Showing posts with label Image Entertainment. Show all posts
Showing posts with label Image Entertainment. Show all posts

Wednesday, April 17, 2013

DVD Review: STATE OF EMERGENCY (2010)


STATE OF EMERGENCY (2010)

Label: Image Entertainment
Region: 1 NTSC 
Rating: Unrated 
Duration: 90 Minutes 
Video: 16:9 Widescreen 
Audio: English Dolby Digital 2.0 Stereo
Tagline: When the Dead Walk, the Living Run 

Synopsis: After an explosion unleashes the contents of a military bio-weapons plant, the unsuspecting populace is transformed into a roaming army of flesh-eating zombies. Trapped in the quarantine zone, Jim (Jay HaydenA Warrior's Heart) finds himself cut off, confused and fighting for his own survival. Contacted by a small band of others unaffected by the toxins, Jim sets out to reach their besieged warehouse. Becoming the group's de-facto leader, he struggles to keep order as they hunker down, fortify their stronghold and arm themselves against the attacking mutants. Fragmentary radio reports from outside hint at a last-ditch government rescue plan. But can the survivors hold out until help arrives… or will they succumb to the living hell of an undead apocalypse?

When a chemical plants goes up in flames the toxic fallout really ruins the day for the inhabitants of a small town. Among them are Jim (Jay Hayden) and his unfortunate wife. As the toxic plume rises into the sky emergency sirens go off, a large portion of the populace exhibit signs of extreme violence and the military arrives and quarantines the country as a precaution, it's a very 28 Days Later rage-plague set-up, what we get are more infected than actual Romero-esque zombies. 

Our protagonist Jim at first finds safety in an abandoned building where he keeps to himself and watches the TV, we learn about the quarantine and the violence the infected are inflicting on survivors.  Not long after he is contacted by small group of three survivors who have taken up residence in a nearby warehouse, it's a more secure shelter, and he joins them. W what we get is more a character piece more so than as film laced with zombie carnage, there's not even a lot of survivor drama or in-fighting among the group. If you think of Romero's Dawn of the Dead (1979) and of the time in the mall once Peter and the group wall-up the stairwell and try to lead a life of normalcy you've got a good grasp of what you're in for here, 

Gore hounds seeking a throat-ripping zombie assault might be in for a a bit of disappointment but as a character study about a small group of survivors this works quite well, we get some strong characterization, the small cast is excellent, particularly Jim Hayden and Andy Stahl whom are given characters with the most meat on the bone, good stuff. 


It's a low-budget feature but the cinematography is fantastic and has a attractive green patina to it, nice deep saturated color and great shots, a very decent looking micro budgeted film. Note to indie filmmakers, having a great director of photography goes a long way.  


We only get a handful of infected onscreen but they look great, red-eyed and angry as fuck... except when they're speaking, yup, that's right, some of the infected maintain the ability to speak for a little bit at least, which was interesting.


As a zombie film State of Emergency (2010) is pretty low on gore but quite strong in the areas of atmospherecharacterization and creating small tense moments, depending n what you're looking for from an infected film you're either gonna enjoy it or hate it. Going in I didn't expect a lot from it, the DVD artwork is beyond generic and when I slapped it on I was anticipating quite a dull experience, and depending on what your tastes are you might think it a bit slow. It's not action-packed, not blood soaked but it's a nice claustrophobic story of survival punctuated with some nice moments of violence and fear, a decent weekend rental. 2.5 Outta 5 

Friday, November 9, 2012

Blu-ray Review: HOLLISTON: THE COMPLETE FIRST SEASON (2012)



HOLLISTON: THE COMPLETE FIRST SEASON (2012) 


Label: Image Entertainment
Region: A
Rating: Unrated 
Aspect Ratio: Anamorphic Widescreen (1.78:1) 
Audio: Emglish Dolby Digital 5.1 
Cast: Adam Green, Joe Lynch, Laura Ortiz, Corri English, Dee Snider, Dave Brockie
Director: Adam Green 

The Series: Here's a fun TV sitcom for the horror-set, the first original show on  FEARnet from HATCHET director Adam Green starring Adam Green and WRONG TURN 2 director Joe Lynch as two perpetually poor aspiring horror directors employed at the Mass Cable Network where they host a public access program called The Movie Crypt and make lo-budget cable commercials while sneaking equipment on the side to film their hockey-themed horror film SHINPADS - about an undead Mexican soccer whom return from the grave to exact revenge, "When they score, you die". Nice. Oh, and they're boss is Lance Rocket - an 80's glam rock reject with questionable sexual orientation who plays in a Van Halen tribute band mot to mention Adam's imaginary alien friend, GWAR's Oderus, who lives in his closet emerging every once in awhile to dispense terrible advice.

In matters of love Joe is dating Laura (Laura Ortiz, THE HILLS HAVE EYES) an adorably demented pixie of a woman who is a painter of macabre and disturbing imagery while Adam pines away obsessively for his high-school flame Corri (Corri English  UNREST) who has recently returned to Hollsiton.

There's a lot to here to love for the horror fans, quirky humor, bad taste, offbeat, sweet and sorta uplifting, plus we get some sweet horror film homages and the occasional bit of gore and some cool cameos from Tony Todd (CANDYMAN), Kane Hodder (FRIDAY THE 13TH), Danielle Harris (HALLOWEEN 5), Seth Green (RAT RACE), DEREK MEARS (FRIDAY THE 13TH), Bill Mosely (TEXAS CHAINSAW MASSACRE), Colton Dunn (MADtv) and director John Landis (AN AMERICAN WEREWOLF IN PARIS).

As for gore we get a very sweet SCANNERS homage and a grotesque scenario by which both Adam and Joe are sprayed by a skunk and end up in the bathtub together with Adam uncontrollably vomiting in the bathwater, gross and funny. At one point actor Tony Todd star of CANDYMAN visits the Movie Crypt and comes back to the guys house after a night out on the town and wont leave - what do you do when Candyman 

Episodes: 

The Hooker - When Adam discover's that his ex Corri is returning to town he dumps his current gal and in an ill conceived plot hires a hooker with a heroin-nod  to play his girlfriend on a double-date with Corri and her current boyfriend - a doctor. Adam makes a fool of himself, of course. We get a pretty great POLTERGEIST homage here, a fun start to the series. 

Camera Rental - In an attempt to generate some cash flow the boys pilfer a camera from work for the weekend and rent it out, meanwhile Corri and Laura are on the hunt for an apartment and end up leasing a haunted property from TWIN PEAKS' Ray Wise. This episode we get a cool Allister Crowley cameo who destroys Adam's face in a brutal dream sequence   

Skunked - When Adam's retarded cat Axle runs off the boys get sprayed by a skunk while searching for the feline and end up in a tub naked together covered in vomit. Meanwhile the girls head off to the convenience store in search of vinegar to rid them of the stench but wind up with an armful of feminine douche and suspected of running a brothel. Great guest appearance from Brian Posehn (SARAH SILVERMAN SHOW) as the clerk and a cool lesson on how to make fake blood, fun stuff. 

Candyman - Actor Tony Todd visits The Movie Crypt when the station airs CANDYMAN. The guys are super thrilled when the star invites them out for a drink but are less honored when he comes back to the apartment and will not leave... and he wants to fuck Corri which drives Adam completely nuts,

Laura's Little Twitter - Adorable and demented Laura posts a pic on twitter and is suddenly deluged by thousands of followers, why? It might have something to do with the moose-knuckle in the pic - this one reminded me quite a bit of Elaine's classic nip-slip episode on SEINFELD. Features a great Seth Green cameo as effects artists Gustav/Neil - he's got a split personality  there's also some fun commentary on the PUMPKINHEAD and HALLOWEEN sequels, plus remakes of DAWN OF THE DEAD and THE THING and the work of effects masters Tom Savini and Greg Nicotero

Weekend of Horrors - The season capper features the boys finishing the teaser trailer to their film SHINPADS and attend Rock N' Shock Weekend of Horrors in an effort to get it into the hands of filmmaker John Landis. Along the way the encounter a hostile Kane Hodder and freak out Danielle Harris. Definitely an episode that riffs on horror fandom and the more extreme convention going weirdos who are a bit obsessive. Lots of fun stuff here beginning with a sweet SCREAM homage, a GWAR concert clip and Adam masturbating to a clip from Sam Raimi's THE GIFT. 

Special Features: 
  • Cast Commentaries
  • Deleted Scenes with Introduction by Adam Green and Laura Ortiz
    - Episode 2 Deleted Scene (3:08)
    - Episode 4 Alternate Ending (3:24)
    - Episode 5 Alternate Opening (3:24)
  • Bloopers (5:30)
  • Behind the Scenes
    - Holliston History (3:08)
    - Meet the Cast (5:01)
    - Art Direction (3:33)
    - Make-Up and Wardrobe (3:19)
    - Guest Stars (5:45)
    - Horror Convention (4:19) 
    - Bathtun Scene (3:42)
  • HOLLISTON: A Sneak Peak (19:51)
  • The Road to HOLLSITON Promos
   - The Pitch (2:29)
   - Corri English Audition (9:03)
   - Network Notes (2:47)
   - Oderus Urungus Screen Test (2:15)
   - Dee Snider Make-up test (1:11)
   - On Set with Laura Ortiz (1:18)

Verdict: Weird, wacky and loaded with crude, juvenile humor but it's also pretty witty and smart. A sitcom for the horror-set with tons of great in-jokes and broad situational humor. I laughed my ass off and was pretty envious of the amazing horror-themed t-shirts Adam and Joe wore. Definitely looking forward to a second season, a recommend! The special features are pretty funny, too. You can tell how much fun the cast and crew had making this by how fun the bonus features are.
(3 Outta 5)  

Thursday, October 18, 2012

DVD Review: THE THEATRE BIZARRE (2011)


THE THEATRE BIZARRE (2011)

Label: Image Entertainment
Region: 1 NTSC
Rating: Unrated

Duration: 114 Minutes
Aspect Ratio: 16:9 Widescreen (2:35:1)
Audio: English Dolby Digital 5.1
Directors: Buddy Giovinazzo, David Gregory, Douglas Buck, Jeremy Kasten, Karim Hussain, Richard Stanley, Tom Savini
Cast:
Udo Kier , Guilford Adams, Suzan Anbeh, Lindsay Goranson, André Hennicke, Kaniehtiio Horn, Lena Kleine, Catriona MacColl, Victoria Maurette, Virginia Newcomb, Debbie Rochon, Tom Savini, Melodie Simard

When Enola Penny (Virginia Newcomb) enters a derelict theatre she is enraptured by a bizarre series of six anthology vignettes introduced by a creepy marionette character (Udo Kier, Mark of the Devil) and a cast of eerie automatons creations.

Up first is the Lovecraftian tale "The Mother of Toads" directed by Richard Stanley, the director of Hardware (1990) and Dust Devil (1992). The segment features Italian horror icon Catriona MacColl who appeared in many of Lucio Fulci's films including The Beyond (1980). An American couple Martin (Shane Woodard) and Karina (Victoria Maurette) are touring the French Pyrenees when by chance they encounter a witchy woman named Mere  (Catriona MacColl, The City of the Living Dead) who lures Martin, an anthropologist by trade, to her countryside villa with the promise of the fabled Necronomicon. Once the young man is is alone with her he discovers she  is quite more than she at first appears. It's a well-crafted creeper and the seduction of Martin by the aged witch is quite unnerving and it only gets more grotesque when he wakes up next to something quite a bit more severe than a horny witch. The gooey low-budget creature effects are pretty great, the anthology starts off strong with what turned out to be my favorite of the bunch. It's great to see Stanley back directing horror his aforementioned early 90's features were among the decades brightest and darkest entries. The short features gorgeous settings and great cinematography accentuated by Dario Argento-esque lighting and an atmospheric score that brought to mind Goblin at moments. The piece really has an Italian horror feel to it, definitely a short that left me hungering for more from Richard Stanley, this was a great Lovecraftian tale rich with occult symbolism.


Up next  from director Buddy Giovinazzo (Combat Shock) is a twisted tale of demented love and betrayal "I Love You". Axel (Andre Hennicke) is a pathetic and insanely insecure man pleading for his cheating lover Mo (Suzan Anbeh) to stay with him despite her painfully honest admissions of infidelity which she lays bare on the table in a series of promiscuous flashbacks. This one is heavy on dialogue but we get a satisfying and twisted finale that delivers the goods. 

"Wet Dreams" from Tom Savini follows a douche-nozzle named Donnie (James Gill) who steps outside the bounds of  marriage to Carla (Debbie Rochon) regularly but he is haunted by castration anxiety nightmares of emasculation and towards that end seeks the help of a psychiatrist named Dr. Maurey (Tom Savini). Turns out Donnie is sticking it to the psychiatrist's wife on the side and you have to imagine that a head shrink, when provoked, is capable of some dark and twisted shit. Tom Savini also directed the remarkable Night of the Living Dead (1990) remake but has done very little since that has stuck with me, my least favorite of the bunch but there's some revenger fun to be had here with gory special effects gore from the Toetag Pictures crew. 


Douglass Buck's somber "The Accident" deals with the aftermath of a motorcycle accident witnessed by a mother (Lena Kleine) and her adolescent daughter (Melodie Simard). It's a gorgeous looking film and has a tenderness to it that sets it apart from the other dark-hearted tales, the young girl's questions about death to her mother was quite touching and maybe a bit misplaced on this anthology.


Enough about a innocent young girls questions about mortality, let's get back to some squirm inducing eye-gore with Karim Hussain's "Vision Stains" a rather unique vision of terror indeed as a young woman (Kaneihtiio Horn) mortally wounds street walkers, junkies and the homeless and as they lay dying inserts a needle into their eyes withdrawing the ocular fluid and then injecting it into her own eyeball - fans of Fulci's infamous eye-gore will just love this, some very nasty effects work going on here - it will have you squirming in your seat for sure, just nasty. The transference of ocular fluid sets of a series of memories in her own brain and she hurriedly scrawls the life memories of each of her victims into a journal, a weird addiction and compulsive .


The last of the vignettes is a candy-colored nightmare of gluttony and lust from David Gregory entitled "Sweets". Estelle (Lindsay Goranson) and Greg (Guilord Adams) are engaged in some bizarre fetish that involves mass digestion of confectionery delights to the point that it's just gross> When the two attend a party hosted by Mikela Da Vinci (Lynn Lowry, Romero's The Crazies) things get even more bizarre, a beautifully filmed and shocking bit of nastiness right here.  



DVD Special Features:
- Audio Commentary for each Segment with the exception being Douglass Beck "The Accident"
- 'Shock Till You Drop' Interviews with Gergory, Giovanizzo, Kasten (38:21) 
- Behind-the-Scenes (7:45)  
- Theatrical Trailer (1:35) 



Verdict: What attracted me to this film at first was the return of Richard Stanley to the horror genre - now that's something to get excited about right there and I was pleasantly surprised with the quality of all of these dark vignettes.  Not all were of the caliber of Stanley's Lovecraftian "Mother of Toads" but each was well-crafted, interesting and stylish, very few anthologies fire on all cylinders, that's just the way of the anthology but The Theatre Bizarre makes for some artfully disturbing viewing from start to finish, impressive stuff. (3.5 Outta 5) 

Tuesday, July 17, 2012

DVD Review: DEAD SEASON (2011)

DEAD SEASON (2011) 


Label: Image Entertainment
Release Date: July 31st, 2012
Rating: Not Rated
Duration: 88 Minutes
Audio: English Dolby Digital 5.1
Video: 16:9 Widescreen (1.78:1)

Director: Adam Deyoe
Cast: James C. Burns, Scott Peat, Marissa Merrill, Corsica Wilson
Tagline: On this island, survival is no game.


The Film: Personally I don't need a zombie film to be necessarily epic or even to rewrite the book of the well familiar zombie lore we've seen so many times before. Nope,  I prefer to keep it simple and rooted in the mythology established by George A. Romero's original Trilogy of the Dead. What I do need is some decent moments of gut-munching and a compelling human drama unfolding amidst the zombie apocalypse with some in-fighting amongst the survivors - it's a pretty simple formula. The last zombie film that really stuck with me was the Ford Brother's African set gut-muncher The Dead (2010) which was a great entry in the zombie canon that I heartily recommend.  Now let's take a bite out of the latest indie-zombie thriller Dead Season (2011) from director Adam Deyoe (Psycho Sleepover) and see how it stacks up amongst the countless zombie hordes streaming on Netflix and on the shelves at your local Walmart...


We get a well familiar set-up which succinctly lets us know that a planet-wide viral  outbreak of unknown origin has ignited a plague of flesh-eating zombies upon the Earth decimating the population in just under a year. The creature comforts of modern day are but a thing of the past leaving survivors to scavenge for food and shelter. Elvis (Scott Peat, Transformers) is a former EMT who's wife and daughter were lost in the early days of the plague, he now  survives on a steady diet of scavenged cans of food and booze - slightly drunk really does seem the only way to properly survive the zombie apocalypse. He's a nice guy and it's easy to like him, along the way he aligns himself with another survivor named Tweeter (Marissa Merrill, Photographic). The two flee the mainland for the island of Desoto off the coast of Puerto Rico with the help of a fellow survivor (Danny Hicks, Intruder)  who arranges for a boat. They're hoping for fresh start away from the zombie hordes, however, once they arrive on the island what they discover is quite less than an island paradise. On the island all animal and plant life have been made toxic by years of military ordinance testing and a small group of ex-military men have taken refuge at a former Naval base located on the island. The men are led by the steely-eyed Conrad (James C. Burns, Dinocroc vs Supergator) a man consumed by the well-being of his 17 year-old daughter Rachel (Corsica Wilson, Veer!) after the tragic death of his wife and daughter. To my eyes he seemed a bit like a more redeeming version of "Rhodes" from Romero's Day of the Dead (1985) and while Conrad certainly makes some questionable decisions he's a more likable character than "Rhodes".


Both Elvis and Tweeter are allowed to join the ranks of the military men after proving their worth to the small community. Elvis as a trained EMT proves most useful with his medical skills and it turns out Twitter is a major ass-kicker. Marissa Merrill is a fanboys wet-dream and if there's ever a zombie apocalypse I want her on my team. She's not just a machete-wielding zombie killer but a rather attractive young woman that brings to mind a pleasant mixture of Breakfast Club-era Molly Ringwald with her fiery red hair with a just a splash of Toni Collette - she's very easy on the eye as they says. 


The island scenery is gorgeous and is a great backdrop to the zombie carnage and human drama. The setting brought to mind Lucio Fulci's Zombie (1979) with lush jungle scenery and ocean vistas though not as nearly well-shot but the HD-shot film does look quite good. Add to that some use of existing locations, including a unused set built for Clint Eastwood's Heartbreak Ridge (1986) , and you have a low-budget film with some decent production value, definitely a film that stretches it's dollar for maximum effect.


There's tons of zombie carnage with loads of of flesh-tearing fun over-flowing with intestines, splatter, vehicular obliteration, gunshots to the head, machete whacks and a soda machine that splats a zombie real nice. There's definitely some decently grotesque splatter onscreen for the gore-hounds to enjoy.


The acting from the three main characters is pretty decent throughout and the supporting cast perhaps not so much - Conrad's band of soldiers are pretty weak  but adequate, nothing was ruinous to the overall enjoyment of the film. Scott Peat and James C. Burns are definitely the stand apart performances here with some nice touches of pathos and complexity and each get a few nice character moments.


The look of the zombies were pretty uneven in my opinion running the spectrum from pretty great to just sorta lame.  The undead here are of the slow shambling variety but the filmmakers mix-it up a bit with some runners late in the film and while I'm not against fast-moving zombies I didn't feel it was needed here and it felt kind of just tossed into the mix for no real reason. 


There's a nice selection of special features including a spirited and informative audio commentary with the filmmakers, a behind-the-scenes making of featurette, trailer, outtakes  and 16 minutes of deleted scenes that include an alternate opening with a bunch of gore fx not seen in the film.


Special Features:
- Audio Commentary with director Adam Deyoe, producer/editor Loren Semmens, actor Scott Peat and director of photography Jeffrey Peters
- The Making of Dead Season (9:05) 16x9
- Deleted Scenes (15:55) 16x9
- Outtakes (5:45) 16x9
- Trailer (1:29) 16x9



Verdict: Dead Season is an gritty  zombie-chomper with plenty of action and a decent amount of pathos and gore. It gets a medium recommend, it's not gonna blow your mind but it's a fun weekend watch.  2.5 outta 5 

Thursday, July 12, 2012

DVD Review: MIDNIGHT SON (2011)

MIDNIGHT SON (2011)

Label: Image Entertainment

Release Date: July 17th 2012
Region Code: 1 NTSC
Rating: Not Rated
Duration: 92 mins
Audio: English Dolby Digital 5.1
Subtitles: English, Spanish
Video: 16:9 Widescreen (1.78:1)

Director: Scott Leberecht
Cast: Zak Kilberg, Maya Parish, Tracey Walter, Arlen Escarpeta, Kevin McCorkle, Jo D. Jonz


Synopsis: Midnight Son (2011) is the story of Jacob, a young man confined to a life of isolation, due to a rare skin disorder that prevents him from being exposed to sunlight. His world opens up when he meets Mary, a local bartender, and falls in love. Tragically, Jacob's actions become increasingly bizarre as he struggles to cope with the effects of his worsening condition. Forced by the disease to drink human blood for sustenance, he must control his increasingly violent tendencies as local law enforcement narrow their focus on him as a suspect in a series of grisly murders.

The Film: The vampire genre like the pale-skinned corpses of its victims has been drained of it's vitality time and time again through the ages and maybe never more so than with the tepid tween juggernaut Twilight and it's sequels.  Fear not though for not unlike like the fanged creatures of the night the genre is resilient and regularly resurrected and unleashed upon the masses with renewed vigor and threat - which brings us to director Scott Leberecht's low-budget vamper Midnight Son


This is a quiet sorta thriller that's definitely not of the shock and awe variety, it's more indie and thoughtful but also dark and quite wonderful, too. Zak Kilberg (Zombie Strippers) portrays Jacob a night security guard at an office building where he works alongside a sage custodian (Tracey Walter, Repo Man). Jacob has suffered with a rare skin disorder from a young age that forces him to avoid sunlight - this particular condition may or may not be vampirism - its not really spelled out for you clearly but that's definitely what it feels like. Aside from the sun-aversion he is also super pale and anemic - the worst complexion you've seen in sometime. On top of this he has a growing thirst for blood which early on he procures from a meat market which he keeps in a thermos and sip from a coffee cup.


As the film moves on in its quietly intense sorta way Jacob's symptoms start to worsen and he becomes more and more jaundiced in appearance, the iris of his eyes turn a striking yellow and his blood lust grows more and more insatiable. When the meat market no longer proves sufficient enough supplier he turns to a hospital employee (Jo D. Jonz) who really only complicates things with his less-than-legal  skill set for acquiring blood on-demand.


Along the way Jacob meets and falls in love with a bartender named Mary whom struggles with a her own addiction - cocaine.  The couple each struggle on their own to maintain a normal relationship in the face of  their own increasing demand for their drugs of choice.


I talk about the film having a quiet intensity to it but it is also quite violent at times if short on gore but there's blood aplenty. Where the film excels is as a modern vamp story of a lonely man's struggle to maintain normalcy and indulge in the pursuit of love during a very strange time in his life. There's some great performances here and particularly from Kilberg who nails the loneliness of the character, there's some nice character moments and  pathos that really sucks you in.  


Special Features:
- Audio Commentary with Director Scott Leberecht and Stars Zak Kilberg, Maya Parish and Jo D. Jonz
- Interview with Zak Kilberg (4:43), Maya Parish (5:02)), Jo D. Jonz (5:02), Scott Leberecht (17:47) and Lyn Moncrieg (8:09)) 
- Three Deleted Scenes ((1:58) 16:9 
- Trailer (2:27) 16:9


Verdict:  This gets off to a slow start but if your looking for a vampire flick with a new take on things that doesn't bleed rote familiarity director Scott Leberecht's Midnight Son may be just what you're looking for. The film shares a kinship with films off-kilter but awesome tales of vampirism like George A. Romero's Martin (1976) and Kathryn Bigelow's Near Dark (1987) - if that strikes you as a good thing this is an easy recommend. 3 outta 5 




http://www.watchimage.com/

Monday, January 2, 2012

DVD Review: DON'T LET HIM IN (2011)

DON'T LET HIM IN (2011)

Label: Image Entertainment
Release Date: January 3rd 2012
Rating: Unrated
Duration: 79mins
Video: 6:9 Widescreen (1.85:1)
Audio: English Dolby Digital 2.0, English Dolby Digital 5.1
Subtitles: English, Spanish
Director: Kelly Smith
Cast:  Sophie Linfield, Sam Hazeldine, Gordon Alexander

Synopsis: What if you invited a serial killer on holiday? Heading off for a weekend in the country, Paige and Calvin reluctantly allow Calvin's brash younger sister to bring along Tristan, an arrogant city trader she's picked up in a one-night stand; but when the group learn a brutal serial killer is plaguing the area, Paige must confront the disturbing truth about Tristan.

I must say that the past few years have been robust with quality indie genre films outta the United Kingdom. A few of my favorites include the Faustian fantasy film HEARTLESS (2009), the paranoid thriller SALVAGE (2009) and the quietly intense portrait of serial killer TONY (2010). The latest export from the UK to screen on my LCD is the nasty slice o' indie-horror by the title of DON'T LET HIM IN (2011) from first time feature film director Kelly Smith. The director doesn't really stray too far from established formulas we've seen so often but he manages to throws in a few tasty surprises that might just make this worth a rental, so let's have a look.

A nurse named Paige and her boyfriend Calvin are a young Brit couple on their way to a countryside retreat when they stop off to pick-up his super-slutty sister Mandy  who rather rudely schleps along a wealthy young man she's only just met the night before at the club against her brother's better judgment. He's an arrogant sort of prick with an unattractive sense of entitlement by the name of Tristan. After an uncomfortable car ride the foursome arrive at their rural destination only to be informed by a local policeman Sgt. Utley that a serial killer known as the Tree Surgeon has been stalking the area and that it would be best if they keep their doors locked and not wander about the area after dark. The killer's known as the tree surgeon for hanging the dismembered remains of his victims from trees in the area.

No sooner is it dark than does a bloodied stranger named Shawn arrive on the doorstep of the cottage, barely conscious and sporting a nasty gash to the gut, the shocking arrival scares the bejeezus outta Paige whose home alone at the time but luckily for the stranger she's able to quickly tend to his mostly superficial wound. The next day during breakfast there's some nastiness between Tristan and pretty much everyone else in the group about what a bad idea it is to let the stranger remain in the house when there's a psychotic killer in the area, but Tristan is no innocent himself and may actually pose more of a danger to the group than the killer at large.

The characters are pretty one-dimensional with both Paige and Calvin just being pretty swell people the kind you'd want for pals. The sister Mandy is just a straight-up trollop, the most annoying  insecure cum-sucker you could ever hope to meet at a bar and Tristan as mentioned previously is just an arrogant prick with potentially murderous tendencies. The stranger Shawn turns out to be a hitchhiker with a heart of gold or so it seems, a few of the characters get some decent twists thrown their way but overall it felt just a bit too contrived.

The finale is pretty twisted in it's own way I guess with some decent low-budget gore effects but like I say it just felt a bit too contrived with a double-downer ending that should've left me chilled but really just kinda left me wondering, really? Don't get me wrong, this is not a terrible film, it's a decent first film with a few nice moments of suspense and twists but it's by the numbers and I found even the twists were expected.

On the plus side the acting is pretty top notch even if most of the actors don't get much to to chew on aside from the final girl and the killer, even though I found his motivations a bit too weird and nonsensical.  There's some decent kills and a fair bodycount considering the small cast, it moves along briskly at only 79 minutes and the droning score is chillingly effective. While it lacks originality it's still an entertaining watch but on the downside I didn't particularly care for the look of the film, it's particularly cold looking and a bit ugly, workman like in it's composition. A lot of character's decisions/actions were laughably poor without any logic, for instance a scene wherein an art class sketching trees makes a gruesome discovery made me laugh out loud, it is ridiculously bad.

DVD Special Features:
- Audio Commentary featuring Co-Writer/Producer/Director Kelly Smith, Co-Writer Chris Andrews and Co=Producer Mike Mindell
- Behind the Scenes Featurette (41:22) 16:9
- The Making of the Visual Effects (1:16) 16:9
- Trailer (1:58) 16:9

Verdict: It's not too original but neither is it a piss poor film, just a middle of the road spin on the cabin in the woods genre with a few inspired moments from a first time film director. I'm definitely not writing Kelly Smith outta the game, there's definitely potential for this young talent to really shine, it's just not here. Definitely worth a rental or checking out if it's streaming on Netflix, but only a medium recommend.
2.5 outta 5

Saturday, December 17, 2011

Blu-ray Review: CHILLERAMA (2011)

CHILLERAMA (2011)
LABEL: Image Entertainment
REGION CODE: A
RATING: Unrated
DURATION: 120 mins
AUDIO: DTS-HD MA 5.1
SUBTITLES: English, Spanish
VIDEO: 16:9 Widescreen (1.78:1)
DIRECTORS: Adam Rifkin, Joe Lynch, Tim Sullivan, Adam Green
CAST: Adam Rifkin, Sarah Mutch, Owen Benjamin, Richard Riehle, Joel David Moore, Ray Wise, Kane Hodder, Eric Roberts, Lin Shaye
TAGLINE: The Ultimate Midnight Movie!

I don't know about you but I just get pleased as punch whenever I hear about a new horror anthology coming down the pipeline. The omnibus fright format has always been a personal favorite of mine but they just don't seem as prevalent today as they were in the 70's and 80's - they've definitely fallen out favor. Perhaps it's just cause I was catching up with some of my favorites like Mario Bava's BLACK SABBATH (1963) and one of the many Amicus entries TALES FROM THE CRYPT (1972) some decades years after their initial release, either way there's not exactly a glut of 'em these days no matter how you slice it up and the format seemed to have peaked in the early 80's with the one-two punch of CREEPSHOW (1982) and TWILIGHT ZONE: THE MOVIE (1983). The nineties weren't exactly overflowing with anthologies either with the notable exceptions of FOUR ROOMS (1995) and PULP FICTION (1999) but in recent years there's been a resurgence with the Tarantino/Rodriguez feature GRINDHOUSE, TRICK R TREAT (2007) and effective, low-budget indies like THE DRIVE-IN HORRORSHOW (2009) and III SLICES OF LIFE (2010).

So, when word began to spread about this love letter to the schlocky drive-in films of the 60's and 70's from a handful of talented young directors I was pretty psyched and primed for some b-movie omnibus action. Beginning with the directors we have Adam Rifkin whose 70's stoner-comedy DETROIT ROCK CITY (1999) is a perennial favorite of mine, Joe Lynch who won me over with WRONG TURN 2 (2007), Adam Green who most recently nailed it with the winter-bound horror of FROZEN (2010) and lastly we have Tim Sullivan, director of 2001 MANIACS (2005).


The film CHILLERAMA is a series of vignettes that really sets out to celebrate the b-movie schlock cinema of yesteryear beginning with a wrap-a-round story called ZOM-B-MOVIE from director Joe Lynch that right away gets to the gritty with some distasteful necro-felatio which goes horribly awry, I would ask is there anyway necro-felatio could go well, I guess it's all a matter of perspective, right? The amorous grave robber leaves the cemetery injured to say the least with his naughty bits having been shredded by his graveyard girlfriend. Not something I would do myself but this guy actually limps his way back to his night job at the drive-in movie theatre where it's a special night, it's their last hurrah before the drive-in closes it's doors forever. To commemorate this sad occasion the aptly named drive-in proprietor Cecil Kaufman (Richard Riehle, OFFICE SPACE) is sending his beloved cinema out in style with a four film marathon of rare splatterfests projected on the big screen for a jam-packed crowd of gore-hounds and splatter-fiends.


The first feature is WADZILLA written, directed and starring Adam Rifkin (THE DARK BACKWARDS) and it's a truly tasteless send-up of the b-movie creature features of the 50's. Miles Munson (Rifkin) is a man afflicted with a low sperm count and when he seeks medical help for his condition he is prescribed an experimental drug called "spermupermine" by wacky wang-ologost Dr. Weems (Ray Wise, TWIN PEAKS). The testicular steroid has the unfortunate side effect of enlarging Mile's scrawny sperm when he is aroused - which is pretty often, there are babes galore in this film. These growing pains cause Miles great discomfort in the junk and the only way to alleviate the excruciating sensation is to beat-off and release the beast - and what a beast it is. The short is populated by gorgeous busty ladies and awful b-movie effects from none other than The Chiodo Brothers (KILLER KLOWNS FROM OUTER SPACE). There's appearances from Lin Shaye (INSIDIOUS) and Eric Roberts (SHARKTOPUS) as Gen. Bukaki and while Rifkin couldn't act his way outta a wet paper bag I found the flick to be a juvenile, raunchy exercise in trashiness with a sense of humor about it that brought to mind FRANKENHOOKER (1990) and ATTACK OF THE KILLER TOMATOES (1978) - fun stuff with a creamy climax that seemed to reference GHOSTBUSTERS (1984).

Up next is director Tim Sullivan's I WAS A TEENAGE WEREBEAR, a weird mash-up of BEACH BLANKET BINGO (1965) and TEEN WOLF (1985) zapped with a walloping dose of homo-eroticism and fun musical numbers. A clean-cut preppie named Ricky (gay porn star Sean Paul Lockhart) finds his life altered when he's bit on the ass during a sexually charged wrestling match with a leather daddy werebear. Not my cup o' tea but still slightly amusing. This is the first film I've seen from Tim Sullivan and while I can't say it did much for me it did have some fun musical numbers, but honestly it was just a bit too goofy and gay for me. I'm also a bit biased as I generally kinda sorta hate musicals, so that didn't help either. Lin Shay also appears in this segment as Nurse Maleva in a fun homage to THE WOLFMAN (1941) while director Tim Sullivan appears as Coach Tuffman. Some fun moments but overall this was the runt of the litter for me.

In Adam Green's demented Nazi-ploitation comedy THE DIARY OF ANNE FRANKENSTEIN actor Joel David Moore (SPIRAL) makes a turn as Adolf Hitler who sets out to create the perfect Jew-killing machine using the secrets of the family of Anne Frankenstein. Unfortunately he assembles his Arian masterpiece with the body parts of Jews and as can be expected his Golem-esque creation rises up against him with bloody results. This segment looks pretty fucking awesome, a spot on period piece shot in black and white, great production value and set design made this the best looking bit o' the bunch. Kane Hodder (FRIDAY THE 13th VII) appears as the creature Meshugannah and he really puts the "Bear Jew" from INGLORIOUS BASTERDS to shame in the Nazi killing department. The actors in the film seem to be speaking German fluently aside from Moore who wings it with some marble-mouthed nonsense. It's pretty funny stuff with Hodder delivering more than a fair share of cock n' balls destruction to some deserving Nazis, giving them a pounding that leaves them screaming "Shalom!". Pretty absurd stuff, it peters out towards the end having overstayed it's welcome just slightly but there's definitely some fun to be had here for sure.  

The not quite final segment is DEATHICATION, a short interlude of people shitting themselves to death, it's mighty pointless but quickly passes on into the true final vignette, the continuation of the wrap-a-round film ZOM-B-MOVIE. You may recall that the drive-in projectionist lost his junk following an unfortunate graveyard fellatio incident and returned to the drive-in at the start of the film but his blue neon infected wound has leaked the worst kind of cross-contamination possible into the concession stands popcorn unleashing a zombie horde upon the cinema. Luckily, the cinema's suicidal owner/horror host Cecil Kaufman, the awesome Richard Riehle, not only has great taste in bad cinema but a gigantic stash o' guns and an endless array of famous one-liners with which to combat the undead throngs.

So, does this trashy collection of bad b-movies work? Yes and no, these are bad films made to be seen as such, trashy love letters to an era of awfulness awesomeness and to that end I would say it's successful. Whether you enjoy it or not really depends on your stomach for schlock shittiness, for me it mostly hit all the wrong notes just the right way.

SPECIAL FEATURES:
- Directors' Video Commentary
- Wadzilla Deleted Scenes and Trailer (6:04)
- The Making of The Diary of Anne Frankenstein
- I Was A Teenage Werebear Behind the Scenes (21:59), Deleted Scenes (14:27), and Trailer
- Zom-B-Movie Deleted Scenes (4:02)
- Famous Monsters Directors' Interviews (5:41)
- Original Theatrical Trailer
- Trailers: CHILLERAMA (2:13), WADZILLA (2:39), I WAS A TEENAGE WEREBEAR (2:01)

VERDICT: I found it hard not to appreciate the zest with which these young directors tore into making such schlocky, awful films and in the end it really won me over despite some dud humor and flat gags throughout that are part and parcel of the films it's pays tribute to. Make no mistake, they're undoubtedly quite terrible films one and all, trashy, raunchy and distasteful on almost every level and I guess that's what I love about 'em - there's something so cool about a bad film. Now I know there's gonna be some haters who just can't stomach the schlock but count me in, it's bone-headed, offensive, dumb and pretty stupid entertainment. 3.5 outta 5