster), her fiance Evans (David Frankham), and government agent Strock, notably played by Charles Bronson (10 After Midnight). This was a fun 19th century adventure movie, along the lines of 20,000 Leagues Under the Sea or War Gods of the Deep, which also stars Price in a similar role


Price is in fine form as the slightly mad genius bent on disarming the world, some of his abductees don't necessarily disagree with his beliefs, but they are opposed to his destructive methods. This is fun stuff if you are into vintage science-fiction adventure movies, or enjoy a good Jules Verne story. The American International Pictures production seems a bit cash-poor at times but they do seem to have put all the money into the optical effects of the movie, which are certainly dated but wonderful and charming just the same. I love these vintage steam-punk fueled sci-fi romps, and this one delivers the goods if that is something you enjoy. 

Scream Factory offer up a brand new HD Master from the Interpositive film element, though there are numerous instances of print damage throughout by way of small scratches, none of which detracted from my viewing, just don't expect a pristine HD image. The colors are vibrant, with reds and blues looking particularly great. Audio options are represented by both English DTS-HD MA Mono and Stereo tracks, the dialogue and Les Baxter score sound crisp and clean, optional subtitles are provided. 

Onto the extras for Master of the world we have a new commentary with Actor David Frankham moderated by Jonathan David Dixon, plus an extended cut of the Richard Matheson: Storyteller interview. There's also a theatrical trailer for the film and two image galleries. 


Special Features: 
- NEW High-Definition Master From The Interpositive Film Element
- NEW Stereo Soundtrack Created From The Original 4-Track Mag
- NEW Audio Commentary With Actor David Frankham moderated by Jonathan David Dixon
- NEW Richard Matheson: Storyteller – Extended Cut (72 Mins)
- Theatrical Trailer (2 Mins)
- Posters, Lobby Cards And Behind-The-Scenes Photo Gallery (2 Mins) HD
- Photo Gallery Of Images From David Frankham’s Personal Collection (2 Mins) HD 


TOWER OF LONDON (1962) 


Duration: 80 Minutes
Audio: English DTS-HD Master Audio Mono 1.0 with Optional English Subtitles 
Video: B/W 1080p HD Widescreen (1.66:1)
Director: Roger Corman
Cast: Vincent Price,Joan Freeman, Michael Pate, Robert Brown

Roger Corman's Tower of London is a real fine slice of diabolical cinema, a remake of the 1939 movie shot in black and white with Price starring as the hunched-back Richard III, the Duke of Gloucester. Richard is conniving and desperately hungry for the power of the Monarch, so much so that he is willing to kill his own brother to have the crown. A demented tale of Victorian corruption and madness, this one goes dark rather fast. Fans of Price's wicked turn in Witchfinder General should revel in his diabolical portrayal, a man who not murders his brother moments after their father's death, but places the blame on the family of the widowed queen, murders her young children, and torture a hand maiden on the brutal and bone-breaking rack, price is such a villainous character here.

This Roger Corman/Vincent Price team-up is one of the few not to draw from the works of
Edgar Allen Poe, but it is no less haunting or awesome, rarely has something so Shakespearean kept me rapt. Price is at his best as the maddened Richard III, haunted by the spectres of his victims, losing his grip on reality before succumbing to his own foretold fate on the battlefield. This one is stuffed with fine performances, including Joan Camden as Richards’ equally duplicitous and ill-fated wife, and Richard Hale as Tyrus the physician, a voice of reason ignored by Richard III.

Price is at his most deliciously villainous in Tower of London, with maniacal monologues and a host of diabolical deeds, a scene of man in an iron mask and a rat comes immediately to mind, vicious stuff. The movie looks great, a true Gothic horror accented by rich black and white cinematography, which looks sweet in 1080p high-definition. The English DTS-HD Master Audio Mono 1.0 sounds crisp and clean, dialogue and Michael Andersen's score come through nicely.

Special features for Tower of London include an interview with director Roger Corman, in addition to a second interview  with producer Gene Corman. Scream Factory also offer up two episodes of the TV show Science Fiction Theatre, both of which star Vincent Price, which I have not watched yet. We also get an image gallery with Posters, Lobby Cards And Behind-The-Scenes Photo Gallery.

Special Features: 
- NEW High-Definition Master From A Fine Grain Film Print
- NEW Interview With Director Roger Corman (7 Mins) HD
- Producing Tower Of London – An Interview With Producer Gene Corman (14 Mins)
- Two Episodes Of Science Fiction Theatre (1956): "One Thousand Eyes" (26 Mins) And "Operation Flypaper" (26 Mins) Both Starring Vincent Price (In Standard Definition)
- Posters, Lobby Cards And Behind-The-Scenes Photo Gallery (5 Mins) HD 


DIARY OF A MADMAN (1963) 


Duration: 96 Minutes
Audio: English DTS-HD Master Audio Mono 1.0 with Optional English Subtitles 
Video: 1080p HD Widescreen (1.66:1)
Director: Reginald Le Borg 
Cast: Elaine Devry, Chris Warfield, Ian Wolfe, Nancy Kovack, Vincent Price

In Diary of a Madman Vincent Price stars Simon Cordier (Vincent Price), a French magistrate and amateur sculptor of clay, at the top of the story he is already dead, what plays out is a story as read from his diary after his death. Cordier becomes possessed by a malevolent spirit known as the Horla, which forces the magistrate to commit awful murders, including that of his new love, Odette Mallotte DuClasse (Nancy Kovak). The murders have a certain ripper type feel about them, Price is great in the role, perfectly menacing as the possessed killer, his performance is all in his glowing eyes. 

This amounts to a dual role for Price, who as the magistrate is a sympathetic character, a lonely man who was widowed years earlier under tragic circumstances, who has now found love in his life yet again, but the Horla will not allow this happiness to last long. The murders are not gruesome, but there are some gruesome touches throughout, including one that sort of felt like nod to Price's House of Wax, wherein the decapitated head of his lover is glimpsed through the clay sculpture of her face, this is good stuff. 

The performances are quite good, especially from Price, who plays tormented very well. His co-star Nancy Kovak also does well as Odette, the woman he loves, but who doesn't come off all that sympathetic in my eyes, sort of a money-hungry bitch, and there's maybe a tad too much melodrama for the movies own good, but I did enjoy it. I like the structure of the movie and how it plays out, and Price is always a gem, even when in something a bit on the rough side. 

Scream Factory present Diary of a Madman  with a new High-Definition Master From The Interpositive Film Element and looking quite nice all the way around in HD, a pleasing amount of fine detail, with nicely saturated colors. Dialogie and the Richard LaSalle score are well represented by the English DTS-HD Master Audio Mono 1.0 with Optional English Subtitles.

Extras on the disc include a new commentary with Film Historian And Author Steve Haberman, which is a wealth of information, but I find his commentaries a little on the dry side. The disc is rounded off with a theatrical trailer for the movie and an image gallery. 

Special Features: 
- NEW High-Definition Master From The Interpositive Film Element
- NEW Audio Commentary With Film Historian And Author Steve Haberman
- Theatrical Trailer (3 Mins) 

- Poster And Lobby Card Gallery (2 Mins) HD

AN EVENING OF EDGAR ALLAN POE (1970) 

Duration: 53 Minutes
Audio: English DTS-HD Master Audio Mono 1.0 with Optional English Subtitles 
Video: Standard Definition Full Screen (1.33:1)
Director: Ken Johnson 
Cast: Vincent Price 

An evening with Edgar Allen Poe is a one-man tribute to Poe starring - - who else -- Vincent Price, who runs through Poe's The Tell-Tale Heart, The Sphinx, The Cask of Amontillado, and The Pit and the Pendulum.  A true testament to Price's acting prowess, a captivating and intimate feature with Price acting the Hell out of these Poe stories. Whether you're a fan of Edgar Allen Poe or Vincent Price this is a win-win for both camps, like chocolate and peanut butter, two awesome things that are simply great together. The stories are one-man shows as mentioned, but the production and keen but simple editing, along with such a fervent telling by Price, keep things from becoming redundant. 


Scream Factory present this one straight from the 2" master tapes, as it was a standard definition source it is presented as such, and appears very much like watching a vintage VHS tape. Audio comes by way of English DTS-HD Master Audio Mono 1.0 with Optional English Subtitles.


Extras include another commentary from Steve Haberman, plus an interview With Writer/Producer/Director Kenneth Johnson who goes into the origins of the production and how it was assembled, plus there is a gallery of behind-the-scenes images. 

Special Features:
- NEW Master Created From The Original 2" Tape Masters
- NEW Audio Commentary With Film Historian And Author Steve Haberman
- NEW Interview With Writer/Producer/Director Kenneth Johnson (22 Mins) HD
- Behind-The-Scenes Photo Gallery (2 Mins)


CRY OF THE BANSHEE (1970) 

Duration: 87 Minutes (AIP Cut)/91 Minutes (Director's Cut)
Audio: English DTS-HD Master Audio Mono 1.0 with Optional English Subtitles 
Video: 1080p HD Widescreen (1.85:1)
Director: George Hessler 
Cast: Elizabeth Bergner, Hugh Griffith, Vincent Price, Essy Persson, Patrick Mower

Vincent Price once again plays a magistrate on this set, this time he is Lord Edward Whitman (Vincent Price) who is not too far removed from Price's portrayal of Richard III in Tower of London, in fact he is just as wicked as Matthew Hopkins from Witchfinder General. Lord Whitman sentences a young woman to be branded and whipped for the crime of witchcraft, during dinner at his palace he forces the young children of the witch to entertain his gathering of cronies, but things turn awry when he kills both the young children when they prove rebellious. 


Further wishing to stamp out witchcraft in his jurisdiction he and a cadre of his henchmen
ride into the countryside and find exactly what they're looking for, a coven of witches lead by the hag Oona (Elizabeth Bergner). They slay many of the coven, angering Oona, who calls upon  a demonic beast which she unleashes against the Whitman clan. 

I found Cry of the Banshee to be a good watch, but not great, though I felt it should have been great. Price turns in a memorable wicked performance, and there's a lot of wickedness around him, for instance his son Sean (Stephan Chase) lusts after his father's young wife Lady Patricia (Essy Persson), it seems the true evil in the land may not be with the witches, but with the corrupt and immoral aristocrats, which is nothing new under the sun. 



The end has a nice amount of comeuppance to it, when it seems that Whitman's may have won against the forces of evil there's a good twist with a stinging finale as Whitman visits a cemetery to verify the death of the demon summoned to kill his clan, you might find yourself a bit bored at times by this one, truly i has some pacing problems, but just hang in there for the finale, which saves this one on the last leg. 

The new HD transfer of the director's cut comes from the Interpositive film element and looks pleasing all the way around, nice warm colors, an abundant of fine detail and texture, and superior to the theatrical AIP version, which is also included. The AIP cut was sourced from the only surviving element of the film, a color reversal intermediate. and there are a few more scratches and speckling evident on that version of the movie. Audio is handled by an English DTS-HD Master Audio Mono 1.0 track with Optional English Subtitles, nice and clean, dialogue and the Les Baxter score sound crisp and clean. 


Bonus content for Cry of the banshee includes the four-minute longer director's cut of the film with a new commentary from Author Steve Haberman. There's a damn good interview with Director Gordon Hessler who speaks about working for Hitchcock in his early days, the movie  Like the first two volume of the Vincent Price Collection the set comes housed inside a slipcover, plus a 12-page booklet with rare photos, but unlike the previous volumes does not contain an accompanying essay from author David Del Valle, just photos and artwork. 

Special Features:
- NEW High-Definition Master Of The Director’s Cut From The Interpositive Film Element
- NEW High-Definition Master Of The American International Pictures Cut From The Only Surviving Element, A Color Reversal Intermediate
- NEW Audio Commentary With Film Historian And Author Steve Haberman (Director's Cut)
- A Devilish Tale Of Poe – An Interview With Director Gordon Hessler (18 Mins)
- Theatrical Trailer (2 Min)
- TV Spot (1 Mins)
- Radio Spot (1 Mins)
- Posters, Lobby Cards And Behind-The-Scenes Photo Gallery (4 Mins) HD 
- 12-Page Book With Rare Photos and Artwork 

Volume three of the series might not have Vincent Price heavy-hitters like The Abominable Dr. Phibes or The Last Man on Earth of previous volumes but what it does have are four more movie Vincent Price movies in sweet 1080p HD with a wonderful assortment of bonus content, and that alone is worth laying down the hard earned scratch for. Volume II has gone out of print and is fetching ridiculous prices on eBay, don't pass this one up only to regret it later, highly recommended. Hoping we see a fourth installment, would love to see Theater of Blood, The Fly, The Tingler, Tales of Terror, The Comedy of Terrors and Dr. Goldfoot and the Girl Bombs come to Blu-ray from Scream Factory. 4/5