Blu-ray Review: ZOMBIE FLESH EATERS (1979)

ZOMBIE FLESH EATERS (1979)

Label: Arrow Video
Region Code: B
Rating: 18
Duration: 91 Minutes
Audio: Italian and Engish LPCM 2.0 Mono with Optional English SDH Subtitles
Video: 1080p Widescreen (2.35:1) 
Cast: Tisa Farrow, Ian MucCulloch, Richard Johnson, Al Cliver, Auretta Gay, Olga Karlitos
Director: Lucio Fulci
Tagline: We Are Going To Eat You!

Synopsis: An abandoned boat in New York Harbor unleashes a deadly flesh crazed Zombie cargo... A Young American woman and a journalist investigate a tropical island where a deadly disease is making the dead walk... Soon, thoughts of getting to the bottom of the murderous curse will be forgotten, as Fulci’s walking corpses overwhelm the living and reports come in that the Big Apple is swarming with the living dead...

My first recollection of watching ZOMBIE aka ZOMBI 2 (1979) aka ZOMBIE FLESH-EATERS was on a beat-up VHS back in the early 90's, on a VHS cassette bought for 50 cents at a garage sale. That well-traded VHS was probably a 4th or 5th generation dub and while the presentation was nothing more than poor the savage power of the film definitely shown through. Already a rabid fan of George A. Romero's Dead trilogy I was frothing to check out this 'unofficial sequel' to DAWN OF THE DEAD (1978) that was one of the infamous Video Nasties and it did not disappoint in anyway, whatsoever! ZOMBIE FLESH-EATERS was my introduction to both Italian horror cinema and the mad-genius of director Lucio Fulci. It was love at first sight from the intensely eerie scene of the seemingly abandoned yacht drifting in to New York Harbor. When it's boarded by unsuspecting Harbor Patrolmen one of 'em is attacked by a grotesque and obese zombie who tears a chunk of his throat out, we're a just a few minutes in and the and already the blood is gushing, it's a classic opening.

It's revealed that the derelict boat belonged to the father of Anne Bowles (Tisa Farrow, ANTHROPOPHAGUS), her father having visited the tropical island of Matool recently on a research mission. When the NYPD offer very little in the way of answers Anne starts her own investigation which leads to a fun encounter with reporter Peter West (Ian McCulloch, CONTAMINATION) whom is sent to investigate the attack on the officer by his editor (a fun cameo from Lucio Fulci). Sensing there's more to the story the two join forces and fly to the tropics where they charter a boat Captained by Brian Hull (Al Cliver, THE BEYOND) and his super cute wife Susan (Auretta Gay) to the island of Matool. En route Susan takes a moment to scuba dive topless (sexploitation, gotta love it!) along a reef where she encounters not just a predatory tiger shark but a zombie who just appears outta nowhere and attacks the shark! Truly some ingenious JAWS-ploitation action that's both WTF crazy and OMG awesome. It's pretty amazing stuff as the zombie grabs a hold of the drugged-out shark, tussles with it and then tears off a chunk of flesh.

Susan survives the strange attack and back on boat I'm sure no one really believed her story about the zombie encounter, who would, right? So, oddness aside they continue on to Matool where they meet Dr. David Menard (Richard Johnson, THE HAUNTING) at the local Christian mission. We find out that the island has been plagued by a zombie epidemic, the dead are returning to life and feasting upon the flesh of the living. Menard, of course, believes there is a rational science-based explanation to the epidemic and stays on to seek a cure much to the dismay of his stunning wife Paola whom has the most striking eyes (Olga Karlatos, CYCLONE). The Doc keeps her under lock and key back at their home where she's assured by her husband that she's safe, but she's doubtful and rightfully so because after a wonderfully voyeuristic shower scene she falls prey to a zombie, the attack resulting in the greatest eye-piercing scene in all of cinema. While she futilely attempts to force a door shut a zombie splinters the wooden entrance, grabs a hold of her by the hair and slowly pulls her into the pronounced sliver of wood ever so sloooowly until it penetrates her right eye socket - it's a master-stroke of tension, practical effects and editing, it alone is worth the price of admission.

At this point in the film things really starts to pick-up steam, having been up to this point eerily creepy but not exactly jam-packed with wicked thrills, trust me, it's the best kind of a slow burn. Our foursome find themselves besieged by a mass uprising of the undead includingancient Conquistadors and islanders, among them the iconic dirt-covered, worm-infested zombie so famously seen in the film's advertising.The zombie effects in this film are very simple but brilliant, perhaps besting any of the Romero's archetypes in my opinion. What's so disturbing about them to me would have to be how rotting they are, truly revolting you can practically smell the undead stench in 1080p high-definition. The scenes of the zombies unearthing themselves are fantastic, rising from the ground, dirt covered and creepy, I do love that these are voodoo derived zombies, too. Our quartet find themselves back at the island mission alongside Dr. Menard where we are treated to one of the finest zombie-siege scenarios of all time, it's a thing of macabre beauty laced with tension, atmosphere and with a real sense of dread culminating in a haunting wrap-around finale that takes us back to NYC for a truly apocalyptic vision that remains one of the genre's most enduring and dour endings in horror cinema, it's haunting stuff.

ZOMBIE FLESH-EATERS has pretty much everything you need, memorable tropic set pieces, an eerie, gut-churning electronic score from Fabio Frizzi, fantastic  cinematography from Sergio Salvati (THE BEYOND) and Lucio Fulci's signature gore and dread aesthetic. The zombies are iconic, the atmosphere is claustrophobic and there's a ton of great gut-munching courtesy of Gino and and Gianetto De Rossi's spectacularly gruesome make-up and special effects work. ZOMBIE FLESH-EATERS is right there at the side of Romero's DAWN OF THE DEAD as one of the finest undead films, in fact I think the  atmosphere of ZOMBIE FLASH EATERS bests DAWN on several fronts and holds up better without the anti-consumerism social commentary. What say you to that? Is it a spiritual sequel to DAWN OF THE DEAD? Nah, but it'd make a great alternative prequel now that I think about it. One brutal film, two iconic sequences known to every horror geek: zombie vs. shark and the brutal eye piercing, that's quite a legacy and this isn't even Lucio Fulci's best film!

Blu-ray: Arrow Video bring Lucio Fulci's ZOMBIE FLESH-EATERS (1979) to Blu-ray with a stunning AVC MPEG-4 encoded in 1080p widescreen (2.35:1), which according to the 40pg. booklet included with the release was exclusively restored by Arrow Video using the original 2-perf Techniscope 35mm negative and scanned at 2K resolution, it also benefits from a new color timing plus dirt and scratch removal. it's an outstanding achievement. Blue Underground's 2-Disc Ultimate Edition of the film was pretty great (and still is) but I would have to give this new restoration the definitive visual edge, it's pretty sharp. There's a nice layer of fine film grain intact, fine detail and clarity are noticeably improved, black levels are strong and colors are vibrant without over saturation. The restoration has also afforded the film more image information on the top and sides of the screen, so we get even more of cinematographer Sergio Salvati's great camerawork up on the screen. It's interesting to note the not so subtle differences between the Blue Underground transfer and Arrow Video's, both minted from the same camera negative but quite different in regard to lighting and color. I prefer the Arrow version in comparison with the elevated contrast but appreciate both, I just think it's interesting to note the differences between the two different but great transfers.

On the audio front we get English and Italian language LPCM Audio 2.0 Mono with optional English subtitles including a newly translated subtitle for the Italian track.  Its well-balanced and sports very nice fidelity, aside from the poorly dubbed dialogue. The gruesome gut-chomping effects and Fabio Frizzo's throbbing synthesizer score come through clear and strong. The Blue Underground 2-Disc Ultimate Edition offered English and Italian 7.1 DTS-ES, 5.1 Dolby Digital Surround EX and Dolby Digital 2.0 Mono options. I prefer the original mono presentation but if you're dying to give your surround sound system some zombie action the 7.1 and 5.1 does modestly open up the sound field a bit. I give the upper hand in respect to the audio presentation to BU for their generous options.

Now onto the massive amounts of bonus content beginning with disc 1 and the UK exclusive Introduction from star Ian McCulloch (1:28), admitting until just ten years ago he had never even watched the film and was a bit embarrassed by it, her was quite shocked how much he enjoyed it now. Next we have the option of viewing the film with three alternate title sequences, offering choice of ZOMBIE FLESH EATERS, ZOMBI or ZOMBI 2. There are two brand new audio commentaries, the first is with co-screenwriter and wife of screenwriter Dardano Sacchetti, Elsa Briganti, moderated by Calum Wadell which is not so much scene specific as Briganti reflecting on her working relationship with her husband and director Lucio Fulci. The second commentary with Lucio Fulci biographer Stephen Thrower (Beyond Terror) and horror expert Alan Jones is quite fantastic, the two have a great rapport and throw out a great many nuggets about the film and they're experiences with the notoriously fickle Fulci, it's an authoritative track with plenty of trivia, factoids and anecdotes about the production. Blue Underground's edition contains a commentary with Ian McCulloch and Diabolik Magazine editor Jason J. Slater.

Also on disc are several High Rising Productions produced featurettes, interviews and documentaries beginning with From Romero to Rome: The Rise an Fall of the Italian Zombie Films (59:38) tracing the history of Italian zombie cinema beginning with the worldwide success of George A. Romeo's seminal NIGHT OF THE LIVING DEAD (1968) and into DAWN OF THE DEAD (1978). The documentary features interviews with NOTLD producer Russ Streiner, critic Kim Newman, Fulci screenwriters Antonio Tentori (A CAT IN THE BARIN) and Dardano Sacchetti (THE BEYOND) plus writers James Moran (SEVERANCE) and David MCGillivray (FRIGHTMARE). Directors Darren Ward (A DAY OF VIOLENCE), Ruggero Deodato (LIVE LIKE A COP, DIE LIKE A MAN), Alex Chandon (INBRED), Luiggi Cozzi (STARCRASH) also chime in the spaghetti undead craze. On top of the great interviews we get artwork, posters and clips from some great (and not so great) zombie films inlcuding ZOMBIE HOLOCAUST (1980), NIGHTMARE CITY (1980), CONTAMINATION(1980), and BURIAL GROUND (1981) plus many more.

Disc one features are rounded out by the US Trailer (1:23),  an awful VHS rip of the Vipco Trailer (2:35), TV Spot 1 (:30), TV Spot 2 (:30) and six Radio Spots (2:31). But wait, there's more, there are three Easter Eggs hidden away on the disc. What we find there are a ZOMBIE HOLOCAUST German Trailer (8:22), which features an extended clip from the film and a German language trailer, plus Critics of the Living Dead (1:04) featuring McCulloch commenting  on a humorous critique of his films. The last Easter Egg on the disc is Gino De Rossi's Wall of Fame (2:12) featuring Rossi guiding us through a series of framed movie stills and pics commemorating his work through the ears with Fulci, Rock Hudson, five 007 films and even the Disney feature BLAME IT ON THE BELLBOY (1992).

Special features on disc two start with Aliens, Cannibals and Zombies: A Trilogy of Italian Terror (45:53) featuring TV star turned Italian horror icon Ian McCulloch recalling his experiences making the trio of spaghetti horrors ZOMBIE FLESH-EATERS, CONTAMINATION and ZOMBIE HOLOCAUST. It's a fun and quite honest account of his experiences, he states at one point that his role was to "carry the stupidity of it through", referring to the absurd American-ese translated dialogue. He offers fond remembrance of his time working with Richard Johnson on the set and not so fond recollections of Tisa Farrow ("very American") and the beauty of non-actress Auretta Gay, whom apparently once inspired Fulci to froth at the mouth, thrown himself to the ground and eat handfuls of dirt, I love it! When McCulloch also points out the similarity of Fulci to comedy legend Benny Hill, I may never see either man the same way again.

Zombie Flesh Eaters - From Script to Screen (3:18) is a very brief piece with screenwrite Dardano Sacchetti pointing out several scenes from the script  originally entitled NIGHTMARE ISLAND, including the infamous eye-gouging scene which was shot almost exactly as written.

The Meat Munching Movies of Gino De Rossi (26:34) features the special effects master speaking of his experiences on the films  ZOMBIE FLESH-EATERS, CITY OF THE LIVING DEAD (1980), THE HOUSE BY THE CEMETERY (1981), CANNIBAL FEROX (1981), BURIAL GROUND and James Cameron's PIRANHA 2: THE SPAWNING (1981). The man has a storied career and it's a great interview that includes a tour of his warehouse where we see the actual drill press from THE CITY OF THE LIVING DEAD and the infamous titty-hooks from CANNIBAL FEROX. Gino speaks at length about working with Lucio Fulci and detailing how many of his greatest effects shots were achieved onscreen, from the eye-gouging to the intestine-vomiting, particularly enjoyed his account of working with James Cameron (TERMINATOR) on the set of PIRANHA 2 which sounds like it would be a great SHADOW OF THE VAMPIRE-esque film within a film unto itself.

Music for a Flesh Feat (29:20) features composer Fabio Frizzi  during a live Q+A session from the Glasgow Film Theater moderated by High Rising Productions' Calum Waddell in August of 2012. The composer with the help of a translator answers questions from the audience about his work and influences, what he lacks in English speaking skills is more than made up for by his use of rampant hand-gesturing. 

Reversible sleeve featuring the Vipco
VHS artwork. 

On top of the fantastic Blu-ray features we have a sleeve of reversible artwork featuring the original Vipco VHS art plus newly commissioned artwork by graphic designer Graham Humphreys. We also have a theatrical artwork postcard of Fulci's THE HOUSE BY THE CEMETERY (1981) and a massive 40 page Collector's Booklet with new writing by Fulci biographer Stephen Thrower with a cool time-line to help sort through the which-came-first DAWN OF THE DEAD/ZOMBIE FLESH EATERS debacle. There's a new interview with star Olga Karlatosl (CYCLONE) conducted by Callum Waddel, a history of ZOMBIE FLESH-EATERS and the BBFC by Craig Lapper detailing the films history of being slashed at the hands of BBFC. We also have script excerpts of the original NIGHTMARE ISLAND script which includes unfilmed and alternate sequences of gore plus a happy ending. Lastly, we have a Lucio Fulci filmography compiled by Jay Slater and Notes on Arrow's restoration of the film. The one thing that annoys me about the Arrow releases of late is the Arrow slipcase-styled menus, which I think it's rather ugly, aesthetically it's quite displeasing to me.

Arrow's Slipcase-styled Menu... not a fan.

Small menu quibble aside Lucio Fulci's hauntingly brutal ZOMBIE FLESH EATERS (1970) gets the truly deluxe treatment from Arrow Video. It's definitely one of finest Arrow presentations to date, it's quality is a tribute to the legacy of Lucio Fulci's and his enduring place as the Italian Godfather of Gore. Comparing the Blue Underground and the Arrow Video Blu-rays I am hard pressed to say one is more the definitive edition, you sorta need 'em both. The BU version has the Ian McCulloch commentary plus interviews with co-star Al Cliver (THE HOUSE OF CLOCKS), Guillermo del Toro (CRONOS), producer Fabrizio De Angelo, make-up effects artists Gianetto De Rossie and Maurizo Trani and Fulci's daughter Antonella Fulci. Just get 'em both, you won't regret it.

Special Features:

- Audio commentary with screenwriter Elisa Briganti moderated by Calum Waddell
- Audio commentary with Fulci biographer Stephen Thrower and horror expert Alan Jones
- UK exclusive introduction to the film from Ian McCulloch (1:28)
- Aliens, Cannibals and Zombies:  A trilogy of Italian Terror (45:53)
- From Romero to Rome: The Rise an Fall of the Italian Zombie Films (59:38)
- The Meat Munching Movies of Gino De Rossi (26:34) 
- Music for a Flesh Feat (29:20)
-Zombie Flesh Eaters - From Script to Screen (3:18)
- US Trailer (1:23)
- Vipco Trailer (2:35)
- TV Spot 1 (:30)
- TV SPot 2 (:30)
- 6 Radio spots (2:31)
- 40 Page Collector’s Booklet

Verdict: Lucio Fulci's ZOMBIE FLESH EATERS is still quite a powerful viewing experience and Arrow's 2-Disc Blu-ray edition is worth plopping down some more bucks for regardless of what previous edition you own, that includes Blue Underground's 2-Disc Ultimate Edition (2011), you will definitely want this on your shelf for it's superior picture quality and fantastic High Rising Productions produced special features, it's a must-own. So get yourself a region-FREE Blu-ray player and enjoy some gut-munching, eye-gouging 1080p undead perfection! 
4.5 Outta 5 

 

Blu-ray Review: ZOMBIE (1979)

ZOMBIE (1979)

Label: Blue Underground
Region Code: Region FREE
Rating: Unrated
Duration: 92 mins
Audio: English and Italian 7.1 DTS-ES; 5.1 Dolby Digital Surround EX, Mono
Video: 16:9 Widescreen (2.35:1) 1080p
Director: Lucio Fulci
Cast: Tisa Farrow, Ian MucCulloch, Richard Johnson, Al Cliver, Auretta Gay, Olga Karlitos
Tagline: We are going to eat you!

Wow! I remember watching this film for the first time on a beat-up VHS dub back in the early 90's, now look at it with a sweet 2-disc Blu-ray edition from Blue Underground, very cool. That well-traded VHS was probably a 4th or 5th generation dub and while the presentation was nothing more than poor the savage power of the film definitely shown through even then. At that point in my mid-teens I was already a ravenous Romero fan following the iconic Dead trilogy and when I found out about what was considered the 'unofficial sequel' to DAWN OF THE DEAD in Italy I made it a personal quest to obtain it. Let me tell you that it did not disappoint in anyway, whatsoever. ZOMBIE was both my introduction to Italian horror cinema and director Lucio Fulci, it was love at first sight from the intensely eerie scene of the seemingly abandoned yacht drifting in to New York Harbor. When it's boarded by Harbor Patrolmen one of 'em is attacked by a grotesque zombie who immediately tears out his throat. It's gore-tastic stuff and when the zombie is shot by the other officer it falls into the harbor, this was and still is a fantastic opening to this day.

Turns out the derelict boat belongs to the father of Anne Bowles (Tisa Farrow, ANTHROPOPHAGUS), her father having visited the tropical island of Matool recently on a research mission. When the police turn out to be of little help Anne starts her own investigation which leads to a fun encounter with reporter Peter West (Ian McCulloch, CONTAMINATION) whom is sent to investigate the attack on the officer by his editor (a cameo from Fulci). Sensing there's more to the story the two join forces and board a plane to the tropics where they charter a boat Captained by Brian Hull (Al Cliver, THE BEYOND) and his super cute wife Susan (Auretta Gay) to the island of Matool. En route Susan takes a moment to scuba dive topless (thank you!) along a reef where she at first encounters a predatory tiger shark but is then sorta saved from certain doom when a zombie just appears outta nowhere and attacks the shark! Truly some ingenious JAWS-ploitation action that's both WTF crazy and OMG awesome. It's pretty amazing stuff as the zombie grabs a hold of the drugged-out shark, tussles with it and then tears off a chunk of flesh.

Susan survives the attack and back on boat I'm sure no one really believe her story about the zombie, who would, right? So, oddness aside they continue on to Matool  where they meet Dr. David Menard (Richard Johnson, THE HAUNTING)  at the local mission. It's here that we find out that the island is plagued by a zombie epidemic, the dead are returning to life and feasting upon the flesh of the living. Menard, of course, believes there is a rational science-based explanation to the epidemic and stays on to seek a cure much to the dismay of his stunning wife Paola (Olga Karlatos, CYCLONE) who's kept under lock and key back at their home. She's assured by her husband that she's safe, but she's doubtful and rightfully so because after a wonderfully voyeuristic shower scene she falls prey to a zombie, the attack resulting in the greatest eye-piercing scene of all time. While she attempts to force a door shut a zombie splinters the wooden door, grabs ahold of her by the hair and slowly pulls her into the sliver to end all slivers of wood until it sloooowly penetrates her eye socket - it's a master-stroke of tension, old school practical effects and editing and worth the price of admission on it's own.

Well, I find it hard to believe that if you're reading this that you haven't seen this film and if by chance that's the case I implore you to get thine self to one of the better video retailers in your area (or to the Amazon link below, thank you) and buy this film sight unseen. I won't continue to spoil the film other than to say that at this point in the film it really starts to pick-up steam, having been up to this point eerily creepy but not exactly jam-packed with thrills - it's the best kind of a slow burn. Our foursome find themselves amidst a mass uprising of zombies that include long dead Conquistadors and islanders, among them the iconic dirt-covered, worm-headed zombie so famously seen in the film's advertising.The zombie effects in this film are very simple but quite brilliant looking, nearly besting any of the Romero's archetypes in my opinion. Our quartet find themselves back at the island mission alongside Dr. Menard where we are treated to one of the finest zombie-siege scenarios of all time, it's a thing of macabre beauty laced with tension, atmosphere and a real sense of dread culminating in a haunting wrap-around finale that takes us back to NYC for a truly apocalyptic vision that remains one of the genre's most enduring and dour endings.

ZOMBIE has it all; memorable set pieces, a eerie score, keen cinematography from Sergio Salvati (THE BEYOND) and Lucio Fulci's signature gore and dread aesthetic. The zombies are iconic, the atmosphere is claustrophobic and there's a ton of great gut-munching throughout, it's through and through awesomeness. I might get a lot of shit for what I'm about to say but in my estimation ZOMBIE is a better watch than Romero's DAWN OF THE DEAD. Not to say DAWN's not one of my favorite films, it is, but having watched both recently I feel that the dread and atmosphere of ZOMBIE bests DAWN on several fronts and holds up better without the shellacked on social commentary. What say you to that?

Blu-ray: Lucio Fulci's ZOMBIE has quite simply never looked better on any format, ever. The brand-new 2K HD transfer is sourced from a nearly pristine camera negative and is presented in it's original "scope" aspect ratio of 2.35:1. Cinematographer Sergio Salvati personally supervised the film's restoration which looks brilliant in 1080p high definition. It's not reference material by any stretch of the imagination but it's quite sharp with it's fine layer of film grain gloriously intact, colors are accurate and vibrant, black levels are deep and the level of fine detail is pretty spectacular when compared to previous DVD editions. Gorehounds will be most pleased with how awesomely gore-tastic the presentation is, I saw sinewy bits of flesh I've never seen before. Audiowise the film gets both English and Italian language tracks presented in uncompressed 7.1 DTS-HD, 5.1 Dolby Digital Surround EX and original mono with optional English subtitles as well 8 other languages. Honestly the 7.1 and 5.1 mixes aren't gonna give your home theatre system much of a workout but the improvement in fidelity is notable and does open up the film a good bit, the Fabrizzi/Tucci score sounds pretty great, too.

Blue Underground have really gone all out for the fans here, when they tout "2-Disc Ultimate Edition" they aren't just blowing smoke up your ass, this handily bests previous editions, it's definitely worth the upgrade. Disc one starts with a short and appreciative intro from director Guillermo del Toro (CRONOS), the man clearly loves Fulci and this film in particular. Then it's right into an enjoyable audio commentary with star Ian McCulloch and Diabolik Magazine editor Jason J. Slater, fun facts and insights, it's pretty chill but but is a good listen. The first disc is rounded out with 2 theatrical trailers, 2 TV spots, 4 radio spots and a poster and stills gallery comprised of the US and German pressbooks, posters, stills, lobby cards, video covers and behind-the-scenes stills.

Disc two begins with Zombie Wasteland (22:19) which was shot during the 2010 Cinema Wasteland Zombie 30th Anniversary Reunion featuring interviews with cast and crew who offer the following Fulci recollections; Ian McCulloch recalls him as a bully, Richard Johnson remembers Fulci becoming so angry that he actually ate dirt, Al Cliver offers that Fulci really hated women and that it may have stemmed from a rocky personal history while stuntman Occtavio Dell'Acqua (the worm eyed zombie) recalls him being incredibly difficult to work with. It's all pretty one-sided and not really that surprising - the man is usually remembered as being difficult to say the least.

Up next is Deadtime Stories (14:30) which features Italian screenwriting legend Dardano Sachetti on the origins of the film starting out as a zombie-western having been inspired by horror-adventure comics of the time and its transformation from the western setting to an island while co-writer Briganti speaks about the magic of the film and her own appreciation of it. In Italian with English subs.


Flesh Eaters on Film (9:38) features co-producer Fabrizio De Angelis, who in contrast to some of the previous interviews, speaks to Fulci's good humor on-set, the demanding nature of the shoots and it's many locations plus the importance of producers on a film set. In Italian with English subs.

World of the Dead (16:29) features interviews with cinematographer Sergio Salvati and production and costume designer Walter Patriarca discussing the look of the film, set design, making the zombies harsh and ugly, shot in shadow and editing the infamous eye-scene, that being my favorite eye gouging scene in a catalog of films from a man who really enjoyed a good eye-gouge, no doubt. In Italian with English subs.

All in the Family (6:08) features the director's daughter Annette  speaking to her father's crazy treatment of actors and his view on his own film's gore. In Italian with English subs.

Notes on a Headstone (7:25) is an interview with frequent Fulci collaborator and composer Fabio Frizzi (THE BEYOND, THE PSYCHIC) speaking about Fulci's placement of music in his films, his restraint and his passion for filmmaking. In Italian with English subs.

Zombi Italiano (16:34) features interviews with special make-up effects artists Gianetto De Rossi and Maurizio Trani and special effects artist GinoDe Rossi whom all discuss the film's iconic imagery and effects from the low-budget clay zombie applications to the eye-gouging perfection of splinter meets eye, alongside the difficulty of shooting on a shoe-string budget.In Italian with English subs.

Zombie Lover (9:36) features director Guillermo del Toro (HELLBOY, DEVIL'S BACKBONE) talking about ZOMBIE. It's pretty clear that del Toro is a great admirer of the film and of Fulci's work as he recounts seeing the film for the first time, paying respects to stuntman Ramon Bravo who was the zombie in the zombie vs. shark scene and just really laying on the love for the film. del Toro is such a supporter, his enthusiasm is contagious and his appreciation really ended up being my favorite feature on the set, great stuff.
 
Could there be a more ultimate edition of ZOMBIE? It's not likely, Blue Underground have really given the film their definitive stamp like no release before, one of the year's best releases. I'll add that there's an awesome easter egg featuring a story about filming the zombie vs. shark scene that I won't spoil, it had me rolling with laughter.
 
Disc 1 Special Features:
- Audio Commentary with Star Ian McCulloch and Diabolik Magazine Editor Jason J. Slater
- Theatrical Trailers (5:18) HD
- TV Spots (1:03) 4:3
- Radio Spots (1:56)
- Poster and Still Gallery (9:52) HD
 Guillermo del Toro Intro (0:27) HD

Disc 2 Special Features:
- Zombie Wasteland - Interviews with Stars Ian McCulloch, Richard Johnson and Al Cliver, and Actor/Stuntman Ottaviano Dell'Acqua (22:19) HD
- Flesh Eaters on Film - Interview with Co-Producer Fabrizio De Angelis (9:38) 16:9 HD
- Deadtime Stories - Interviews with Co-Writers Elisa Briganti and (Uncredited) Dardano Sacchetti (14:30) HD
- Flesh Eaters on Films - Interview with Co-Producer Fabrizo De Angelis (9:38) HD
- World of the Dead - Interviews with Cinematographer Sergio Salvati and Production and Costume Designer Walter Patriarca (16:29) HD
- Zombi Italiano - Interviews with Special Make-Up Effects Artists Gianetto De Rossiand Maurizio Trani (16:34) HD
and Special Effects Artist Gino De Rossi
- Notes on a Headstone - Interview with Composer Fabio Frizzi (7:25) HD
- All in the Family - Interview with Antonella Fulci (6:08) HD
- Zombie Lover - Award-Winning Filmmaker Guillermo del Toro talks about one of his favorite films (9:36) HD
- Easter Egg (4:39) HD

Verdict: There's not much I could say about Lucio Fulci's ZOMBIE other than it's pretty amazing and worth plopping down some bucks for. No matter what previous edition you own you need to upgrade ASAP and not just for the AV qualities alone, the special features are seriously great and make this edition a must-own. Gut-munching, eye-gouging perfection, 'nuff said. 4.5 outta 5 

The Director of ‘Shadow’, Federico Zampaglione shooting new film from screenwriter Dardano Sacchetti

Received word from Clout Communications that director Federico Zampaglione's new film project TULPA is written by the legendary screenwriter Dardano Sacchetti. If you're not familiar with the Sacchetti's work here's but a few titles he's authored screenplays or written for: THE CAT O' NINE TAILS (1971), A BAY OF BLOOD (1971), THE PSYCHIC (1977), ZOMBI 2 (1979), CITY OF THE LIVING DEAD (1980), THE BEYOND (1981), THE HOUSE BY THE CEMETERY (1981). I could go on but do I really need to? I'm not familiar with director Zampaglione's film work but Sacchetti's involvement has definitely stirred my interest.

News Alert (UK): 12th  April 2011

The Director of ‘Shadow’, Federico Zampaglione, has announced that shooting on his new film will begin shortly. Entitled TULPA, it will be, according to Zampaglione, “a very bloody and tense Italian thriller with some supernatural elements”.

Tulpa is written by the legendary screenwriter Dardano Sacchetti  (pictured right with Zampaglione), who has worked with all the great Italian horror masters including Fulci, Bava and Argento.


Federico explains the title: “Tulpa is a term which comes from Tibetan Buddhism. It’s a kind of projection of your metaphysical part, which, through meditation, can become real. But sometimes tulpa goes the wrong way and turns unto an evil presence... which then wants to kill its creator. It's mysterious and creepy stuff”.


The film will be shot on locations in Rome and North Africa.

Federico’s debut feature SHADOW is set for UK release through newly-created FrightFest Features. The director will be in London for the opening and will attend a Q & A at the Empire, Leicester Sq. following the film's first public screening on Friday April 29th.