GRINDHOUSE TRAILER CLASSICS (2014)

GRINDHOUSE TRAILER CLASSICS (2013)

Label: Intervision Picture Corp
Duration: 129 minutes

Region Code: 1 NTSC 

Video: Anamorphic Widescreen (1.85:1)

Audio: English Dolby Digital Mono with Optional English Subtitles 

Directors: Various

Cast: Various 

Straight from the flea-pit cinemas of 42nd and beamed directly into the comfort of your slightly less filthy home we have right here a wonderfully tasteless collection of trashy exploitation movie trailers from 70s and 80s courtesy of  
Intervision Picture Corp. Fifty-five trailers are bursting at the seams with copious amounts of sex, gore and kitsch that the actual movies they're advertising could never hope to live up to, but damn are they fun to watch. The era of the supercharged trashy movie trailer pretty much an extinct art form - you just don't seem 'em like this anymore - and that's why I love these trailer compilations. These trailer comps are capturing a specific moment in cinema history when ticket prices and b-movie thrills were cheap and laced with vulgarity. Over-the-top narration poured over scene after scene of mind warping sex and  depravity and you're getting it in it's mos concentrated form - two minutes of cheap thrills that ninety percent of the time is a far superior experience to sitting through the duration of most of these films. 

These days trailer comps are a dime a dozen and Intervision have wisely chosen to spice it up a bit with something other than just a reel of violent and smutty trailers strung together. It's not much but we do have a poster gallery and a nineteen minute feature hosted by sultry UK cult presenter Emily Booth whom offers a scripted history of the b-movie grindhouse with some great clips and tasty dialogue The piece was scripted by author Stephen Thrower and adapted from his book Nightmare USA and directed by Jake West (Evil Aliens, Dog House) whom also directed the Video Nasties - The Definitive Guide. 

I hope to see Severin and Intervision license the second volume of Video Nasties - The Definitive Guide and the other three volumes of the Grindhouse Trailer Classics series from the UK's Nucleus Films - these are fun releases. A fun watch and something I would throw on in the background at a party or as something as mundane as vacuuming the house, there's no wrong time for time form some trashy trailer fun.  Now you can enjoy over two hours of trashy cinema trailers from the safety of your own home with a cold brew in your hand. 

The presentation is a collection of widescreen and full screen trailers of varying quality though most are quite nice, not a bunch of wear and tear and that's almost a negative in my opinion - but fear not for it's grime and grain you crave both are in abundance. Some of the audio is appropriately scratchy but again not as much as you might expect. I do love the aesthetic of the release with menus that are a bit grimy and VHS is appearance with an interlaced image which gives it a decidedly analog TV feel. 

Grindhouse Trailer Classics is a fun bit of salacious entertainment loaded with cheap sex and gratuitous violence straight, a definite recommend if you don't already own a ton of these trailer comps - a list of the trailers are listed below.  
   
Special Features:
- 'Bump and Grind: Emily Booth explores the world of Grindhouse Cinema'. (19 minutes)
- Grindhouse Poster Art Gallery (29 images)

Trailers:
I Drink Your Blood and I Eat Your Skin
Blood Splattered Bride and I Dismember Mama
Switchblade Sisters
Caged Heat
Eyeball
Deranged
Big Doll House, The
Bury Me An Angel
Last House On The Left, The
Street Fighter, The
Ilsa: She Wolf of the SS
Dr. Black and Mr. Hyde
Don't Open The Window
Human Tornado, The
Caged Virgins
Ebony, Ivory & Jade
Deadly Weapons
Torso
They Call Her One Eye
Death Ship
Master Of The Flying Guillotine
They Came from Within
Thing With Two Heads, The
I Spit On Your Grave
Sweet Sugar
Girls For Rent
Toolbox Murders, The
Executioner, The
House of Whipcord
Truck Turner
God Told Me To
Doctor Butcher M.D.
Children Shouldn't Play With Dead Things
Night of the Bloody Apes
Blood Sucking Freaks
Ilsa: Harem Keeper Of The Oil Sheiks
Single Girls, The
Corpse Grinders, The
Zombie
Coffy
Perils of Gwendoline, The
Legend of The Wolf Woman, The
Satan's Sadists
Disco Godfather
Let Me Die A Woman
Doll Squad, The
Secrets of Sweet Sixteen
Cannonball
Autopsy
Fight For Your Life
Love Me Deadly
Wham! Bam! Thank you Spaceman!
Shogun Assassin
Three on a Meathook

Blu-ray Review: CHILLERAMA (2011)

CHILLERAMA (2011)

LABEL: Image Entertainment
REGION CODE: A
RATING: Unrated
DURATION: 120 mins
AUDIO: DTS-HD MA 5.1
SUBTITLES: English, Spanish
VIDEO: 16:9 Widescreen (1.78:1)
DIRECTORS: Adam Rifkin, Joe Lynch, Tim Sullivan, Adam Green
CAST: Adam Rifkin, Sarah Mutch, Owen Benjamin, Richard Riehle, Joel David Moore, Ray Wise, Kane Hodder, Eric Roberts, Lin Shaye
TAGLINE: The Ultimate Midnight Movie!

I don't know about you but I just get pleased as punch whenever I hear about a new horror anthology coming down the pipeline. The omnibus fright format has always been a personal favorite of mine but they just don't seem as prevalent today as they were in the 70's and 80's - they've definitely fallen out favor. Perhaps it's just cause I was catching up with some of my favorites like Mario Bava's BLACK SABBATH (1963) and one of the many Amicus entries TALES FROM THE CRYPT (1972) some decades years after their initial release, either way there's not exactly a glut of 'em these days no matter how you slice it up and the format seemed to have peaked in the early 80's with the one-two punch of CREEPSHOW (1982) and TWILIGHT ZONE: THE MOVIE (1983). The nineties weren't exactly overflowing with anthologies either with the notable exceptions of FOUR ROOMS (1995) and PULP FICTION (1999) but in recent years there's been a resurgence with the Tarantino/Rodriguez feature GRINDHOUSE, TRICK R TREAT (2007) and effective, low-budget indies like THE DRIVE-IN HORRORSHOW (2009) and III SLICES OF LIFE (2010).

So, when word began to spread about this love letter to the schlocky drive-in films of the 60's and 70's from a handful of talented young directors I was pretty psyched and primed for some b-movie omnibus action. Beginning with the directors we have Adam Rifkin whose 70's stoner-comedy DETROIT ROCK CITY (1999) is a perennial favorite of mine, Joe Lynch who won me over with WRONG TURN 2 (2007), Adam Green who most recently nailed it with the winter-bound horror of FROZEN (2010) and lastly we have Tim Sullivan, director of 2001 MANIACS (2005).


The film CHILLERAMA is a series of vignettes that really sets out to celebrate the b-movie schlock cinema of yesteryear beginning with a wrap-a-round story called ZOM-B-MOVIE from director Joe Lynch that right away gets to the gritty with some distasteful necro-felatio which goes horribly awry, I would ask is there anyway necro-felatio could go well, I guess it's all a matter of perspective, right? The amorous grave robber leaves the cemetery injured to say the least with his naughty bits having been shredded by his graveyard girlfriend. Not something I would do myself but this guy actually limps his way back to his night job at the drive-in movie theatre where it's a special night, it's their last hurrah before the drive-in closes it's doors forever. To commemorate this sad occasion the aptly named drive-in proprietor Cecil Kaufman (Richard Riehle, OFFICE SPACE) is sending his beloved cinema out in style with a four film marathon of rare splatterfests projected on the big screen for a jam-packed crowd of gore-hounds and splatter-fiends.

The first feature is WADZILLA written, directed and starring Adam Rifkin (THE DARK BACKWARDS) and it's a truly tasteless send-up of the b-movie creature features of the 50's. Miles Munson (Rifkin) is a man afflicted with a low sperm count and when he seeks medical help for his condition he is prescribed an experimental drug called "spermupermine" by wacky wang-ologost Dr. Weems (Ray Wise, TWIN PEAKS). The testicular steroid has the unfortunate side effect of enlarging Mile's scrawny sperm when he is aroused - which is pretty often, there are babes galore in this film. These growing pains cause Miles great discomfort in the junk and the only way to alleviate the excruciating sensation is to beat-off and release the beast - and what a beast it is. The short is populated by gorgeous busty ladies and awful b-movie effects from none other than The Chiodo Brothers (KILLER KLOWNS FROM OUTER SPACE). There's appearances from Lin Shaye (INSIDIOUS) and Eric Roberts (SHARKTOPUS) as Gen. Bukaki and while Rifkin couldn't act his way outta a wet paper bag I found the flick to be a juvenile, raunchy exercise in trashiness with a sense of humor about it that brought to mind FRANKENHOOKER (1990) and ATTACK OF THE KILLER TOMATOES (1978) - fun stuff with a creamy climax that seemed to reference GHOSTBUSTERS (1984).

Up next is director Tim Sullivan's I WAS A TEENAGE WEREBEAR, a weird mash-up of BEACH BLANKET BINGO (1965) and TEEN WOLF (1985) zapped with a walloping dose of homo-eroticism and fun musical numbers. A clean-cut preppie named Ricky (gay porn star Sean Paul Lockhart) finds his life altered when he's bit on the ass during a sexually charged wrestling match with a leather daddy werebear. Not my cup o' tea but still slightly amusing. This is the first film I've seen from Tim Sullivan and while I can't say it did much for me it did have some fun musical numbers, but honestly it was just a bit too goofy and gay for me. I'm also a bit biased as I generally kinda sorta hate musicals, so that didn't help either. Lin Shay also appears in this segment as Nurse Maleva in a fun homage to THE WOLFMAN (1941) while director Tim Sullivan appears as Coach Tuffman. Some fun moments but overall this was the runt of the litter for me.

In Adam Green's demented Nazi-ploitation comedy THE DIARY OF ANNE FRANKENSTEIN actor Joel David Moore (SPIRAL) makes a turn as Adolf Hitler who sets out to create the perfect Jew-killing machine using the secrets of the family of Anne Frankenstein. Unfortunately he assembles his Arian masterpiece with the body parts of Jews and as can be expected his Golem-esque creation rises up against him with bloody results. This segment looks pretty fucking awesome, a spot on period piece shot in black and white, great production value and set design made this the best looking bit o' the bunch. Kane Hodder (FRIDAY THE 13th VII) appears as the creature Meshugannah and he really puts the "Bear Jew" from INGLORIOUS BASTERDS to shame in the Nazi killing department. The actors in the film seem to be speaking German fluently aside from Moore who wings it with some marble-mouthed nonsense. It's pretty funny stuff with Hodder delivering more than a fair share of cock n' balls destruction to some deserving Nazis, giving them a pounding that leaves them screaming "Shalom!". Pretty absurd stuff, it peters out towards the end having overstayed it's welcome just slightly but there's definitely some fun to be had here for sure.  

The not quite final segment is DEATHICATION, a short interlude of people shitting themselves to death, it's mighty pointless but quickly passes on into the true final vignette, the continuation of the wrap-a-round film ZOM-B-MOVIE. You may recall that the drive-in projectionist lost his junk following an unfortunate graveyard fellatio incident and returned to the drive-in at the start of the film but his blue neon infected wound has leaked the worst kind of cross-contamination possible into the concession stands popcorn unleashing a zombie horde upon the cinema. Luckily, the cinema's suicidal owner/horror host Cecil Kaufman, the awesome Richard Riehle, not only has great taste in bad cinema but a gigantic stash o' guns and an endless array of famous one-liners with which to combat the undead throngs.

So, does this trashy collection of bad b-movies work? Yes and no, these are bad films made to be seen as such, trashy love letters to an era of awfulness awesomeness and to that end I would say it's successful. Whether you enjoy it or not really depends on your stomach for schlock shittiness, for me it mostly hit all the wrong notes just the right way.

SPECIAL FEATURES:
- Directors' Video Commentary
- Wadzilla Deleted Scenes and Trailer (6:04)
- The Making of The Diary of Anne Frankenstein
- I Was A Teenage Werebear Behind the Scenes (21:59), Deleted Scenes (14:27), and Trailer
- Zom-B-Movie Deleted Scenes (4:02)
- Famous Monsters Directors' Interviews (5:41)
- Original Theatrical Trailer
- Trailers: CHILLERAMA (2:13), WADZILLA (2:39), I WAS A TEENAGE WEREBEAR (2:01)

VERDICT: I found it hard not to appreciate the zest with which these young directors tore into making such schlocky, awful films and in the end it really won me over despite some dud humor and flat gags throughout that are part and parcel of the films it's pays tribute to. Make no mistake, they're undoubtedly quite terrible films one and all, trashy, raunchy and distasteful on almost every level and I guess that's what I love about 'em - there's something so cool about a bad film. Now I know there's gonna be some haters who just can't stomach the schlock but count me in, it's bone-headed, offensive, dumb and pretty stupid entertainment. 3.5 outta 5  

DVD Boxset Review: Cult Terror Cinema 12 Movie Collection

CULT TERROR CINEMA - 12 MOVIE COLLECTION (3 DVD SET) (2010)

Mill Creek Entertainment http://www.millcreekent.com/

I do enjoy a Mill Creek Entertainment budget collection, I must say. They're a company known for bringing cult, horror and public domain schlock to the dirty, unwashed masses, and this set here is probably one their top five collections in my humble estimation. Do yourself a favor and also check out the following collections: CHILLING CLASSICS 50pk, PURE EVIL 50pk and the GOREHOUSE GREATS 12pk. American International Pictures (AIP), a company primarily known for low budget grindhouse cinema, biker, exploitation, and b-movie drive-in fare has recently been acquired by the fine folks at Mill Creek and the CULT TERROR CINEMA set is comprised of 12 AIP titles, a few of which are DVD debuts; while several others are out of print. So, lets dig in...

THE FILMS: THE BABYSITTER (1969), BLOODLUST! (1959), CARNIVAL OF CRIME (1962),THE CRATER LAKE MONSTER (1977), THE CREEPING TERROR (1964), ESCAPE FROM HELL ISLAND (1963), FLESHBURN (1984), THE HEARSE (1980), HORROR HIGH (1974), LAND OF THE MINOTAIR (1976), LURKERS (1988), THE TEACHER (1974)

THE HEARSE (1980) "There is a door between life and death and now, that door is open!"Directed by Charles B. Pierce/Starring Trish Van Devere, Joseph Cotton/Color/PG. Recent divorcee Jane Hardy (Trish Van Devere, THE CHANGLING) decides to move into her departed aunt’s home; her aunt was a practitioner of the black arts, a witch. Jane finds herself menaced by a mysterious black hearse and its driver. and is almost run-off the road by as she arrives in town. The film contains elements of the THE AMITYVILLE HORROR, THE CHANGELING, and BURNT OFFERINGS, and they came together quite well. I really enjoyed this film, TrishVan Devere is great and Joseph Cotton (LADY FRANKENSTEIN) appears as a  a drunken attorney. The ending is a bit confusing, but I recommend a watch this haunting tale of possession and witchery. RATING ***1/2 (3.5out of 5 stars)

THE CRATER LAKE MONSTER (1977) "A beast more frightening than your most terrifying nightmare!" Directed by William R. Stromberg/Starring Richard Cardella, Glenn Roberts, Mark Siegel/Color/Unrated. A group of archaeologists, including a pipe smoking professor (of course) discover cave paintings that prominently features a plesiosaurus-type creature, however, before the discovery can be documented a meteor slams into Crater Lake (ironic, no?) destroying this amazing discovery. Shortly thereafter the backwoods community of Crater Lake, Oregon experiences as rash of mysterious deaths. A long buried plesiosaurus egg, buried in the mud of the lake, has been incubated by the searing heat of the submerged meteor, and full grown dinosaur emerges – pure genius. The creature, obviously inspired by the classic Loch Ness creature, is pure schlocky awesomeness, done in true Ray Harryhausen stop motion style. For a schlocky 70’s B-movie the setting is great, making full use of the wooded area and scenic lake beauty, mist rolling off the water, scenic vistas, captivating stuff. Arnie (Glen Robert) and Mitch (Mark Siegel) the comic relief of the film steal the show, providing slapstick laughs and even a bit of emotional gravitas. A forgotten drive-in classic, if you love 70’s schlock and creature features you are sure to love THE CRATER LAKE MONSTER.  
RATING ***1/2 (3.5 out of 5 stars)

HORROR HIGH (1974) "The man who survived "Precinct 13? is back!" Directed by Larry N. Stouffer/Starring Pat Cardi, Rosie Holotik, Austin Stoker/Color/PG. High school nerd Vernon Potts (Pat Cardi, BATTLE FOR THE PLANET OF THE APES) is bullied to no end in this film; the school bully, the gym coach, the creepy custodian, even the elderly English teacher Ms. Grindstaff – geesh, what a loser, right?. The only person not shitting on him for some reason is the hot redhead, Robin, whom he has a major crush on. Vernon is performing an experiment on Mr. Mumps, a guinea pig, aimed on transforming the rodent in some way, and does it ever. The guinea pig is transformed into a ravenous beast that kills the janitor’s beloved cat that for some reason he takes with him to work, odd. In a crazed burst of violence the janitor beats the bejeezus outta Vernon, kills the guinea pig, and forces Vern to drink his own chemical concoction, wrong move. The elixir transforms skinny ol' Vern into a violent, super strong nerd bent on revenge ala Jekyll & Hyde. You never really see a clear shot of Vern once he's been transformed, I think it works for this low-budget revenge thriller. As the tagline would indicate, actor Austin Stoker (Ethan Bishop from John Carpenter's ASSAULT ON PRECINCT 13) portrays Lt. Bozeman, the man in charge of investigating the string of murders. A really striking revenge thriller, good stuff. 
 RATING ***1/2 (3.5 out of 5 stars)

THE BABYSITTER(1969) "She came to sit the baby... and ended up with Daddy!" Directed by Don Henderson/Starring Patricia Wymer, George E. Carey, Ann Bellamy/B&W/R. Deputy District Attorney, George Maxwell (George E. Carey) is in the middle of a case involving the prosecution of a murderous motorcycle gang member but has a hard time juggling the case with his complicated family life when he begins a tryst with the much younger girl, the titular babysitter, Candy (the super gorgeous Patricia Wymer). The girlfriend of the biker discovers the affair and blackmails George. What a bizarre film, a male fantasy mingled with a biker thriller of sorts, a lot of fun.
RATING *** (3 out of 5 stars)

BLOODLUST! (1959) "Maniac Hunts Humans in a Jungle Hell!" Directed by Ralp Brooke / Starring Robert Reed, Wilton Graff, June Kenney/B&W/Unrated.
Two young couples set sail for a three hour tour, and much like GILLIGAN’S ISLAND, they end up on an apparently deserted island, however, this island is not home to Ginger or Mary-Anne, the island is owned by Dr. Balleau, an eccentric nut with a passion for hunting humans. The teenagers, led by Johnny (Robert Reed, BRADY BUNCH) must escape Dr. Balleau (a great over-the-top performance from Wilton Graff) if they hope to make it off the island alive. RATING ** (2 out of 5 stars)

CARNIVAL OF CRIME (1962) "At the height of wild, frenzied, sensual pleasures... a murderer strikes and terror grips the city!" Directed by George Cahan/Starring Jean-Pierre Aumont, Alix Talton, Tonia Carrero/B&W/Unrated. A architect is attempting to complete his new building project at the expense of his relationship with his wife. After his unfaithful wife mysteriously turns up missing, the police suspect he is responsible for her disappearance. The architect must discover what happened to his wife to clear his name. RATING ** (2 out of 5 stars)

THE CREEPING TERROR (1964) Directed by Vic Savage/Starring Vic Savage, Shannon O'Neal, William Thourlby/B&W/Unrated. A spacecraft lands in a remote area outside of a small California town and a ridiculous looking, shambling alien creature emerges and promptly begins eating people. The Creeping Terror is widely considered to me one of the worst films of all time, giving PLAN 9 FROM OUTER SPACE and MANOS HAND OF FATE a run for their proverbial cash. Fun fact: there’s a rumor that a more impressive looking monster was designed for the film only to be stolen mere days before shooting was to begin, thus resulting in the now infamous “pile of carpets” monster. If you love schlock, this is a must-see.
RATING **(2 out of 5 stars)

ESCAPE FROM HELL’S ISLAND (1963) Directed by Mark Stevens/Starring Mark Stevens, Jack Donner, Linda Scott/B&W/ Unrated. A Florida boat captain loses his license after an attempt to smuggle some Cuban refugees results in a woman dying in the process. When he takes up with the wife of a jealous man, it puts him in great danger when the man charters the captain's boat with the intent to kill him while on the voyage. RATING **1/2 (2.5 out of 5 stars)

FLESHBURN (1984) "A new kind of revenge!" Directed by George Gage/Starring Steve Kanaly, Sonny Landham, Karen Carlson/Color/R. Calvin, a Native American Vietnam veteran (bad-ass Sonny Landham, Billy from PREDATOR) escapes a mental institution where he was sent by four psychiatrists, who testified during his trial, having been brought up on charges after he deserted his squad based on spiritual beliefs, resulting in their deaths. After his escape he seeks revenge upon the psychiatrists, whom he stalks and kidnaps, leaving them in the scorching desert to die. The film is advertised as sort of a Native American RAMBO or DEATHWISH-type exploitation flick, and while it isn’t exactly that it is interesting watch. RATING *** (3 out of 5 stars)

LAND OF THE MINOTAUR (1976) "Half man... half beast...trapped in a world forgotten by time!" Directed by Kostas Karagiannis/Starring Donald Pleasance, Peter Cushing, Costas Skouras/Color/PG. In this occult thriller a group of youths disappear while searching a hidden temple dedicated to the Minotaur near a small Greek village. A Catholic priest (Donald Pleasance, HALLOWEEN), a New York police detective, and the girlfriend of one of the missing persons team-up to search for the missing youths and uncover a pagan cult devoted to sacrificing victims to the Minotaur, led by Baron Gordon (Peter Cushing, HORROR OF DRACULA). The pagan statue of the Minotaur in this film is awesome, it’s anatomically correct and shoots flame from its nostrils, very menacing, but overplayed. Pleasance plays the Catholic priest version of his Dr. Loomis character from Halloween, and Cushing is more or less wasted in a thankless role, that of the least menacing villain in recent memory, the elderly cult leader. Unless you’re a Pleasance/Cushing completist it’s hard to recommend a sit through on this one. RATING ** (2 out of 5 stars)

LURKERS (1988) "Cathy's not scared. She should be... she's one of them!" Directed by Roberta Findlay/Starring Christine Moore, Gary Warner, Marina Taylor/Color/R. Cathy is a young woman whom endured a truly nightmarish childhood and is haunted by visions of the dead, including her murderous mother. She sees "lurkers", damned souls warning her of danger, telling her not to go back to her childhood home. The film has a bit of a low-rent THE BEYOND or THE SENTINEL feel to it, but it's a bit too meandering and overly long to keep my attention. Director Roberta Findlay, and husband Michael Findlay were pretty famous for a series of grindhouse-style sexploitation films, after her husbands death in ’77 she went on to direct hardcore pornos and again returned to the horror genre in the mid-80’s. Interestingly, Michael Findlay was killed in a helicopter accident on the roof of the Pan Am Building in NYC, slashed to death by the helicopters spinning rotor-blades during a botched landing.  RATING **1/2 (2.5 out of 5 stars)

THE TEACHER "After school... her lessons began with sex and ended in violence" (1974) Directed by Howard Avedis/Starring Jay North, Angel Tompkins, Anthony James/Color/R. Sean (Jay North, DENNIS THE  MENACE) is a recent high school graduate and takes up a sexual relationship with Diane (Angel Tompkins) his married teacher. A psychotic neighbor (Anthony James, UNFORGIVEN) is obsessed with the woman and is out to get Sean. The entire films kinda feels like a fleshed out softcore porn, I ain't complaining, just saying. Who hasn't fantasized about a teacher, and rarely are they as hot as Angel Tompkins, yowza. A crazy, fun exploitation flick that hits a few dark notes along the way.
RATING ***1/2 (3.5 out of 5 stars)

DVD: Not known for generous supplemental materials Mill Creek has made no exception  here, no special features. The 12 films are presented on 3 dual-sided flipper discs in black paper sleeves housed within the DVD case. I'm sure little money was invested into film restoration here, so I think we’re just lucky that these films are as presentable as they are, most of the films are 16x9 enhanced widescreen presentations, which is awesome. You get the usual array of ghosting, missing frames, digital artifacting, scratches, pops, cigarette burns, pretty standard stuff for theses budget collections, but only minor issues considering the grindhouse/drive-in origins of the films.

VERDICT: Mill Creek Entertainment has done it again, I had a ton o’ fun sifting through the cult, schlock, exploitation and B-movie’s films contained herein. For me the highlights were the gems THE HEARSE, HORROR HIGH, THE CRATER LAKE MONSTER, THE BABYSITTER, FLESHBURN, and THE TEACHER – worth the $10 price tag by themselves. One of the top 5 Mill Creek collections, great stuff, and a good consistent collection of obscure cult, schlock, and horror cinema. OVERALL RATING **** (4 out of 5 stars)

-McBASTARD